Mulgrave Road Theatre brings harrowing Thompson play to FemFest

“Judith Thompson’s Watching Glory Die is a call to action and a cri de coeur.”
-THE CHRONICLE HERALD

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Watching Glory Die

In her recent play, Judith Thompson turns our attention to the flaws within the Canadian prison system. Inspired by the true story of New Brunswick teenager Ashley Smith who died while under suicide watch in an Ontario prison in 2007, Watching Glory Die is a deliberately fictionalized portrait of three women intertwined by systemic abandonment.

“Politically charged and some of Thompson’s best story-telling”
-HALIFAX BLOGGERS

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Emmy Alcorn

After a successful run in Halifax, Nova Scotia, Mulgrave Road Theatre has been touring this powerful production across the country. We are excited to welcome them to Winnipeg to deliver this incredible piece of theatre at FemFest 2017. Director Emmy Alcorn (Artistic Director of Mulgrave Road Theatre, Nova Scotia Established Artist Award) brings this powerful play to the stage with perfect balance. “I believe there is a way to lift everyone up in society. We live in an abundant world and must ensure that everyone is treated fairly, that they have food and shelter; that they are loved”, says Alcorn.

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Stephanie MacDonald

Award-winning actor Stephanie MacDonald brings these three women to life in a performance that is described in a review by the Chronicle Herald as “masterful, intense, deeply focused and totally convincing.”  In Watching Glory Die MacDonald plays all three characters: Glory, a fictionalized version of Ashley Smith; Rosellen, Glory’s mother and Gail, a guard at the prison where Glory is incarcerated. “It’s not just the precision between roles that is captivating, but how honestly and instantly MacDonald apparates from one woman’s deep emotional state to the next” –HALIFAX BLOGGERS

“Thompsons powerful writing skills are on display” – TORONTO STAR

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Watching Glory Die

The play does not shy away from the harrowing moments of this story. Chief among questions raised throughout the play is, “What would I do?” “The impossible is happening in our country,” Thompson said in an interview about Watching Glory Die with the Toronto Star. “The system destroyed Smith. And it happened where least expected.”

Judith Thompson is a multiple award-winning playwright and is highly regarded as one

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Watching Glory Die

of Canada’s most prolific playwrights. She is the author of such notable plays as The Crackwalker, White Biting Dog and Lion in the Streets. Her work is a staple of theatre programs in Universities across Canada. There are three chances to see Watching Glory Die at the Asper Centre for Theatre & Film: September 21 at 2:30pm and again at 9pm, September 22 at 7pm.

“Watching Glory Die shocks, clarifies and engages.” —Evan Andrew Mackay, Post City Toronto

Stay tuned for more FemFest news!
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Theatre that Transforms Us – 2016/17 Season Retrospective

Cotton candy cocktails, ghosts, riots, vans stuck in the snow, standing ovations, tears and a lot of laughter. It really is hard to believe that another season has gone by – our 17th one in Winnipeg to be exact! Just over a year ago, we launched a season themed on Transformation and it truly was life-changing.

Breaking Through
“They were commenting on how they thought they were the only ones feeling a certain way until seeing this play and being able to realize that they are not alone.” – Loveeza Arshad, Friends Housing

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The cast of Breaking Through takes a bow

Thanks to your support we enjoyed an incredibly successful run of the culmination of our Mental Health project. We hope the dialogue will continue outside the theatre for some time to come. We’ll keep you posted as we work towards publishing the play!

 

IWW 2017 Starting Over
“Engaging and inspiring, these powerful performances rooted in real experiences provided brilliant insight. In our case, the complex realities of both youthful and mature immigrant women were are the forefront. Exploring these themes is so vital, with increased cultural diversity and amid global striving for women’s rights. Women of all nations and cultures can relate to themes of place, space, marginalization, hope, potential…”– Pamela Hadder, Agape House-Eastman Crisis Centre

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A packed house at IWW2017: Starting Over

This year, we worked closely with newcomer women and girls and the results were some incredible pieces.  We were proud to provide a platform for women’s stories, to promote equity on Canadian stages and to provide access to the arts. A great big thank you goes out to Manitoba Status of Women and the Social Planning Council of Winnipeg. Without them, this Cabaret would not be possible. Special thanks to Neighborhoods Alive! and NERI for supporting our North End performances.

