Launching IWW18

How do you pull together 10 performers, doing 10 pieces and touring to upwards of 15 locations? With a lot of help. For five years now Rachel Smith has been an integral part of the International Women’s Week Cabaret of Monologues. Rachel is part of choosing the theme, making monologue selections and directing pieces to be performed at the theatre and throughout the community. As we begin to choose our selections for IWW2018, we caught up with Rachel to talk about what she’s looking forward to about the project this year.

What does the IWW Cabaret of Monologues mean to you?

I have been fortunate enough to grow as a director throughout my time working on the cabaret. When I first joined the artistic team I had just graduated with my MA so I was eager to get more practical experience under my belt. Working on this event gave me the opportunity to have Hope McIntyre as a mentor and I feel this has strongly contributed to my growth as an artist.

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Rachel Smith

Working on monologues is challenging in many ways. The playwrights have to write an active and engaging performance for only one person. The actors have no other actors on stage to feed off of and sometimes have to react to an imaginary character. As a director we have to help the actors figure out how to bring the monologues to life; ensuring the performance is active and engaging.

Each monologue that I have worked on has presented its own unique challenges artistically and each actor is different to work with. Every time I have worked on the monologues I take something new away from them. The practical experiences I gain are matched by the expansive understanding that the different stories present.

What does this year’s theme ‘Unstoppable’ mean to you?

Each year the theme we choose offers new stories and new perspectives. The perspectives that are represented in the monologues are not often seen on stage elsewhere. The topics challenge the audiences and offer new ways of thinking about the themes we present. Working as a director on these stories ensures that my own biases are constantly being challenged. I hope that it does the same for audiences.

I think that the theme “unstoppable” is important because it can be inspirational. Everyone faces challenges at some point in their lives. For some people just getting out of bed in the morning can be a challenge. Sometimes the circumstances we find ourselves in can seem hopeless. Sometimes we need other people’s stories about how they are able to push through and keep going, in order to feel as though we can do the same.

What have some of the highlights been for you?

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Jane Burpee in Dave Carley’s “Urban Nun”

My favourite monologue that I have worked on has been the, somewhat crude, smoking Nun played by Jane Burpee. It was such a great monologue and I had so much fun working on it.

That being said, every year the monologues and rehearsals are so great that it is hard to narrow down the highlights. For me, working on the Cabaret, in general, is a highlight.

Why celebrate IWW with the Cabaret of Monologues?

The Cabaret of Monologues is a unique event where we are able to confront important societal issues while getting the chance to showcase talent from Canadian Women. We often get a range of work from all over Canada from women writers of various backgrounds. With the added bonus of being able to work with local, often up and coming, artists. It is a chance to have powerful stories portrayed by powerful women on stage.

One of my favourite aspects of the Cabaret of Monologues is that the monologues tour to different community organizations. This provides opportunities to bring the performances to people who may not be able to attend the full public event. Many organizations use the monologues as an opportunity to talk about circumstances that members of their communities may be confronting. It also provides opportunities for the performers to meet members of the community. This gives the event a more personalized atmosphere.

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Johanna Burdon performing at St. John’s Library

Stay tuned for the announcement of this year’s pieces in an upcoming blog! You can catch the 2018 International Women’s Week Cabaret of Monologues March 10 at 4pm and 8pm at the Asper Centre for Theatre and Film. Tickets are on sale now.  Those interested in booking monologues to tour to their community can contact Angie at associate@sarasvati.ca .

 

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Making Space for Women’s Experience of Homelessness

Homelessness means… “I am not worthy or worth enough to be or feel safe. I don’t deserve anything. I must have done something wrong.”

Too often defining homelessness is done by those without lived experience. This response from a participant who has spent years on the streets is an important part of a unique collaboration. Sarasvàti Productions’ artists have been working with women at West Central Women’s Resource Centre (WCWRC) on a new story-sharing project, the focus is women’s experiences with homelessness.

