Embracing Identity with Humour

There’s more than one way to be confident in who you are! Our International Women’s Week Cabaret of Monologues features all types of stories about embracing one’s identity with pride – and with a sense of humour. For these pieces, playwrights share the funny side of learning how to be comfortable in your own skin.

Ivy Charles

Ivy Charles

Ivy Charles is a twenty-two-year-old actor from Winnipeg, Manitoba. She is currently furthering her acting studies at Studio 58 in Vancouver. She enjoys spaghetti, wine and having a good chuckle with her friends. Ivy is excited to dip her toe into the world of writing. In her piece Sunday Morning Brunch, Josephine is a spunky seventeen-year-old girl, confident her sexuality. This confidence is put to the test when she introduces her girlfriend to her religious family (and of course Father Henry) at Sunday brunch.

“Being someone who is always striving for equality, I thought why not use a platform that I’m not used to: writing. I knew I wanted to write about female empowerment and this was one of the first topics to come to mind,” says Ivy. “Josephine is the epitome of Here I Am. She is proud of who she is.”

 

Brooklyns Headshot.JPG

Brooklyn Alice Lee

Playing Josephine is Brooklyn Alice Lee. Brooklyn is currently a student in her final year with the University of Winnipeg, graduating with a degree in Acting. Despite having performed on-screen, she has a soft spot for theatre as she loves the raw truth and thrill of a live performance. She is looking forward to 2019 where she will debut her first self-written Fringe show with 803 Productions.

“I like the complete honesty of the piece,” says Brooklyn. “It’s unique, raunchy, and relatable even if you haven’t been in the character’s situation. I also feel connected to the dry, blunt humour of Josephine. She and I are very alike in that way.”

 

Makrenna Sterdan

Makrenna Sterdan

Next in the lineup is Who’s Driving? by Makrenna Sterdan. Janet is a fast-talking car saleswoman looking to get you into your next vehicle, all based off current global issues. The biggest problem with these cars isn’t the millennial-scapegoating, or the toxic chemicals, or the Neo-Nazis… it’s the auto-pilot feature.

Makrenna Rose Sterdan is a writer born and raised in Winnipeg, who has lived in South Korea since 2015. Sterdan has written several short films such as Speaking Test, which premiered at the Korean International Expat Film Festival. Sterdan has also written several ten-minute plays that have been produced across North America, such as The Geese and Last Chance. Her monologue Doing It for the Fame was featured in Sarasvàti Productions’ 2016 Cabaret of Monologues.

Who’s Driving came from Makrenna’s own feelings of helplessness she experienced while watching the news. “I wanted to personify my feelings of helplessness and make them relatable to an audience,” she says. “This is where I am right now: reading the news and not wanting to be on auto-pilot while the world takes its course.”

 

KimK_headshot

Kim Kakegamic

Kim Kakegamic is thrilled to be a part of the Cabaret of Monologues once again! Trained at Providence University College (BFA), Kim has appeared in over thirteen Fringe Festivals in Regina, Saskatoon, Edmonton and Winnipeg. She most recently performed in RMTC’s 2018 Master Playwright Festival with Broken Record Productions. By day Kim works as a writer for 6P Marketing, and spends far too much time binge watching shows on Netflix.

This is Kim’s second time performing one of Makrenna’s pieces after Doing It for the Fame. “I LOVE her work,” says Kim. “This piece, like that one, is dynamic and energetic. It takes some very intense topics and adds humour and cheekiness to create, what I believe, is a very memorable moment. It’s a lot of fun to perform.”

You can check out our full line-up of monologues on Saturday, March 9th! Don’t miss out – get your tickets today!
 

Advertisements

Overcoming Obstacles at IWW 2019

Women’s stories are in the spotlight during our 2019 International Women’s Week Cabaret of Monologues! This year’s pieces cover a wide range of issues from a cancer scare to coming out to one’s family. This week, we’re featuring two more pieces from the event, The LightFishers and Oracle Jane.

In Leslea Kroll’s The LightFishers, Chris is a patient in the psychiatric ward of St. Andrew’s Hospital. After experiencing a traumatic event, Chris has begun recovery from an addiction to painkillers.

Leslea KrollLeslea’s first play Domesticatrix was nominated for a Sterling Award for Outstanding Fringe Script. An excerpt of Domesticatrix was featured in The Martha Stewart Projects perfomed at Buddies in Bad Times Theatre in Toronto. Her play ZedBC: Genus Lemus won the Alberta Playwrights’ Network annual script competition. Her other plays include Swallow, Auksenberg: Trial by Fury, Stains, The Catalogue of Bones, BonePeddlers, Queen of the AnthroScene, The LightFishers, and WellSpring. Her play White Count Up aired nationally on CBC’s Radio One.

