The Monster in All of Us

Who are you when you don’t know who you are? That’s the question Sarah Waisvicz asks in Monstrous.

Created and performed by Waisvicz, we’re incredibly excited to be featuring Monstrous in FemFest 2020: Engaging Community. Monstrous follows the protagonist’s journey across continents, centuries, and musical genres as she sifts through the facts and fictions of her mixed-up, mixed-race family history. Integrating storytelling, multi-genre dance, music, song, projections, and audience interaction, it is a quest for roots, remembrance, and belonging; it is also a cutting, hard-hitting provocation about “multiculturalism” in Canada. Monstrous is a startling wake-up call that puts pressure on how accepting we think we are.

Sarah is a playwright, dramaturge, and multi-disciplinary performer with training in dance and physical theatre (classical ballet, puppetry, acrobatics, stilts, West African dance styles). Her solo script to Monstrous, about the Afro-diaspora experience and mixed-race identity, was published in Alt.theatre 13.3 and the show has been performed in Montreal, Toronto, Philadelphia, and elsewhere. Sarah has been Artist-in-Residence at Great Canadian Theatre Company and at the National Arts Centre. Her most recent play Heartlines premiered to sold-out houses at Ottawa’s undercurrents festival.

“I was strongly moved by this piece — not leaving the studio with the same mindset I had upon entering… I found myself lost in thought about my background and place within this world. I felt as if I had also just explored my entire background and found a little more of myself in the process, too. If you are prepared for a deep, self-discovery performance — this play is a definite go see!” – Makinizi Hoover, Medium

In 2015, when Waisvicz began this project, she documented part of its development process. The full title was originally called Monstrous, or, The Miscegenation Advantage, and it was described as an “original 70-minute solo show: one woman, two races, four continents, and a suitcase full of secrets.” You can check out a video about the show’s development here.

“Waisvisc’s dynamic energy fills the minimalist set where music, projection and dance illustrate a global trek as stories, anecdotes, lies, hearsay and research are pulled from this trunk of family history.” Jennifer Cavanaugh, Apt613

In light of COVID-19, we’re excited to announce we’ll be moving forward with a virtual edition of Monstrous. Like previous reviewers, we know you’ll be moved by this show – no matter what part of the world you’re from. If you haven’t yet, be sure to watch the official Monstrous trailer and stay tuned on our website for the latest information on how to access FemFest programming.

The Rest of the Fest: Announcing The Full FemFest 2020 Program

Two weeks ago, we announced the touring artists of FemFest 2020: Engaging Community. While we’re so excited for those three incredible shows (Tita Jokes, bug, and Monstrous), the festival wouldn’t be complete without our in-house productions. Without further ado, here are the shows and events rounding out the rest of our planned programming for FemFest 2020. 

Alice and the World We Live In  
By Alexandria Haber 
Alice stands frozen on a dangerous mountain pass. Paralyzed, unable to move forward or turn back, she is suspended between multiple possibilities of what could have been and what is. Inspired by the topsy-turvy world Alice encounters in Wonderland when she falls down the rabbit hole, this moving allegory explores a woman’s struggle to push through the grief of losing the love of her life to a random act of terror. Echoing our collective fear of what lies ahead in these tumultuous and uncertain times, the play exalts our indefatigable resilience and endless capacity to love, once we find the courage to let go. 

 

Readings
The View From Here
By Hannah Foulger 
A new piece of documentary theatre about the Grandview School for Girls in Cambridge, ON – an examination of the institutional abuse that occurred there and its impact on the community.   

Agency 
By barb janes  
For those who attended last year’s Bake-Off – this was the audience selection to receive development and a reading. 
Three “orphan” girls from three different eras and three different countries: Louisa (a British Home Child), Annie (a sixties scoop adoptee) and Natasha (adopted from Romania). Plagued by issues of abandonment and belonging, the three friends search for their mothers, their identity and their own agency.   

 

Chantal Bilodeau

Guest Artist
Chantal Bilodeau  
Chantal Bilodeau is a Montreal-born, New York-based playwright and translator, whose work focuses on the intersection of science, policy, art, and climate change. Her plays and translations have been presented in a dozen countries around the world, and she is a recipient of the Woodward International Playwriting Prize as well as the First Prize in the Earth Matters on Stage Ecodrama Festival and the Uprising National Playwriting Competition. She serves as the Artistic Director of The Arctic Cycle and is currently at work on a series of eight plays that look at the social and environmental changes taking place in the eight Arctic states.    

