Behind the Curtain

Art based on real experiences is the rawest of all. This year’s Cabaret of Monologues will feature four written monologues performed by different actors, while five other artists will perform their own pieces in various artistic mediums. This year’s selection contains a plethora of real-life experiences and each year, we ask the playwrights and performers to tell us a little info about themselves to share with you, our audience.

Meet some of this year’s playwrights and performers…


Beth Lanigan: Playwright – Yearning/Distance

Beth Lanigan is the playwright of the piece Yearning/Distance. Beth grew up in Freelton, Ontario and currently lives in Kitchener, Ontario. She describes herself as a “an overly earnest, overly anxious, overly sensitive person who also has heaps of curiosity, drive, and compassion.” Yearning/Distance follows the story of a new mother experiencing postpartum depression.

How do you relate to your piece?
“After giving birth to my first child, there was a profound disconnect between what those around me expected me to feel, and what I did feel. This piece has elements of what I experienced with my own post-partum depression. I also incorporated various aspects of the experiences of others who shared with me their own.”

How does it relate to this year’s theme, Changes?
“Having children is a profound time of change in a person’s life. Your body has changed, your hormones are wreaking havoc, and every moment of every day after the birth scarcely resembles the days that came before.”


Brooklyn Alice Lee: Playwright – The A Word

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Brooklyn Alice Lee in IWW Cabaret 2019

Brooklyn Alice Lee is the playwright of the piece The A Word in this year’s cabaret line-up. Brooklyn describes herself as an emotional open-book. She wrote her monologue based on personal experience. The A Word follows a young woman as she enters a hospital to terminate her pregnancy, but finds the decision is a hard one to make.

“I was feeling a lot of trauma and sadness following my abortion and I needed an outlet to share my thoughts and feelings, so I turned to theatre,” shares Brooklyn on creating the piece.

How does it relate to this year’s theme, Changes?
“Along with the changes that happen on your body and in your mind when you become pregnant, society is also changing when it comes to ‘right’ and ‘wrong’. What is socially acceptable to talk about and what is not. Abortion has always been a very taboo topic, but society is working towards being more understanding and supportive of pro-choice.”


Kristen+Einarson+headshotKristen Einarson: Stand-up Comic – Oversharer

Born and raised in Winnipeg, Kristen Einarson is a local stand-up comic who will be bringing her routine to this year’s cabaret. Kristen describes this past year as a “hot mess” and uses the year’s experiences and lessons in her comedy routine.

“I decided to start talking about it into a microphone and if even one human in the audience relates to me, I have done my job. My favourite thing about stand-up comedy is the vulnerability, and people don’t realize that theatre and stand-up interlope in that way” says Kristen on creating the piece for International Women’s Week.

How does your piece relate to the theme of Changes?
“It’s about big, scary life shifts and how it feels when they all happen at once. We have all been through periods of change – whether it be a career change, a relationship change, moving houses, changing hobbies… it’s just not often they all happen at once.”


Larissa Hikel: Playwright – Ping elevator_746x419

Larissa Hikel expresses herself as relentless, observant and ruthless, but promises you won’t notice so long as you’re having fun. Larissa’s piece Ping contains subject matter that every woman can relate to. The lead character is afraid to enter her own apartment building as it is the setting of a previous attack she faced, by a strange man. Larissa thanks “outrage” for the inspiration of this piece, as she draws from a real life experience.

How does your piece relate to the theme of Changes?
“Almost every woman has the person she was/is ‘before’ and ‘after’ the first experience of a sexual assault or the threat of one. Suddenly the world is a different place. Both the outside world and the one inside each of us.”


See these monologues and MORE during International Women’s Week Cabaret of Monologues 2020! Running March 2-8 with two public performances at The Asper Centre for Theatre and Film (at the University of Winnipeg) on March 7th. Tickets on sale HERE.

Stay tuned for more on the other monologues and performers in this year’s cabaret.


 

Ch-Ch-Ch-Ch-Changes!

