Staying Unstoppable Through Change

This week, we’re featuring three more artists from our upcoming International Women’s Week Cabaret of Monologues: I Am Unstoppable! Get to know them below:

Sweet an Nice – written by Althea Cunningham, performed by Lorraine James

Althea Cunningham headshot 2017

Althea Cunningham

Cunningham is of Jamaican descent and grew up in Edmonton, AB. She is a graduate of the Theatre Arts Program at MacEwan University and a seasoned performer with a background in acting, writing, music and producing.  In 2005, Cunningham founded her three-tier company Nappy Roots Productions, which focuses on positive stories for the black diaspora in the twenty-first century using writing, acting and music as the vehicle.

Her piece, Sweet an Nice, focuses on the story of her mother as a Jamaican immigrant coming to Canada in the 1970s. “Not only was it culture shock, but there were unexpected challenges she experienced up until the day of her death. My mother, being my most beloved parent, left behind a legacy that I feel needs exploring,” says Cunningham. “It’s a story that deals with intense, painful themes: immigration, discrimination, abuse, and codependency. Writing allows me to explore, heal and move forward from the past.”

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Lorraine James

Bringing Cunningham’s piece to the stage is long-time veteran of Sarasvàti, Lorraine James. James has most recently been seen in the 2017 FemFest Bake-Off, The Mousetrap for Christiefest, When God Comes for Breakfast You Don’t Burn the Toast, and The Appointment.

“I get to portray an experience seemingly outside of myself,” says James. “I’m gaining insight on what it must’ve been like for my parents to uproot their lives to come here, to realize that there are people out there who feel threatened by immigrants and yet have no idea about the real struggles.”

 

I Got 99 Problems, My Penis is Just One – created and performed by Cynthia Fortlage

Cynthia Fortlage headshot 2017

Cynthia Fortlage

Born in Belfast, Northern Ireland, Fortlage has worked as an internationally award-winning information technology executive for the past twenty-nine years with a privately owned Winnipeg company.  She is a board member with various organizations, including Rainbow Resource Center where she sits as President of the Board. Ms. Fortlage came to terms in 2016 with a forty-one-year denial of her true gender identity.

Fortlage created her piece to share some insight as a transgender woman and to share the message of acceptance without understanding. “Acceptance without understanding is a way to see how we interact with each other as human beings first before any gender, sexual preference, age, body shape, country of origin, political or religious beliefs, and so on.”

You can catch these amazing pieces – and many more! – on March 10th at the Asper Centre for Theatre and Film. Ticket information available here!
 

 

 

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Inspiring Collaboration

One of the most exciting aspects of producing International Women’s Week Cabaret of Monologues: I Am Unstoppable is seeing incredible artists work together – often for the very first time! This week we feature one of these brand new collaborations with the team behind Captain of My Ship along the pair of familiar collaborators behind, I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying.

Captain of My Ship playwright, Kathy France, saw the piece arise while working on a full-length play that explores female archetypes and how they resonate in contemporary women’s lives.

Kathy France headshot 2017

Kathy France

“Spoken word? Never wrote a piece before I wrote this one. Now it’s a thing I do”, says France. “I was a director first, then grew the courage to act, then took on producing in foreign countries so I could get myself on stage, then grew the courage to write.”

Originally from Winnipeg, France lived abroad in Syria, Thailand, Nepal, Yugoslavia, Croatia and Trinidad before settling down in the tiny, rural town of Wolfville, NS.

France’s piece is a coming-of-age story. “It’s about the journey all girls travel, whether they know it or not”, says France. “All young women grow up to be women, and somewhere along the way they grow to understand what “woman” means, in society, in themselves. Certainly, at the time of my own sexual awakening, I didn’t know that “woman” was a social construct that would probably never serve my best interests.”

Sarasvàti Productions couples France’s piece with a talented troupe of local performers.

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Ady Kay

“I feel connected to the messages I get from this piece about the confines and restrictions of gender norms. I feel connected to the way the words rhyme and work together to create imagery,” says performer Ady Kay. Together with collaborators Emily Solstice and Victoria Hill, Kay is devising a physical rendition of Captain of My Ship.

Kay is a performer, dancer, clown and poet, just to name a few.  “I am excited about this piece”, says Kay. “Not only does it speak to a matter that I care about very much, it also is beautifully described through poetry. And with poetry, so much is possible as a physical performer.”

A.b. Norris is the Winnipeg-based film maker and playwright behind I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying.

