Meet the New Batch of Bake-Off Playwrights!

We’re bringing back an audience favourite at FemFest: our annual Bake-Off! Each year, we challenge five fearless playwrights to cook up a scene using the secret ingredients of our choosing – in just eight hours. From there, the scenes are rehearsed with our fabulous team of actors, directed by coordinator Cairn Moore, and put to the test with an audience vote for the winner! The winning playwright will then get the chance to have their scene turned into a one-act play which will have a reading at FemFest 2019. This year’s mandatory ingredients included a drone, children’s laughter, and the Nellie McClung quote “democracy for women”.

Get to know the new batch of incredible writers behind this year’s Bake-Off!

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Ntara Curry

Ntara Curry is a multi-disciplinary artist, working primarily in professional theatre as a stage hand, stage manager, and actor.  She is delighted to also be bringing her skills as dancer and writer to FemFest 2018.  You can also catch Ntara in our co-production of The Game with Manohar Performing Arts of Canada!

 

 

 

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Jo MacDonald

After winning last year’s Bake-Off with OUR HOME & native land, Jo MacDonald is back to defend her title! Jo is Anishinaabe, a mom, theatre fan, writer, and an educator. She gave up dreams of super-villainy as it wasn’t as lucrative as depicted at the job fairs (false advertising… but then again what can you expect from an evil genius job pitch). She received her BA and B.Ed. from the University of Winnipeg.  You can catch a reading of last year’s winning Bake-Off script September 15th and also get a glimpse of Jo’s latest work at our One Night Stand series on September 22nd!

 

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Allison Stier

New to the Bake-Off is Allison Stier. Allison is a fledgling playwright who prefers the eating of baked goods rather than the mixing and kneading and baking. Born and raised in Winnipeg, Manitoba, she has loved putting words into delicious arrangements for the greater part of her existence. She is quite thankful that the ingredients for this Bake-Off are of the word variety, which in most cases, don’t result in a sink full of dirty dishes.

 

 

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Alissa Watson

As a Winnipeg born actress, educator, and now writer, Alissa Watson has studied theatre at The Guildhall School of Music and Drama in London, England, the Manitoulin Conservatory for Creation and Performance, and is an alumna of the Professional Training Ensemble (PTE@PTE). Alissa is a member of the sweet and cheeky Fu Fu Chi Chi Choir, the all-female Bouffon ensemble The Talentless Lumps, and co-founder of The Red Nose Diaries.

 

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Pamela Wolk

Last up is Pamela Wolk. Pamela completed a BA Honours in Theatre Studies from the University of Regina with stars in her eyes of life on the stage. Funny how plans change.  She was swept off her feet by a military man and followed him from posting to posting.  Twenty years later she is back on the theatre scene, most recently acting in Jo MacDonald’s Fringe comedy Mother’s Little Secret.

 

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Cairn Moore

Returning as director for her third year in a row is Cairn Moore. Cairn is a director and playwright and teaches first year performance at the University of Winnipeg. Her award winning play SHIKSA premiered with Winnipeg Jewish Theatre in 2016. Breaking Through, co-written with Hope McIntyre, premiered in May 2017 with Sarasvàti Productions. With the generous support of the Manitoba Arts Council, Cairn is currently re-writing her first play HABsolute Perfection. Catch a sneak peak at the One Night Stand series!

 

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Bringing the scenes to life are local performers Grant Burr, Jane Burpee, Karam Daoud, Simba Meng, and Taesia Scratch. Come see the results of an eight-hour playwriting pressure cooker Monday, September 17th at 7PM at the Asper Centre for Theatre and Film (400 Colony St at the U of W). Get your tickets today and vote to select the winner!

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Learn from the Pros at FemFest 2018!

Ever sit in the theatre and wonder how the show was created? How the artist chose the topic? What training did they do to get to where they are? We have such an incredible line-up in store for this year’s FemFest 2018: Staging Resistance – now you can learn the process behind these powerful productions! In addition to taking in phenomenal performances, there will also be plenty of opportunities to hear from and interact with the amazing artists in this year’s festival.

screen-shot-2017-01-01-at-16-46-23.pngThese sessions are so popular that one is already full! On Sunday, September 16th, we’ll be hosting our Devising from the Real World workshop with Burnt performer Norah Paton. Burnt was created using a “devised theatre” process, taking interviews from Burning Man participants and forming the collection of stories into a play. Paton’s style in particular focuses on the real world, hinging on documentary theatre. Using this approach, participants will learn ways to create work by drawing inspiration from their own personal, social, and political worlds. Space is currently sold out – contact Daphne at associate@sarasvati.ca to be put on the waitlist!