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Hailley Rhoda performing “Talking About ED” IWW 2019

Change. Like it or not, it’s happening everyday, all around us. The world is ever evolving and changing, whether it be for better or worse and we evolve along with it. International Women’s Week: Cabaret of Monologues is now officially in progress and we are excited to announce that this year’s theme is… Changes! Emotions, thoughts, opinions, body, politics, technology – it all plays a part in our changing lives and what better way to express these changes, than through theatre.

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Renee Hill performing “Oracle Jane” IWW 2019

This year’s selected monologues will explore how we navigate a changing world . Four monologues have officially been accepted into this year’s cabaret, while others are in the process of being curated and workshopped. The selected monologues feature four different women in four very different situations of change. Until we have a full menu of monologues for you to devour, here are the official first four to whet your appetite…


Masks by Makrenna Sterdan

Ms. Jones works to keep positive as she teaches a school of children about air pollution. But, when she is alone with fellow teachers and staff, the dark truth about the day’s lesson is revealed.


Yearning-Distance by Beth Lanigan

A new mother struggles to describe her changing world and herself. She simultaneously experiences and explores the detachment and dissociation of her postpartum depression.


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waNda wilsoN performing “Bare Bones” IWW 2019


The A Word by Brooklyn Alice Lee

A young woman enters The Women’s Hospital, alone and afraid she struggles to complete paperwork while questioning the nurse and herself about her decision to terminate her pregnancy.


Ping by Larissa Hikel

Jessamyn returns home from a late shift at the bar she works at. She is cautious entering her apartment building as she recounts the terrifying events from the night before. Events that women today know are far too common.


International Women’s Week: Cabaret of Monologues will take place from March 2-8, 2020. We will once again tour the monologues to various locations around Manitoba and

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Shereen Ramprashad performing “I Am Not a Victim” IWW 2019

offer two public performances at the end of the tour. Last year we were excited to travel as far as Flin Flon and to perform in tiny classrooms as well as huge museums. If you’re interested in hosting any of this year’s monologues, give us a call at (204) 586-2236 or email us at info@sarasvati.ca!

Stay tuned for updates and more information on International Women’s Week: Cabaret of Monologues 2020, coming soon!

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Performers from IWW 2019

The Count Down to FemFest 2019

The count down to FemFest is on and we want to share some tips and tricks on how to prepare for the festival! In this blog, we will cover everything that is FemFest2019, from performances and tickets to venue and parking. We want to make sure that FemFest 2019 is a fun, informative, moving and safe experience for all performers and attendees.

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DON’T BE DISAPPOINTED!
First thing’s first, productions. Have you taken a visit to our website yet and scheduled which performances you plan on attending? We understand that you’re busy, this is why we offer a variety of matinee and evening performances both on weekdays and weekends throughout the FemFest week. It’s important to take a look at the SCHEDULE in advance, so you can plan accordingly and make sure you can attend the performances that interest you most! Purchase or reserve your tickets in advance to ensure the time you have selected will not sell out. A spotlight production on booking in advance is 4inXchange. An interactive performance that allows only 4 audience members per performance, so booking in advance is crucial! You can find more information on 4inXchange, HERE.

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GETTING THERE
Another topic we want to discuss is transportation. Luckily, there are plenty of bus routes surrounding the University of Winnipeg’s Asper Centre for Theatre and Film. If you’re a driver, parking Downtown can be stressful. Street parking is offered for $2.50 an hour, or free after 5:30PM on weekdays, on Saturdays you are given two complimentary hours and Sundays are completely free! If you would prefer to park your car in a lot, the University has plenty of parking lots surrounding and within walking distance. You can find a map to these parking lots on our website, HERE.

ACCESSIBILITY
Did you know that FemFest also offers ASL Interpretation for most of our shows? Baby Box, The Launchpad, Raising Stanley/Life with Tulia and Like Mother, Like Daughter each offer one ASL Interpreted performance per show! The dates of these shows are as follows:

Raising Stanley/Life with Tulia: September 15th 2:00pm
Launchpad
: September 17th 8:30pm
Baby Box: September 18th 8:30pm
Like Mother, Like Daughter: September 19th 6:30pm

SOMETHING TO TALK ABOUT
Join the cast of Baby Box following their performance on September 20th for a live discussion on the themes of the play. Share your own thoughts, opinions and interpretations. As well, a special panel talk-back will be offered following the Raising Stanley/Life with Tulia performance on September 15th, with community members working in the community to make the world a little more accessible for all.