A.b. Norris headshot 2017

A.b. Norris

“The original concept came to me after I’d taken some pictures and decided to turn them into a short silent film”, says Norris, “but I wanted to articulate some of what I’m trying to express in a different way.”

Enter Monika Thurn und Taxis.

“The theme of the eclipse and the symbology is a very close theme to my personal life”, says Thurn und Taxis, who is a performer and photographer.  The two have worked together on theatre projects before.

“The challenges I articulate in this piece are ones with which I contend”, says Norris. “Something unique is required to work against internal conflicts versus external forces. It’s a different kind of persistence that challenges the barriers we put up ourselves, or the cycles we perpetuate and in which we can become caught.”

Monika Thurn und Taxis headshot_2017

Monika Thurn und Taxis

“I believe deeply in the reflection of our nature in the sky. An eclipse is an important moment that asks us to be present with the darkness around us and shine our inner light”, says Thurn und Taxis. “This symbology, paired with the want and need to love and be loved and not giving up on finding our true love in either a person, a career or any other form that might be important to us—it’s very powerful.”

We look forward to presenting these inspiring collaborations on March 10th at the Asper Centre for Theatre and Film. Details and tickets here.

 

Sarasvàti’s Top 6: ‘What Has Us Excited About 2018’

We have big plans for 2018! Check out the top 6 things that have us starting off the year full of enthusiasm!

6) We are excited to be working with Arts AccessAbility Network Manitoba to provide ASL interpreters at the International Women’s Week Cabaret of Monologues for the very first time! Living through riots, learning to teach yoga as a senior, accepting your true self and conquering all odds – see these stories of unstoppable women March 10th. ASL interpretation will be provided for both the 4pm and 8pm performance. Celebrate International Women’s Week with us!

The cast of IWW2017

The cast of IWW17.

5) We are eager to premiere the full production of a project we’ve been working on for two years – New Beginnings. Witness the coming together of a diverse range of artists, community members, recent newcomers and established immigrants. Through the use of dance, music, visual art and storytelling we will come together to explore the themes of displacement and resettlement. This unique production will also run in the same space as One Trunk Theatre’s new show Boundary Avenue. There will be special opportunities to see both productions. Visit our website to get your tickets!

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4) We are so pleased to be going into 2018 with full-time admin support thanks to the capacity-building funding we received from The Winnipeg Foundation! This support will enable us to reach our full potential. You can bet we’ll be taking things to new heights!

3) We can’t wait to launch our second year of theatre workshops with the youth at Children of the Earth School. Last year, we piloted a series of theatre workshops at COTE  – a school that would not otherwise offer a theatre program. The results were incredible. This year we’ll return to offer regular theatre programming with facilitators Marsha Knight and Josh Ranville plus a roster of amazing guest artists.


2) It’s only January and we are already hard at work planning FemFest2018 – Staging Resistance. Provocative plays, brand new workshops and artists with incredible vision, we have a lot in store! Stay tuned for details on our 16th annual festival.

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1) We feel very enthusiastic to be working towards our 2018 goals with the support of an amazing staff, Board, volunteers and audience base. Most of all, we look forward to sharing a transformational year with all of you. Happy New Year!

Staff and Board December 2017

Many of our staff and Board members at a December meeting

For on-the-pulse news on our 2018 productions and workshops visit sarasvati.ca or sign-up for our mailing list!

 

What it means to be Unstoppable

Living through riots, learning to teach yoga as a senior, accepting your true self and conquering all odds. This year we celebrate International Women’s Week with a Cabaret of Monologues and performance art that shines a spotlight on the the many ways in which women are unstoppable. Join us in the theatre on March 10th to see the full line-up.  We are thrilled to announce that we will be providing ASL interpreters at the performance.

If you are part of a community group looking for a way to celebrate, book a selection of pieces to host!

We are thrilled to announce this year’s incredible line-up!

Saviour Self by Andrea Scott
Performed by Reena Jolly
Where were you in 1992 when Yonge Street exploded in riots? Josephine Benedict was a swaggering teenager looking to take care of herself, one tampon at a time.

Flight 182 created and performed by Anjali Sandhu
Where are you from? The Jungle Book, 20th century supermodels, ignorant politicians…nothing will stop Rani from being accepted as Canadian.

I Got 99 Problems, My Penis is Just One created and performed by Cynthia Fortlage
One transgender woman’s exploration of her journey to womanhood. This piece delves deep into Learning to be a Feminist, Loss of Privilege, and the Subtleties of Sisterhood.