2016_TPM 2016-17 - SOTB - web.PNGYou can also hear from Sound of the Beast powerhouse Donna-Michelle St. Bernard at her Real Thing Lecture presented in partnership with the University of Winnipeg Department of Theatre and Film. This lecture series focuses on that big question every young artist is dying to answer: how can I find my start in the real world? Donna-Michelle St. Bernard, a.k.a. “Belladonna the Blest”, will talk about her career as an emcee, playwright, and agitator using her experience in the “real world” of theatre and film. You can hear from her September 19th at 12:30PM at the U of W. Or if you are the type who loves to discuss a performance afterwards, come see the show on September 20th at 1pm and stick around after for a talkback with the artist.

White Man's Indian.jpgThere is also a chance to discuss the powerful play White Man’s Indian with both the writer/performer Darla Contois as well as a panel of community members who have experience with the content. White Man’s Indian follows the story of Eva, a Cree teenage girl, and her journey through the maze of a White Man’s high school. It is a hilarious quest for identity and spirituality. While the story by Contois sheds light on the harsh reality of growing up as an Indigenous girl in a white space, many themes of identity, discrimination and bullying are explored. The play encourages dialogue about the effects the systems have on Indigenous communities, specifically youth. Join the panel discussion after the 7PM performance on September 18th to discuss the complex issues tackled by the play.

One Night Stand Poster April 11That’s not all – we’re also bringing back our One Night Stand series to FemFest! This series gives playwrights the opportunity to test their work, while providing audiences a chance to take part in the developmental process. You can hear from some of our most celebrated playwrights and get a sneak peek at their latest projects. After curating our events at FemFest 2017 and the 2018 Carol Shields Festival at Prairie Theatre Exchange, host Tatiana Carnevale will show off what’s new from playwrights Leigh-Anne Kehler, Frances Koncan, Jo MacDonald, Cairn Moore, and Donna-Michelle St. Bernard. Our talented readers for this year’s series include Melanee Deschambeault, Katie German, Kimberly Kakegamic, Glenn Odero, Matthew Paris-Irvine, and Erica Wilson.

With so much to take in, you won’t want to miss a thing! Check out our full FemFest schedule for a list of all the incredible events you can check out at this year’s festival, running September 15-22.

 

OUR HOME & native land: wit and sarcasm thicker than the Indian Act

Who knew that an educational play about the history of the Treaties and how the Canadian government has violated them could be so…funny? And who could write such a play? Jo MacDonald could. And she won last year’s Bake-Off with it!

In case you’re not familiar with it, the Bake-Off is an annual event in FemFest. Playwrights are given just eight hours to “bake” up a scene with three specific “ingredients” (actions or lines) so that they can’t write ahead. The audience is then invited to a reading of these fresh ideas and they get to decide which one has the most potential for a complete play. The winning playwright receives dramaturgical guidance so that they can finish the play and have it read at the following FemFest.

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OUR HOME & native land is about two friends, Niibin and Cheryl, who are leading a workshop called “Understanding the Treaties”. They have their work cut out for them when the self-absorbed Stephanie and the mansplaining George walk in. Neither Stephanie nor George is aware of their privilege, their biases, or their ignorance. When Mrs. Bruneau, warm, friendly, and given to storytelling, comes in, it becomes clear that she does not need the workshop so much as it needs her. She helps Niibin and Cheryl win their reluctant guests over, but you’ll have to come and find out how. The only spoilers that we can give you are that it’s outrageously funny and will make you curious (and angry) about the history of the treaties and how our government has violated them.

In OUR HOME & native land, Jo MacDonald proves herself to be a sharply witty and engaging writer. Recently, her play Mother’s Little Secret was performed to packed houses at the Fringe Festival, directed by our wonderful Indigenous Outreach Coordinator, Marsha Knight. Her play Neechie-Itas was a runner-up in the Native American New Play Festival in Oklahama City. Jo was a big hit at last year’s FemFest and she will be again this year. In fact, her work was also selected to be featured in the FemFest One Night Stand as part of the festival closing night.

