Coming Up Next…

With the glitter swept off the stage, the Bake-Off winner crowned and the touring companies headed home; FemFest 2019 has come and gone. Now comes the question, what’s next for Sarasvàti Productions?


MARCH MONOLOGUES

As always our annual International Women’s Week Cabaret of Monologues will take place this upcoming March. IWW Cabaret of Monologues is a touring production that features monologues and performance pieces by various women on various subjects. Be sure to stay tuned for more information on the Cabaret!32368407097_56886e8a14_z


RECONCILIATION

Another exciting project and our current main focus of the season, is on Reconciliation Through Theatre.

Over the past few months, Sarasvàti Productions has been holding a series of workshops at 7 different youth organizations, in the spirit of art and reconciliation. Organizations worked with so far include, Wahbung, Children of the Earth High School, Ndinawe, and DSC09386IDLII. In the next month we will also work with youth at Marymound, Knowles Centre and Manitoba Youth Centre. Youth are creating amazing art work that expresses what reconciliation means to them. All of the artwork and stories shared will be compiled into a final performance at The Forks, May 2020. Reconciliation is the restoration of friendly relations. It is a simple concept, but challenging to achieve when much reparation needs to be done. As a true community collaboration, the final performance will come directly from participants working alongside professional artists.

In support of this final event, we will be hosting a fundraiser called The Art of Reconciliation!

68928970_10157632839367533_3029259069731897344_nOn October 23rd, you are invited to join us at Crossways in Common (222 Furby Street) for a special dinner with a 1491 menu, a cash wine bar and special award-winning multi-media artist KC Adams. All proceeds will go towards the funding of our 2020 event. The youth and community members have worked so hard to create moving and captivating art work, from paintings, to sewing and written words of wisdom and hope. Help us open up the conversation to as wide an audience as possible!

The results and lessons learned from the project will also have a long-term impact with changes to Sarasvàti’s practices moving forward. We are so grateful to be working within our community and hearing the stories of those who come out to our workshops.

For more information on The Art of Reconciliation, visit our website HERE.65204148_10157491192852533_8197606934581346304_n


WORKSHOPS

Finally we are preparing this year’s workshop series for artists. We had full to capacity sessions at FemFest including a Pop Art Performance workshop and playwriting masterclass. There will be plenty more opportunities for professional development. Stay tuned for the full calendar and in the meantime to whet your appetite join our Artistic Director, Hope McIntyre, for Creating the Space For Empathy, Risk & Growth In Theatre Training. She and Shannon Vickers with moderator Krista Jackson will gather for a sharing circle about how we can begin to create change in theatre school training. Hope and Shannon recently attended the Got Your Back Canada National Educators conference that identified issues in theatre training and will be sharing key ideas from this national discussion as well as possible new approaches. October 7, 2019 at 7pm at the Asper Centre for Theatre and Film (University of Winnipeg – 400 Colony St).

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Exploring Responses to Reconciliation

We’re excited to share what’s come out of Seven Visions: Reconciliation through Theatre project launch! We’ve had incredible audiences over the last few days respond to the notion of reconciliation. There’s one more chance to be part of the conversation tonight at 7pm!

We’ve had a great experience so far working with the amazing artists who are part of this project – here are just some of the reasons they’re excited to be involved as we look ahead to the next phase of the project!

I’m very excited about this project because I feel like the perspective that comes forward in the play is very important – very comedic, very funny, very relatable – to both Indigenous and non-Indigenous people. I’m really excited to see how that affects the audience.” – Darla Contois, Performer, OUR HOME & native land and Indigenous Advisory Committee member

 

 

As an artist engaged with this project, I’m hoping to work with some youth on creating art works that really bring forward their voices and their thoughts on reconciliation and what that means to them. The interactive art work we’re creating at the theatre allows for the public to come out and have their voices heard around reconciliation as well.” – Jaime Black, Visual Artist

I think it’s really important to have reconciliation in theatre because it’s a very important way of communicating different styles. Historically speaking, theatre came from settler colonies – Britain, mainly – and First Nations and Indigenous peoples’ way of communicating and passing down knowledge has been storytelling. What is storytelling but performance and theatre? The coming together and meeting in that spot is really important for reconciliation.” – Nova Courchene, Indigenous Project Coordinator

 

 

It’s been almost three years since the Truth and Reconciliation Commission released its final report. It put out a challenge to all Canadians. While it was a legal proceeding and even bringing to bear the need for an apology, that doesn’t really bring reconciliation. What we present is an opportunity to have a difficult discussion in a creative and stimulating environment involving youth. There will be hard discussions and there will be hard topics, but it will also be creative and full of hope.” – Myra Tait, Vice President and Indigenous Advisory Committee member

 

 

We’ve had some incredible audience responses so far as community members interact with the art installations, writing down their thoughts and responses to how each of us can do our part for reconciliation. One audience member mentioned that growing up, Indigenous peoples’ history wasn’t taught in her school and it wasn’t until much later in life that she was able to learn more about her own history. Starting this project with a focus on youth allows for an earlier connection to one’s roots. As well, discussions after OUR HOME & native land focused on how each of us can avoid being a “George”: admitting when we don’t know something and recognizing the importance of listening when others have something to teach us.