 

amelia warkentin headshot

Amelia Warkentin

Bringing the piece to life is Amelia Warkentin. Amelia is currently completing a general arts degree at Canadian Mennonite University with the hope of beginning an after-degree program in education in the fall. She studies theatre at the University of Manitoba and was recently involved in a student-written piece entitled A Grave Story. Amelia’s passions include running, singing, and spending time with friends and family. She strives to make someone smile at least once a day and is trying to clone herself to be in more than one place at a time.

 

In Oracle Jane, playwright Vicki Zhang asks, “how do you confront the destructive power of your own creation?” When a data scientist meets a single mother in need, she questions and reflects on her life’s work.

Vicki Zhang

Vicki Zhang

Vicki Zhang’s ten-minute play The Male Root won the 8th InspiraTO Festival’s juried playwriting competition. Her play Oracle Jane was selected for production at Alumnae Theatre’s 30th New Ideas Festival. Her plays have also received staged readings at FemFest, InspiraTO Festival, Toronto’s Festival of Original Theatre (FOOT), and the University of Toronto’s Centre for Drama. She is the author of Uncalculated Risks (Canadian Scholar’s Press, 2014), which was nominated for a Myrdal Prize. She has also written essays and short fiction about the Chinese diaspora for Rookie Magazine and Theread.

 

renee-hill-headshot.jpg

Renee Hill

Playing data scientist Ying is local performer Renée Hill. Renée graduated from the University of Winnipeg theatre program and is a gifted musician and singer.  She performs annually in the JP Hoe Hoe Hoe Holiday Show and enjoys doing voice over and commercial work.  Renée also has had the opportunity to participate in Sarasvati’s One Night Stand 2017. Renée is passionate about her community and working to help others, completing her Masters in Social Work while raising her three children in her beloved neighborhood of Wolseley.

 

You can check out all the incredible pieces in this year’s line-up on Saturday, March 9th at 4PM and 8PM. Tickets are on sale now!

Check out a first look at The LightFishers at rehearsal!

Poetry and Playwrights at IWW 2019!

We’re excited to share more about the fabulous artists behind this year’s International Women’s Week Cabaret of Monologues! This year’s theme is Here I Am, exploring themes of reclaiming identity and coming into one’s own.

Appearing in this year’s Cabaret are a number of artists writing and performing their own work, including long-time Sarasvàti collaborator Nan Fewchuk performing her piece, Thelma and Louise. While waiting in Cancer Care, Maggie reflects back on her life, her resentment towards her large breasts, and how the thought of losing one of them changes her perspective.

Nan Fewchuk

Nan Fewchuk

Nan is grateful to be a performer, director, and facilitator with Sarasvàti Productions, working on such favorites as Fefu and Her Friends, Fen, Jail Baby and Empty. Nan has performed with Rainbow Stage, Shakespeare in the Ruins, and Green Kids Inc. She produced and acted in the Fringe hits Dog Act and Or as well as working with the Manitoba Drama Youth Festival, Villa Rosa, The Peaceful Village, and the West Central Women’s Resource Centre. Nan co-founded the Indigenous youth group Neechisan at Garden City Collegiate where she taught drama for over twenty-five years.

Thelma and Louise was originally Nan’s final performance piece while studying at One Yellow Rabbit in Calgary. “Ten years later I’m finding it super interesting to further explore, dive deeper, and rework things, especially because I feel differently now than I did when I first wrote it,” says Nan. “As I grow older, I think so much more about my own mortality and have come to fully realize what really matters in life. I am so grateful for all of the good times and the wacky times, and for all of my family, friends, teachers, mentors,  coaches, and kind strangers who have taught me so much about life: how to  love, forgive, and journey forward.”

 

Shereen Ramprashad

Shereen Ramprashad

Also performing a work of her own creation is local spoken word artist Shereen Ramprashad. Shereen’s piece I am NOT a Victim is a charismatic, satirical poem challenging the media’s perception that women are – and always will be – a victim of something. Shereen is a colourful, witty and lively Canadian writer based out of Winnipeg. Her writings are a creative blend of intelligent metaphor and philosophy with undercurrents of subtext and observation. Shereen started her creative journey in her early forties with the intent of creating waves with poetry. Ten years later she’s doing just that with her interdisciplinary performance poetry and storytelling.

