The Future of FemFest

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FemFest has come a long way in the past fifteen years! As our most recognizable contribution to Winnipeg’s theatre scene, FemFest has been inspiring, challenging, and transforming theatre since 2003. In that time we’ve grown from a small, grassroots festival to an eight-day showcase of female theatre artists from Winnipeg, Canada, and all over the world! We’ve nurtured countless emerging artists to help kickstart their careers, brought together artists from a wide range of disciplines for future collaborations, and amplified the voices of groups who are still underrepresented in Canadian theatre.

After so many years, we have to ask ourselves: “where do we go from here?” Where can we take FemFest that it hasn’t already gone – and where does it need to go? As part of our commitment to representing the Winnipeg theatre community, we aren’t just asking this question within our organization – we want to hear from members of the public as well!

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On April 11th, we hosted a community consultation as a way to open FemFest up to a wider audience, hearing from local groups about what they needed and wanted from FemFest. This offered us the amazing opportunity to introduce ourselves to new groups and hear about what the community needs from us in the future. For some groups, this was their first time hearing about the festival and allowed us the chance to invite new members into the FemFest fold!

 

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Cate Friesen

Facilitating this consultation was Cate Friesen. Cate is a story practitioner, trainer, and keynote presenter with twenty-five years of experience as an entrepreneur, award-winning CBC producer, documentary maker, and performer. In her work with The Story Source, she has appeared at SHEday 2018 as well as Fast Pitch 2018, teaching skills in development for organizations and telling stories of impact. In the past year she has delivered workshops and series for Canadian Mental Health Association, RCMP, QNET Manitoba, Canadian Centre for Economic Development Network and Women’s Enterprise Centre of Manitoba, and more.

The consultation isn’t complete, we want to hear from YOU – whether you’ve attended FemFest sometimes, always, or never! We’re seeking a wide range of input from related organizations as well as local artists, volunteers and patrons. Feel free to share the link with anyone you think might be interested – we want as many opinions as possible. Our goal is to start implementing smaller changes for FemFest 2018 and move on to larger updates in 2019.

Take part in our short survey and have your say in the future of FemFest. Deadline is Monday, April 30th!

 

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One Night Stand Series: Another World!

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We’ve brought the One Night Stand series back for another year! This time around, all the submissions take place in a world much like our own – but with a few twists thrown in (heaven-sent chili fries? An evil plot about Mike & Ike’s? The drowned remains of Portage Place? What’s going on here?)

This year’s readings will take place in a studio setting, keeping the focus on the scripts and letting the work speak for itself. All five pieces were directed by Daphne Finlayson and will be performed by an ensemble cast: Betty Asseiro, Kate Berg, Kai Chochinov, Kelsey Funk, Rowan Gannon, Cheryl Soluk, Logan Stefanson, and Ryland Thiessen!

We’ve got a great mix for this edition of experienced playwrights and emerging artists – get to know them below!

A Fine Line by Wren Brian

Wren started her diverse career in Whitehorse, Yukon where she was born and raised. A graduate from the University of Winnipeg’s Theatre & Film Honours Program, Wren is a playwright as well as an arts administrator, director, and producer. In her writing, Wren is dedicated to creating characters that can be played by actors of any gender, ancestry, and age. Recently her play Anomie won the 2017 Harry S. Rintoul Award for Best New Manitoban Play at the Winnipeg Fringe Festival, and her play Bystander was one of three plays shortlisted for the Playwrights’ Guild of Canada Emerging Playwright Award in 2015. For more information, visit wrenbrian.com.

520lb Breakfast by J.P. Button

J.P. is a young emerging playwright and director from Winnipeg, Manitoba. They have worked out of the Black Hole Theatre Company as well as completed their Bachelor of Arts in Theatre at the University of Manitoba. They continue to find inspiration from the immense talent of their friends and peers. They hope to continue to write, and also one day find Big Foot. They believe that Big Foot would be a fan of the arts.

The True Deeds of the Illuminati by Thomas Donnelly

This play came to Thomas within one of his many mind rambles. He is a student of the University of Manitoba and enjoys writing, film, theatre, music, drawing, and comic books. He was a part of the 2016-2017 U of M Film Production class as part of the camera crew and recently took part in the university’s 2017-2018 Backstage theatre class. He served as light operator for Pith! and stage manager for Here We Go, the final Lunch B.H.A.G.G. in the Black Hole Theatre Company’s 2017-2018 season. His writing includes many complete and incomplete works that he will get to… eventually; he has other stuff to do.

The Winter Hideout of the Wasp Queen by Larissa Hikel

Larissa is a freelance writer from Winnipeg, MB, who brings a native instinct to her writing, photography and acting. She explores the world from a personally complex place. High school dropout, drifter, used to shifting between identities as they serve her, she has the power to observe life from a wide range of vantage points which she brings to her art.

Here Together by Jonathan Mourant

Jonathan is a Winnipeg improviser, performer, and playwright. He performs regularly with his improv troupe Unexpected Results and serves as an executive and treasurer for the University of Winnipeg Improv and Common Crow Improv. Jonathan has written multiple plays and screenplays including the self-produced Here Together, first performed at the University of Winnipeg’s 2017 DIO Festival and now as part of the One Night Stand series!

