The Art of the Pitch

Pitching is an inevitable part of any theatre artist’s life. From pitching your show to festivals, to pitching your show to potential audiences, pitching is an art form in and of itself. 

On August 12 from 7:00-9:30pm, we’re offering a virtual workshop called Pitching 101. Led by Hope McIntyre and featuring an array of experienced panelists, the workshop will help those who are interested in bringing their creative ideas to the stage.

Screenshot 2020-05-30 15.02.34

A shot from our last workshop, Producing 101 in May, 2020!

Sarasvàti Production’s Artistic Director will guide participants through the process of creating a strong pitch. She was the inaugural Winnipeg Foundation Fast Pitch winner and has twenty years of experience producing and marketing work. Participants will have time to finesse their pitches and test them out on a panel of experienced artists with a history of promoting their own work. The final component will be getting valuable individual feedback. Pitching experience, feedback, and a networking opportunity all in the comfort of one’s home!  

“Learning how to passionately speak about your work to a range of people is crucial,” says Hope. “Whether you’re pitching your Fringe show to strangers or pitching to get your work produced, you need to get people interested in your story and rope them in.”  

The panelists providing feedback on pitches will include: 

Monica Ogden, who you may remember from her show Monica Vs. The Internet which had a great run at last year’s Winnipeg Fringe Festival. Monica (she/they) is an award-winning disabled Filipina, Polynesian, British storyteller, actor and comedian. Her Lilang migrated from Illocos Sur, Philippines in 1966, and she is now an uninvited visitor in the unceded territories of the Lekwungen and W̱SÁNEĆ peoples. Her solo show Monica vs. The Internet: Tales of a Social Justice Warrior ( ★★★★★ Winnipeg Free Press, ★★★★★ Saskatoon Star Phoenix) directed by K.P. Dennis toured 6 cities across Canada in the summer of 2019, toured to Second City Toronto, and was recently featured on CBC Arts for their online show with the #ArtApart National Theatre School series [Insert Monica bio].  

Josh Languedoc – an Anishinaabe playwright, theatre creator, and educator currently living in amiskwaciywaskahikan (Edmonton) and a proud member of Saugeen First Nation. For the past 2 years, Josh has been touring his acclaimed solo show Rocko and Nakota: Tales From the Land across Canada. Josh is currently a masters candidate at the University of Alberta’s MFA Theatre Practices program focusing on Indigenous playwriting. As an educator, Josh has taught theatre, acting, and playwriting at the Citadel Theatre, Artstrek, and all throughout Edmonton Public Schools. Josh is also the Youth Education and Outreach Coordinator for Workshop West Playwrights Theatre.   

Audrey Dwyer is Associate Artistic Director at the Royal Manitoba Theatre Centre. She has over 20 years of experience working as an actor, director, playwright, teacher, artistic director, facilitator and mentor.  In 2018, Audrey wrote and directed Calpurnia, which was produced by Nightwood Theatre and Sulong Theatre. The box office hit was shown to sold-out audiences and is being produced in Winnipeg at RMTC in the spring. She graduated from the National Theatre School and has film, tv, and stage credits that are too numerous to list!  

 Registration is limited and spots are already filling up fastThe workshop cost is only $10. You can register right now on our website, or email us at info@sarasvati.ca if you have any questions.  

A Robot Learning to be Human: An Interview with Jon Mourant

To get ready for the virtual edition of One Night Stand: A Series of Readings Focused on the Development of New Works on Thursday, June 11th at 7pmwe’ve interviewed Jon Mourant, co-ordinator, host, and Launchpad alumni.

Jonathan Mourant photo

Jonathan Mourant

Q: Jon! Tell us a little bit more about yourself and some of the things you’ve written.
A: I use the term “trans-disciplinary artist” which translates to improviser, playwright, drag performer, producer, and whatever other job I feel like taking on. My favourite phrase to describe myself is as a “robot learning how to be human,” which connects in a lot of ways to what I write and the ways I approach them! I’m fascinated and somewhat obsessed with how I see myself and how other people see me – both negatively and positively. In my writing I try to interrogate how personal relationships often force someone to come face to face with who they are, either because the company they keep holds them back or challenges them to be better.