One Night Stand Series
“Amazing job, everyone! And for those involved in [my piece], thank you so much for helping me bring that world to life… Truly an inspirational night!” –  Marjorie Roden, featured playwright

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One Night Stand Fringe Frenzy! at Carol Shields Festival of new Works

With the help of producer Tatiana Carnevale and Prairie Theatre Exchange we re-launched the One Night Stand playreading Series. The Series gives playwrights the opportunity to test their work, while giving audiences a chance to take part in their development process.  Look out for the launch of One Night Stand next season at closing night of FemFest! We will be featuring readings from Judith Thompson and our most celebrated local playwrights.

 

Workshops for Emerging Artists
“So much good info!”
“Extremely beneficial”
“It was great! More workshops!” – Feedback from workshop participants

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Our Artistic Director Hope McIntyre facilitates at Auditioning 101

We served 85 emerging artists with our Emerging Artist workshop series this season.
We tackled some of our most-requested workshops this year with Grantwriting & Taxes for Artists, Auditioning 101 and Mock Auditions for Advanced Actors.  We thank our partners Winnipeg Arts Council, Manitoba Arts Council, ACI Manitoba, Royal Manitoba Theatre Centre, Theatre Projects Manitoba and Winnipeg Jewish Theatre for helping us support education opportunities for emerging artists. Plans for the 2017/18 Emerging Artists Workshop Series are already underway! Drop us a line if there is a workshop you’d like to see.

North End Workshop Series
“I wasn’t sure if I wanted to study theatre but now I’m sure!” – Sabil, youth participant

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Youth facilitator Erica Wilson offers direction as the youth participants work on their scene

We kicked-off 2017 with a focused series of theatre workshops for North End youth. Youth Coordinators Frances Koncan and Cherrel Holder alongside a series of guest artists, introduced theatre techniques and worked on scenes with youth. On February 22nd we celebrated with a showcase of the youth involved. We have already heard from multiple youth that they have decided to pursue theatre and we look forward to supporting them with mentorship in 2017/18.

 

 


Women’s Comedy Night Fundraiser

“Congratulations! What a great evening!!” – Brigit Krasovec
“Great turn out! Amazing show.” – Tim Gray

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Actions shots of some of the comedians at the Women’s Comedy Night Fundraiser

We took a leap and tried something brand new with our comedy fundraiser. We teamed up with Winnipeg’s hilarious women comedians to produce the Women’s Comedy Night. The event saw unprecedented success—selling out and packing the venue with an incredible mix of Sarasvàti supporters and comedy fans. We had a blast and you better believe we’ll be doing this again next year.

 

 


Shattered
High School Tour

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The cast of Shattered

“Things aren’t what they seem and we should never assume things about people. I learned a lot and I
could tell my fellow audience members also learned something new. I realized a lot more people in our
school had experience with mental illness than I thought.” -Student at Fort Richmond Collegiate

We broke pervious records by performing to 6,161 youth and educators in Manitoba. Shattered has received overwhelming praise from teachers and students alike. It was also transformative for the cast who were touched by the number of youth who approached them after performances to share their own struggles with mental health.


FemFest2016: Transformation

We were proud to present such provocative touring shows as Miss Understood, Mouthpiece, as well as clown favourites Morro & Jasp Do Puberty. The world premiere of the previous year’s Bake-Off winner Sherry MacDonald’s The Seduction Theory made a huge impact as audiences discussed the ways we continue to victim-blame.

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These are just a few of our highlights. What stood out for you? Save the date for August 4th at 7pm and stay tuned for exciting details about our 2017/18 season launch.

FemFest Celebrates 15 Years!

Our beloved festival in support of women playwrights turns 15 this year! We are celebrating with the theme Coming of Age and a line-up that will blow you away.

We are ecstatic to be bringing in one of the most highly regarded playwright’s in Canadian history, two-time Governor General award-winning playwright Judith Thompson!  Thompson will join us for Mulgrave Road Theatre’s production of her play Watching Glory Die,  a harrowing play based on the true story of Ashley Smith. She will also teach a playwriting master class (September 20, 21 and 22 from 3:30 p.m. to 6 p.m.) give a Real Thing lecture and be part of the Human Library ™.