“Writing and performing is my way of presenting alternative perspectives on mainstream ideas and norms,” says Shereen. “I encourage critical thought of who we are as a society, where we are going, and how we want to see ourselves in the future. I think it’s important to find humour in hard times; satire is a powerful tool when it is used in the right context.”

You can see Nan and Shereen perform alongside seven other talented artists during the full Cabaret line-up on March 9th! Performances are at 4PM and 8PM at the Asper Centre for Theatre and Film (400 Colony St at the U of W). Get your tickets today!

Bringing Women’s Stories to the Stage

We have an incredible line-up in store for this year’s International Women’s Week Cabaret of Monologues! A teenage girl comes out to her family, a woman fights to go to the moon, a spoken word artist challenges stereotypes… all these pieces and many more will be featured during our 2019 Cabaret!

Get to know the playwrights that will be featured at this year’s event:

 

Ivy Charles.jpg

Ivy Charles

Sunday Morning Brunch by Ivy Charles

Ivy Charles is a twenty-two-year-old actor from Winnipeg, Manitoba. She is currently furthering her acting studies at Studio 58 in Vancouver. She enjoys spaghetti, wine and having a good chuckle with her friends. Ivy is excited to dip her toe into the world of writing.

 

Nan Fewchuk

Nan Fewchuk

Thelma and Louise created and performed by Nan Fewchuk

Nan is no stranger to working with Sarasvàti Productions, having worked on such favorites as Fefu and Her Friends, Fen, Jail Baby and Empty. Nan has also performed with Rainbow Stage, Shakespeare in the Ruins, and Green Kids Inc. She produced and acted in the Fringe hits Dog Act and Or as well as working with the Manitoba Drama Youth Festival, Villa Rosa, The Peaceful Village, and the West Central Women’s Resource Centre.

 

Natalie Frija

Natalie Frijia

Geraldine Sloan Truhill: Mommy’s Going to the Moon, Kids! by Natalie Frijia

Natalie Frijia is a Toronto-based writer, theatre-maker, clown-wrangler, and adventurer. She was also a member of Storefront Theatre’s inaugural playwriting unit. Her plays have been workshopped and presented at Storefront Theatre, Rhubarb Festival, New Ideas Festival, and Fringe festivals across Canada. Recent productions include, Divine, GO/NO, Last Transmission, and Black Wool Jacket.

 

 

Leslea Kroll

Leslea Kroll

The Lightfishers by Leslea Kroll

Leslea’s first play Domesticatrix was nominated for a Sterling Award for Outstanding Fringe Script. Her other plays include Swallow, Auksenberg: Trial by Fury, Stains, The Catalogue of Bones, BonePeddlers, Queen of the AnthroScene, The LightFishers, and WellSpring.

 

 

shereen-ramprashad.jpg

Shereen Ramprashad

I Am NOT a Victim created and performed by Shereen Ramprashad

Shereen Ramprashad is a colorful, witty and lively Canadian writer based out of Winnipeg Manitoba. Her writings are a creative blend of intelligent metaphor and philosophy with under currents of subtext and observation.

 

 

hailley-rhoda-e1544038764350.jpg

Hailley Rhoda

Talking about ED created and performed by Hailley Rhoda

Hailley Rhoda is a graduate of the University of Winnipeg’s Theatre and Film department. She is an actor, puppeteer, and writer. Hailley has worked with Sarasvàti on several projects, including Ripple Effect, Honey and Jupiter, and The Seduction Theory. She is the founding – and only – member of Chronically Ch(ill) Productions.

 

 

makrenna-sterdan.jpg

Makrenna Sterdan

Who’s Driving? by Makrenna Sterdan

Makrenna Rose Sterdan is a writer born and raised in Winnipeg, who has lived in South Korea since 2015. Sterdan has written several short films such as Speaking Test, which premiered at the Korean International Expat Film Festival. Her monologue Doing It for the Fame was featured in Sarasvàti Productions’ 2016 Cabaret of Monologues.

 

Vicki Zhang

Vicki Zhang

Oracle Jane by Vicki Zhang

Vicki Zhang’s play Oracle Jane was selected for production at Alumnae Theatre’s 30th New Ideas Festival. Her plays have also received staged readings at FemFest, InspiraTO Festival, Toronto’s Festival of Original Theatre (FOOT), and the University of Toronto’s Centre for Drama.