Q: I know you were part of the Launchpad team this past year, can you tell us a little bit about that experience?
A: Launchpad hands down changed my life. It was my first time working on a project that was dedicated to women, trans, and non-binary artists, which fundamentally changed the way we worked. The creation of our show “To Kill a Lizard” was incredibly collaborative, with each participant taking on a piece of writing and directing while also performing in the show. There isn’t a moment of that show that wasn’t touched in some way by every single participant in the room.

Q: What drew you to playwriting in the first place?
A: I started playwriting in high school when I wrote 30 Rock spec scripts to perform in front of the school once a month. I found a joy in creating stories and characters, and more than anything building a world and defining its rules. To me, playwriting is the power to make anything real, and with that comes a sort of freedom that you don’t find anywhere else.

Q: What are you most looking forward to during next week’s edition of One Night Stand?
A: The most exciting thing to me is finding new discoveries in the work. I can’t wait for the moments where a playwright hears their work and thinks “Oh, I know what to change.” That’s the best feeling in playwriting and I hope that every playwright experiences it at the reading.

Q: Do you have any advice for emerging playwrights?
A: It’s cliché but be yourself. Something I’m always reminding myself is that I’m not trying to write someone else’s story or in someone else’s voice. I’m writing my play, and I need to trust that the best way to do it is the way that I do it.

This event will be livestreamed on our Facebook Page and will feature the following actors: Dylan Hatcher, Ady Kollar, Matt Paris-Irvine, Riva Billows, and Cheryl Soluk. Just a reminder: if you want to give verbal feedback to the playwrights we ask you to click “going” on the Facebook event page (we only have five spots left!), otherwise you can leave written feedback on our Facebook page, where the event will be livestreamed. We’re so excited to see these plays come to life – virtually, of course!

 

We Want YOU!

There are so many exciting things to look forward to in the near future. From workshops, to festivals, we can’t wait to gather once again as a community and share our art. We would love for you to join us! We are currently accepting submissions for our One Night Stand playwright development series and applications for our Launchpad Project! 

one-night-stand-poster-april-11-e1524149136777Every year, we host our One Night Stand reading series as a way for emerging and established playwrights to share their work and gain some feedback. We are seeking 10-minute scenes from Manitoban playwrights of all ages, genders, and backgrounds! Our first virtual, One Night Stand will take place in June, 2020. All submissions must be received by 11:59pm on May 8th, 2020. More details on how and what to submit HERE. 


We are so excited to welcome former Launchpad participant Jonathan Mourant in helping to coordinate future ONS editions! 

FemFest2019_LEAPDSC00814

Jonathan Mourant in the 2019 Launchpad Project

Jonathan Mourant is a trans-disciplinary performer, producer, and also a robot learning how to be human. They have been improvising for just under a decade and have performed and learned at festivals and workshops across Canada, including the Winnipeg Improv Festival and Toronto SketchFest. This year, Jonathan wrote and directed Here Together for the 2019 Winnipeg Fringe Festival and created Jon After Hours, an experimental late night talk show featuring local personalities. Recently, they have begun performing drag as Nora Vision, and are thrilled at the opportunities to combine improv, theatre, and drag into their own unique performance.


You may recall our Launchpad Project from FemFest 2019. A group of emerging female and non-binary identifying artists gathered weekly for a series of workshops, before creating and performing their final work To Kill a Lizard during FemFest 2019. After a successful pilot project that supported ten young artists, we are excited to change it up this year with a new focus. This intensive residency will take place in August/September 2020. Participants will be working on performance pieces that explore climate change. They will perform them in site-specific locations in downtown Winnipeg during our fall festival of FemFest 2020. The best part is participants are paid – as all artists should be!. For more details on who, what and how to apply, click HERE. 

We hope you will consider submitting for one (or both!) of these exciting initiatives. It is important to remember that there is still a lot of exciting things to look forward to and so much art and theatre still to create! 