Discussions from this event will also help us as we move forward in shaping the full production for May 2020. Huge thank you to Patrick Rabago for these incredible photos from the event so far! For more information on the project, check out our website.

Bringing Seven Visions to Life

Last week we posted about what Indigenous youth brought up in our seven consultation circles, this week it’s time for visual artist Jaime Black to echo their comments in an interactive art installation!

dsc_0065.jpgJaime is a Metis multidisciplinary artist and is well known for her REDress Project which she created to give voice to the hundreds of murdered and missing Indigenous women across Canada. For this project she is finding a way to visually represent ideas of the Indigenous youth who participated in the consultation circles and transmit that to audiences of Seven Visions: Reconciliation Through Theatre. There will be an opportunity for all attending to interact with and add to visual representations as we continue the conversation of what reconciliation means.

dsc_0059.jpgAudiences will be able to participate prior to the reading of Jo MacDonald’s play OUR HOME & native land (so feel free to come early!), during intermission, or after we’ve completed the presentation. While we’ll be holding conversation circles, we understand talking about these issues may not be the best form of communication for everyone. This is why Jaime has been part of the project since the beginning. Our aim with this presentation is to share what we’ve learned so far and to gather more information on current thoughts and feelings about reconciliation and treaty relations. We want everyone to feel comfortable doing so in whatever medium they choose.

Starting Wednesday Jaime has been setting up several stations throughout the theatre. She is using a variety of materials to provide several options for audiences to engage with. Including fabric, paper, and even rocks! While that’s a lot of material, she’s still leaving room for us to set up conversation circles, and space for our actors.

DSC_0027Also helping to bring the public presentation to life are actors Darla Contois, Patricia Hunter, Kevin Klassen, Marsha Knight, and Spenser Payne with Stage Manager Tamera Grace reading stage directions! With the guidance of director Heidi Malazdrewich these actors have been hard at work rehearsing Jo’s witty play confronting treaty violations and our history. Their rehearsals have been filled with laughs and deep conversations, and we’re excited to share this play with audiences during our Seven Visions presentations!

If interactive art installations and a great cast aren’t enough incentive to come out, there will also be food at intermission. And, the presentations are pay-what-you-can-afford. What is there not to love?

Book your tickets today on our website or call our office to reserve (204-586-2236). We will also accept cash, cheque or credit card at the door. For more information please visit our website by clicking here!

 

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Consulting with Youth: Seven Visions

The first component of our Reconciliation through Theatre project is in the books! Over the past few weeks, our team has been meeting with Indigenous youth to discuss what they’d like to see for our upcoming workshop series. We’ll be sharing a full recap of these first meetings at Seven Visions: Reconciliation through Theatre running May 4-9, but read on for a teaser!

Project Coordinator Nova Courchene, Visual Artist Jaime Black, and our Indigenous Community Outreach Coordinator Marsha Knight have been hard at work meeting with youth across our seven different partner organizations.

 

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For our sessions with Ndinawe, our team looked at creating an ongoing art project for youth to drop in and add on their versions of the teachings. By giving them a way to express themselves, the youth were more likely to open up through art than chatting around a table each session. We’re excited to see how this piece will evolve over time!

At Wahbung Abinoonjiiag, participants believed parents passing along the Seven Sacred Teachings was important to help youth connect with their culture, stemming from elders down to their families and younger siblings.

For one youth, the teachings are about “history, teaching about what your ancestors did. Learning from your history, and how to be a good person.”

“Reconciliation” can mean many different things to different people. At the Indigenous Leadership Development Institute, youth shared their own definitions:

Reconciliation means fixing your wrong doings.”

Reconciling is about your past self and who you are now, and you become your true self from the meeting of the two.”

Reconciliation is about reconnecting others together, bringing people together and connecting one another.”

For youth at Children of the Earth High School, reconciliation takes on a different meaning: “Say someone burned your house down and is now helping you rebuild a house. Not just going ahead and building the house themselves, but finding out what you need in that house.” Youth were also interested in the evolution of Indigenous fashion over time, from the seventies and traditional regalia through to present day appropriation by the fashion industry. As the head of the REDress Project, Jaime was able to offer insight on the use of fashion to shine a light on missing and murdered Aboriginal women across Canada.