Women come to WCWRC for a variety of services – for support groups, job training, recreation or for a shower and a meal. The West End-based non-profit has a mandate to “empower women to help themselves, their families and their community to safer, healthier lifestyles”, so it’s no surprise that they are perfect pair with Sarasvàti Productions. Far from the first time these two organizations have worked together, WCWRC and Sarasvàti collaborated on an inter-generational project two years ago, artists have led workshops as part of programming and the International Women’s Week Cabaret of Monologues have been performed at the Centre on several occasions. This time, a core group of women at WCWRC will be working with our facilitators so that their stories can be told on stage at the National Conference on Ending Homelessness.

“These women are the epitome of strength, courage, and resilience”, says Nan Fewchuk, one of  Sarasvàti Productions’ facilitators. “They share their harrowing stories with complete honesty, and are somehow able to still laugh at themselves, and at the absurdity of the situations in their lives. Pliny the Elder once said, ‘Home is where the heart is’. I am so grateful to each of these ladies for inviting me into their beautiful ‘homes’.”

Nan at WCWRC

Facilitator Nan Fewchuk at WCWRC

Working with the women at WCWRC is an important part of meeting our goals as a company. If we want to promote social change and human understanding we need to start by listening to folks who are often neglected in our community.  We are driven to create platforms for voices rarely heard on Canadian stages.

WCWRC is an amazing organization. They are packed to the rafters and busier than ever with newly increased hours and programming.  It’s a sign that the services they provide are in high-demand and that they are really working to serve the needs of the community. Sarasvàti is proud to be working with WCWRC and honoured to have the opportunity to share the stories of the women involved.  The public is invited to “Can You See Me Now”, a presentation of readings at 7:30pm on October 24th at the University of Winnipeg Asper Centre for Theatre and Film – admission by donation. The presentation will also be part of the National Conference on Ending Homelessness and open to conference attendees on October 25th. CAEH17_logo_L-900x614

 

 

The Power of FemFest

Just three days left to feel the power of FemFest2017. Audiences have been blown away by this year’s performances.  Come and experience it for yourself before it’s too late!

“Thank you for continuing to offer amazing meaningful theatre experiences to our community” – Teela Tomassetti

“Great evening !!!” – Francesca Cotroneo

Don’t miss the opening of Watching Glory Die by Judith Thompson produced by Mulgrave Road Theatre on Thursday SEPT 21 at 2:30 pm and again at 9pm. There will be a special Coffee Talk following the 7pm performance on Friday SEPT 22 with playwright Judith Thompson, director Emmy Alcorn and special guest Senator Kim Pate. Senator Pate is a nationally renowned advocate who has spent the last 35 years working in and around the legal and penal systems of Canada, with and on behalf of some of the most marginalized, victimized, criminalized and institutionalized — particularly imprisoned youth, men and women. Senator Pate continues to advocate for reform in solitary confinement and treatment of prisoners with mental health issues in Canadian prisons, two central issues in Watching Glory Die.  We are honoured to welcome the Senator to FemFest as a Coffee Talk speaker.

Senator Kim Pate Gives a Voice to Women in Prison – The Globe and Mail

We are thrilled to announce that there will be a Coffee Talk following every 7pm performance! Head to Two Indians tonight at 7pm and stay for a Coffee Talk with Two Indians director Sonya Ballantyne and consultant Marsha Knight.

Catch a sneak peek of our latest community-based theatre project: New Beginnings on Saturday SEPT 23 at 4pm. Admission is by donation.

Be among the first to hear brand new work by Winnipeg’s most celebrated female playwrights at the One Night Stand on the closing night of the festival. Special guest Judith Thompson joins us to share brand new work. Enjoy a toast to 15 years in the lobby following the event.

Check out some of the great articles and interviews about FemFest and the incredible artists involved.

FemFest Marks 15 Years of Celebrating Diverse Talent – Global Breakfast Television

Youth will be Served by Randall King, Winnipeg Free Press

BUNNY on CTV News

Two Indians preview with CJNU

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A Toast to 15 Years: Celebrating Winnipeg Playwrights

Are you aware of the talented playwrights Winnipeg has to offer?