Come take part in the future of Winnipeg theatre and hear what’s next from local, up-and-coming playwrights! The One Night Stand series returns Wednesday, April 25th at 7PM in Studio 2T05, Asper Centre for Theatre and Film (400 Colony Street). For more info, check out the event page!

 

 

New Faces and Newcomers

Through casting New Beginnings, we have had the amazing opportunity to meet and work with a whole new branch of emerging artists in Winnipeg! Representation is incredibly important – doing newcomer stories justice by doing our part to cast them as accurately as possible.

With this project, we’re introducing a number of new faces to the Sarasvàti Productions artistic team as well as welcoming back some familiar ones! Get to know this week’s featured New Beginnings artists below.

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Denisse Samaniego

Denisse Samaniego is currently a third-year Theatre and Education student at University of Winnipeg. She has been performing since she learned how to talk. This is her debut performance with Sarasvàti Productions as well as her first professional job as a performer. She is honored to be a part of such a wonderful and real piece and can’t wait for everyone to experience it.

Having come over from the Philippines at the age of three, Denisse can relate to her character Hazel’s story. “I’m an immigrant and my parents, like Hazel, started from nothing and worked hard to where they are now to provide a better life for me,” says Denisse. “I want to thank my parents for everything they have done because I literally wouldn’t be here in Canada doing what I love without them.”

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Reena Jolly

In addition to Hazel’s story, Denisse will also take part in depicting Ariana’s journey about a family of women escaping a dangerous situation to come to Canada. Also in Ariana’s story is Sarasvàti Productions veteran Reena Jolly. Reena is a fourth-year arts student at the University of Manitoba. She has been keeping herself very busy this year when it comes to theatre, having acted in two out of the three Black Hole Theatre Company mainstages: Nothing Sacred and Marat/Sade. Reena also appeared in our 2017 and 2018 IWW Cabaret of Monologues. Source material has been drawn from the monologue she performed in 2017, You Say Tomato, I Say Goodbye. It is the story of Irekanmi, a young high school student trying to balance assimilation into Canadian culture with her own heritage.

“I’m excited to bring the character of Irekanmi to life!” says Reena. “It’s so cool that they have transformed her into a complete, well-rounded character. Plus it’s an added perk that that some of the lines from the monologue are in the play, so I have fewer lines to memorize!”

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Bosun Amao

Joining Reena in her third piece for the show is Bosun Amao, performing a snapshot from his own life. Hailing from Nigeria, Bosun has over fifteen years of experience in financial advisory, operations and project management. Aside his professional experience, Bosun has served at different times as head of drama/theatre group as well as co-founder of a dance group between year 2002 and 2003 with four other friends. He has handled various theatre projects and also coordinated the production of a film.

For all our these incredible stories and more, you can catch New Beginnings running May 22nd – 27th at the Asper Centre for Theatre and Film (400 Colony St). Don’t miss out – get your tickets today!

“New Beginnings”: Meet the Artists!

We’re so excited to start introducing the artists behind our upcoming production, New Beginnings! This incredible collaboration features a team of over thirty people to bring to life stories of resettlement from all over the world. This production has given us the chance to work with newcomers of all backgrounds to share their experiences with Winnipeg audiences.

We had the privilege of sharing the story of Rachel Awur Moijok Chol as part of our 2017 IWW Cabaret of Monologues. Lost Girls focuses on the missing girls of the South Sudan, pairing Rachel’s voice with movement performed and choreographed by Sydney Macfarlane.

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Sydney Macfarlane

“I am really looking forward to the challenge of bringing someone’s story to life through movement,” says Sydney. “It forces me to dig deep into expressions and put me in the shoes of the person I am portraying. Some of these stories are just so empowering and it makes me feel really happy to help someone’s story be known and give a visual to their voice.”

Dance has always been a huge part of Sydney’s life, allowing her to connect more with music and herself. Sydney started dancing at the age of 5 taking tap and ballet before branching off to jazz, contemporary, lyrical, modern, acrobatics and hip-hop throughout the years. Recently she has been trying to learn more about Latin ballroom styles to grow her dance vocabulary.

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Olaolu Fayokun

Performing for the first time with Sarasvàti Productions is Olaolu Fayokun. Originally hailing from Nigeria, Olaolu (Lou) now resides in Winnipeg. Olaolu established a love for the dramatic arts in high school and has since taken up studies in law and theatrical arts at the University of Manitoba, playing a prominent role in the university’s Black Hole Theatre Company. Most recently he appeared in their 2017-2018 season as Gregor in George F. Walker’s Nothing Sacred.

“I’m excited about the way in which this piece gives the audience numerous perspectives on immigration – how it affects not only the present, but future generations,” says Olaolu. “I personally connect with the unique stories depicting the journey people took to carve a safe and promising future for themselves.”

 

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Jonathan Chipalata

Jonathan Chipalata is a current student at Gordon Bell High School, where he received a Best Actor Award in 2016. He’s been acting since the second grade, appearing in musical theatre and performing for big crowds.  Born in the DRC, Jonathan immigrated to Canada with his mother, father, and siblings from South Africa. As part of the production’s acting ensemble, both he and Olaolu will be portraying Kamta’s story, which focuses on two generations of newcomers at the most Canadian of workplaces: Tim Horton’s.

 

You can catch both of these powerful stories – and many more – at the world premiere of New Beginnings May 22-27. Stay tuned in the coming weeks as we feature more of the amazing artists involved in this production. For more info and to buy tickets, click here!