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INCLUSIVE
Our main venue, The Asper Centre for Theatre and Film, is accessible with gender-neutral restrooms. We want to make sure that anyone and everyone can enjoy the festival in a safe and welcoming environment!

Click HERE for an informative video covering all things FemFest and Downtown Winnipeg!

For updates on Sarasvàti and FemFest, be sure to check out our website HERE and follow our social media accounts on TWITTER, FACEBOOK and on Instagram at @sarasvati_wpg. See you in 9 days!

Launch in T-Minus 17 Days

The date is September 19th, 2019. Allergies are at a record high. In what is claimed to be an anti-allergy program, the government begins restricting access to EpiPens. In doing so, it exposes an entirely new species to the world’s stage.

This synopsis covers the production of To Kill a Lizard, a one-of-a-kind piece of theatre created by some of Winnipeg’s up-and-coming actors, directors and writers. This hour long devised production was created from scratch by our amazing Launchpad team; the new generation of Winnipeg theatre! The production is the result of intensive workshops, mentorships with professional artists, and collaboration amongst a selected group representing the future of FemFest.


Here is a little bit about The Launchpad. First up the Coordinators/Facilitators and Stage Managers of the team …

Victoria Emilie Hill (Coordinator/Facilitator)

Victoria Emilie Hill is a creator, mover, and actor based in Winnipeg. She is passionate about work that focuses on movement and the body as a place we hold and tell stories. She is curious about the myriad ways we express and communicate with ourselves, our environments, and other creatures. Victoria is also a founding member of The Patriarchy, a two-woman acapella band that sings songs and tells stories that challenge the status quo through a comedic and playful lens. Victoria is an avid student of life, and loves adventures in new things which have included roller derby, making jewelry, sky diving, knitting, white water rafting, and trying to keep her plants alive. She enjoys collaborating with new artists, and is so very honoured to be a part of the Launchpad Project with this amazing team of humans.

Lindsay Johnson (Coordinator/Facilitator)

Lindsay Johnson is a Winnipeg-based actor, director, writer, and animal-lover. With a love of both devised and classical theatre, Lindsay has enjoyed working as a Director/Assistant Director on several projects including Purge (Geritheatrics), Little Dead Lady (Naked Theatre Productions), Home 2.0. (Sarasvati Productions) Richard III (Shakespeare in the Ruins), and Vinegar Tom (University of Winnipeg). Some of Lindsay’s acting credits include Palm House (+friendsprojects), Channel Zero: Dream Door and No End House (Universal Cable Productions), A Christmas Carol (Royal Manitoba Theatre Centre), Passion (Red Hen Collective), Shattered (Sarasvati Productions), The Time In-Between, The Writing on the Stall (Fill The (W)hole Theatre), Quickies with Chekhov (This Reality Theatre Co.).

Ridge Romanishen (Stage Manager)

Ridge is thrilled to be working with Sarasvàti Productions on Launchpad for FemFest 2019. As a previous audience member of past FemFest shows, Ridge is excited to be a part of the ground-breaking work the festival puts on. His previous credits include Time and the Conways (U of W, Assistant Stage Manager), A Midsummer Night’s Dream and Arcadia (U of W, Stage Manager). Most recently he worked on Kiss of the Spider Woman (Dry Cold Productions, Apprentice Stage Manager) and Growing Op (Winnipeg Fringe 2019, Stage Manager). A big thanks to Sarasvàti Productions for this opportunity!

Bennette Villones (Assistant Stage Manager) 

Bennette Villones is currently studying theatre and film at The University of Winnipeg. She has worked with Sarasvati Productions in the past before on a high school touring show, Home 2.0 as the understudy. Now she has an opportunity to be an assistant stage manager for The Launchpad project. Recently, she was also part of Twelfth Night, a Shakespearean play with Indifferently Reformed for Winnipeg Fringe Theatre Festival 2019. She found it a fun and challenging experience and she hopes to use theatre as a way to inspire, tell stories and spread awareness


Now, The Launchpad Team…

Karam Daoud (Performer/Creator)

Karam Daoud is a Moroccan-Canadian actress who moved from Morocco to Canada over Karam Daoud - Headshot6 years ago. She has played numerous roles, from army generals to teenage stalkers. More recently, she was a part of her first feature film in 2019 coming out soon to Canadian festivals. Fluent in English, French and Arabic, she loves to sing and she spends her free time painting, reading, writing or playing the violin or the piano. Karam has always been a fervent theatre lover, and has been a part of multiple productions in Winnipeg. She also happens to be a big fan of World of Warcraft when she is not filling her spare time with her mechanical engineering job.