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Don’t miss this brand-new play—there will be just one reading at 1:00 pm on Saturday, September 15 at the Asper Centre for Theatre and Film. You can get your tickets here!

One Night Stand Series: Fringe and Fancy-Free!

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The One Night Stand series is back for its final installment of the season: the Carol Shields Festival of New Works, hosted by Prairie Theatre Exchange! This time around, we’ll be showcasing eight works-in-progress in preparation for the 2018 Winnipeg Fringe Festival! For a sneak peek of what’s to come at this year’s Fringe, check out what’s new from local theatre companies:
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One Date City presented by It’s All Relative Productions

Written by Reba Terlson and co-created by Craig Terlson
Directed by Kaeleigh Ayre

Cast: Reba Terlson, Rachel Hiebert, Drew Jensen

Venue: Playhouse Studio

Best friends Morgan and Julie have awful luck with dating. Julie just got out of a relationship and forgets how to date, and Morgan can’t remember the last time she had a worthwhile date. They place a high-stakes bet to see who can go on one great date. They experience catfishing, ghosting, and cushioning as they manoeuvre the dating world.


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presented by Broken Record Productions

Written by Jo MacDonald
Cast: Judy Arnason, Shirley Godfrey, Beverley Grace, Cheryl Soluk

Venue: School of Contemporary Dancers
After her latest accident, two daughters conspire to move their mother into a retirement facility. But Casa Espia is no ordinary senior’s home.

 

Animosity fringe program_v3.5Animosity presented by Downside Up Productions

Written by Wren Brian

Directed by Ntara Curry & Sami Desiree

Cast: Melissa Langdon & Sophie Smith-Dostmohamed

Venue: Forth

Two people. Trapped in an abyss. Refusing to get along. In this absurdist/existentialist play two people struggle with feelings of fear, disconnection, and anger at each other, the space, and themselves. With no memory of who they are or who they are to each other, they have to confront how and why people come to hate each other, as well as how to move forward. This is a companion piece to last year’s Anomie (winner of the Harry Rintoul Award for Best New Manitoban Play at the 2017 Winnipeg Fringe).

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Alex Colville and I presented by Gearshifting Performance Works
Created and performed by Jolene Bailie

Sound: Susan Chafe

Venue: MTC Tom Hendry Warehouse

Alex Colville and I walks a story of admiration and hope. Inspired by the play The Post Mistress by Tomson Highway. In the play, the Post Mistress is a magical French spirit who delivers the mail between the living and the dead.

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Freestyle Fantastique presented by White Rabbit Productions

Created and performed by Simon Miron

Venue: Rachel Browne Theatre

A multidisciplinary work merging spoken word, Hip Hop, dance, live looping, video mixing and montage inspired by Hector Berlioz’s Symphonie Fantastique.

 

Fractured Expectations Graphic (715x800)Fractured Expectations, a collective creation presented by Timeless Weaver

Directed by Rachel Smith

Cast: Alicia Coulson, Jacob Janzen, Matthew Lupu and Erica Wilson

Venue: Son of Warehouse

What kinds of expectations do you have in life? Finish your degree and immediately find your dream job? Go on a blind date and find the person of your dreams? Expectations can become a positive mantra to help you achieve your goals. Other times they can be a curse: an endless stream of disappointments. Fractured Expectations is a comedic exploration of how to survive in a world of well wishes and inevitability.

 

image1Journey to Kalcedon Island: A Steampunk Adventure presented by Kiss the Giraffe Productions

Written by Joseph Aragon and Heather Madill

Directed by Leith Clark

Cast: Betty Asseiro, Josh Bellan, Sikhona Gwintsa, Jasmine Lontajo, Caelen Rondeau, Tara Streilein, Makis Viado, Nick Xidos, and Josh Caldo

From the creators of The Mystery of Krummhorn Castle (5 STARS—CBC) comes a Steampunk musical odyssey for the whole family! For young geniuses Ada and Lacey LaForge, there’s no problem that a ratchet and slide rule can’t solve. But their journey to find their long-lost aunt becomes a harrowing adventure that tests the limits of their ingenuity. Join the LaForge sisters as they outwit fearsome airship pirates, uncover astonishing family secrets, and maybe bend space and time a little.

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Parked presented by Lady Brain Creative Co.

