Everybody’s Got a Plan, Until They Get Punched in the Face

By Brooklyn Alice Lee

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The night before the Bake-Off, I could hardly sleep. “What are the three ingredients going to be?” “What are my competitors like?” “What if I don’t come up with anything?” All of these questions and more were racing through my mind. When I sent in my application for the “Bake-Off,” I hadn’t considered the reality of the competition! 5 of us in one room for 8 hours, writing. AH!

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All of my worries melted away when I arrived at The Asper Centre for Theatre and Film and entered the writing room (well, most of my worries. There was still the ‘will I come up with anything?!’ panic). All of the playwrights were in good spirits, everyone brought snacks, there was coffee, water and sunlight to keep us going. Meeting the other playwrights for the first time was a huge help to calming my nerves. Everyone was so kind and supportive of each other, the energy in the room was electric. Being surrounded by a group of such positive women; passionate about theatre set fire to my determination. Then came the ingredients.


The sound, “shhh,” a flat tire, and the quote, “Everybody’s got a plan until they get punched in the face.”

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Well… alright then! As a writer, I had a few ideas in my head. The trick was which idea would these three ingredients work best with?

The timer begins.

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I take my blanket (taken right off my bed at home) and my pillow (also taken right off my bed at home) and I plop myself down in the corner. I will confess. The first half-an-hour was spent scrolling through Twitter and Facebook. What? I was 68803677_10157631014417533_6195709625510133760_olooking for inspiration! Then I came across a photo of my five-year-old brother and I remembered a story I had been toying with for quite some time that involved the two of us, but never actually got around to writing. I was immediately inspired (see, scrolling can spark inspiration)!

68706456_10157631014072533_5099784042023223296_nThe room was mostly quiet throughout the writing process. With the exception of a little chatter around lunch time and the occasional “Bless you,” everyone was hard at work. Seven hours, approximately thirty different seating positions, two bottles of water and one phone call to my mum for encouragement later and I was done. I read over the script quite a few times, which I’m so glad I did because initially my script included a “spare tire,” very different from a “flat tire”! I was sure to make that adjustment, read it over a few more times and then pressed send!

Everyone completed their scripts in a timely fashion, some finishing earlier than others. By the end of it, you could feel the thickness in the air, the stress that comes with sending DSC_0227.JPGoff your work to not only be displayed in front of an audience, but no more adjustments can be made! Now, all there is left to do is wait to watch the actors bring our pieces to life and see who the audience choice winner is.

All in all, I am feeling proud, terrified, motivated and excited to see what my competitors brought to the table! It is sure to be an exciting FemFest! The performances of each playwrights Bake-Off piece will take place on September 16th at 6:30PM and you can purchase tickets HERE! Make sure to check out all of the other amazing shows going on during FemFest 2019.

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In the Director’s Chair with Bronwyn Steinberg

A show is nothing without the guidance of a skilled Director. We have a plethora of talented Directors working with us to produce a selection of amazing FemFest productions. Bronwyn Steinberg leads Kim Kilpatrick, Karen Bailey and Tulia the guide dog through their performance of Raising Stanley/Life with Tulia. If you missed our blog on Raising Stanley/Life with Tulia, you can find that HERE.

Bronwyn is a driven creative who puts her whole heart into her work, her hard work and dedication are reflected through the productions she directs. Here is a little bit more about Bronwyn and her history in the theatre…

apa_2017-02-24_13-04-56_apa_6470Bronwyn is passionate about creating a space that brings people together to engage in theatre that provokes social examination. She is the founding Artistic Director of TACTICS, Ottawa’s curated indie theatre series. Upcoming projects include directing Bang Bang for GCTC in Ottawa and Lost Letters, a new musical premiering at Bloomington Playwrights Project. Recent credits include The Drowning Girls (GCTC), The Revolutionists (Three Sisters Theatre) and Twelfth Night (a Company of Fools).

Bronwyn’s current directorial project with Raising Stanley/Life with Tulia continues its tour at FemFest 2019: All the World’s a Stage. Bronwyn had a lot to say about her work with Kim and Karen and her excitement on directing such a progressive and unique production…

“I am a total dog person. We always had dogs growing up, usually three at a time. I was even born in the Year of the Dog. But rarely has my love of dogs been able to be part of my life in theatre. My beloved miniature dachshund Kudra, who was with me for eighteen years, used to sit on my lap during rehearsals and even accompanied me on tour, but that was a long time ago now. So, I was delighted when Eric Coates at GCTC introduced me to Kim and Karen and this beautiful collaboration.

