To Infinity… And Beyond!

Forging a future for FemFest requires providing a space for the next generation of voices. To this end we have initiated an exciting new program. At this year’s FemFest, you will get to see the results of their development in progress! “The Launchpad Project” compiles a roster of emerging women and non-binary artists whose creative mediums range from a variety of disciplines: directors, dancers, performers, playwrights, technical crew, etc. This diverse and well rounded team will take part in intensive workshops over the summer including: movement work, vocal work, improvisation, devised theatre and scene-writing. Professionals working in Winnipeg’s theatre industry will lead these workshops and mentor the creative team.

The goal of this project is to give emerging artists a chance to learn, develop skills and network with industry professionals. How does it tie into FemFest? Along with all of the professional shows we put on at FemFest in September, The Launchpad will premiere a devised production connected to the FemFest theme just for YOU! The result of ongoing rehearsals over the summer and training alongside professionals! This is an exciting opportunity for both the artists and the spectators alike. The Launchpad ensemble will have the chance to display their hard work for you the audience, while spectators will have the chance to see a brand new work of theatre with a fresh cast and crew.

Facilitating and Coordinating the Launchpad are Victoria Hill and Lindsay Johnson. They are ecstatic to be helping a new group of performers break through and create their own piece for FemFest.

As for the ensemble members… here’s a list of who you can expect to see:

  • J. Hotomani
  • Anaka Sandhu
  • Anika Dowsett
  • Emma Welham
  • Jonathan Mourant
  • Karam Daoud
  • Leaf Pankratz
  • Makrenna Sterdan
  • Sara Groleau
  • Sarah Flynn

We can’t wait to see what this amazing team comes up with! We know it will be riveting!

Stay tuned for more details on this exciting project and the up-and-comers involved. Also, check out our just launched FemFest 2019 website!

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Making A Living In Theatre

  • By Brooklyn Kilfoyle, Marketing and Community Outreach Assistant

Are you new to the world of theatre? Just graduated? Feeling a little lost? Or have you worked in the industry for years and are looking to share and hear common experiences? Every year, we hold a series of panels, workshops and discussions. Next on the docket, we are hosting a round table discussion all about, “Making a Living in Theatre.” In such a competitive and intense field of work, it can be hard to navigate the path towards finding success in the theatre industry. We want you to find success in your passion and that is the goal of our next professional development offering on June 22nd.

We have brought together professionals who not only work in the theatre industry, but who have found success in their respective fields. In the round-table, you will sit among professionals and newbies alike and discuss the theatre industry. You will have opportunities to ask your own questions and have them answered by people who have experienced exactly what you are working towards, all while sharing a common love of theatre.

As a recent graduate with a Bachelor of Arts in Theatre, I know I am constantly full of questions. “Where should I be looking for jobs?” “How do I network?” These questions can be daunting and scary and there have been many Brooklyn Kilfoyle, a twenty-two year old woman with green eyes and short dark hair wearing a pink turtle neck.times I wished there was someone to guide me. One of the most prominent questions others seem to ask me is, “is it even possible to make a living in theatre?” And of course it is! There are so many professional people right here in Winnipeg who live very successful lives working in theatre. Of course, it’s hard to remember that when you don’t personally know these people. Which is why this session is such a great opportunity for fresh graduates like me, it’s a starting point. A chance to meet people in the industry and get a sense of what it’s like to fully submerge yourself into it.

This discussion isn’t just for the newbies, like me. It’s for anyone trying to make a living in theatre! Whether you’re new to it, or been in the industry for years. We want this to be a safe and productive space where you can share your experiences, have others relate, ask your questions and have them answered. Or simply, just come and listen! We will have a panel of professionals signed on and ready to share.A group of men and women of various ages sitting in a circle, talking

The round table discussion will take place on June 22nd at The Asper Centre For Theatre and Film (400 Colony) at 2PM in room 2T05. Access to the discussion is on a “pay what you choose” donation basis, we ask that if you plan on attending the round table, you send an email to Sami at production@sarasvati.ca. Show up with your questions ready, sit, listen, learn and share your own experiences! We hope you can make it!

More details on who you can expect to see at the round table coming soon, so stay tuned!

Le Tour De FemFest

We have an exciting line-up of performances at this year’s FemFest including three touring shows we are excited to share with you! Like Mother, Like Daughter, 4inXchange and Raising Stanley/Living With Tulia are the free touring shows we are excited to be showcasing at this years FemFest. Here’s a little more about what to expect from these shows…

Like Mother, Like Daughter

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Directed by Rose Plotek, Like Mother, Like Daughter weaves together stories from 12 pairs of mothers and daughters into a performance of unscripted conversations performed by the mothers and daughters themselves. At the end of each performance the audience is invited to join the mothers and daughters for a meal– to continue the conversations.LMLDstills-photobyDahliaKatz-8758

We are excited to welcome Why Not Theatre and their production. They will be bringing together mothers and daughters who were born outside of Canada (newcomers, as well as those who may have immigrated many years ago) as well as Indigenous mothers and daughters, in order to create and perform in a participatory project.

“Delicate, generous, inspiring, warm, funny, and in moments, heart-rending.” (Sprockets & Greasepaint).