 

 

A snapshot from the 2018 Bake-Off

Bake-Off 
Coordinated and directed by Cairn Moore 
In partnership with the Manitoba Association of Playwrights.
Feast your eyes on the annual Bake-Off. We challenge selected playwrights with a list of ingredients and eight hours to cook up their own fantastic theatrical feasts! The results are an abundance of laughs and entertaining surprises. Plus, the audience gets to select the winner. 

(Psst… we’re still accepting submissions for Bake-Off. More details here!) 

 

The Launchpad Walking Tour
Yes, we are bringing back our emerging artist initiative and combining it with our

A shot from last year’s walking tour!

walking tour. Short performances will tackle the theme of climate change. Next week’s blog will feature the announcement of this year’s ensemble.  

You can also expect fantastic opening and closing night cabarets featuring local artists and lots of laughs.  

So there you have it: FemFest 2020 is certain to be one to remember! Be sure to check out the FemFest page on our website regularly for information about ticket prices, performers, and how each show will be executed in regards to current health protocols. Although things will shift based on what September brings, we are committed to following through on this exciting programming in a unique way!  

Fresh(ish) Faces

Yes, summer is approaching and we can always tell because our team expands – although this year it’s a remote expansion. This month we welcomed two members to the Sarasvàti team! We have Samantha Desiree returning as our Production Assistant and Riva Billows joining us as the Marketing and Community Outreach Assistant.

Sami Desiree, Production Assistant

You may recognize Sami as she filled the same position leading up to and during FemFest 2019. Sami is currently working towards her BAH at the University of Winnipeg, with speciality in Stage Management. She is an artist with many interests and has been working in production, directing, acting and producing. She started in theatre at a young age, performing as Buttercup in The Princess Bride. After that performance she received handwritten letters from young girls who had seen the show and “wanted to grow up to be like Buttercup.” That was when she learned the power of theatre. She founded Beau Theatre Co. in 2017 and since has produced six full productions with them and was slotted for a 5 stop Canadian Fringe tour this year (which has been postponed). She thanks her cat Zella and partner Matt for their support.

Riva Billows is a local improviser, comedian, and a recent graduate of the Creative Communications program. She was voted the second funniest person in Winnipeg in this year’s Uniter 30. She’s performed at the Winnipeg Comedy Festival, Montreal Sketch Festival, and the Winnipeg Fringe Festival the last four years.

 

Riva Billows, Marketing and Community Outreach Assistant

 

Riva was an actor in “Can You See Me Now?”, a partnership between Sarasvàti and West Central Women’s Resource Centre that told women’s experiences of homelessness. “Looking back, doing that show and collaborating with these incredible women just solidified how important it is to tell the untold stories,” she said. “That was probably the first time that I really saw, firsthand, how theatre can be a vehicle for change.”

Sami believes theatre can change perspective and create empathy and compassion which is something she incorporates into all her work. She is so grateful to be back working on FemFest for a second year, with such brilliant humans!

The two are looking forward to seeing the exciting (but still secret!) performers featured in FemFest 2020 – no matter what shape that may be.

We’re excited to have these two on board as we move closer to FemFest 2020! FemFest will run in some shape or form from September 19 – 26. Stay up to date by following us on one of our many social media platforms or check out our website as we start to announce the line-up for our 18th festival. 

We Want YOU!

There are so many exciting things to look forward to in the near future. From workshops, to festivals, we can’t wait to gather once again as a community and share our art. We would love for you to join us! We are currently accepting submissions for our One Night Stand playwright development series and applications for our Launchpad Project! 

Every year, we host our One Night Stand reading series as a way for emerging and established playwrights to share their work and gain some feedback. We are seeking 10-minute scenes from Manitoban playwrights of all ages, genders, and backgrounds! Our first virtual, One Night Stand will take place in June, 2020. All submissions must be received by 11:59pm on May 8th, 2020. More details on how and what to submit HERE. 

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We are so excited to welcome former Launchpad participant Jonathan Mourant in helping to coordinate future ONS editions! 