This city is home to female playwrights who challenge us, question us, inspire us and make us laugh. As a toast to 15 years of FemFest, we are celebrating some of Winnipeg’s most accomplished playwrights in this special edition of the One Night Stand.

Coordinated by Tatiana Carnevale, Sarasvàti Productions’ One Night Stand series gives playwrights the opportunity to test their work, while providing audiences a chance to take part in the developmental process. On Saturday, September 23rd at 7pm Judith Thompson will join five local playwrights as they present readings of work in development. Be one of the first people to hear this exciting brand new work!

One Night Stand Playwright Sharon BajerSharon Bajer is a member of the playwright’s unit at Prairie Theatre Exchange. Her plays include Molly’s Veil, Burnin’ Love, Hersteria, To the Country, The Mother Load, Jesus Does Laundry Too and The Gingerbread Girl (in progress). Coming up, Sharon will direct The Best Brothers at Western Canada Theatre Company and Theatre Northwest and Fly Me to the Moon at Prairie Theatre Exchange.

 

 

One Night Stand Playwright Columpa BobbColumpa Bobb was born in Canada and is the great grand daughter of Chief Dan George who was chief of the Tsleil-Waututh Nation. Many of her plays have been produced all across Canada. She has been nominated for the Dora Mavor Moore Award and the James Buller Award. In 1997 she won a Jessie Richardson Theatre Award for Outstanding Performance by an Actress in a Supporting Role.

 

One Night Stand Playwright Ginny Collins Now

 

Ginny Collins has worked with English and French theatre communities. Ginny’s play The Flats (Les Flats) was produced by Prairie Theatre Exchange and Theatre Cercle Moliere in 2017. Ginny’s other works include Good Intentions (WJT 2014) The Good Daughter, MBTV: Histoire en Direct, Prairie Spirits, and Terroristas. Ginny is under commission by Prairie Theatre Exchange for Revenge and Co. She is a member of the Prairie Theatre Exchange Playwrights Unit.


One Night Stand Playwright Trish CooperTricia Cooper began writing sketch comedy with the Royal Liechtenstein Theatre Company and wrote for Fringe Festivals across Canada including The Comment Card and Homely Woman #2 (with Vanessa Macrae). Hey pay Social Studies, developed and produced at Prairie Theatre Exchange, went on to be produced by Centaur Theatre in Montreal, and Firehall Theatre in Vancouver. Social Studies won Best Play at the Manitoba Book Awards.

 


One Night Stand Playwright Primrose Knazan
Jewish Filipino-Canadian playwright Primrose Madayag Knazan has been featured at the Winnipeg Fringe Theatre Festival, the International Writers Festival, CBC Radio, the Carol Shields Festival of New Works, and Sarasvàti’s
FemFest. She has been published in three anthologies and represented Manitoba at the first Asian-Canadian Theatre Conference in Toronto.

 

Some playwrights will be reading their own work and others will have our One Night Stand ensemble of actors at their disposal, including Anita Daher, Melanie Dean, Renee Hill, Melissa Langdon and Steve Yurkiw. Sarasvàti Productions would like to thank to PGC and the Canada Council for the Arts’ Play Connect program for supporting Judith Thompson and Ginny Collins’ participation. 

Play Connect

 

 

Join us in the lobby afterwards to celebrate another successful festival!

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8 hours, 5 playwrights, 3 ingredients

Five female playwrights accept the challenge to write a stellar scene in just 8 hours based on three key, mystery ingredients – this is the annual FemFest Bake-Off.

On August 18th, our five playwrights met with Bake-Off Coordinator, Cairn Moore, for the announcement of their three ingredients –  Q-tip, tearing of a paper, and the quote “When one door closes another door opens.” They spent the day writing feverishly. Just imagine what a playwright could do with a Q-tip! The resulting scenes will be staged on Monday, September 18th at 7pm.

Which scene will steal your heart?