 

Accessibility Online

Lots of companies are offering free virtual workshops, discussions and play readings. We were so grateful to host the accessibility panel discussion, “Accessibility On Stage and Off” on Saturday, April 4th along with Arts AccessAbility Network Manitoba and Sick + Twisted Theatre.

91937880_10158356493302533_3700888570668515328_nWe hosted the discussion online so panellists and workshop participants could participate from the comfort of their own home! We were even able to broadcast the discussion to or Facebook livestream so folks could choose to just watch and observe. It was nice just to do something beyond the usual quarantine routine and to have an important and valuable conversation pertaining to accessibility in the theatre industry. We were even able to have ASL interpretation for the Deaf.


joanna

Joanna Hawkins

Some of the points and ideas brought up included a calendar of events specifically for accessible performances and productions, suggested by Joanna Hawkins, a local Deaf performer. She also brought up the idea of using ASL videos to announce local events, in order to appeal more to the Deaf community. Joanna also shared insights on the importance of communication, “communication is something we all do, we are human beings!” One of the other disability advocates, Hannah Foulger, also mentioned the importance of communication, “the more we talk about what some venues are already doing, the more the other venues will listen and change.” As did our Sick + Twisted Theatre host and moderator, Debbie Patterson, “it’s all about connections and communication. We observe, we pay attention, it’s a network it’s not any one person!” While our other partner Jenel Shaw from Arts AccessAbility Network Manitoba expressed the importance of venues and organizations understanding the need for accessible spaces, “if more organizations saw accessibility not as a burden or expensive but as an opportunity to grow, it would really benefit everyone. More than a quarter of the Canadian population has a disability.”

Panellists Hailley Rhoda and Hannah Foulger also discussed the importance of hiring

_MG_0615

Hailley Rhoda

disabled performers. “Seeing people with disabilities on stage reminds me I am worthwhile, my life is worthwhile and we have important things to say,” Hannah Foulger. “The difference between knowing you’re allowed in a space and knowing you’re welcome in a space, the.re is a huge difference,” Hailley Rhoda.


This discussion was incredible informative and beneficial in many ways. We want to thank the panelists, the participants and everyone who tuned in! We are grateful to be able to keep conversations like these going and we hope to have many more! It is also important to move it beyond talk and walk the walk. Here are some amazing resources:

Stay tuned for more updates on our season. We hope you all are happy and healthy!


 

Accessibility On Stage and Off

The world is changing but the arts continue to stay alive. Everything has moved to the virtual world as folks social distance and work on flattening the curve. We want to do our part, but we also want to keep the arts alive! That’s why this Saturday, April 4th at 12pm, we will be hosting a discussion on Accessibility On Stage and Off with guest panelists and disability advocates via Zoom! More is being done to address accessibility in theatre and the arts in Winnipeg, but is it enough? How accessible are performances for audiences? How exclusionary are the spaces and processes we use in making theatre? Why is the inclusion of artists with disabilities essential to the continued development of the art form? Join Arts AccessAbility Network Manitoba, Sarasvàti Productions and Sick + Twisted Theatre for a frank discussion with guest artists and Disability advocates.zoom-how-use-online-classes

Zoom is an online video chat platform. Participants can choose to join in the discussion and be seen and heard from the comfort of their own homes; or watch without any pressure to join in! The choice is yours. Debbie Patterson of Sick + Twisted Theatre will be moderating. Jenel Shaw representing our other partner, Arts AccessAbility Network Manitoba, will be part of the panel will . Along with Debbie and Jenel, we have a selection of disability advocates who will be sharing their insights.


joannaHailing from Poland, a University of Manitoba Bachelor of Fine Arts graduate, Joanna Hawkins has always felt a strong connection to the arts. She is a skilled artist (drawing & painting), graphic designer and photographer but her real dream had always been with acting. Joanna has performed as a lead in a children’s show for young deaf children and has been involved in several films in Manitoba as a featured extra as well as two television commercials. Joanna has been professionally trained in mime, physical comedy and storytelling by the award winning Hot Thespian Action’s Shannon Guile. Recently Joanna performed as Mrs. Peachum in Sick + Twisted/AA Battery production’s “The Threepenny Opera”. Joanna’s aim is not only to entertain audiences with her incredibly crisp and clean physical illusions but to reach-out with the beauty of Deaf Culture and build bridges between the hearing and Deaf worlds. Joanna continues enjoying working in theatre/film industry as an actor, ASL translator and ASL coach.