I Am Unstoppable created and performed by Joanna Hawkins
Can you remember a time when nothing stood in your way? The innocence of childhood can make you feel unstoppable, but how do we persevere after the barriers and discrimination in the dominant world are fully perceived? Deaf artist, Joanna Hawkins explores this through mime.

Captain of My Ship by Kathy France
Performed by Ady Kay in collaboration with Victoria Hill and Emily Solstice
A woman recounts her coming of age story, reliving the confusion and fear that define a young woman’s entry into sexual awareness.

I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying by A.b. Norris
Performed by Monica Thurn und Taxis
Using images captured during a lunar eclipse, this audio-visual media and collaborative performance piece explores (dis)connection between the persistent need to love/be loved and actually being good at either.

I Am a Warrior by Sue Higgs
Cathy signs up for a course. Nothing unusual about that, except for the fact that Cathy is in her late 60’s in a class full of twenty-something’s.

Sweet An Nice by Althea Cunningham
Performed by Lorraine James
Pregnant with a child, Jamaican immigrant Celestine seeks a better life in a new country. After getting a family to sponsor her, she moves thousands of miles across several oceans to discover it’s far from what she imagined it to be.

ObScene created and performed by Kristy Janvier
By holding onto our beliefs or judgements, how can we create connection? A performance art piece that explores healthy sensuality as a means of release.

Perfect Pie by Judith Thompson
Performed by Anna Binder
When prompted by a long-estranged friend, Patsy explains what it’s like to have an epileptic seizure. From master playwright Judith Thompson’s ground-breaking play about how you cannot escape where you come from.

Stay tuned in the coming weeks as we get to know the artists involved!

Launching IWW18

How do you pull together 10 performers, doing 10 pieces and touring to upwards of 15 locations? With a lot of help. For five years now Rachel Smith has been an integral part of the International Women’s Week Cabaret of Monologues. Rachel is part of choosing the theme, making monologue selections and directing pieces to be performed at the theatre and throughout the community. As we begin to choose our selections for IWW2018, we caught up with Rachel to talk about what she’s looking forward to about the project this year.

What does the IWW Cabaret of Monologues mean to you?

I have been fortunate enough to grow as a director throughout my time working on the cabaret. When I first joined the artistic team I had just graduated with my MA so I was eager to get more practical experience under my belt. Working on this event gave me the opportunity to have Hope McIntyre as a mentor and I feel this has strongly contributed to my growth as an artist.

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Rachel Smith

Working on monologues is challenging in many ways. The playwrights have to write an active and engaging performance for only one person. The actors have no other actors on stage to feed off of and sometimes have to react to an imaginary character. As a director we have to help the actors figure out how to bring the monologues to life; ensuring the performance is active and engaging.

Each monologue that I have worked on has presented its own unique challenges artistically and each actor is different to work with. Every time I have worked on the monologues I take something new away from them. The practical experiences I gain are matched by the expansive understanding that the different stories present.

What does this year’s theme ‘Unstoppable’ mean to you?

Each year the theme we choose offers new stories and new perspectives. The perspectives that are represented in the monologues are not often seen on stage elsewhere. The topics challenge the audiences and offer new ways of thinking about the themes we present. Working as a director on these stories ensures that my own biases are constantly being challenged. I hope that it does the same for audiences.

I think that the theme “unstoppable” is important because it can be inspirational. Everyone faces challenges at some point in their lives. For some people just getting out of bed in the morning can be a challenge. Sometimes the circumstances we find ourselves in can seem hopeless. Sometimes we need other people’s stories about how they are able to push through and keep going, in order to feel as though we can do the same.

What have some of the highlights been for you?

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Jane Burpee in Dave Carley’s “Urban Nun”

My favourite monologue that I have worked on has been the, somewhat crude, smoking Nun played by Jane Burpee. It was such a great monologue and I had so much fun working on it.

That being said, every year the monologues and rehearsals are so great that it is hard to narrow down the highlights. For me, working on the Cabaret, in general, is a highlight.

Why celebrate IWW with the Cabaret of Monologues?

The Cabaret of Monologues is a unique event where we are able to confront important societal issues while getting the chance to showcase talent from Canadian Women. We often get a range of work from all over Canada from women writers of various backgrounds. With the added bonus of being able to work with local, often up and coming, artists. It is a chance to have powerful stories portrayed by powerful women on stage.