uc19_raisingstanley_photocred_justinvanleeuwen-e1542135997754It’s been fascinating not only to learn about accessibility techniques for theatre, but also to explore ways of integrating accessibility right into the creation process. The theatre is one of the few remaining places where people share in a live communal experience. It has been wonderful touring this piece to different festivals and communities around Canada, and we can’t wait to bring it to FemFest in Winnipeg. I am so pleased to offer this experience in a way that is accessible and inclusive for all audience members. And what better way to come together than to share in the love of our beloved friends and companions, the dogs that comfort, guide and inspire us?” – Bronwyn Steinberg

You have three chances to see Bronwyn, Kim and Karen’s hard work come to life in Raising Stanley/Life with Tulia during FemFest 2019: All the World’s a Stage. FemFest is officially only one month away! For ticket and show time info, click HERE.

Three Ladies, One Baby

For three nights only, the world premiere of Baby Box is coming to FemFest 2019: All the World’s a Stage! If you missed the last blog on Baby Box, you can find it HERE. As we begin the rehearsal process, we are happy to introduce you to our amazing cast! We asked the cast of Baby Box to tell us a bit about themselves as well as share their answers to the question, “What was your favourite activity as a child?”


Playing Woman #1, the birth mother, is Victoria Hill.

Victoria Hill_Headshot-page-001Victoria Emilie Hill is a creator, mover, and actor based in Winnipeg.  She is passionate about work that focuses on movement and the body as a place we hold and tell stories.  She is curious about the myriad ways we express and communicate with ourselves, our environments, and other creatures.  Victoria is also a founding member of The Patriarchy, a two-woman a capella band that sings songs and tells stories that challenge the status quo through a comedic and playful lens. (Spoiler Alert: They will be hosting the FemFest Opening Cabaret) Victoria is an avid student of life, and loves adventures in new things which have included roller derby, making jewellery, sky diving, knitting, white water rafting, and trying to keep her plants alive. Baby Box is such a beautiful project, and she can’t wait to share it with all of you.

Victoria’s favourite activity as a child was climbing trees.


Playing Woman #2, the nurse, is Natasha Torres-Garner.

Torres-Garner started her performance career in contemporary dance in 2002. She has performed with Montreal’s Fortier Danse Création, Bill Coleman, in repertoire by the late IMG_5064webJean-Pierre Perreault, as well as Toronto’s Marie-Josée Chartier. Natasha’s long dedication to the independent community in Winnipeg has meant working with Winnipeg’s Tom Stroud, Out of Line Theatre, TRIP Dance Company, Treasure Waddell, Alison Robson, Johanna Riley, Alex Elliott, Ali Robson, Leigh Anne Parry, Danielle Sturk, Ming Hon, Mia Van Leeuwen, and under the direction of Arne MacPherson. As a choreographer Natasha Torres-Garner has presented solo and group works locally and internationally, including Winnipeg, Regina, London(UK), Toronto, St. John’s, Newfoundland and Dresden, Germany.

Natasha, enjoyed the calligraphy club as a child.


Playing Woman #3, the adoptive mother, is Saira Rahman.

Headshot-SAIRA RAHMANSaira Rahman grew up in Winnipeg, and was a teacher and principal before pursuing filmmaking. In 2003, she wrote a 3-part documentary series about Muslim Canadians called “A New Life in a New Land” (Milo Productions), which aired nationally. After completing the Digital Film Production program at Langara College in Vancouver, Saira and her sister, Nilufer, established Snow Angel Films in 2010, producing their first feature documentary, “Arctic Mosque” (CBC, APTN) and most recently, “Prairie Mosque”(BellMTS), a story about the first mosque established in Winnipeg in 1976. Saira is also an emerging actor having performed in The Game (Sarasvati Productions), Murder By Poe (PTE Adult Company), and Boundary Avenue (One Trunk Theatre). She is very excited to be a part of FemFest again this year and Baby Box!

Saira’s favourite activity as a child was to play house with her sister, but their own version where they were single moms.


Victoria, Natasha and Saira have already begun rehearsals for the world premiere next month along with Director, Hope McIntyre, Choreographer, Ali Robson, and Musical Director, Rachel Cameron. Through the use of unique narrative, movement and song, the Baby Box cast is sure to give a moving performance.

For ticket information and more, be sure to give us a visit HERE on our website!

Take it from a Pro

Every year at our annual FemFest, we incorporate workshops and special readings by accomplished women in theatre. This year, at FemFest 2019: All the World’s a Stage, we are excited to welcome our special guest artist Yvette Nolan. Yvette Nolan (Algonquin) is a playwright, director, and dramaturg. She is no stranger to Winnipeg and of late has been a frequent flyer coming to share her wisdom at the University of Winnipeg and PTE’s Festival of New Works. At FemFest Yvette will give a lecture in partnership with University of Winnipeg’s Real Thing series, she will facilitate a playwriting masterclass for local playwrights that stretches over the course of five days, then alongside these writers share her own work as part of the festival wrap-up event Leaping off the Page.

