To Infinity… And Beyond!

Forging a future for FemFest requires providing a space for the next generation of voices. To this end we have initiated an exciting new program. At this year’s FemFest, you will get to see the results of their development in progress! “The Launchpad Project” compiles a roster of emerging women and non-binary artists whose creative mediums range from a variety of disciplines: directors, dancers, performers, playwrights, technical crew, etc. This diverse and well rounded team will take part in intensive workshops over the summer including: movement work, vocal work, improvisation, devised theatre and scene-writing. Professionals working in Winnipeg’s theatre industry will lead these workshops and mentor the creative team.

The goal of this project is to give emerging artists a chance to learn, develop skills and network with industry professionals. How does it tie into FemFest? Along with all of the professional shows we put on at FemFest in September, The Launchpad will premiere a devised production connected to the FemFest theme just for YOU! The result of ongoing rehearsals over the summer and training alongside professionals! This is an exciting opportunity for both the artists and the spectators alike. The Launchpad ensemble will have the chance to display their hard work for you the audience, while spectators will have the chance to see a brand new work of theatre with a fresh cast and crew.

Facilitating and Coordinating the Launchpad are Victoria Hill and Lindsay Johnson. They are ecstatic to be helping a new group of performers break through and create their own piece for FemFest.

As for the ensemble members… here’s a list of who you can expect to see:

  • A.J. Hotomani
  • Anaka Sandhu
  • Anika Dowsett
  • Emma Welham
  • Jonathan Mourant
  • Karam Daoud
  • Leaf Pankratz
  • Makrenna Sterdan
  • Sara Groleau
  • Sarah Flynn

We can’t wait to see what this amazing team comes up with! We know it will be riveting!

Stay tuned for more details on this exciting project and the up-and-comers involved. Also, check out our just launched FemFest 2019 website!

Advertisements

Making A Living In Theatre

  • By Brooklyn Kilfoyle, Marketing and Community Outreach Assistant

Are you new to the world of theatre? Just graduated? Feeling a little lost? Or have you worked in the industry for years and are looking to share and hear common experiences? Every year, we hold a series of panels, workshops and discussions. Next on the docket, we are hosting a round table discussion all about, “Making a Living in Theatre.” In such a competitive and intense field of work, it can be hard to navigate the path towards finding success in the theatre industry. We want you to find success in your passion and that is the goal of our next professional development offering on June 22nd.

We have brought together professionals who not only work in the theatre industry, but who have found success in their respective fields. In the round-table, you will sit among professionals and newbies alike and discuss the theatre industry. You will have opportunities to ask your own questions and have them answered by people who have experienced exactly what you are working towards, all while sharing a common love of theatre.

As a recent graduate with a Bachelor of Arts in Theatre, I know I am constantly full of questions. “Where should I be looking for jobs?” “How do I network?” These questions can be daunting and scary and there have been many Brooklyn Kilfoyle, a twenty-two year old woman with green eyes and short dark hair wearing a pink turtle neck.times I wished there was someone to guide me. One of the most prominent questions others seem to ask me is, “is it even possible to make a living in theatre?” And of course it is! There are so many professional people right here in Winnipeg who live very successful lives working in theatre. Of course, it’s hard to remember that when you don’t personally know these people. Which is why this session is such a great opportunity for fresh graduates like me, it’s a starting point. A chance to meet people in the industry and get a sense of what it’s like to fully submerge yourself into it.

This discussion isn’t just for the newbies, like me. It’s for anyone trying to make a living in theatre! Whether you’re new to it, or been in the industry for years. We want this to be a safe and productive space where you can share your experiences, have others relate, ask your questions and have them answered. Or simply, just come and listen! We will have a panel of professionals signed on and ready to share.A group of men and women of various ages sitting in a circle, talking

The round table discussion will take place on June 22nd at The Asper Centre For Theatre and Film (400 Colony) at 2PM in room 2T05. Access to the discussion is on a “pay what you choose” donation basis, we ask that if you plan on attending the round table, you send an email to Sami at production@sarasvati.ca. Show up with your questions ready, sit, listen, learn and share your own experiences! We hope you can make it!

More details on who you can expect to see at the round table coming soon, so stay tuned!