One of my favourite aspects of the Cabaret of Monologues is that the monologues tour to different community organizations. This provides opportunities to bring the performances to people who may not be able to attend the full public event. Many organizations use the monologues as an opportunity to talk about circumstances that members of their communities may be confronting. It also provides opportunities for the performers to meet members of the community. This gives the event a more personalized atmosphere.

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Johanna Burdon performing at St. John’s Library

Stay tuned for the announcement of this year’s pieces in an upcoming blog! You can catch the 2018 International Women’s Week Cabaret of Monologues March 10 at 4pm and 8pm at the Asper Centre for Theatre and Film. Tickets are on sale now.  Those interested in booking monologues to tour to their community can contact Angie at associate@sarasvati.ca .

 

8 Days of Stellar Theatre

Let the countdown begin! Just two days until we take over the Asper Centre for Theatre and Film and some other spaces to showcase the best in Canadian theatre by women for everyone. You bet we are beyond excited for FemFest 2017: Coming of Age.

This year’s festival is jam-packed with stuff you won’t find anywhere else. Our 15th annual festival is guaranteed to leave a lasting impact on you.  Here’s the festival breakdown to help you plan your FemFest-filled week!

Ivan Coyote Reading
SEPT 16 • 4 PM

FemFest brings you the opportunity to meet & greet this multiple award-winning writer and LGBTQ advocate. This event is free and catered by Elements Restaurant—need we say more?

Opening Cabaret and Reception
SEPT 16 • 7 PM

Our beloved annual variety show is back! The cabaret includes pizza from Garbonzo’s U of Winnipeg AnX and wine courtesy of The Winehouse. You won’t want to miss this!

Tomboy Survival Guide
SEPT 17 • 8 PM at the West End Cultural Centre

Part anthem, part campfire story, and part instructions for the dismantling of the gender stories we tell ourselves and each other.  Prepare to dance and shout!

Bake-Off
SEPT 18 • 7PM

FemFest-favourite returns to stage five new scenes written by playwright’s under-the-wire.

Kit and Joe
by Jessy Ardern
SEPT 18 • 9 PM

Bake-Off winner Jessy Ardern left us on a cliff-hanger with her scene last year. Now it’s time to find out what really happened between Kit and Joe all those years ago.

Grounded Heroes
by Castlemoon Theatre
SEPT 19 • 7 PM

Bring your children, grandchildren, nieces and nephews to this reading of a new play for ages 6 and up!

Two Indians
by Falen Johnson

SEPT 19 • 9 PM,  SEPT 20 • 9 PM,  SEPT 21 • 7 PM,  SEPT 22 • 9 PM

When the words missing and murdered, truth and reconciliation, occupation and resistance are everywhere, how do two Mohawk women stand their ground?

New Beginnings
SEPT 20 • 7 PM, SEPT 23 • 4 PM

Join us for the launch of Sarasvàti Productions’ next community-based project featuring speaker Ali Saeed.

Watching Glory Die
by Judith Thompson
Produced by Mulgrave Road Theatre
SEPT 21 • 2:30 PM,  SEPT 21• 9 PM,  SEPT 22 • 7 PM

Inspired by the true story of New Brunswick teen Ashley Smith,   this one-woman show is must-see theatre!

Human Library™
In partnership with the Winnipeg Public Library (at the Millennium Library)
SEPT 21 • 4 PM – 8 PM,  SEPT 22 • 1 PM – 4 PM,  SEPT  23 • 1 PM – 4 PM

Real people are on loan to readers for discussion. Difficult questions are expected, appreciated and answered.

One Night Stand and a toast to 15 years!
Coordinated by Tatiana Carnevale
SEPT 23 • 7 PM

This city is home to female playwrights who challenge us, question us, inspire us and make us laugh. Check out their newest work in development along with a reading by guest playwright Judith Thompson. Made possible with the support of the Playwrights’ Guild of Canada and the Canada Councils’ PlayConnect program.

Tickets are selling fast! Get yours in advance.

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Spring into FemFest 2017 with a daring Cabaret

We absolutely love launching into FemFest with a dazzling Cabaret showcase of some of the most talented entertainers this city has to offer. The Cabaret has it all: everything from music, dance, comedy, theatre, film and a party to follow! Come and celebrate the launch of our 15th annual FemFest with us and enjoy this unstoppable line up of entertainment.