Lucy in the Sky by Sara Arenson
Bake Off Playwright Sara Arenson

Postcards from Paris by Brigette DePape
Bake Off Playwright Brigette DePape

The Lettuce Flower by Larissa Hikel
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OUR HOME & native land by Jo MacDonald
Bake Off Playwright Jo MacDonald

Superpowers by Pamela Wolk
Bake Off Playwright Pamela Wolk

Bringing these scenes to the stage are a team of talented and versatile actors – Ian Bastin, Lorraine James, Christina Heather, Josh Ranville and Danielle Savage.

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Bake-Off audiences must love surprises and come ready for anything.  Be prepared to play an integral role in crowning this year’s Bake-Off winner by voting for your favourite. On the line for these playwrights is the Janet Taylor award (a $500 cash prize) and a chance to have a reading of their full script at FemFest 2018. Come and share in the excitement!

Up Close and Personal with Judith Thompson

Not only is legendary Canadian playwright Judith Thompson coming all the way to Winnipeg  to celebrate 15 years of FemFest, she is fully embracing all that the festival has to offer!

Two-time recipient of the Governor General’s Literary Awards for Drama and an Officer in the Order of Canada, Thompson was awarded the prestigious Walter Carsen Prize for Excellence in the Performing Arts in 2007. In 2008 she was honoured with the Susan Smith Blackburn Award and the Dora Mavor Moore Outstanding New Play Award for Palace of the End, which was also awarded the Amnesty International Freedom of Expression Award. Thompson has written a number of classic Canadian plays, including White Biting Dog, Lion in the Streets, I Am Yours, Such Creatures, The Thrill, and Watching Glory Die.

Despite her well-earned recognition as a playwright, Judith attributes her ability to continue writing to the stability offered by a teaching position at the University of Guelph. Were it not for this stability, she says she would have gone into social work, which won’t come as a surprise to avid Thompson fans. Thompson has made an impact on audiences around the world by amplifying voices of those who are not often heard. Her work in the arts is driven by her desire to see beyond the surface of an issue and her recent play Watching Glory Die is no exception.

Judith Thomspson_FemFest2017Most recently, Thompson has focused on working with people of exceptionality, including those who are differently abled.  Experiences with her daughter, who lives with auto-immune deficiency, lead Thompson to work with youth living with chronic disorders.  Her focus now is on how to use any clout she has to give life to stories from those who may not otherwise be heard. When asked what her title would be if she were a book, Thompson said, ‘Nothing about us without us – using my art to amplify voices’.

Thompson brings a unique perspective to playwriting, and perhaps that is why she’s been able to write plays that leave such an impact. In an interview with the Georgia Straight, Thompson said, “I haven’t suffered the way that many people have, but I think that it [the epilepsy] gave me some kind of lens. And it’s the combination: I have enough sense of entitlement as a person, with the privileges I’ve had, to write a play, and to think that anybody would listen; but then I also was—I think I would say lucky enough to go through the epilepsy, and a couple of rough years in school, to have an understanding.” Multiple award-winning playwright, mother of 5 now in the 60’s, she feels she has proven, despite naysayers, that she can have everything and do it all as a woman.

This September, FemFest brings you many opportunities to get to know Judith Thompson. Throughout Sept 16-23 you can learn from her at a free public lecture, study with her in a playwriting masterclass, hear her read from new work in development, sit down across from her for a one-on-one conversation and of course, see the FemFest production of Thompson’s recent play Watching Glory Die.

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REAL THING LECTURE (free)

Judith Thompson speaks as part of this series of exciting and informative lectures by guest speakers from the ‘real world’ of theatre and film. An important opportunity to hear about the reality of having a career in the arts.

PLAYWRITING MASTERCLASS

An opportunity to work with one of Canada’s most studied playwrights. The focus will be on writing by impulse, discovering moments of transformation that are worthy of the theatrical medium and digging deep in to conflict and character. This masterclass is intended for playwrights who are actively writing.