Tomboy Survival Guide is a live stage experience that defies genre and gender boxes with fearless truth-telling and compassionate defiance. Ivan Coyote and an all-tomboy band take the audience on a musical journey navigating the narrow halls of public washrooms, skirting the childhood threat of being picked to be a flower girl, triumphing over tying a double Windsor knot, and discovering the beauty in being handsome, not pretty, all along. This is also our first time taking FemFest to the West End Cultural Centre!

We focus our in-house attention on producing Two Indians by Falen Johnson directed by Sonya Ballantyne. After years apart two cousins meet in a Toronto alley to recreate a ceremony from their childhood, but can they remember how? When the words missing and murdered, truth and reconciliation, occupation and resistance are everywhere, how do two Mohawk women stand their ground?

We’ll share a workshop preview of New Beginnings, a work in development created with the Winnipeg newcomer and refugee community.  Come and see a preview of this exciting culmination of story and dance from around the world.
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As a company dedicated to transforming society through theatre, we’ve witnessed the impact  that story-sharing can have on breaking down stereotypes and prejudices. This year we are thrilled to present a Human Library ™ as part of FemFest.  In partnership with the Millennium Library, Sarasvàti Productions has curated an incredible line up of Human Books that you can ‘take out’ for a one-of-a-kind learning experience.

Bake off 2016The beloved Bake-Off is back! This FemFest favourite challenges 5 local female playwrights to write a scene in 8-hours using three key top-secret ingredients. Scenes will be performed as part of the Festival on Sept. 18.
Winner of the FemFest 2016 Bake-Off, Jessy Ardern presents a reading of her play in progress, Kit and Joe.

WebFor ages 6 and up, Castlemoon Theatre presents Grounded Heroes. 10 year old Jess loves Lego, but her friends think it’s childish and weird. While researching a class assignment, Jess encounters three girls from history who were also a little bit weird for their time, and together they discover what it means to be true to yourself.

And you definitely won’t want to miss our closing night! This season, we brought our classic One Night Stand play reading series back with a vengeance. In honour of Winnipeg’s own celebrated female playwrights we’re curating a special One Night Stand dedicated to showcasing works in progress by some of these prolific writers who will be joined by Judith Thompson.

Workshops, readings and a dynamite Opening Cabaret will be a staple again this year. Get your passes now and celebrate 15 years of FemFest!

How It All Comes Together

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This week we welcome our Associate Director’s perspective on our unique approach to International Women’s Week. Rachel Smith is an actor, director, writer and acting coach. She has a MA in Theatre & Performance from the University of Manchester, UK and a BA Honours in Theatre & Film from the University of Winnipeg. Rachel has worked with Sarasvati many times and enjoys her continuing work with the company. 

The Cabaret of Monologues is an event that I look forward to every year. It is such an interesting and diverse array of artistic works that beautifully captures the year’s theme. This year the theme of “Starting Over” was particularly relatable for me, and for many audience members who I encountered. Starting Over can mean different things for different people. The variety of monologues featured in the cabaret was a wonderful representation of the different perspectives on that theme. I found that I could relate to most of the monologues in one way or another.

This was the fourth year that I have been the Associate Director on the cabaret. I was delighted and honoured that I was able to work on them again this year. It is an interesting project to work on because it is not rehearsed like a normal play is. Ten separate pieces are rehearsed once a week until the weekend before the full cabaret when it all comes together. Many of the actors do not even meet until the dress rehearsal. Each monologue is given the same rehearsal guidelines but the individual pieces are so different. It is great to work with the different actors and work with the unique challenges within the individual pieces. When working on them during the months of January and February, they feel almost like separate entities that do not relate to each other. When they all come together at the beginning of March it is amazing to see the full picture: the collage that is revealed.

Each monologue is powerful in its own way. I felt that the monologues developed with the newcomers to Canada were especially powerful. Some of them had heartbreaking stories yet were filled with joy and hope. When the monologues were presented as whole it became all the more powerful. Rachel Awur Moijok Chol was one of the women whose story was told during the performance. Her story was presented as a voice over recording of Rachel speaking while Sydney Macfarlane did a movement piece. At the matinee performance on March 11, Rachel sang an absolutely beautiful song after her story was presented. While she sang, Martha Akuch Maketh joined her on stage dancing with Sydney, while the rest of the cast joined the trio to prepare for the curtain call. The image of all those women dancing together on stage is one I do not think I will ever forget. It was so incredibly powerful to see them all up there, these amazing women portraying such important stories.