“For me, theatre is all about voice. Giving voice to characters whose stories might otherwise disappear, giving voice to questions that challenge us–about being marginalized, about being invisible, about aging, about grief, about our responsibility to each other and to the world.”- Yvette Nolan in an interview with ROOM Magazine

Yvette NolanSome of Yvette’s work includes the plays BLADE, Annie Mae’s Movement, The Birds, The Unplugging, Gabriel Dumont’s Wild West Show (co-writer), The Libretto Shanawdithit and the short film “A Common Experience,” (w. Shane Belcourt). She has directed from coast to coast and north all the way to Dawson City, Yukon. As a dramaturg, she works across Turtle Island. From 2003-2011, she served as Artistic Director of Native Earth Performing Arts. Her book Medicine Shows about Indigenous theatre in Canada was published by Playwrights Canada Press in 2015. She is an Artistic Associate of Signal Theatre.

Interested in the Playwriting Masterclass with Yvette Nolan? As artist in residence at FemFest, Yvette Nolan (Algonquin) will facilitate a masterclass for local playwrights over 5 sessions. Writers will have a chance to focus on their craft, it will then culminate in a public reading of works in progress by participants.

Workshop dates and times are as follows:

Sunday, Sept 15 – 11am to 1pm

Monday, Sept 16 – 4pm to 6pm

Tuesday, Sept 17 – 4pm  to 6pm

Thursday, Sept 19 – 4pm to 6pm

Friday, Sept 20 – 4pm to 6pm

On Saturday, September 21st at 8:30PM you can hear the culmination of Yvette’s intensive process and then join us for the Festival’s closing reception.

For more information or to reserve your spot in the workshop visit our website, HERE. Or, to purchase a ticket for the September 21st Leaping Off the Page event, click HERE. Make sure to explore our website to learn more about FemFest2019: All the World’s a Stage and what it has to offer! September 14th-21st.

Ready For Launch

-Written by Emma WelhamEmma Welham Headshot

As I enter the final year in my undergrad degree, my thoughts have been on what to do after I graduate. Many professors say “Make your own work!”, but I will admit that idea always scared me slightly. When the time came, would I know how to create a piece from scratch? Would I be able to cover not only everything on the artistic side of the process but on the production and business side of things as well?

Thankfully, the universe has a way of giving you what you need, and this past May I learned about Sarasvàti Production’s Launchpad Project. Aimed specifically at emerging artists, The Launchpad Project gives artists like me the chance to create our own show over the period of three months; culminating in three performances of the show at their annual FemFest.

Starting in mid-June, myself and eight other incredible emerging artists began workshops with industry professionals in devised theatre, movement, improv, and directing before beginning to cultivate and create material that we would like to put in our show. Now a month into this project, I can easily say that being a part of this initiative is one of the most fun and artistically fulfilling projects I have ever been involved in.

non binaryWe meet twice a week (soon to become three in mid-August), and create, create, create! Each of our eight members takes turns leading the rehearsals and we have two facilitators in the room in order to keep things running smoothly. Each member of our group comes from a different background both in theatre and in life, and one of my favourite parts of rehearsal are our group discussions, because everyone brings such a unique perspective to the table.

As we approach August our show is starting to take shape as we begin to piece together material previously created and begin to create the structure of our show.

Be sure to follow Sarasvàti Productions on Facebook, Instagram (@sarasvati_wpg) and Twitter to keep up to date with all future The Launchpad Project updates including blog posts and Instagram takeovers! For more information on FemFest 2019, visit our website HERE!

Baking With Grief

How do you grieve and move on after losing someone? It is a challenge for anyone, but even more so for Katherine, especially now that death has moved in as her roommate.

The Grief Box by Alissa Watson won last year’s Bake-Off writing competition; during FemFest 2018. This year, a reading of The Grief Box is part of our FemFest 2019 roster! We asked Watson to share a little bit about the inspiration behind her play…

“Writing The Grief Box has been a weird and wonderful process. The inspiration for the piece came from the sudden death of my mom in the fall of 2017. I have found life convoluted and bizarre in the wake of her passing and it has been my experience that many people struggle to support those who are dealing with loss, even if they are sharing the same experience. In creating this piece, it is important to me to create a community experience; a safe space where the audience can laugh, cry or get angry with or at death. I would love to have everyone leave feeling that they have a slightly better relationship with death; however bizarre it might be.