WATCHING GLORY DIE by Judith Thompson
Produced by Mulgrave Road Theatre
Watching Glory Die (3)
“Politically charged and some of Thompson’s best story-telling”
-HALIFAX BLOGGERS

Watching Glory Die is inspired by the true story of New Brunswick teen Ashley Smith. Deliberately fictionalized, a riveting and deeply compassionate portrait of three women – Glory, incarcerated for minor offences at age 14; Rosellen, the girl’s adoptive mother desperately trying to remain connected to her daughter; Gail, a prison guard, walking the line between her ‘orders’ and her conscience.

HUMAN LIBRARY (free)

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Readers will be able to borrow from an amazing line-up of Human Books for up to 30 minutes of one-on-one conversation.  Thompson looks forward to sharing how arts can be used by all to increase understanding. Check-out details for reserving books.

ONE NIGHT STAND AND A TOAST TO 15 YEARS!

Judith Thompson joins five of Winnipeg’s own most celebrated playwrights to toast 15 years with readings of new work in development. Do not miss this closing night event!

More than Meets the Eye at FemFest 2017

FemFest is for theatre lovers, theatre newbies and theatre-makers alike.

Along with feature plays, FemFest celebrates female playwrights with readings, workshops and a roster full of fun events. Check out what we have going on from SEPT 16-23!

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Ivan Coyote (photo by Jourdan Tymkow)

IVAN COYOTE READING

Join Ivan Coyote, natural born storyteller and LGBT advocate for an intimate reading of their award-winning writing. This event is absolutely free and open to youth!

ARTIST WORKSHOP

Are You ‘Technically’ Prepared?

Esteemed Theatre Technician Allison Loat shares her expertise with emerging theatre artists in this new workshop. If you’re an independent theatre maker who is new to working with technicians this workshop is for you. Register by emailing associate@sarasvati.ca.

BAKE-OFF

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Cairn Moore

8 hours, 5 playwrights, 3 ingredients. The Bake-Off is back with a new line-up of playwrights. What will they cook up? There’s only one way to find out. Scenes will be directed by Bake-Off coordinator Cairn Moore and performed by an awesome ensemble cast of Ian Bastin, Lorraine James, Christina Heather, Josh Ranville and Danielle Savage.

KIT AND JOE

Jessy Ardern left us with a cliffhanger at last year’s Bake-Off. The scene she wrote in just 8 hours had us all captivated. Now, Jessy returns with a reading of the play that resulted from that scene. Kit and Joe is a one-night-only reading directed by the fabulous Krista Jackson.

WebGROUNDED HEROES

FemFest is thrilled to present a play reading for kids!
Local theatre artists Carrie Costello, Frances Koncan and Cherissa Richards join forces as Castlemoon Theatre to bring you a reading of a new play for audiences age 6 and up.

 

 

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Judith Thompson

ARTIST TALK

Award-winning playwright Judith Thompson speaks as part of the University of Winnipeg Theatre & Film Department’s Real Thing Lecture Series. This lecture is free and open to all.

PLAYWRITING WORKSHOP

Judith Thompson leads a three-day Masterclass for local playwrights from Sept 20-22. If you are a playwright interested in learning from one of Canada’s most respected modern playwrights this workshop is for you. Register by emailing associate@sarasvati.ca. This is a small workshop that will fill up fast.

NEW BEGINNINGS

FemFest offers a teaser of Sarasvàti Productions’ new community-based work-in-progress. New Beginnings is a cross-cultural, multi-media performance created by a team of local artists and new arrivals to Canada.  Stay tuned for exciting news about One Trunk Theatre’s production running alongside New Beginnings.

ONE NIGHT STAND AND A TOAST TO 15 YEARS!

Join us as we celebrate FemFest’s 15th birthday with readings from some of our most celebrated local playwrights! Sarasvàti Productions’ One Night Stand series gives playwrights the opportunity to test their work, while providing audiences a chance to take part in the developmental process. Enjoy a sampling of some of Winnipeg’s finest playwrights and be a part of their process. With a special reading by guest playwright Judith Thompson thanks to the Playwrights Guild of Canada and Canada Council. What better way to celebrate 15 years of FemFest?Play Connect transparent

All these amazing events take place at the Asper Centre for Theatre and Film (400 Colony Street)!