NEW BLOOD

As we get closer to Fem Fest 2019, we have brought on two new staff members eager to help us ring in the festival year! Please join us in welcoming Sami Desiree as our new Production Assistant and Brooklyn Kilfoyle as our new Marketing and Community Outreach Assistant.  We asked the girls to tell us a little bit about themselves so we can all get to know them a little better.Sami Headshot 2019

Sami Desiree is currently a production student at the University of Winnipeg. Her passion for theatre started at a young age when she began acting. She has since developed her interests and has begun working in various aspects of theatre including production, directing, designing and producing. Sami founded Beau Theatre Co in 2017 and since has produced four full productions with the company. She could not do any of it without the support of her partner Matt and her cat Zella.

Now, she joins the Sarasvàti team as our new Production Assistant! An opportunity Sami says she is, “excited and deeply grateful” for.

“I am blown away by the care Hope and the whole Sarasvàti team puts into their work.”- Sami Desiree

She cannot wait to be part of that initiative.

Currently, Sami is working on a summer tour with Beau Theatre Co, taking the show, Seascape with Sharks and Dancer, to Regina International Fringe Festival and Gimli’s A-Spire Theatre Festival. You may also catch her in a tech booth somewhere controlling light and sound.

Brooklyn HeadshotBrooklyn Kilfoyle has been an active member of the theatre community from a young age. Her passion has always been performing; whether it is on a big stage under lights or in her living room dimly lit by the television. Brooklyn has recently completed her degree in Theatre with The University of Winnipeg. When she’s not performing, Brooklyn enjoys spending time with her friends and family, including (and quite often limited to) her dog and best friend Bowie. Currently, Brooklyn is rehearsing for the 2019 season of the Winnipeg Fringe, where she will be performing with her own company, 803 Productions. This is the first time Brooklyn has both written and will be performing her own work. The play is titled Growing Op and will be performed during The Winnipeg Fringe Festival at the Asper Centre for Theatre and Film.

Though her medium bends towards acting, she has joined the behind the scenes action of the theatre world with us at Sarasvàti Productions as our newest Marketing and Community Outreach Assistant!

“I am excited to be part of a theatre company that promotes positivity and change!”- Brooklyn Kilfoyle

Best of luck, Sami and Brooklyn! We’re happy to have you both on board.

Keep an eye out for more information on Fem Fest 2019, coming soon!

Celebrating New Works!

New name, new play…time for spring renewal! We’ll be back at Prairie Theatre Exchange’s Festival of New Works (formerly the Carol Shields Festival) for another year. This time we’ll be showcasing a reading of a former One Night Stand script turned full-length play by Wren Brian. A Fine Line was featured in our April 2018 One Night Stand scene-reading series and we’re proud to present the full script as part of the festival.

This dystopian war drama follows seven people as they struggle to cope with increasing conflict in their country. As their world is turned upside down, they must decide what they will or will not sacrifice in order to survive.

Wren Brian

Wren Brian

Wren has worked with Sarasvàti Productions for many years and recently returned as our part-time administrator! She started her diverse career in Whitehorse, Yukon (territory of the Kwanlin Dün & Ta’an Kwäch’än) where she was born and raised. Currently based in Winnipeg on Treaty 1, Wren is a playwright as well as an arts administrator and producer. In her writing she is dedicated to creating characters that can be played by actors of any gender, ancestry, ability and/or age. Recently her play Anomie won the 2017 Rintoul Award for Best New Manitoba Play at the Winnipeg Fringe, and in October 2018 her play Bystander was premiered by Gwaandak Theatre in Whitehorse.

 

tatiana-headshot-00048-copy.jpg

Tatiana Carnevale

Directing the reading is Tatiana Carnevale. Tatiana is based in Winnipeg (Treaty 1, the traditional territory of the Anishinaabe, Cree, Oji-Cree, Dakota, and Dene people and homeland of the Métis nation). Select directing credits include: The Trump Card, Tigers Be Still (District Theatre Collective); One Night Stand, Shorts from the Short List (Sarasvàti Productions); You Were There, [title of show] (Pocket Frock Productions), and Godspell (Winnipeg Studio Theatre). Tat received her MA from the University of Guelph and BA from the University of Winnipeg. She is very excited to be collaborating with Wren and this wonderful group of artists on A Fine Line.

 

Performing A Fine Line are local actors Joshua Balzer, Hera Nalam, Matthew Paris-Irvine, Robert Piche, Anaka Sandhu, Amanda Shymko, and Sophie Smith-Dostmohamed. We’re excited to see how they bring this work to life onstage!