Possible art forms for the workshops will cover anything from film, visual art, music, animation, improv, Claymation – you name it! Our team was able to share in a smudging ceremony with the youth at Knowles Centre before kicking off their conversations. For their participants, athletics is an important a way to express themselves and build trust with new members.

For youth at Manitoba Youth Centre, there was an importance of learning about reconciliation with both sides in mind. When two members had had a conflict, they got together and talked.That was an important way to look at reconciliation without placing blame on one side.

Some organizations received an “ancestor stone” to maintain throughout the journey of the project. Marymound youth learned about the importance of the elder stones, how the spirits of their ancestors are contained in the rocks to offer guidance and support.

We’re excited to continue working with these youth and look forward to seeing the final production in May 2020! Join us for one of the 4 presentation dates between May 4 to 9 to learn more and provide input on the project.

 

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Kicking Off with Seven Circles!

We’re excited to officially kick off our Reconciliation Through Theatre project! We are honoured that seven organizations from around the city are hosting Indigenous Youth Visioning Circles, bringing together their youth to guide us in developing a framework for arts-based workshops. We’ll be starting off at Ndinawemaaganag Endaawaad Inc. this Thursday – read on for more information about the exciting partnerships we have for this project!

 

Ndinawe-logo-horizNdinawemaaganag Endaawaad Inc. (or Ndinawe for short) is a not-for-profit organization dedicated to helping at-risk youth in Winnipeg. Since 1993, their integrated services have been connecting vulnerable children and youth aged 11–17 with the shelter, culture, recreation, education, outreach and support they need for safe and healthy lives. Open every day of the year, Ndinawe is an immediate and reliable place of safety, connection and support for youth during times of high risk when other resources are unavailable to them.

 

logo_ILDII-300x87Indigenous Leadership Development Institute Inc. (or ILDII) is a non-profit organization established to build leadership capacity in Indigenous people. We’ll be working directly with their Empowering Indigenous Youth in Governance and Leadership (EIYGL) program. EIYGL is Indigenous and youth led that provides important ingredients that builds effective leaders through meaningful skill development.

 

imagesUsing a creative, dynamic approach, Marymound School delivers the provincial education curriculum from elementary grades to grade 11. Marymound School serves two populations of students. Some are young people who live in Marymound group homes or living units, while others, Day Treatment students, come from all over Winnipeg, and live at home with their parents, foster parents or other group homes.

 

Manitoba Youth Centre is the largest youth correctional centre in Manitoba and is located in Winnipeg. It houses both male and female young offenders. MYC is responsible for the care, custody and security of Sentenced and Remanded youth. Case-management, Programming and Spiritual care are offered regularly at the centre; in order to help young people make better choices and avoid criminal lifestyles.

 

CaptureKnowles Centre is a community-based, non-profit social service agency for children, adolescents and young adults facing difficult times in their lives. It began as a home for boys in 1907, and today provides a range of therapeutic and skills-based programs to young people from Manitoba and other communities throughout Canada. Their mission is to help young people and their families to address past struggles, to develop healthier relationships and ways of life, and to reach their full potential in the future.

 

WLogo-1Wahbung Abinoonjiiag was established to empower children and their families to break the cycle of violence. They do this by providing opportunities for holistic healing through culturally-appropriate teachings and activities in a safe and nurturing environment. They offer youth programs, to provide participants with a safe environment where youth can come hang out, be themselves, and get support from their peers and caring adults.

 

10183d2b-f704-4fe7-a968-516f5979c475nChildren of the Earth School is an Aboriginal education school that aims to serve students who, while undertaking a standard high school education, also want to learn about their Aboriginal heritage, values, and traditions. We’ve been running youth workshops at the school for the past few years as the school does not currently offer a drama program. We’re excited to return and work with the youth to prepare for our May 2020 production!

This is just Phase One of the project! You can see the results of the visioning circles at our public presentation and project launch May 4-9, 2019. We will then launch workshops in June and begin work combining the stories to create a full production, debuting May 2020. Follow the progress on our latest community collaboration project!

 

The Road to Reconciliation

“What are you going to do about the way this country treats Indigenous People,” asked Senator Murray Sinclair at the Winnipeg Foundation’s recent Vital Conversation. It is not an easy question. The word reconciliation is being used a lot lately, but not always with a full understanding of what it means let alone what it will require. Sarasvàti Productions is grappling with the role of theatre and the arts in this important process. Thanks to funding from the Winnipeg Foundation, we’re gearing up for the first phase of a long-term project. With the hard work of our Project Coordinator Nova Courchene, Indigenous Community Outreach Coordinator Marsha Knight, Visual Artist Jaime Black, Graphic Designer Justin Bear, and the guidance of our Indigenous Advisory Committee, we are putting together an exciting public launch of the project from May 4 to 9.