4inXchange

4inXchange Production Photo (4)A 70-minute interactive performance with three performers and four interactive spectators. Created, produced and performed by xLq (Jordan Campbell and Maddie Bautista [along with the help of Katherine Walker-Jones]) this touring team of three is sure to excite you all while providing thought-provoking questions.

“An interactive, site-specific game with four players and $1,000 cash- 4inXchange is a pop art business meeting that guides you through a series of dialogues, chances, competitions and meditations. Use the cash on the table to get to know your fellow participants, while xLq asks provocative questions about value, intimacy, love, and truth. Returns and exchanges guaranteed.”

4inXchange Production Photo (5)FREE to book a spot to attend. 4inXchange culminates in a unique Pay-What-You-Choose process – please bring some cash of your own to participate.

4inXchange won the NOW Magazine Audience Choice Award at Summerworks2018 in Toronto, Ontario. Click here for a promotional video on 4inXchange: https://vimeo.com/290509007

Raising Stanley/Living with Tulia

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The Journey from Puppy to Working Guide Dog for the Blind… Raising Stanley/Living with Tulia, is the story of two women and their relationships with guide dogs. Karen Bailey is a foster mom to puppies in training to be guide dogs and Kim Kilpatrick is a blind woman telling the story of her first guide dog.

 

“‘How are you ever going to give him up?’ is the question puppy walkers are asked most often by the public. Yes, it is difficult. Yes, we get attached. But like having children, we are happy and proud to see the puppy we raised go off to University (aka guide dog school) and get a job.

That’s what we signed up for as volunteers with Canadian Guide Dogs for the blind; our role is integral to the process.”- Karen Bailey

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“What kind of dog would I get? I had said no preference. Some people would rather a boy or a girl, a Lab or a Golden, a dark or a light. I just wanted a living breathing guide dog that would make it easier for me to move through the world with grace, ease and dignity, just as I had always wanted.”- Kim Kilpatrick

See these as well as a long list of local performances at the FemFest 2019: All The World’s a Stage September 14-21. More information and festival line-up coming soon, we hope to see you there!

NEW BLOOD

As we get closer to Fem Fest 2019, we have brought on two new staff members eager to help us ring in the festival year! Please join us in welcoming Sami Desiree as our new Production Assistant and Brooklyn Kilfoyle as our new Marketing and Community Outreach Assistant.  We asked the girls to tell us a little bit about themselves so we can all get to know them a little better.Sami Headshot 2019

Sami Desiree is currently a production student at the University of Winnipeg. Her passion for theatre started at a young age when she began acting. She has since developed her interests and has begun working in various aspects of theatre including production, directing, designing and producing. Sami founded Beau Theatre Co in 2017 and since has produced four full productions with the company. She could not do any of it without the support of her partner Matt and her cat Zella.

Now, she joins the Sarasvàti team as our new Production Assistant! An opportunity Sami says she is, “excited and deeply grateful” for.

“I am blown away by the care Hope and the whole Sarasvàti team puts into their work.”- Sami Desiree

She cannot wait to be part of that initiative.

Currently, Sami is working on a summer tour with Beau Theatre Co, taking the show, Seascape with Sharks and Dancer, to Regina International Fringe Festival and Gimli’s A-Spire Theatre Festival. You may also catch her in a tech booth somewhere controlling light and sound.

Brooklyn HeadshotBrooklyn Kilfoyle has been an active member of the theatre community from a young age. Her passion has always been performing; whether it is on a big stage under lights or in her living room dimly lit by the television. Brooklyn has recently completed her degree in Theatre with The University of Winnipeg. When she’s not performing, Brooklyn enjoys spending time with her friends and family, including (and quite often limited to) her dog and best friend Bowie. Currently, Brooklyn is rehearsing for the 2019 season of the Winnipeg Fringe, where she will be performing with her own company, 803 Productions. This is the first time Brooklyn has both written and will be performing her own work. The play is titled Growing Op and will be performed during The Winnipeg Fringe Festival at the Asper Centre for Theatre and Film.

Though her medium bends towards acting, she has joined the behind the scenes action of the theatre world with us at Sarasvàti Productions as our newest Marketing and Community Outreach Assistant!

“I am excited to be part of a theatre company that promotes positivity and change!”- Brooklyn Kilfoyle

Best of luck, Sami and Brooklyn! We’re happy to have you both on board.

Keep an eye out for more information on Fem Fest 2019, coming soon!

What’s Up Next in 2019

2019
Join us for another incredible year of life-changing theatre! We have some exciting events in store for 2019 and can’t wait to get started. Here’s our Top 4 Things we’re looking forward to in the New Year.

        1. COMMUNITY DIALOGUE – Queering Theatre Round-Table

We’ll be kicking off 2019 with our Queering Theatre round-table, facilitated by Erin Meagan Schwartz! Representatives from Winnipeg’s performing arts and LGBT community will speak to their experiences of incorporating their identities into their work, as well as their experiences as a queer artist in the community. Keep your eyes peeled on social media as we announce more on the exciting workshops and opportunities we have coming up for emerging artists!