Hailley Rhoda is a theatre artist focused on storytelling, puppeteering and reimagining _MG_0615traditional myths. She has a fringe company, Chronically Ch(ill) Productions, entering its third year of existence. She is a graduate of the University of Winnipeg’s Theatre and Film department. Hailley has two invisible illnesses, Ehlers-Danlos Syndrome (Classic) and Von Willebrand’s Disease. Quasi the tripod cat will likely be appearing in this live stream. She has yet to develop artistic passions, and mostly enjoys biting Hailley and chasing the laser pointer.


Hannah Foulger is a British Canadian theatre artist and writer from Cambridge, Ontario on the Haldimand Tract of Treaty 3 territory. She studied Theatre and Creative Writing at the University of Winnipeg, and is a winner of the Bertsinger award. Her theatre projects have appeared at the Winnipeg Fringe Festival, the PTE Festival of New Works and Sick + Twisted Theatre’s Lame Is… Cabaret. Her creative writing has been featured in Prairie Fire Magazine, Matrix Magazine, Juice and the Disability Voices Anthology from Rebel Mountain Press. She lives in Winnipeg on Treaty One territory with a brain injury and epilepsy.


Also joining the panel is Diane Driedger, Ph.D. Diane Driedger is Assistant Professor in the Interdisciplinary Master’s Program in Disability Studies at the University of Manitoba. She is a visual artist, poet and disability activist.


To join the panel, email info@sarasvati.ca to get the link! All you will need is a computer or cellphone so you can access the Zoom app or website and the meeting code. If you wish to interact live with the panelists you will also need a camera and microphone. If you can’t do a Zoom and prefer to just watch, you can also tune in via Facebook livestream. We hope to see you virtually on April 4th from 12pm-2pm!


 

Accessing Diverse Theatre

Accessibility and Diversity are two burning topics in society right now. Especially in the theatre community, we are trying more and more everyday to make our spaces more accessible and diverse. But what does that mean? What does it look like?

On February 16th, we were happy to host a panel on Diversity with Out From Under the 69098045_104007547644963_1207535746102067200_oRug Theatre Collective. Established in 2019, Out From Under The Rug Theatre Collective is focused on creating works by, for, and about people of colour. Based in Winnipeg, Manitoba, Out From Under The Rug intends to highlight the experiences of those whose voices often go unheard – or more often told to stop talking. As a collective, their goal is to emphasize a dedication to safe and accessible spaces. They would like to acknowledge our privilege of living, working, and creating on the traditional lands of The Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene Peoples and the Homeland of the Metis Nation. Visit them on Facebook HERE!

DSC_0019Panel discussions included topics such as, creating works of theatre with characters of colour where their ethnicity is not their entire personality. As well as how to create these characters and describe said characters when the playwright doesn’t share the same ethnicity. Panelists touched on the importance of representation in the arts and media, they specifically spoke on being a person of colour and how it feels to see yourself represented on the screen and on the stage. Out From Under the Rug’s member Sophie Smith-Dostmohamed described herself in childhood only ever wanting to watch the Disney film “Aladdin” as it was the only place she saw characters that looked like her, further emphasizing the need for representation.

During this panel, we were able to open up a conversation in a safe space about diversity in the theatre industry, where it’s headed and how we can improve. This panel was open to all and free of charge in a physically accessible building (wheelchair accessible, gender neutral restrooms, ASL interpretation). To further the conversation on diversifying theatre and allowing for more accessibility; not only in audiences but also for performers, we will be hosting a roundtable on accessibility on April 4th!

