Unstoppable Women in Theatre

International Women’s Week Cabaret of Monologues: I Am Unstoppable is bursting at the seams with talented writers and creators. Though we’ve long-admired them, we are excited to be working with these artists for the very first time! Get to know them as we do the same in this week’s blog.

I Am Unstoppable created and performed by Joanna Hawkins

Joanna Hawkins is a proud Deaf woman who is strongly involved within the Deaf community. She’s an ambassador to hearing ( non – deaf ) individuals about deaf culture in order to break barriers between their worlds.

Joanna Hawkins headshot 2017Originally from Lodz, Poland, Joanna now resides right her in Winnipeg and we feel lucky to have her. She has a history of working with the Manitoba Cultural Society of the Deaf, as well as performing with 100 Decibels : A Deaf Mime Troupe.

“Being involved with the 100 Decibels troupe, our goal is to create a barrier free world between the Deaf and the hearing (non-deaf), “I Am Unstoppable” is a piece I have been thinking about for a while”, says Joanna.

“I have been rejected to enroll in performing arts at University of Manitoba just because of my deafness. They couldn’t imagine myself acting with a sign language interpreter on the stage. Years later, I landed on the stage as a 100 Decibels actress, including other performances, therefore no one has stopped me from becoming an actress. Having a hearing loss doesn’t mean you need to give up something.”

Saviour Self by Andrea Scott

Andrea Scott is a professional playwright and producer.
“I trained as an actor and still audition but have been transitioning to positions that will allow me to eventually rule the world”, says Andrea.

“‘Saviour Self’ is from a play I wrote called ‘All Most Be Longing’ about the role riots, rebellion, and rage played in forming Toronto starting with the Anti-Greek riots of 1918. the play was developed while I was in the Stratford Playwright Retreat & the Tarragon Workspace program in 2016.

Andrea Scott headshot 2017A friend told me story about how her brothers tried to protect her during the Yonge Street riots of 1992 by ordering her stay home. She chose, instead, to get a front row seat by walking down to the Eaton Centre to watch the chaos. It made me think of how young women are often perceived as invisible when uprisings happen when in reality they are in the thick of the action and, sometimes direct instigators.”

Andrea describes her connection to the piece:
“I grew up in a world where positive images of black females were scarce but my parents always expected me to work towards excellence. Nobody expected anything of me, encouraged my talent, or intelligence in school. In fact, I had a guidance teacher try to get me to drop down to basic levels in English from the advanced levels I was in during my 4 years of high-school. I was told not to bother auditioning for the school play because ‘there were no black roles’, and my favourite high school teacher was surprised to see me go to Graduate school because she always assumed I’d be a housewife (for some bizarre reason).”

“Every person of colour who was a teenager knows how it feels to be watched in a store. Well, what if the perceived greater danger existed outside the doors of the shop rather than inside and embodied by a black girl? And what if she used that small window of time to help herself in a way that escapes the awareness of so many people? ”

See these pieces and so many more created and performed by women on March 10th. Tickets are on sale now!

Stay tuned for features on the rest of our fabulous artists in upcoming blogs!

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Winter Workshops for Emerging Artists

How does an emerging theatre artist begin to get professional work? What can an emerging actor do to improve when they aren’t working? Is your piece translating the way you want it to?

These are the types of questions we address throughout our season of workshops for emerging theatre artists. Take a look at what we have to offer this winter and spring to see what speaks to you.

Coffee with a Pro

Mariam Bernstein at emerging Directors Coffee with a Pro

Coffee with Director, Mariam Bernstein

Our informal mentorship series returns with new mentoring Artists!

On Dec. 6th we launch into winter with Coffee with Ann Hodges. Esteemed theatre Director, Ann Hodges will meet with four emerging directors to talk shop over coffee. Emerging artists get to know a professional in their field to discuss professional directing in a relaxed atmosphere.

We will arrange three more Coffee with a Pro sessions this season. One for aspiring Artistic Directors and one for emerging Playwrights. We are open to suggestions for the third one, so let us know if there is a professional artist you’d like to talk shop with!

 

The Actor’s Voice with Tom Soares

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Tom Soares

In this workshop, you will be introduced to the basics of voice and text work for the stage.  You will learn how the voice works, what can go wrong and basic voice and text technique.  Participants will practice the basics of alignment, tension release, breath awareness and support, coming gently onto sound, projection (being heard), and work on clarity of thought through textual exercises.  Participants are encouraged to bring in a monologue of their choice to work on.  Monologues or a speech will be provided if participants don’t have one available.

Voice and Speech Coach and Theatre Educator, Tom Soares facilitates this workshop.
Sunday, Feb. 4th from 1-4 pm
Asper Centre for Theatre & Film
$20
Space is limited. Registration is open now!

 

Monologue Intensive

Hope McIntyre facilitates Auditioning 101

Auditioning 101 with Hope McIntyre

Monologue work is such a crucial component to getting work as a stage actor. This workshop will focus on honing your monologue. Stay tuned for more details on this spring intensive.

At Sarasvati Productions, we are dedicated to supporting the growth of emerging artists. If there is a workshop you’d like to see offered let us know! Contact Angie at associate@sarasvati.ca to inquire or to register.

 

Workshops Open Up the World of Theatre for Youth

Do you have an interest in acting but not sure how to get started? Do you want to learn about other aspects of theatre, like writing for the stage, and directing? Frances Koncan and Sarasvati Productions have put together a FREE theatre workshop series for youth age 16-24 in the North End.

“The purpose of the Sarasvati Youth Theatre Workshop Series is to find and develop the talent and ability of Indigenous and Newcomer Youth who are interested in the arts, especially acting, writing, and directing”, said Koncan. Frances has coordinated the workshop series, bringing local theatre artists on board to help teach and facilitate. The workshops will give priority to youth who are Indigenous, and youth who are newcomers living in the North End.

“These groups are under-represented in the landscape of Canadian theatre”, said Koncan, “these workshops exist to increase access for these youth to explore their interest in theatre and, if they so choose, lead to opportunities to continue their training and work professionally in the theatre industry!”

Youth who participate in the free workshop series will have the opportunity to:

-Meet professionals who work in the arts
-Learn theatre basics in performing, writing, and directing
-Practice and develop new skills
-Play games, enjoy snacks, and meet new people!

For those interested there will be a chance to take part in a continued series of workshops to develop your skills, and opportunities to work professionally with Sarasvàti in the future! So what are you waiting for?

Come to our FREE drop-in theatre workshop on January 11th 2017 from 4:00PM – 6:00PM at Art Kitchen, 508 Selkirk Avenue.

For more information or to register email Frances at frances@sarasvati.ca
A big thank you to funders NECRC and Neighbourhoods Alive!

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EXCITED ABOUT FEMFEST 2009?

Get ready, Sarasvati is working on the most powerful FemFest yet!