Anika Dowsett (Performer/Creator)

Anika Dowsett is a queer theatre artist and drag performer located in Winnipeg, Manitoba.  In face she goes by Petty Davis and performs a neurotic and hyper-idealized house wife femininity.  They’ve studied playwriting, theatre, and film at the University of Winnipeg but their heart will always be at Manitoba Theatre for Young People where they took their first classes.  From Club 200 to the Asper Theatre Centre to the Local library where she always has at least two holds, Anika Dowsett is committed to making the world a queerer and artier place.

Sarah Flynn (Performer/Creator)

SARAH FLYNN - HeadshotSarah Flynn recently finished her BaH in performance with a specialization in Devised Theatre and a minor in Classics at the University of Winnipeg. She toured the Interlake with TPM’s Interlake Chautauqua, studies Clown on Manitoulin Island and with the Village Conservatory for Music Theatre. Sarah co-founded Naked Theatre Productions in 2014 and has produced and performed in 7 shows since then. Sarah enjoys breathing fresh forest air, lighting things on fire and playing with her food.
Recent credits: Pippin (ViC/WST), Little Dead Lady (NTP), Mary’s Wedding (TPM), Luna’s Suitcase (WPG Fringe)

Sara Groleau (Performer/Creator)

Sara Groleau is a 28-year old Winnipeg actor and proud to be a part of Sarasvàti Productions’ Launchpad Project! Her first theatrical role was in a play produced by The Manitoba Association of Playwrights in 2018. Since 2018, she has been in several short films. In May 2019, she appeared as Daisy in Student Body produced by Beau Theatre Co.; she also appeared as June in Farrago, produced by Dark Horse Theatre, during the 2019 Winnipeg Fringe Festival and Gimli Summer Theatre Festival. Sara is looking forward to FemFest 2019!

A.J. Hotomani (Performer/Creator)

I always had an interest in the arts but, it was during my high school years, when I fell in love with film. I took every course related to it, and that included the theatre technician courses. After high school, I applied to the University of Winnipeg with an interest in pursuing a Bachelor of Arts in Filmmaking, and this is how I was introduced to Theatre Performance. I took an intro course in my first year and was gifted the opportunity to work with Sarasvàti Productions. Now here I am, entering my second year of University exploring a newly found interest, in acting.

Jonathan Mourant (Performer/Creator)

Jonathan Mourant is a non-binary, multidisciplinary artist and also a robot learning how to be human. They first began improvising at 14, travelling across Canada to perform in festivals and train with professionals from Edmonton, Seattle, Vancouver and more. As an independent performer and producer, Jonathan has worked with local companies Common Crow Improv, Family Dinner, and Unexpected Results, which they formed in 2015. They are also an emerging playwright, and this year produced their play Here Together at the Winnipeg Fringe Festival. Jonathan is thrilled to be a part of this incredible team of emerging artists!

Andi Lea (Leaf) Pankratz (Performer/Creator) Headshot

Andi Lea (Leaf) Pankratz is an emerging non binary performer and creator currently training in aerial arts with the eventual goal of running away with the circus. They are entering into their second year of theatre at the University of Winnipeg. They took this past year to complete their Deaf Studies Certificate with the goal of participating in and contributing to theatre accessible to the Deaf community. They started performing at the age of eight, being lucky enough to have parents who enabled them, and never stopped.