Jonathan Mourant in the 2019 Launchpad Project

Jonathan Mourant is a trans-disciplinary performer, producer, and also a robot learning how to be human. They have been improvising for just under a decade and have performed and learned at festivals and workshops across Canada, including the Winnipeg Improv Festival and Toronto SketchFest. This year, Jonathan wrote and directed Here Together for the 2019 Winnipeg Fringe Festival and created Jon After Hours, an experimental late night talk show featuring local personalities. Recently, they have begun performing drag as Nora Vision, and are thrilled at the opportunities to combine improv, theatre, and drag into their own unique performance.

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You may recall our Launchpad Project from FemFest 2019. A group of emerging female and non-binary identifying artists gathered weekly for a series of workshops, before creating and performing their final work To Kill a Lizard during FemFest 2019. After a successful pilot project that supported ten young artists, we are excited to change it up this year with a new focus. This intensive residency will take place in August/September 2020. Participants will be working on performance pieces that explore climate change. They will perform them in site-specific locations in downtown Winnipeg during our fall festival of FemFest 2020. The best part is participants are paid – as all artists should be!. For more details on who, what and how to apply, click HERE. 

We hope you will consider submitting for one (or both!) of these exciting initiatives. It is important to remember that there is still a lot of exciting things to look forward to and so much art and theatre still to create! 

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Postponed, Cancelled, Thriving

It is with a heavy heart that we recently announced the postponement of our May 2020 performance of Songide’ewin, the culmination of our Reconciliation Through Theatre Project at the Forks. We have been holding on with great hope and optimism. We have amazing stories compiled from over 70 Indigenous youth. We have an incredible artistic team and community partners all lined up. We would like to say we are making this choice, however it ultimately was out of our hands as permits and regulations were no longer allowing gatherings in to May and June. We do believe it is the safest decision and what is best for all involved.

On April 1st we had a wonderful reading of the draft script under the guidance of our director Tracey Nepinak and with actors Sara Demers, Katie German, Braiden Houle, Jessica McGlynn, Akalu Meekis and Josh Ranville. Incredible designs are underway thanks to Production Designer Louis Ogemah and we have such beautiful art ready to share from so many talented youth.

We are 100% committed to seeing the show through, but at this time cannot provide new dates as we are working with our venue to sort out what is realistic and feasible. We will continue to share all the inspiring work happening in the interim and cannot wait to celebrate when the time is ready! We are grateful for how the community is rallying at this time, thankful for all those working so hard to provide essential services, and for all our supporters, funders, partners for their belief in our work.

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These are truly uncertain times we’re in! The arts are taking a hit as performances, workshops, festivals and more are being cancelled or postponed on the daily. In times like these, we understand it’s a challenge to remain positive. But, not all hope is lost. In fact, it is more alive than ever! There are still plenty of resources on creative ways to keep your mind and the arts active. Here are just some examples:

Watch theatre at home!

Free virtual acting classes!

Art from a distance!

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Our friends at I Like Hue created a documentary following the process of our reconciliation through theatre project. The documentary outlines the Seven Visions art workshops at our partner youth organizations, eventually resulting in our final production Songide’ewin. You can watch the video HERE on our Facebook with closed captioning or HERE on our Youtube account!

Songide’ewin may be postponed, but the conversation on reconciliation is not. We want to continue to support our artists and collaborators anyway that we can, which is why we will be introducing “Songide’ewin Sunday”! Every Sunday, starting next week, we will be featuring a Songide’ewin artist on our social media platforms. You can keep up with Songide’ewin Sunday on our Facebook, Twitter and Instagram.

Stay tuned for updates on Songide’ewin once more information is available to us. We hope you are all remaining in good health and high spirits!

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Accessibility Online

Lots of companies are offering free virtual workshops, discussions and play readings. We were so grateful to host the accessibility panel discussion, “Accessibility On Stage and Off” on Saturday, April 4^th along with Arts AccessAbility Network Manitoba and Sick + Twisted Theatre.

We hosted the discussion online so panellists and workshop participants could participate from the comfort of their own home! We were even able to broadcast the discussion to or Facebook livestream so folks could choose to just watch and observe. It was nice just to do something beyond the usual quarantine routine and to have an important and valuable conversation pertaining to accessibility in the theatre industry. We were even able to have ASL interpretation for the Deaf.