 

 

Join us on Saturday, June 1 at 4PM for a reading of this powerful new script! We’ll be at PTE’s Mainstage, located on the third floor of Portage Place Shopping Centre. Admission to this event is free –a hat will be passed for contributions to support the festival.

Announcing Our New Mentorship Project!

Are you ready to launch into the next stage of your training? We’re kicking off the start of our brand-new “Launchpad Project”! Beginning in May 2019, a team of local emerging artists will get together to create a brand-new devised piece to be showcased at this year’s festival. If you’ve ever wanted to create something new with your peers, this is the project for you!

Our Coffee House for Emerging Artists back in August highlighted that  artists are looking for is a platform to perform, show off their skills, and get recognized for their work by their peers. Training and development opportunities only go so far without an outlet to show what an artist can do. We’re responding to this need in the community by offering a team of emerging artists – performers, directors, writers, dancers, designers, you name it! – the chance to work together and create something new for a public audience.

We’re taking to the community to recruit a group of emerging theatre artists to participate in a four-month intensive to create a brand-new production to be showcased at FemFest 2019: All the World’s A Stage.  Our goal is to make this program accessible with honorariums to participants and transportation subsidies – that’s right artists, getting paid to create theatre! We know how important it is to get that first paid opportunity and feel validated as an artist. This project will also give artists the opportunity to show off their skills to the wider theatre community.

Artists may come from any background, education, ability, or age group provided they meet the criteria for an emerging artist: being in an early stage of their career while demonstrating a strong aptitude for working in theatre. Older artists making a career switch are also welcome to apply. We will largely be focusing the project on women, non-binary, and trans-spectrum artists eighteen and older with a demonstrated interest in performance.

The process will start with a workshop intensive, covering topics like improvisation, creating devised work, movement, physical theatre, playwriting, and vocal skills. Mentoring artists from Winnipeg’s professional theatre community will offer their support and feedback in the creation of the new work. Throughout the course of the project, participants will gain the chance to be mentored by professional artists and make valuable connections.

Interested artists are advised to contact Daphne at associate@sarasvati.ca to learn more about the project or request assistance in completing the application.

See the attached call for submissions for more information!

One Night Stand Returns for Its Third Year!

We’re bringing back our One Night Stand series for another year! In this first round, playwrights from our Advanced Playwriting Class will have their work read and workshopped by a team of actors. The public reading will give the writers a chance to gain valuable audience feedback as they continue working on their scripts.

The One Night Stand play-reading series was created in the late 1990s by two playwrights in Toronto (Lindsay Price and Bonnie Anderson).  Sarasvàti Productions ran them regularly from 2003 to 2008, bringing the series back for a revival in 2017. The goal of the series is to provide playwrights the opportunity to get feedback from an audience on new material and/or works-in-progress.  We’ve already hosted one great session this year at FemFest 2018 – stay tuned for the other installments we have planned for this year.

Read on for more on the pieces we’ll be featuring!

Gettin’ Outta Dodge by Wayne Ferguson
Attracted by the beauty of the mountains, seduced by the affluent lifestyle, native Banffites and newcomers chase their desires for high social position, their dreams of heroic alpine accomplishments, and their fantasies of unflagging sexual prowess. They are incapable of confronting and dealing with the reality of disappointment. What will be the consequences for them?

The Wrong Way off the Elevator by Andrea Kell

Marlene Wells has come to the law office where her daughter worked until a few weeks ago when she committed suicide. Marlene has come to meet her daughter’s former boss, Mr. Ford, hoping he will be able to provide her with some closure. But Ford, being so uncomfortable with the subject, decides not to correct Marlene when she mistakenly assumes he’s the new receptionist, Mr. Curtis.

Favourites by Jo MacDonald
For Abqurah and her friend Jol, working safely is a guarantee among all their favourites at the big chain grocery store. Or is it? As judgements are made and like bruised fruit, they are quickly deemed unacceptable by one whose bitter palate clings to “past the due date” ideals.

Hearing Tanya by Lynne Martin
Brittany and Coulter’s long-term relationship gets thrown for a loop when Inuit artist Tanya Tagaq’s music unexpectedly penetrates their lives. Complicated by the unwelcome arrival of Brittany’s out-of-control sister Caitlyn, their responses reveal long-buried fears, desires, and (of course) family secrets.