Makrenna Rose Sterdan (Performer/Creator)

Makrenna Rose Sterdan is a director and playwright born and raised in Winnipeg, MB. After graduating from the University of Winnipeg’s Theatre and Film department in 2014, she moved to South Korea to teach kindergarten and work on the expat theatre scene. She has directed plays and films in Canada and South Korea, and runs the theatre/film production company Red Lips Productions. She has participated previously with Sarasvàti Productions as a playwright, writing Doing It for the Fame and Who’s Driving? for the 2016 and 2019 International Women’s Week Cabaret of Monologues.

Emma Welham HeadshotEmma Welham (Performer/Creator)

Emma is an emerging artist who is about to enter her final year in the University of Winnipeg’s Honours Acting Program. Since beginning her journey in theatre she has been lucky to be a part of many amazing shows, most notably House at Pooh Corner with MTYP and School of Rock the Musical with Winnipeg Studio Theatre. Emma is also a member of La Troupe Jeunesse; a French Canadian Gigue group that performs locally and international at various festival and events. She is very excited to be a part of this project and to be working with so many wonderful people!


The Launchpad Project will be presenting their work as part of FemFest 2019: All the World’s a Stage, with 3 shows. Sunday, September 15th at 4:00PM, Tuesday, September 17th at 8:30PM and Wednesday, September 18th at 6:30PM. Support local emerging artists by purchasing your tickets for the show, HERE!

Three Ladies, One Baby

For three nights only, the world premiere of Baby Box is coming to FemFest 2019: All the World’s a Stage! If you missed the last blog on Baby Box, you can find it HERE. As we begin the rehearsal process, we are happy to introduce you to our amazing cast! We asked the cast of Baby Box to tell us a bit about themselves as well as share their answers to the question, “What was your favourite activity as a child?”


Playing Woman #1, the birth mother, is Victoria Hill.

Victoria Hill_Headshot-page-001Victoria Emilie Hill is a creator, mover, and actor based in Winnipeg.  She is passionate about work that focuses on movement and the body as a place we hold and tell stories.  She is curious about the myriad ways we express and communicate with ourselves, our environments, and other creatures.  Victoria is also a founding member of The Patriarchy, a two-woman a capella band that sings songs and tells stories that challenge the status quo through a comedic and playful lens. (Spoiler Alert: They will be hosting the FemFest Opening Cabaret) Victoria is an avid student of life, and loves adventures in new things which have included roller derby, making jewellery, sky diving, knitting, white water rafting, and trying to keep her plants alive. Baby Box is such a beautiful project, and she can’t wait to share it with all of you.

Victoria’s favourite activity as a child was climbing trees.


Playing Woman #2, the nurse, is Natasha Torres-Garner.

Torres-Garner started her performance career in contemporary dance in 2002. She has performed with Montreal’s Fortier Danse Création, Bill Coleman, in repertoire by the late IMG_5064webJean-Pierre Perreault, as well as Toronto’s Marie-Josée Chartier. Natasha’s long dedication to the independent community in Winnipeg has meant working with Winnipeg’s Tom Stroud, Out of Line Theatre, TRIP Dance Company, Treasure Waddell, Alison Robson, Johanna Riley, Alex Elliott, Ali Robson, Leigh Anne Parry, Danielle Sturk, Ming Hon, Mia Van Leeuwen, and under the direction of Arne MacPherson. As a choreographer Natasha Torres-Garner has presented solo and group works locally and internationally, including Winnipeg, Regina, London(UK), Toronto, St. John’s, Newfoundland and Dresden, Germany.

Natasha, enjoyed the calligraphy club as a child.


Playing Woman #3, the adoptive mother, is Saira Rahman.

Headshot-SAIRA RAHMANSaira Rahman grew up in Winnipeg, and was a teacher and principal before pursuing filmmaking. In 2003, she wrote a 3-part documentary series about Muslim Canadians called “A New Life in a New Land” (Milo Productions), which aired nationally. After completing the Digital Film Production program at Langara College in Vancouver, Saira and her sister, Nilufer, established Snow Angel Films in 2010, producing their first feature documentary, “Arctic Mosque” (CBC, APTN) and most recently, “Prairie Mosque”(BellMTS), a story about the first mosque established in Winnipeg in 1976. Saira is also an emerging actor having performed in The Game (Sarasvati Productions), Murder By Poe (PTE Adult Company), and Boundary Avenue (One Trunk Theatre). She is very excited to be a part of FemFest again this year and Baby Box!