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Joanna Hawkins

Some of the points and ideas brought up included a calendar of events specifically for accessible performances and productions, suggested by Joanna Hawkins, a local Deaf performer. She also brought up the idea of using ASL videos to announce local events, in order to appeal more to the Deaf community. Joanna also shared insights on the importance of communication, “communication is something we all do, we are human beings!” One of the other disability advocates, Hannah Foulger, also mentioned the importance of communication, “the more we talk about what some venues are already doing, the more the other venues will listen and change.” As did our Sick + Twisted Theatre host and moderator, Debbie Patterson, “it’s all about connections and communication. We observe, we pay attention, it’s a network it’s not any one person!” While our other partner Jenel Shaw from Arts AccessAbility Network Manitoba expressed the importance of venues and organizations understanding the need for accessible spaces, “if more organizations saw accessibility not as a burden or expensive but as an opportunity to grow, it would really benefit everyone. More than a quarter of the Canadian population has a disability.”

Panellists Hailley Rhoda and Hannah Foulger also discussed the importance of hiring

Hailley Rhoda

disabled performers. “Seeing people with disabilities on stage reminds me I am worthwhile, my life is worthwhile and we have important things to say,” Hannah Foulger. “The difference between knowing you’re allowed in a space and knowing you’re welcome in a space, the.re is a huge difference,” Hailley Rhoda.

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This discussion was incredible informative and beneficial in many ways. We want to thank the panelists, the participants and everyone who tuned in! We are grateful to be able to keep conversations like these going and we hope to have many more! It is also important to move it beyond talk and walk the walk. Here are some amazing resources:

• Arts AccessAbility Network Manitoba has a ramp available for rent
• Sick + Twisted Theatre now offers audio-description for the visually impaired
• Scent-free venues are essential
• Relaxed performances can make for a better experience for many people

Stay tuned for more updates on our season. We hope you all are happy and healthy!

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Accessibility On Stage and Off

The world is changing but the arts continue to stay alive. Everything has moved to the virtual world as folks social distance and work on flattening the curve. We want to do our part, but we also want to keep the arts alive! That’s why this Saturday, April 4th at 12pm, we will be hosting a discussion on Accessibility On Stage and Off with guest panelists and disability advocates via Zoom! More is being done to address accessibility in theatre and the arts in Winnipeg, but is it enough? How accessible are performances for audiences? How exclusionary are the spaces and processes we use in making theatre? Why is the inclusion of artists with disabilities essential to the continued development of the art form? Join Arts AccessAbility Network Manitoba, Sarasvàti Productions and Sick + Twisted Theatre for a frank discussion with guest artists and Disability advocates.

Zoom is an online video chat platform. Participants can choose to join in the discussion and be seen and heard from the comfort of their own homes; or watch without any pressure to join in! The choice is yours. Debbie Patterson of Sick + Twisted Theatre will be moderating. Jenel Shaw representing our other partner, Arts AccessAbility Network Manitoba, will be part of the panel will . Along with Debbie and Jenel, we have a selection of disability advocates who will be sharing their insights.

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Hailing from Poland, a University of Manitoba Bachelor of Fine Arts graduate, Joanna Hawkins has always felt a strong connection to the arts. She is a skilled artist (drawing & painting), graphic designer and photographer but her real dream had always been with acting. Joanna has performed as a lead in a children’s show for young deaf children and has been involved in several films in Manitoba as a featured extra as well as two television commercials. Joanna has been professionally trained in mime, physical comedy and storytelling by the award winning Hot Thespian Action’s Shannon Guile. Recently Joanna performed as Mrs. Peachum in Sick + Twisted/AA Battery production’s “The Threepenny Opera”. Joanna’s aim is not only to entertain audiences with her incredibly crisp and clean physical illusions but to reach-out with the beauty of Deaf Culture and build bridges between the hearing and Deaf worlds. Joanna continues enjoying working in theatre/film industry as an actor, ASL translator and ASL coach.

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Hailley Rhoda is a theatre artist focused on storytelling, puppeteering and reimagining traditional myths. She has a fringe company, Chronically Ch(ill) Productions, entering its third year of existence. She is a graduate of the University of Winnipeg’s Theatre and Film department. Hailley has two invisible illnesses, Ehlers-Danlos Syndrome (Classic) and Von Willebrand’s Disease. Quasi the tripod cat will likely be appearing in this live stream. She has yet to develop artistic passions, and mostly enjoys biting Hailley and chasing the laser pointer.