 

 

 

You can catch all of these pieces on March 9th, 2019, at 4PM and 8PM! The 8PM performance will also have ASL interpretation available. Stay tuned as we announce additional performers bringing women’s stories to the stage!

Balancing Mental Wellness in the Arts

“Mental Health in Theatre” is a hot-button issue right now as more and more artists begin to speak out about the working conditions and pressure that comes with a life on the stage. This past Sunday, Sarasvàti Productions hosted a panel on Mental Health in Theatre with speakers Larry Isacoff, Krista Jackson, Elena Anciro, Heidi Malazdrewich, Sylvia Massinon of Klinic, and facilitated by Taylor Demetrioff.

The panel covered many important topics, like giving voice to the issues facing mental wellness in theatre, how folks can avoid burnout, the importance of creating safe spaces in rehearsals, not to forget the demands placed on those behind the scenes, and what resources are available for folks needing extra support. In service to the community, we’re publishing more on the incredible discussion that took place so everyone can learn more about what they can do to support each other.

 

Word Cloud

Key Words from the Panel

In discussing what can be done to enact change, the primary focus was on the role of leadership. Many asserted that it is the responsibility of arts leaders to ensure that the artists under their employ are working in safe conditions during reasonable hours. Folks working behind the scenes spoke to the demands being placed on Winnipeg’s theatre community with artists being asked to deliver impossible results outside of the scope of the theatre’s budget or schedule. To quote one panelist, “Theatre is the only profession that has to open on time – regardless of consequences.” This pressure creates an environment where those who speak up are not only going unheard because “the show must go on,” but also have to deal with the threat of unemployment. A common issue is that artists feel “replaceable”: if they voice their concerns with a project or the leadership, they may find themselves out of a job.

Artists also spoke about their issues handling personal struggles or performance anxiety in order to continue with their roles. In several cases, they’ve been asked to push through and were even discouraged from continuing in theatre if they weren’t able to “handle the pressure”. Unfortunately, for many, the experience has been that they are working for leadership that creates a culture of fear and pressure in the rehearsal hall rather than collaboration and positivity. A great example on creating a safe space for everyone was to ask at the start of the process, “What do you need?” Getting everyone on the same page and learning who they could turn to for support was a key player in creating more positive rehearsal spaces.

 

Photo 2018-11-25, 1 16 23 PM

We also heard from Sylvia Massinon about the resources available for mental health in our community. Klinic has drop-in, short-term, and long-term counselling available on a first-come, first-serve basis – available entirely for free. Women’s Health Clinic also offers free and low-cost counselling available in fifty-minute sessions. Of course, one of the most important reminders for practicing artists is to make time for themselves. Our profession can be isolating – long hours, the pressure to perform, weeks spent inside the rehearsal hall or onstage with limited time for anything else… but it is important for folks to know that they need to be able to say no to a project if it comes at the cost of their mental well-being.

Although there was much more to discuss than we could fit in this panel, we would like to thank everyone who participated for sharing their stories and opening up this important discussion. We will be continuing with our workshop series as the season goes on with our “Queering Theatre” Lecture slated for January 2019. For more on the great events we have in store, join our mailing list!

Comedy for a Cause

Join us for a night of hilarious comedy in support of life-changing theatre! We’ll be hosting our third annual Women’s Comedy Night Fundraiser on November 14th featuring eight of Winnipeg’s funniest women. Get to know more of the comedians performing at this year’s event!

Ana

Ana Damaskin

Ana Damaskin is Russian-Canadian that relocated to Winnipeg from Maritimes 6 years ago after she mistook a cult for yoga retreat and gave up all possession. She’s self-realized aging hipster who has bike, drinks kombucha and enjoy soothing sounds of white-noise machine.

She has performed at Queer & Present Danger and multiple alt-comedy show at Wee Johnny’s. She brings dark, tongue in cheek twist to her comedy. Currently in year-long beef with Shoppers Drug Mart for gifting anti-aging creams on her 29th birthday. She asks that you please read comedian biography in Russian accent.  “My parents are Russian so we had to find laughter somehow growing up,” Ana jokes. She describes her comedy as “quirky, smart, and dark.”

 

 

Mayran

Mayran Kalah

Mayran Kalah is a Comedian from the bushes of Somalia and brings her experiences of displacement to the stage. She is one year into comedy and is a staple performer of WOKE Comedy Hour. She brings her A-Game every time she enters the stage.