Cabaret BUNNY Now

BUNNY

Arguably Winnipeg’s best all-female-90’s-R&B-comedy-ukulele-duo, Bunny members B-Rabbit and HunnyBunny’s charming and unapologetic attitude will take you by surprise. This is the perfect duo to host the opening Cabaret, singing about everything from Instagram to networking to unsatisfying sex, this disarming pair doesn’t shy away from taboo subjects and real-life problems.

Opening Cabaret

Prairie Caravan Tribal Bellydancers

The awe-inspiring Prairie Caravan Tribal Bellydancers are back to entertain at another Cabaret! “Our women are a gorgeous mix of sizes, ages, and certainly personalities, but that is the beauty of Tribal”, says the troupe. “We are proud to say our troupe represents FIVE decades of age ranges among our ladies, proving that age is only a state of mind.”

Cabaret ChimwemweUndi - FemFest 2

Chimwemwe Undi

Chimwemwe Undi is a local poet and linguist, who has performed across Canada and the UK, and has been published widely. We’ve been hoping Chim would be in town for the Cabaret for a couple years now and we are so excited to have finally have her here to perform for all of you!

Phenomenal talents RobYn Slade and Jane Testar of Outside Joke take you on the wildly fun, unpredictable ride that is 50/50 Improv-Theatre Fusion. Actors have learned their half of the scene while talented improvisers go in blind. Audiences watch as each unlikely pair creates non-stop entertainment that will never be seen again.

Cabaret 5050 RobYn Slade Jane Testar

RobYn Slade and Jane Testar

Cabaret Logan Jax

Logan Jax

Logan Jax is a Cabaret past fave! Born on the day of Elvis, Logan took his first steps back in May 2015. Now, Logan is exploring his new voice and the world around him as his authentic self. Logan is writing, but not by way of music. Logan is writing policy that would protect transgender inmates from discrimination and violence in Manitoba prisons. While Logan isn’t busy smashing the patriarchy, he’s cuddling with his beautiful daughter who lights his life.

 

Cabaret Dianna Rasing Now

“I am a Sign Language Interpreter (by day) and have not done enough Stand Up to even call myself a stand-up comedian!”, says Dianna Rasing. But the audiences who saw Rasing’s breakout stand up set at Sick & Twisted’s Lame Is… a disability cabaret would say otherwise! Although brand new to stand up, Dianna’s sense of humour shines strong. You might also recognize her from the 2016 Winnipeg Fringe Festival where she wrote & performed Seducing Father Brian.

 

Cabaret CharleneMoore-Now

Charlene Moore

Charlene Moore is the director and producer of Moccasin Stories as well as a masters student of the Indigenous Governance program at the University of Winnipeg . “Moccasin Stories is my way of educating Manitoba on the reason for loss of this skillful craft”, says Moore, “[of] how this skill is coming back, and how resourceful, skillful, strong, and powerful Indigenous women are.” We are thrilled to give you a sneak peek of this awesome new film.

Ady Kay, Emily Solstice and Victoria Emilie Hill combine forces to perform Green.  Ady and Victoria are recent graduates of the Honours Acting Program at the U of W, and have continued to work together on projects such as The Patriarchy, their two-woman Acapella band.  Emily Solstice is a dancer in the School of Contemporary Dancers Senior Professional Program and has worked as a choreographer and performer in Winnipeg and across Canada.   They aspire to create meaningful movement based work and collaborate with other artists working in various mediums.

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Cabaret Connie Chappel-Now

Connie Chappel

Visual art joins our Cabaret thanks to MAWA. Connie Chappel’s piece Away from the Dark is a mixed media assemblage sculpture composed of familiar forms that reference the natural landscape and investigate life cycles through connections of fragments that transform from one material, structure or state to another.  Away from the Dark will be displayed in the theatre all evening.

Mindy and Marge are worldly travellers! The nomadic duo has done so much travelling that they feel it is their duty to pass on their wisdom to others. You may have already received expert travel advice from them if you saw Tourology: A Mindy and Marge Adventure as part of the Winnipeg and Edmonton Fringe Festivals in 2015, or Iceology: A Mindy and Marge Adventure as part of One Trunk Theatre’s Dollhouse of Commons last winter. Now enjoy Worldly Rituals: A Mindy and Marge Presentation at the Cabaret!

Stick around and mingle over pizza generously supplied by Garbonzo’s at the U of W AnX and wine from The Winehouse at our reception party after the show. We can’t wait to launch FemFest 2017 with you!