– Rachel Smith

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Eager to experience more transformative theatre? Join us for the world premiere of Breaking Through (May 23-28) an awe-inspiring new play about mental health.

All the World’s a Stage this International Women’s Week

Hot off the heels of an incredibly successful community tour, our performers are ready to showcase this year’s line up of monologues this Saturday at the International Women’s Week Cabaret of Monologues: Starting Over !  We are proud to provide a platform for women’s stories, to promote equity on Canadian stages and to provide access to the arts.

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We started off by taking the pieces that were created through community group story-sharing back to the groups of women who had helped us to create them. After well-received performances at Immigrant and Refugee Community Organization of Manitoba and Welcome Place, we set off to tour the wider community! Here are the great host groups, all amazing organizations worth checking out:

March 2 – Genesis House – Manitou, Manitoba
Genesis House exists so that people of South Central Manitoba will be free from family and intimate partner abuse achieving results that justify the relative worth. They provide a confidential service, which includes a shelter for abused women and their children, residential and non-residential programs and prevention through public education.

March 6 – UWSA Women Trans-Spectrum Centre
The Women-Trans Spectrum Centre is an accessible and inclusive resource centre for women and trans students on the University of Winnipeg campus. The centre is a great space to hang out, study, and build community.

March 7 – North End Women’s CentreNEWC IWW17 (2)
The North End Women’s Centre is a community based organization that provides women with support, knowledge, and opportunity as they move forward on their journey towards independence and healthier lifestyle.

 

March 7 – Nova House – Selkirk, Manitoba
Nova House is a shelter for abused women and children in the Interlake Region of Manitoba. They provide temporary shelter, counseling, support groups, and referral to community resources for women and their children.

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March 8 – North End Family Centre

The North End Family Centre is a community gathering place that provides a comfortable and safe environment for community members to connect and belong.

March 8 – U of M Womyn’s Centre
RRC IWW17 (1)The Womyn’s Centre provides a feminist voice and safe space for womyn on campus. The members strive to create a place where women are listened to and recognized, and facilitate women as they gather the information they need to make informed decisions in their lives.

March 8 – Rainbow Resource Centre
Rainbow Resource Centre provides support, education, and resources to foster a proud, resilient, and diverse LGBT2SQ+ community.

March 9 – Agape House – Steinbach, Manitoba
The mission of Agape House-Eastman Crisis Centre, Inc. is to empower women and children experiencing family violence by providing safe shelter, information, counseling, and ongoing support.

March 9 – Mount Carmel Clinic
Founded on the belief that everyone has the right to accessible health care, Mount Carmel Clinic goes the extra mile to help clients connect with the services they need—in their homes, workplaces and neighbourhood.

March 9 – St. John’s Library
In addition to offering the services of a public library, St. John’s Library offers an array of free programs and workshops for all ages.

March 10 – St. Aidan’s School, Aberdeen Campus
St. Aidan’s School Aberdeen Campus is a Grade 6-10 school, primarily focused on at-risk kids, and presently serving kids from about ten nations – Cree, Tanzania, Metis, Kaska, Canada, Eritrea, Congo, Ojibway, Ethiopia, Burundi.

March 10 – IIWR-MB
IIWR-MB is an organization open to all individuals, as well as organizations that have an interest in promoting women’s human rights.

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March 12 –The Association of United Ukrainian Canadians
The Association of United Ukrainian Canadians is a progressive Organization with strong and durable roots in the people and history of Canada.

March 19- Manitoba Storytelling Guild
The Manitoba Storytelling Guild supports and promotes the art of oral storytelling throughout Manitoba.

A great big thank you goes out to Manitoba Status of Women and the Social Planning Council of Winnipeg. Without them, this Cabaret would not be possible. Special thanks to Neighborhoods Alive! and NERI for supporting our North End performances.

Join us for a performance of the full line-up, and a lobby full of visual art on the theme of ‘Starting Over’ at the International Women’s Week Cabaret of Monologues, March 11, 2017.

 

 

Art Beyond the Stage

The artistic showcase is going beyond the stage at this year’s International Women’s Week Cabaret of Monologues with the help of our amazing Outreach Coordinator, Audrey Unger! A Masters student at the U of M, Audrey has been working with Sarasvàti Productions since September 2016 as part of her practicum in Peace and Conflict Studies.