Saira’s favourite activity as a child was to play house with her sister, but their own version where they were single moms.


Victoria, Natasha and Saira have already begun rehearsals for the world premiere next month along with Director, Hope McIntyre, Choreographer, Ali Robson, and Musical Director, Rachel Cameron. Through the use of unique narrative, movement and song, the Baby Box cast is sure to give a moving performance.

For ticket information and more, be sure to give us a visit HERE on our website!

Baking With Grief

How do you grieve and move on after losing someone? It is a challenge for anyone, but even more so for Katherine, especially now that death has moved in as her roommate.

The Grief Box by Alissa Watson won last year’s Bake-Off writing competition; during FemFest 2018. This year, a reading of The Grief Box is part of our FemFest 2019 roster! We asked Watson to share a little bit about the inspiration behind her play…

“Writing The Grief Box has been a weird and wonderful process. The inspiration for the piece came from the sudden death of my mom in the fall of 2017. I have found life convoluted and bizarre in the wake of her passing and it has been my experience that many people struggle to support those who are dealing with loss, even if they are sharing the same experience. In creating this piece, it is important to me to create a community experience; a safe space where the audience can laugh, cry or get angry with or at death. I would love to have everyone leave feeling that they have a slightly better relationship with death; however bizarre it might be.

The piece has evolved extensively since The Switch, that won the Bake-Off last fall. Much to my disappointment, that scene is no longer in this draft of the play. Audiences who are familiar with the scene can consider it a prologue to the reading of The Grief Box they will see this fall. However, the same loveable cast of characters are along for the ride, including death itself.”- Alissa Watson

Alissa Watson Grief BoxIn addition to acquiring her Bachelor of Music and Education from Brandon University, Alissa has trained in theatre throughout Canada, England and is an alumna of the Professional Training Ensemble at Prairie Theatre Exchange.  She is the co-founder of The Red Nose Diaries (Maple & Sticky’s Amazing Olympic Race, The Polka Dots of Death: The Making of a Supervillain) and is a proud founding member of Winnipeg’s only all-female Bouffon Ensemble, The Talentless Lumps. Selected acting credits include Sense & Sensibility, Harvey (RMTC); Torn Through Time (MTYP); Mission: Munschpossible, Small Things, Magical Mystery Munsch (PTE); and Stripped Down Midsummer Night’s Dream (SIR). Alissa is a member of PTE’s Emerging Playwright’s Unit and is currently adapting the beloved Munsch classic, The Paper Bag Princess for young audiences this winter. In addition, Alissa is a vocalist and percussionist for the sweet and cheeky, Fu Fu Chi Chi Choir.

The reading of The Grief Box will be held Saturday, September 14th at 2:00PM at The Asper Centre for Theatre and Film. Admission is Pay What You Can and you can book tickets HERE on our website.  You can also check out this year’s edition of the Bake-Off on September 16th at 6:30pm to vote for a script you would like to see developed for 2020.

Stay tuned for more on what to look forward to during FemFest 2019!

Do What You Love/You’ll Never Work A Day

Coming up this weekend… “Making a Living in Theatre” a round-table discussion with five professionals at the ready to answer all and any questions you may have about making a living in the theatre industry! Plus, a chance to share your own experiences. Whether you’re just starting out, or you’ve been in the industry for years, all are welcome!

Here is a sneak peek at who you can expect to see this Saturday, June 22nd at 2pm:


KATIE GERMAN Katie

Katie German is a Winnipeg based performer, director and educator. She received her training in Musical Theatre Performance at Grant MacEwan University in Edmonton and studied classical voice through the University of Manitoba.

Katie is the owner and director of Junior Musical Theatre Company (JMTC), a pre-professional children’s musical theatre company which teaches the basics of singing, dancing and acting culminating in two performances yearly. Katie is also the Artistic Associate with Manitoba Theatre for Young People, a Voice Director and character voice for an upcoming cartoon due for release in January 2019, a theatre performer and a mother to a beautiful four-year-old that loves to sing and dance.