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Hannah Foulger is a British Canadian theatre artist and writer from Cambridge, Ontario on the Haldimand Tract of Treaty 3 territory. She studied Theatre and Creative Writing at the University of Winnipeg, and is a winner of the Bertsinger award. Her theatre projects have appeared at the Winnipeg Fringe Festival, the PTE Festival of New Works and Sick + Twisted Theatre’s Lame Is… Cabaret. Her creative writing has been featured in Prairie Fire Magazine, Matrix Magazine, Juice and the Disability Voices Anthology from Rebel Mountain Press. She lives in Winnipeg on Treaty One territory with a brain injury and epilepsy.

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Also joining the panel is Diane Driedger, Ph.D. Diane Driedger is Assistant Professor in the Interdisciplinary Master’s Program in Disability Studies at the University of Manitoba. She is a visual artist, poet and disability activist.

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To join the panel, email info@sarasvati.ca to get the link! All you will need is a computer or cellphone so you can access the Zoom app or website and the meeting code. If you wish to interact live with the panelists you will also need a camera and microphone. If you can’t do a Zoom and prefer to just watch, you can also tune in via Facebook livestream. We hope to see you virtually on April 4th from 12pm-2pm!

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World Theatre Day at Home

“Together, let’s transform the stage into a world of echoes, a world where laughter, pain, brutality, gentleness and complexity can all spring forth.” – Geneviève Pelletier, World Theatre Day Canadian Message

This year, we celebrate World Theatre Day from the comfort of our own homes. In these uncertain times it’s important to keep the arts alive, and to continue to live and fully experience every single day. We may no longer be able to gather in groups, but we can keep the spirit of Canadian theatre alive online!

World Theatre Day was brought to life in 1961 by International Theatre Institute and occurs every year on March 27^th by theatre communities around the world. This day is meant to celebrate the power of theatre as a bridge for international understanding and peace. Every year, this day brings together theatre lovers from around the globe to celebrate and appreciate the art.

Manitoba’s very own Geneviève Pelletier, is the author of this year’s Canadian message. Geneviève is an Actor, Director and Artistic and Executive Director of Winnipeg’s Cercle Molière Theatre. You can check out the full message in French or English on Playwright’s Guild of Canada’s website [https://playwrightsguild.ca/world-theatre-day/] For more inspiration, this year’s international message is by Pakistan’s leading Playwright Shahid Nadeem [https://www.world-theatre-day.org/messageauthor.html]. “In South Asia, the artists touch with reverence the floor of the stage before stepping onto it, an ancient tradition when the spiritual and the cultural were intertwined. It is time to regain that symbiotic relationship between the artist and the audience, the past and the future.”

The Playwrights Guild of Canada is offering a “Play Reading Relay” to celebrate the day, “The show must go on…line.” 29 different playwrights will livestream 10-minute readings from their plays over the course of 7 hours! Running from 10am-5pm Central time. You can find the line-up of plays by clicking HERE and find the Zoom link by clicking HERE! This is an amazing way to bring folks together to celebrate theatre and a creative way to spend a good chunk of the day at home!

There are many other ways you can celebrate World Theatre Day this year. Read a play, write down future ideas, join in a livestream, watch a production online or simply discuss the world of theatre today with a friend. These are all amazing ways you can celebrate the day from home. You can read more about World Theatre Day and how you can celebrate on the World Theatre Day website, HERE.

It’s important to keep our spirits lifted and theatre in motion. We hope you are all staying safe and healthy and wish everyone a Happy World Theatre Day! Don’t forget if you’re looking for more discussion on accessibility in theatre, we are hosting an online webinar/discussion through Zoom on accessibility on April 4^th! Join in the conversation or simply watch and listen. Email info@sarasvati.ca to register and for full details.

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Keeping the Arts Alive

In light of recent events surrounding the COVID-19 virus, we find ourselves with a myriad of questions and dilemmas. The arts industry has taken a huge hit and will continue to be effected during this time of social distancing. There are plenty of things you can do in order to help support local companies taking a hit.

The virus outbreak affects us all. Specifically in the theatre community, most companies in Canada have had to either reschedule, postpone or cancel productions for an unforeseen amount of time. This is a huge issue as it forces people out of work, from the performers on stage to the crew behind the scenes. So the question is, what can we do? How do we help? Some ways you can help the industry to stay afloat is through donations. For example, if you purchased tickets for a cancelled production, consider donating the refunded money back to the theatre. In need of childcare or freelance work? Consider hiring an arts industry worker for the time being. This will not only give them work, but assists with your own needs.