 

 

Dawn Lavand (2)

Dawn Lavand

Next up is Dawn Lavand. Born and raised in Winnipeg, this city slicker is of Cree and Ojibwe descent. A former youth in care, child actress and a former great deal of other things; she strives to share her Teachings/lessons learned along her journey in a good way.  She possesses a bright and extroverted personality with a quick wit that contributes to her ability to engage and build community by sharing her story through humourous anecdotes you are sure to enjoy. We had the pleasure of having Dawn perform inside Portage Place as part of our FemFest 2018 Walking Art Tour and look forward to seeing more of her comedy! “Laughter is medicine,” says Dawn. “I can be hilarious – come get a dose, community-style.”

 

Dana Smith

Dana Smith

Returning for a third year as host is Dana Smith. Dana runs the successful monthly Women’s Open Mic and is a member of the sketch group HUNKS. She’s been featured in Just for Laughs Northwest, the Winnipeg Comedy festival, Chicago Sketchfest, San Francisco Sketchfest Edmonton’s Improvaganza and has recorded for Sirius XM radio.

Dana got into comedy at the encouragement of former Winnipeg comedian Aisha Alfa. “Aisha…used to host a monthly show at the Times Change(d) High and Lonesome Club. She knew me from always coming out to comedy shows. She really encouraged me to get started [and] get into this male-dominated field. Because of her and the other women in comedy, a strong voice for funny women has emerged in Winnipeg.”

 

You can check out our full line-up of hilarious women on Wednesday, November 14th! Tickets nearly sold out last year – be sure to get yours before they’re gone!

 

Meet the Comics behind Women’s Comedy Night 2018!

Some of Winnipeg’s funniest women are back on November 14th! We’ll be hosting our third annual Women’s Comedy Night Fundraiser at Club 200 featuring hilarious comics from all across Winnipeg. Join us for a night of fantastic comedy in support of life-changing theatre!

Get to know a few of the incredible comedians who will be featured this year:

Angie St. Mars

Angie St. Mars

Angie St. Mars is a Winnipeg-based comedian who has been accused of “lighting it all on fire!” with her tongue-in-cheek feminist-fueled wit. She has been featured multiple times at the Winnipeg Comedy Festival, ODDBLOCK Comedy Festival, the Winnipeg Comedy Showcase and Queer and Present Danger.

“I was raised to have a good sense of humour,” Angie says. “My mom, dad, and brother all value humour. If I was getting into trouble and I cracked a joke that was funny enough, I could break the tension. If I wanted to keep everyone awake, I just tried to keep them laughing. That’s how I got into comedy: not wanting to go to bed.”

 

Danielle

Danielle Kayahara

Danielle Kayahara fell in love with comedy after attending a workshop with a friend. She describes herself as a “full-time worrier and part-time joke teller.”  Fueled by equal parts anxiety and caffeine, she remains convinced that the former has nothing to do with the latte. Danielle has appeared in the Winnipeg Fringe Festival, the Winnipeg Comedy Showcase and the Winnipeg Comedy Festival and is excited to bring her unique blend of storytelling and silliness to the stage in support of Sarasvàti Productions. She describes her comedy as “a mix of storytelling and silliness.”

 

Dione

Dione C. Haynes

Dione C. Haynes is a product of the Caribbean+South America, now living on Treaty One Land. Dione is a writer, poet, and co-producer of WOKE Comedy Hour. Dione got into comedy as a place to “put all the extra emotional junk that didn’t quite fit in her poetry writing.”

“Microaggressions are much more suited to comedy,” Dione says. She describes her style as “acerbic – an appropriate response to inappropriate behaviours.”

 

Elissa

Elissa Kixen

Producing this year’s event is Elissa Black Wolf Kixen, who is also the co-founder and producer of WOKE Comedy Hour. Elissa Black Wolf Kixen is an Anishinaabe Two Spirit Comedian who’s roots lay in Couchiching First Nation, Ontario. They have travelled across Canada and the USA as a Comedian and improviser.

Why should folks come see this event? “In an industry dominated by straight, cis, white male comedians, we needed change, we needed diversity,” Elissa explains. “Womxn and those who go beyond the binary have experiences that are so relatable and unique and that’s what Winnipeg needs to inject life back into the comedy scene. We ARE that answer.”

 

You can see all of these amazing comics – and many more! – at Club 200 on November 14th. We’ll be hosting two performances: a 7PM show and a racier 9:30PM show. Last year we nearly sold out both shows, so don’t wait – get your tickets today!