Accessibility On Stage and Off will occur on April 4th, 2020 from 2pm-4pm at the Cargill Boardroom at RMTC. Sarasvàti Productions, Arts AccessAbility Network and Sick + Twisted theatre will host a discussion on the subject of accessibility in theatre. This discussion will be lead by a panel of disability advocates. The discussion hopes to open a conversation on accessibility, what it means to be accessible and how we can improve on what theatres in Winnipeg are doing to make their spaces more accessible. We plan to discuss the importance beyond just the audience’s accessibility and touch on accessibility for performers.

Stay tuned for more on the Accessibility workshop coming soon! For more information on upcoming workshops visit our website HERE.


 

Developing a Workshop

Have you ever wondered what goes into planning a workshop? Workshops are a great way to enhance your artistic skills; often hosted by an established artist, held in an artist appropriate space and filled with eager to learn emerging artists! Needless to say, a lot goes into the planning of a workshop. At Sarasvàti Productions, we host a range of workshops every year hosted by established professions and attended by- well, anyone and everyone! Here is a behind the scenes look at how a workshop is developed!


PLANNINGDSC_0027

First things first, we make a plan. What kind of workshop are we hosting? Who are the target participants? Why this workshop? For example, this past Saturday we hosted our movement workshop for actors. During the planning we had to consider why we were hosting a movement workshop and who we would want as a facilitator. With December being a common month for a big break for everybody, we figured why not host in January and get those bodies moving again! Of course, Ali Robson is a well known mover in the city, so we offered her the opportunity to facilitate.


IMG_5735GET THE WORD OUT THERE

Okay, so we planned the workshop, we know what it’s for, we have a facilitator and a venue… now what? Now we need YOU! The participants! We’re lucky to have a list of emerging artists in office, so we are always sure to send our emerging artists information about all of our workshops (email info@sarasvati.ca to be added to the list). In some special cases, we will do target asks. For example, every year we host “Coffee with a Pro” which is literally a sit down coffee date between a pro in the theatre world and 3-4 participants. In these cases, we specifically reach out to folks who are interested in the professional field of the “Pro”. For Audrey Dwyer’s “Coffee with a Pro” session, we invited emerging playwrights to join Audrey for coffee.


THE DAY OF

Woohoo! It’s workshop day! Now, our job is to make sure you get the most out of the day and have a great time. We want to be sure you’re getting your money’s worth! A staff representative will always be present to make sure the day is fun, safe and effective.


NEXT UP OFUR Poster-page-001

If all of this reading about workshops has you wondering about what’s coming up next, here it is! Next, we have “Theatre in Colour: A Discussion on the Importance of Racial Diversity in Theatre”. We will be teaming up with up-coming theatre company Out From Under the Rug to host this workshop panel discussion on racial diversity in theatre. Taking place on Sunday, February 16th, 2020 at The Rachel Browne Theatre (221 Bannatyne Ave). This workshop will be FREE, but donations are always welcome. Email info@sarasvati.ca to reserve your spot.


I hope this little workshop on workshops has helped answer some questions you may have about what goes into planning a workshop. We hope to see you at the next round!

Click HERE for more information on upcoming Sarasvàti workshops.


 

New Year, Same Us

It is officially a new year AND a new decade! Happy New Year and welcome to 2020!

2019 has come and gone which means the second half of our 19/20 season is underway. We are so excited to tell you a little bit about what we have in store for all of you in the upcoming months…


IMG_5259International Women’s Week 2020 Cabaret of Monologues: Changes

Have you heard? Our annual Cabaret of Monologues is happening from March 2-8, 2020! We have been doing our best to update you on our performers and playwrights, if you’ve missed any of our past blogs, you can meet some of this year’s artists HERE and HERE.

This year we have monologues but also music, dance, mime, and comedy!

Stay tuned for our tour schedule, but in the meantime, tickets are now available for our public performance on Saturday, March 7, 2020 at 4pm and 8pm. Get your tickets HERE!