2. STANDING PROUD 

Here I am banner draft Dec 25_18Up and running since 2003, this event shares the stories of incredible women! This year’s theme is Here I Am, focused on stories of embracing identity and coming into one’s own. Our line-up will feature stories like an aspiring astronaut fighting to be taken seriously, a teenager coming out to her family (and the local priest!) over brunch, and the “elephant in the room” of life with a chronic illness. Check out our website for the full line-up!

3. MORE COMMUNITY COLLABORATION

Starting in January, we’ll begin work on our next full production focused on the theme of reconciliation. Indigenous artists will work with youth, Knowledge Keepers, and Elders. This year will see the first phase of the project as we begin workshops and interviews, gathering stories and feedback from the community that will shape the production. Check out this post for more info!

4. FEMFEST SHAKES THINGS UP FOR ITS 17TH YEAR!

This September will mark our 17th annual festival of life-changing theatre for everyone! Our theme is All the World’s a Stage, focusing on global stories of powerful women. We’ll be focusing on making the festival more accessible to the community with exciting new programming. Stay tuned for full details in the spring.

With so much in store, you won’t want to miss a thing! Be sure to sign up for our mailing list to stay up-to-date on all the great events we have coming up in 2019.

OUR HOME & native land: wit and sarcasm thicker than the Indian Act

Who knew that an educational play about the history of the Treaties and how the Canadian government has violated them could be so…funny? And who could write such a play? Jo MacDonald could. And she won last year’s Bake-Off with it!

In case you’re not familiar with it, the Bake-Off is an annual event in FemFest. Playwrights are given just eight hours to “bake” up a scene with three specific “ingredients” (actions or lines) so that they can’t write ahead. The audience is then invited to a reading of these fresh ideas and they get to decide which one has the most potential for a complete play. The winning playwright receives dramaturgical guidance so that they can finish the play and have it read at the following FemFest.

BakeOff Fem17_PhotoJanetShum (53)

OUR HOME & native land is about two friends, Niibin and Cheryl, who are leading a workshop called “Understanding the Treaties”. They have their work cut out for them when the self-absorbed Stephanie and the mansplaining George walk in. Neither Stephanie nor George is aware of their privilege, their biases, or their ignorance. When Mrs. Bruneau, warm, friendly, and given to storytelling, comes in, it becomes clear that she does not need the workshop so much as it needs her. She helps Niibin and Cheryl win their reluctant guests over, but you’ll have to come and find out how. The only spoilers that we can give you are that it’s outrageously funny and will make you curious (and angry) about the history of the treaties and how our government has violated them.

In OUR HOME & native land, Jo MacDonald proves herself to be a sharply witty and engaging writer. Recently, her play Mother’s Little Secret was performed to packed houses at the Fringe Festival, directed by our wonderful Indigenous Outreach Coordinator, Marsha Knight. Her play Neechie-Itas was a runner-up in the Native American New Play Festival in Oklahama City. Jo was a big hit at last year’s FemFest and she will be again this year. In fact, her work was also selected to be featured in the FemFest One Night Stand as part of the festival closing night.

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Don’t miss this brand-new play—there will be just one reading at 1:00 pm on Saturday, September 15 at the Asper Centre for Theatre and Film. You can get your tickets here!

White Man’s Indian: not your average high school drama

darlaThe incredible emerging playwright/actor Darla Contois will bring her one-woman show White Man’s Indian to FemFest this year and we can’t wait! It’s the kind of coming-of-age story of an Indigenous girl that we rarely get to hear. This girl is the brave, independent-minded Eva, who will captivate you throughout the show and long after you leave the theatre. Darla Contois has combined dark subject matter with humour in such a way that makes them sound like they were meant to be together.

The story launches when a teacher assigns the impossible, a final essay focused on where each student’s family came from and how they transitioned to life in Canada. How does an Indigenous student address the question of adapting to Canada? As a result the play’s main character, Eva, gets a “special assignment” to write about her family history and—spoiler alert—Eva will confess to you that she doesn’t know it. Nobody taught it to her parents or grandparents in school and it’s erased everywhere.

White Man's Indian

The title White Man’s Indian comes from what Eva calls herself when she feels disconnected from her culture. There is no way she can meet all of the expectations everyone seems to have for her. Like any young person, Eva is searching for herself. There is a lot of humour as Eva tries to figure out her space in society.

What is extremely exciting about hosting the show at FemFest is that writer/performer Darla Contois is a Winnipegger. The play premiered at the Summerworks Festival in Toronto and then played at Uno Fest in Victoria. Now you have a chance to see her where she started out.

“Contois’s convincing performance is the highlight, however, culminating in some haunting and heartrending moments of realization and defeat, but also strength and resilience, that will make many reach for a tissue.” – Jordan Bimm, Now Toronto

Also, let’s be honest, there is a real need right now to explore representation on stage. So that we don’t sweep this question of under the carpet, there will be a panel discussion about it following a select performance of White Man’s Indian. Just three chances to see this great play – September 18 or 21 at 7:00 pm or September 20 at 9:00 pm! All performances are at the U of W Asper Centre for Theatre and Film, 400 Colony Street. Get your tickets now!