(Don’t) Wake Me Up by Allison Stier
Jane is convinced that the recurring dream of a man’s death signals the start of her life’s purpose — saving the people in her dreams from peril in the waking world. Unfortunately, she can’t make out the who, where, or when — perhaps a hypnotist can help her find clarity?

The Dance by Tyler White

May, an 80 year old woman, is trying to adjust to her move into a seniors’ complex after the death of her husband four months earlier.

Karla by Pamela Wolk

After a decade living in the Caribbean, Chrystal and her family move back home to an ordinary suburban life in Canada, but when her true identity is revealed, she must choose between going back into hiding or facing her gruesome past.

Bringing the pieces to life are local performers Cheryl Gensiorek, A.J. Hotomani, Matt Irvine, Lorraine James, Kevin Longfield, Merri-Lou Paterson, Taesia Scratch, Glenn Odero, and Tom Young.

You can see what’s new from these up-and-coming playwrights on Tuesday, March 19th at 7PM. This session will take place in the Gendis Studio at Prairie Theatre Exchange (3rd Floor, 393 Portage Ave). Admission is pay-what-you-can-afford. Come out and support the latest works from emerging playwrights!

Queering Theatre Wrap-Up

This past Sunday, we took to the community to begin a conversation about the representation and practice of queer stories on stage. Local performing artists Elissa Kixen, Davis Plett, Lara Rae, and Liam Zarrillo spoke to their experiences of performing, creating, or working as a queer artist. Members of the circle were given the floor to share their stories and thoughts as well, creating a thought-provoking dialogue about how the LGBT+ community is reflected in the work produced both on stage and in popular culture.

This slideshow requires JavaScript.

Important points raised during the discussion centered on themes of how one’s identity is reflected in the work we create. Even subconsciously, it’s possible to have a queer perspective to one’s work before folks were ready to come out publicly with their identities. Folks found themselves identifying with different themes presented in works that don’t present as being queer, but still reflect ideas and experiences that mirror those of the LGBT community – however unintentionally!

Representation was also a common theme: contrasting the need to discuss the history and harsher realities of the LGBT+ community with the desire for queer youth to see a positive future for themselves. Members of Rainbow Resource Centre mentioned the generational divide in this conversation. For many people, these discussions weren’t around when they were growing up. The representation they saw on screen was that of corrective violence, discrimination, or misinformation. As one speaker mentioned, it’s important to talk about when a character or show “misses the mark” while also acknowledging what they may have been trying to say about a queer experience. As well, including a variety of queer experiences in different characters avoids putting the responsibility of any one character to be all things to all people.

Currently in the theatre world, there is a larger discussion at work surrounding content warnings: what to include, how to include it, and when an artist would prefer not to give warnings for their work. Folks at the discussion offered up the different viewpoints to this topic: contrasting the desire to be surprised by the story with the need to be appropriately prepared to receive triggering content. Content warnings may take different forms: from a simple list of triggering themes available through a production’s website or offering more information through box office staff. One idea was also to allow folks to decide for themselves if they wanted to receive warnings through envelopes available at the theatre. Audience members could then open and check the envelopes for particular warnings before heading into the show. The main idea was that anyone who may be at risk can make an informed decision about whether or not to see a show while other audience members can experience the plot twists as the artist intended.

As well, the discussion delved into how it’s possible to apply a queer perspective to more than just the content on stage, but the process as well. This may include a more devised process than following a set script, an open dialogue about safe spaces in rehearsals, and getting rid of ticket prices to open the event up to people of all income levels. Attendees also discussed how to reshape the relationships between collaborators to ensure all voices on a project were given equal value. An important point was also raised about how to make events more accessible: including information clearly and publicly about whether or not the venue is wheelchair-friendly, if there are gender-inclusive washrooms on-site, and making events by donation instead of a fixed admission. The idea was to make all of this information part of common practice to put the onus on the producers to anticipate the needs of their audience.

While the discussion of “Queering Theatre” could easily have lasted longer than two hours, that was all the time we had! There is also much more that was tackled in the two hours that we can encapsulate in a single blog entry. A big thank-you to Rainbow Resource Centre for hosting us, to our incredible line-up of speakers, our fantastic facilitator Erin Meagan Schwartz, and everyone who came out to join the conversation. For more on the other workshops we have in store for this season, be sure to visit our website!