Workshops$25(1).jpg

As always, we have a ton of workshops in the works for you for 2020. Have you registered for our Movement for Actors Workshop with Ali Robson? This workshop will take place on January 19th, 2020 for $25. If you want more info, click HERE, if you want to register email liz@sarasvati.ca

It doesn’t end there! Coming soon, we will be hosting workshops on the following topics…

Accessibility in Theatre Panel, April 4th, 2020

Diversity Panel, February 16th, 2020

Fringe Production 101, May 16th, 2020

And more!


Jo MacDonald

Jo MacDonald

Reconciliation Through Theatre

We completed our Seven Visions workshops in 2019, now comes the process of creating one big final production! We are so excited to be working with Playwright Jo MacDonald and Director Tracey Nepinak to create our final performance piece for May 2020!

The performance, entitle Songide’ewin (Courage), will take place at The Forks and feature art created by youth during our workshops. We are so excited to share the voices of Winnipeg’s youth and tell a story of reconciliation in a time that gravely needs it.

More on the reconciliation project HERE!


As we move in to the fall of 2020, we will actually be launching our 20th season in Winnipeg!! Yep, we’ve been creating transformative theatre for two decades. This anniversary season will see the transition to a new Artistic Director, new community-building processes, and some of our usual offerings.


School Tour

DSC_0398Every second year we hit the road with an interactive performance, using Forum Theatre principles. It is an amazing way to engage youth in a discussion about how to be active participants in their community. This year’s touring show will be built from the material gathered as part of our Reconciliation Through Theatre project. Stay tuned for full details.


FemFest 2020opening

And of course, 2020 will play host to our 18th annual FemFest! 18 years of transformative feminist theatre AND counting! As always, the festival won’t happen until September, but the work starts now as we begin to read scripts and performance pieces and choose our line-up for the 2020 festival.


Thank you all for making 2019 such a fantastic year, here’s to 2020 and all of the exciting new theatre to come!


 

A Year in Review

What a year it has been! As 2019 comes to a close, we reflect on all the wonderful successes the year brought. Some of which, we will carry on into 2020…


International Women’s Week 2019 Cabaret of Monologues: Here I Am

LaurenMarshall_photobyPatrickRabago2

It might sound odd to hear about our last Cabaret of Monologues as the 2020 line-up has already been announced, but it’s a year ago already that the last round of monologues were in the works and preparing for the 2019 tour!

We were so grateful and fortunate to take the cabaret to places we had never gone before! Such as the Women’s Resource Centre in Flin Flon and Aurora house in The Pas. We also took every single one of our monologues to The Canadian Museum of Human Rights for an evening. This tour was incredibly rewarding and we can’t wait to do it all again in a few short months!

Interested in this year’s monologues? Public performance tickets are on sale now. Get them HERE!


WorkshopsFemFest2019_WorkshopDSC04910.jpg

Every year, we host a set schedule of fun and educational workshops for the theatre community. In 2019, we were happy to host five workshops.

This included workshops with panelists like Queering Theatre and How to Make a Living in Theatre. Both allowed us to try out a more inclusive approach with professionals talking amongst workshop participants.

Our annual One Night Stand Series also played a role in 2019 as playwrights were able to meet and work together to improve and workshop their craft.

FemFest 2019 hosted some workshops of it’s own! The Launchpad Project was initiated as a pilot project. It allowed a group of emerging artists to work with established professionals to create and perform their own production, To Kill a Lizard, during FemFest 2019. As well, our guest artist, Yvette Nolan hosted a playwriting masterclass, which culminated in Leaping Off the Page! Where playwrights were able to create and share work, then have it read aloud before an audience.

We also loved working with community groups to use theatre techniques in training settings. A big thank you to SEED Winnipeg, Nor’West Youth Hub, St. John’s High School, and the Manitoba Drama Educators Association for welcoming us!

Find upcoming workshop details HERE!


Picture3Seven Visions

On top of our regular workshop schedule, we were happy to start our Reconciliation Through Theatre project! Last spring we hosted consultation circles, then a public sharing with the reading of Jo MacDonald’s OUR HOME & native land. This important community-building work then allowed us to appropriately structure arts-based workshops at seven Indigenous youth organizations all in the name of Reconciliation.