 

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[Poster] Sarasvati - 7 CirclesThroughout April we will be working on Seven Circles, visioning sessions with youth. Seven organizations will host a space for youth to brainstorm and decide the parameters for a series of arts-based workshops. We are grateful to Children of the Earth High School, Indigenous Leadership Development Institute, The Knowles Centre, Manitoba Youth Centre, Marymound School, Ndinawe, and Wahbung Abinoonjiiag for their partnership.

At the May launch, Jaime Black will share what was heard in these consultation circles through an art installation. This presentation is part of our full project launch with a chance to share what we have heard as well as gather the community together for wider input. We’ll also be hosting a reading of Jo MacDonald’s OUR HOME & Native Land, winner of the 2017 FemFest Bake-Off. Director Heidi Malazdrewich and Dramaturg Yvette Nolan will be on board to help with the development of the play. This comedic piece about treaty rights will help to frame discussion and encourage public input.

The public presentation will take place on:

  • Saturday, May 4th at 2pm
  • Tuesday, May 7th at 1pm
  • Wednesday, May 8th at 10am
  • and Thursday, May 9th at 7pm

Members of the public are more than welcome to attend! Admission to this event is pay-what-you-can-afford at the Asper Centre for Theatre and Film (400 Colony St at the U of W).

However, this is just the starting point for the project.  From June to November, workshops will take place at our partner organizations. Using storytelling, the youth will translate their experiences into different art forms. This first phase of the project will bring together youth, Elders, Knowledge Keepers, and artists in several mediums.

Then in May 2020 a full public performance of the resulting work will take place. As a true community collaboration, what this performance will include will come directly from the youth so remains to be seen, created, dreamt and realized.

What Does Reconciliation Mean To You?

In January, we’ll be kicking off our next long-term initiative! Our new collaborative project will focus on reconciliation through storytelling and theatre. A team of Indigenous artists will work with Indigenous youth to capture their lived experiences and bring them to the stage. Storytelling will be used to explore the truth about current experiences of racism and discrimination in Winnipeg.  Ultimately a large community gathering and performance will take place engaging the public in the important and challenging dialogue about how to make a better community. Using the arts to explore the current reality of racism will allow us to take a powerful step forward towards true reconciliation.

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Marsha Knight

Beginning steps on this initiative are being undertaken by our Indigenous Community Outreach Coordinator, Marsha Knight. Marsha has been involved in theatre for over twenty years in many capacities both on and off stage. She has worked on several past productions with Sarasvàti, including consulting on Two Indians at FemFest 2017 and performing in Breaking Through and Eden.

“When I learned of the Winnipeg Foundation’s funding announcement for reconciliation projects, I remember having varied feelings of elation and interest,” says Marsha. “I was quite excited at this opportunity for community building and to know that the Winnipeg Foundation made a commitment to the ongoing process of reconciliation between Indigenous and non-Indigenous people.”

This project will involve working with Indigenous youth, Knowledge Keepers, Elders, and professional artists to gather stories. “What is exciting for me is that we are asking the youth, with the guidance of the Knowledge Keepers and the support of artists, to develop a contemporary perspective of the teachings of this region of Turtle Island,” says Marsha.

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Jaime Black

Indigenous artist Jaime Black will also be on board to help bring the project to life.  Jaime is a Metis multidisciplinary artist based in Winnipeg. She studied English Literature at the University of Manitoba and has an Education degree from The Ontario Institute of Studies in Education. She has taught in Opaskwayak Cree Nation in the Pas, Manitoba, has worked developing art curriculum for the Urban Shaman: Contemporary Aboriginal Art, and has long been involved in the Aboriginal writers and artists communities in Winnipeg. She is also head of the REDress Project, an installation-based art project focused around the issue of missing or murdered Aboriginal women across Canada.

Phase One of the project will start this year as we engage in consultation circles within the community and then undertake workshops to explore their connection to the teachings. Phase Two will then bring in artists, performers, designers, and directors to shape the youth’s creations into our next full production, keeping in consultation with Knowledge Keepers to ensure the integrity of their stories as the production develops.

“The voices of Indigenous youth are strong and much wiser than most people allow,” says Marsha. “This production will be a beautiful, awakening message combining traditional and contemporary storytelling.”

We’ll be launching the first phase of the project with a public gathering in May 2019 with the full production to come in Spring 2020. Stay tuned as we announce more on this exciting new endeavour!