The piece has evolved extensively since The Switch, that won the Bake-Off last fall. Much to my disappointment, that scene is no longer in this draft of the play. Audiences who are familiar with the scene can consider it a prologue to the reading of The Grief Box they will see this fall. However, the same loveable cast of characters are along for the ride, including death itself.”- Alissa Watson

Alissa Watson Grief BoxIn addition to acquiring her Bachelor of Music and Education from Brandon University, Alissa has trained in theatre throughout Canada, England and is an alumna of the Professional Training Ensemble at Prairie Theatre Exchange.  She is the co-founder of The Red Nose Diaries (Maple & Sticky’s Amazing Olympic Race, The Polka Dots of Death: The Making of a Supervillain) and is a proud founding member of Winnipeg’s only all-female Bouffon Ensemble, The Talentless Lumps. Selected acting credits include Sense & Sensibility, Harvey (RMTC); Torn Through Time (MTYP); Mission: Munschpossible, Small Things, Magical Mystery Munsch (PTE); and Stripped Down Midsummer Night’s Dream (SIR). Alissa is a member of PTE’s Emerging Playwright’s Unit and is currently adapting the beloved Munsch classic, The Paper Bag Princess for young audiences this winter. In addition, Alissa is a vocalist and percussionist for the sweet and cheeky, Fu Fu Chi Chi Choir.

The reading of The Grief Box will be held Saturday, September 14th at 2:00PM at The Asper Centre for Theatre and Film. Admission is Pay What You Can and you can book tickets HERE on our website.  You can also check out this year’s edition of the Bake-Off on September 16th at 6:30pm to vote for a script you would like to see developed for 2020.

Stay tuned for more on what to look forward to during FemFest 2019!

You Get What You Pay For

Coming to FemFest 2019 as part of our touring shows, a POP ART performance of 4inXchange by xLq. This unique performance involves three performers, four audience members and $1,000 cash!

Jordan Campbell, Maddie Bautista and Katherine Walker-Jones sitting stoic at a table in wigs, sunglasses and white lab coats. About to begin their performance

xLq is a POP ART performance duo comprised of Jordan Campbell and Maddie Bautista. Dedicated to radical forms of performance and complicit audience experience – xLq combines ritual, fashion, dance, music, and queer pop aesthetics to question, physicalize, and reimagine our possible futures. Recipient of the Nightswimming 5×25 2017 Commission and winner of the NOW Magazine Audience Choice Award for ​4inXchange – which debuted at SummerWorks 2019, with tour stops at Vancouver’s rEvolver Festival and now our own FemFest.

“Will leave you looking differently at that fiver in your wallet”- NOW Magazine Toronto

4 audience members write on paper thoughtfully while xLq watchesLearn all about the xLq team we will be welcoming to Winnipeg for FemFest:

Jordan Campbell (performer-creator, producer) is a queer performance artist, creator and youth workshop facilitator. He is an xLq co-artistic director and performer. Jordan’s Jordan and Maddie hold up two pieces of money to eachother while sitting on their knees on the table, the audience sits close watchingsolo work is physically based and uses high aesthetics, drag and performance art. His work with youth has focused around those with different learning abilities, including teaching at Purple Carrots Drama Studio. Selected performance credits include: The Youth/Elders Project (Buddies in Bad Times), 72-Person Ball Passing (FFDN), The Stranger (DLT).

Maddie Bautista (performer-creator, producer) is a Bi, Filipina sound designer, theatre creator and performer. Her sound design has been featured in theatres across the country: Luminato, Why Not’s RISER, Aluna Theatre, b current, rEvolver Festival in Vancouver, High Performance Rodeo in Calgary, and more. Recipient of the SummerWorks Spotlight Performance Award 2016, a Dora-nomination for her sound design ​(Eraser, Why Not’s RISER), and fu-GEN Theatre’s inaugural Walk the Walk Commission 2019.

xLq and the audience members toss money into the air, smiling.Katherine Walker-Jones (performer-creator) is an artist from Winnipeg who is now based in Toronto. They make theatre and music. Since graduating from Humber Theatre Performance in 2016, they have released two EPs and recorded a forthcoming album with their band Feels Fine. They also collaborate with xLq Pop Art Performance. Recent works with xLq include curating the Trash Sanctuary event series as well as performing at SummerWorks Performance Festival and rEvolver Festival.

4inXchange can only accept four audience members per performance, so reserving your tickets in advance is crucial! The show will use a unique pay-what-you-choose method at the end of the show and only has 16 performances. That means only 64 lucky audience members will get to experience this unique event. For show times and to reserve your tickets, visit our website.