KAREN SCHELLENBERG

Karen Schellenberg is an instructor and production manager at the University of Manitoba. She oversees all technical aspects for productions with the Theatre Program while teaching its Technical Theatre students the joys of backstage work. She enjoys designing lights, sets, and costumes for some of its major productions, most recently set and lights for Love’s Labour’s Lost and costumes for Peer Gynt and Marat/Sade.

Karen trained at the U of M’s Black Hole Theatre Company before spending several years as a professional stage hand in Toronto and surrounding areas. After returning to Winnipeg to work at the university, Karen nurtured local contacts by catching theatre calls and working in summer festivals. Find her back at the Fringe this summer!


DONNA FLETCHERDonna Fletcher photo low res.

Donna Fletcher is an accomplished actor, singer, and concert performer with a wide range of national experience in theatre, musical theatre, and symphonic work.  Proud of her prairie roots, Donna received her early training in Winnipeg and earned a Bachelor of Music in Vocal Performance from the University of Manitoba, a diploma in Music Theatre from The Banff Centre for the Arts, a Master of Music in Vocal Performance from The University of Toronto and trained in Shakespeare text & voice at the Simon Fraser Voice Intensive.

As an actor, Donna has been acclaimed in principle roles from east to west with the Charlottetown Festival, Drayton Festival, Rainbow Stage, Theatre Calgary, Stage West Calgary, the National Arts Centre, Manitoba Opera, MTC, PTE, MTYP, WJT, the Belfry Theatre and Persephone Theatre.  She has performed with the Winnipeg Symphony; the Florida Orchestra, and the Calgary Philharmonic Orchestra and was featured on the CBC Radio’s Saturday Afternoon at the Opera.

Donna will direct the first regional production of Phantom of the Opera at Opera on the Avalon in October 2019 and has the distinction of being the first Winnipeg born female to direct at Rainbow Stage. Her favourite role of all time is being mum to Amalia.


FRANCES KONCAN

Frances Koncan is an Anishinaabe-Slovenian writer, director, and independent theatre and film producer originally from Couchiching First Nation. She attended Fort Richmond Collegiate, where she studied french horn and skipped all her other classes. Later, she went to the University of Manitoba, where she said goodbye to her career as a professional musician for a lucrative degree in Psychology instead. When the economy was tragically struck by a recession, she saw a perfect opportunity to pursue what was to be the most financially responsible career path of all time, and flew off to New York City to study Playwriting at Brooklyn College! Since then, she has returned back to Winnipeg where she evenly divides her time between yachting, writing, and curating her social media presence. She has been nominated for several awards, but never wins any of them. She prints all her grant applications on pink, scented paper to give it that extra something special.

VAULT PROJECTS is an independent theatre collective with a focus on creating new theatrical work for our contemporary cultural climate, and re-envision classics through a decolonized, pop culture lens.


SIMON MIRON

Simon Miron is a writer, director, actor and arts educator based out of Winnipeg Manitoba. He has been teaching for over a decade and has participated in the development and creation of dozens of new works. He obtained his Masters from the Royal Conservatoire of Scotland, which was recently ranked in the Top 5 performing arts schools in the world. Recent simoncredits include: Writer: Freestyle Fantastique, Corner Of, Voices in my head. Director: Pippin (ViC/WST) The Last 48 (ArtLaunch), American Idiot, Young Frankenstein (WST), Lucky Stiff (MDA), Songs for a New World (WRP), 7Stories (TBTR). Actor: Little Shop of Horrors, South Pacific, Les Misérables, The Little Mermaid, The Producers (Rainbow), Selkrik Avenue, Bridges of Madison County (DryCold), Am I not King (zone41/Royal Canoe), Butcher, Le Père, Heyderabad (CM), House on Pooh Corner, James and The Giant Peach, Honk (MTYP) and Blithe Spirit (Echo Theatre), Sunday in the Park with George (Galleryworks). He is a founding member of the Village Conservatory for Music Theatre.


The discussion takes place this Saturday, June 22nd at 2PM! Follow the signs in the Asper Centre for Theatre and Film up to room 2T05 where we will have refreshments and friendly faces ready to answer questions, listen, talk, and share. The event is pay-what-you-choose and will run between 1.5-2 hours.

We hope to see you there!