“The theatre workshops done with several groups of women in November 2016 were a particular highlight”, said Audrey, who helped to organize these story-gathering workshops at a variety of organizations that serve immigrants and refugees. “Much joy and laughter was shared through interaction with theatre games and new friendships were formed by listening to each other’s stories.” Some of the pieces that will be performed on March 11th were developed directly from these workshops.

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Sarasvàti Outreach Coordinator Audrey Unger

Audrey has also been curating an incredible display of visual art in order to highlight this year’s Cabaret theme of “Starting Over”. The collection is made up of pieces in many mediums that have been created by Winnipeg-based artists including photography from the Eritrean Women’s Association and traditional outfits from Uganda and Iraq. Professional Artist Xavier Mutshipayi, originally from the Democratic Republic of Congo, will be present with his collection of paintings titled “Awakened Consciousness.”  Artist Briand-Nelson Mutima will also be present with a collection of his paintings. The lobby installation represents different moments from these artists’ experience as newcomers at various stages of life in Canada. “This is an opportunity for artists to showcase and discuss their work with the public audience”, said Audrey. “It has been a joy to connect with these new faces in the community.”

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Professional Artist Xavier Mutshipayi with his collection of paintings titled “Awakened Consciousness.”

There will be interactive opportunities as well! Many of the artists will be there to meet the public and chat about their work. Members of the Canadian Muslim Women’s Institute, who were part of our story-gathering workshops, will be set up in the lobby to share info about their call for donations of winter clothing, blankets, toiletries, and furniture to meet the needs of newly arrived refugees. There will be opportunity to purchase items from Sew Fair, a local fair trade company that employs newcomer women.

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Last but not least, check out our photo booth, where you and your friends can take a selfie with your own call to action. We’ll have #beboldforchange arm bands and signs as part of CUPE’s International Women’s Day 2017 campaign.

You can take part in our lobby installation at the Asper Centre for Theatre & Film before and after the performances on March 11th at 4pm and 8pm. Tickets are just $15 and available on-line or at the door. See you there!

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What Does Starting Over Mean to You?

Have you ever relocated, tackled a new job, new relationship or even just discovered your true self? This year we explore what is perhaps the most universal topic we have tackled in the International Women’s Week Cabaret of Monologues. Erin Meagan Schwartz asked all of our performers what this year’s theme means to them.

“New adventure! But that was my idea when I was eleven years old and I came to Canada”, says Cherrel Holder, “then doing it when I was 20–moving to Australia for school–starting over was scary.” Check out the promo video for all of our performers responses!

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Kim Kakegamic rehearsing “The Pit” in front of playwright Alissa Watson and Directors Hope McIntyre and Rachel Smith. Photo by Nik Rave.

Alka Kumar shared her story of starting over with Angie St. Mars. The two co-wrote one of the monologue sin this year’s cabaret based on Alka’s experience. “Sharing my story provided me space for reflection, even helping me process my experience in a deliberate and considered manner”, said Alka, including that it is a technique and useful tool within narrative therapy. “I found this useful as it was a good opportunity to go back to my `lived experience’ after the fact, almost separating it out of myself (externalising it, as it were) and through such a process of articulation becoming more aware of it.”
The piece created from their process is called Diaspora. It focuses on an Indian woman, once a newcomer herself, as she welcomes a young newcomer to Winnipeg.

The Cabaret features monologues that take you through ten different stories of pivotal moments in very different women’s lives. From the moment when an Ojibwe activist must choose to apologize or stand by what she believes in, to the moment a young Nigerian woman tells her first generation immigrant parents that she wants to go home: this year’s selections will have you on the edge of your seat from beginning to end.

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“I hope the audience [members] who share my experiencing of my everyday dilemmas, struggles, and negotiations with my many homes will get to know me a little”, said Alka. “Even more significantly, I hope the monologue and my voice will resonate, and that it may help in their personal processes and journeys of reflection, and exploration, as ideas and emotions around identity, belonging, and being comfortable being who we are wherever home is are important questions for everyone.”

There are two chances to catch all ten monologues on March 11th at the Asper Centre for Theatre and Film. Tickets are available at the door, but we recommend getting them in advance, as this event will sell out.