The seven organizations were, Children of the Earth High School, Wahbung Abinoonjiiag, Ndinawe, Knowles Centre, Manitoba Youth Centre, Marymound, and Indigenous Leadership Development Institute.

All of the art created and stories shared are in the works to be curated into a final piece, Songide’ewin, which will be performed at The Forks in May, 2020. You can find more on the upcoming performance HERE!


FemFestFemFest2019_StanleyDSC01572.jpg

Of course, that brings us to FemFest 2019. Our annual festival of transformative feminist theatre! 2019 brought a whole new range of performances to FemFest.

For the first time in FemFest history, we were happy to host a visually impaired performer and her guide dog for, Raising Stanley/Life with Tulia. This production was moving and inspiring for audience members. We were even fortunate enough to host 4 visually impaired spectators and their guide dogs! Who wouldn’t love that?

Pop Art made its debut at FemFest 2019 as well. 4inXchange with company xLq was a unique interactive performance involving only 4 audience members and $1000 cash!

Lastly, Like Mother, Like Daughter warmed our hearts as local Winnipeg Indigenous and Newcomer mother/daughter pairs sat down in front of an audience and answered intimate questions.

FemFest has always had a way of bringing people together and celebrating various types of Canadian theatre, but this year it truly excelled!

The process of FemFest 2020 begins now! We can’t wait to show you what we have in store…


So long 2019, you were a good year for theatre! We hope your year was as good to you as it was to us. We wish you all nothing but the best for 2020 and look forward to sharing more transformative theatre with you in the months to come.

See you next year!


 

Work-Work-Work-Work-Workshops!

Workshops are essential to the artist. Experience and practice are EVERYTHING when it comes to the arts and what better way to gain experience and practice than by learning from a pro? Our 2019/20 workshop season begins tomorrow! We are working hard to find the facilitators for each workshop so you can get the most out of every single one. This year’s topics will range from what you need to know on the stage, to behind the stage and everything in-between.

Audrey-Dwyer-240x300Tomorrow, Audrey Dwyer will host a Coffee with a Pro session on playwriting with invited participants. Audrey Dwyer is a multi-disciplinary artist with over twenty years of experience working as an Actor, Director, Playwright, Teacher, Facilitator and Mentor. She is also a couple months in to her role as the Assistant Artistic Director of the Royal Manitoba Theatre Centre. Dwyer will share her insights and answer questions in a special intimate setting with emerging artists.

 

Another Coffee with a Pro session will be held a few weeks following on devised theatre andraea-sartison1with Andraea Sartison of One Trunk Theatre. Andraea Sartison is a theatre artist and event producer in Winnipeg. She is the founding Artistic Producer of One Trunk Theatre and is known for her creative performance concepts, interdisciplinary collaboration, devised theatre and the integration of technology into live performance. Invited participants will again have a chance to sit down and chat with Andraea on her work in devised theatre.

A huge thank you to Forth Café for hosting and supporting these unique meetings!


ali-robsonAs for on the stage, Ali Robson will be facilitating a movement workshop on January 19, 2020. Ali Robson is a dance artist who works in both dance and theatre and is curious about collaborating across disciplines and creating work with and for people of all ages. Ali is a collective member of Weather Parade Dance Theatre, is the Associate Artistic Director of Company Link and is a board member for Young Lungs Dance Exchange. Ali teaches movement at the University of Winnipeg and other classes for children and adults throughout Winnipeg. Participants will have the chance to learn about movement in theatre from Ali, while having the opportunity to practice her teachings in the space. If you’re interested in attending the workshop, please send an email expressing interest in the workshop with your full name and contact information to liz@sarasvati.ca.

 

Some other workshops we are exploring for the coming months are…

  • Drag performance
  • Production 101
  • Accessibility in the arts
  • Cultural diversity in theatre
  • A revised One Night Stand reading series

Stay tuned for more information on future workshops. Visit our website HERE for more details on the season!