If you are an artist put out of work, consider reaching out to folks who may be in need of childcare during the school and daycare closures. Take this time to reflect on past work and create new work! Lots of arts companies have created online systems to host virtual workshops, book clubs, classes and more to keep you busy, occupied and creative. Some examples can be found HERE and HERE. Keeping up a routine is most important in not letting isolation get the best of you during this time of stress.

Spread kindness, understanding and positivity. In the face of a pandemic, anxieties and panic can be high. It is crucial to stay calm and do what you need to do in order to keep yourself and those around you positive and safe. Be sure to do your research and know the facts of the virus and how it has affected your area. Follow health regulatory body directives. Wash your hands regularly, avoid unnecessary social interaction and mass gatherings, strive for a balanced approach and if you are feeling ill seek medical attention and avoid contact with others. Find creative ways to fill any void knowing that we will soon come together again to connect through the arts.

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At this time, we have not cancelled or postponed our May 2020 performance of Songide’ewin. It is a huge initiative and we will wait to see how all the amazing action to flatten the curve pans out, then make an informed decision when and if it becomes necessary. In the meantime, you can support the work by purchasing tickets for the performance at The Forks. You can read more about the project through our website HERE! If you’re interested in group bookings, please call (204) 586-2236 or email us at info@sarasvati.ca

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As for our Accessibility On Stage and Off, our roundtable discussion with Arts AccessAbility Network Manitoba and Sick + Twisted Theatre on April 4th, we are currently exploring ways to bring the discussion to you virtually! Stay tuned for updates and developments coming soon. Then tune in and join in the discussion.

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Cabaret in Review

This year’s International Women’s Week Cabaret of Monologues tour took us all around Winnipeg and surrounding cities/towns. Our travels were filled with inspiration, excitement and meaningful experiences. All eight of our pieces went out on the road to share the transformative stories of the women in this year’s line-up.

Sadie-Phoenix Lavoie Performing at Sunshine House

Many women’s groups around the cities welcomed us into their spaces to share our monologues. North End Women’s Centre hosted an event and invited three of our performers to share their pieces with the staff and clientele. CTV Winnipeg made an appearance at North End Women’s Centre and interviewed our artists to cover International Women’s Week! Other amazing women’s groups we were happy to visit were Sage House and Women’s Health Clinic.

waNda wilsoN performing at St. John’s Library

Our monologues were not limited to women’s organizations. We were happy to visit other community groups and venues. Sunshine House and Rainbow Resource Centre are two organizations with an open inclusivity mandate and advocacy for LGBTQ+ issues. Both welcomed our artists with open arms and open discussion. A disabilities class at The University of Winnipeg welcomed our Deaf performer, Joanna Hawkins in to perform her mime piece for students in a more intimate setting. St. John’s Library, a local staple in our North End Community, welcomed our musical performer waNda wilsoN for

Lizzie Knowles performing at CMHR

a special and intimate performance. We were honoured to bring five of our monologues to The Canadian Museum for Human Rights on their First Friday’s free event night. Our pieces on the subject of “Change” were a perfect fit in an institution that promotes and supports human rights.

We love expanding beyond Winnipeg and our first road trip took us to Steinbach for a performance hosted by Agape House during an evening dedicated to raising funds for

Genesis House, Winkler

this important shelter. On the final leg of our tour, we took one group of monologues to Winkler and another group to Altona! Both performances were for special Women’s Day events. Sadie-Phoenix Lavoie’s spoken word ‘Traumatic Resilience’ and waNda wilsoN’s music about not giving up and remembering those who have been lost to us, were the

Performers and Staff in Altona

perfect bookends to a moving presentation by Wilma Derksen and Odia Reimer in benefit of Genesis House women’s shelter. Meanwhile in Altona our performers were invited to judge a “fancy hat” competition! It was the perfect way to celebrate International Women’s Day and the end of our tour.

These eleven community performances were in addition to the two full performances of all the pieces in a theatre setting on March 7^th. Here we welcomed almost two hundred audience members to experience the work.

All-in-all, our International Women’s Week was a success! The subject of Changes is so relevant to today’s society and to being a woman in this day and age. It doesn’t end here, we need to continue to share the conversation and support women in the arts every day of the year. We are so grateful to have the opportunity to work with local performers and artists and help to showcase their art across the city and across the province. We can’t wait for next year!

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