Written by Katie Grossman with material from Brigitte Sabourin

Directed by Kira Watson

Cast: Katie Grossman and Brigitte Sabourin

Venue: Playhouse Studio

Hazel is a meter maid recently rejected from grad school who’s just trying to make it through her shift. Liz just got her car towed on the worst day of her life. While the two may seem to be polar opposites, they’re more like two sides of the same coin. A heartfelt comedy about figuring out your identity, career and the rest of your life, Parked is what happens when you stay in the same place for too long.

This installment is produced by Tatiana Carnevale, who also produced our 2017 One Night Stand editions! You can check out this exciting preview of upcoming Fringe shows this Saturday, May 26th at 2PM – which will let out in time to also catch New Beginnings at 4PM. And for the final products, you can catch them at the Winnipeg Fringe Festival running July 18-29!

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One Night Stand Series: Another World!

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We’ve brought the One Night Stand series back for another year! This time around, all the submissions take place in a world much like our own – but with a few twists thrown in (heaven-sent chili fries? An evil plot about Mike & Ike’s? The drowned remains of Portage Place? What’s going on here?)

This year’s readings will take place in a studio setting, keeping the focus on the scripts and letting the work speak for itself. All five pieces were directed by Daphne Finlayson and will be performed by an ensemble cast: Betty Asseiro, Kate Berg, Kai Chochinov, Kelsey Funk, Rowan Gannon, Cheryl Soluk, Logan Stefanson, and Ryland Thiessen!

We’ve got a great mix for this edition of experienced playwrights and emerging artists – get to know them below!

A Fine Line by Wren Brian

Wren started her diverse career in Whitehorse, Yukon where she was born and raised. A graduate from the University of Winnipeg’s Theatre & Film Honours Program, Wren is a playwright as well as an arts administrator, director, and producer. In her writing, Wren is dedicated to creating characters that can be played by actors of any gender, ancestry, and age. Recently her play Anomie won the 2017 Harry S. Rintoul Award for Best New Manitoban Play at the Winnipeg Fringe Festival, and her play Bystander was one of three plays shortlisted for the Playwrights’ Guild of Canada Emerging Playwright Award in 2015. For more information, visit wrenbrian.com.

520lb Breakfast by J.P. Button

J.P. is a young emerging playwright and director from Winnipeg, Manitoba. They have worked out of the Black Hole Theatre Company as well as completed their Bachelor of Arts in Theatre at the University of Manitoba. They continue to find inspiration from the immense talent of their friends and peers. They hope to continue to write, and also one day find Big Foot. They believe that Big Foot would be a fan of the arts.

The True Deeds of the Illuminati by Thomas Donnelly

This play came to Thomas within one of his many mind rambles. He is a student of the University of Manitoba and enjoys writing, film, theatre, music, drawing, and comic books. He was a part of the 2016-2017 U of M Film Production class as part of the camera crew and recently took part in the university’s 2017-2018 Backstage theatre class. He served as light operator for Pith! and stage manager for Here We Go, the final Lunch B.H.A.G.G. in the Black Hole Theatre Company’s 2017-2018 season. His writing includes many complete and incomplete works that he will get to… eventually; he has other stuff to do.

The Winter Hideout of the Wasp Queen by Larissa Hikel

Larissa is a freelance writer from Winnipeg, MB, who brings a native instinct to her writing, photography and acting. She explores the world from a personally complex place. High school dropout, drifter, used to shifting between identities as they serve her, she has the power to observe life from a wide range of vantage points which she brings to her art.

Here Together by Jonathan Mourant

Jonathan is a Winnipeg improviser, performer, and playwright. He performs regularly with his improv troupe Unexpected Results and serves as an executive and treasurer for the University of Winnipeg Improv and Common Crow Improv. Jonathan has written multiple plays and screenplays including the self-produced Here Together, first performed at the University of Winnipeg’s 2017 DIO Festival and now as part of the One Night Stand series!

Come take part in the future of Winnipeg theatre and hear what’s next from local, up-and-coming playwrights! The One Night Stand series returns Wednesday, April 25th at 7PM in Studio 2T05, Asper Centre for Theatre and Film (400 Colony Street). For more info, check out the event page!

 

 

One Night Stand Returns!

Feature by Daphne Finlayson

Sarasvàti Productions is thrilled to announce that we’re bringing back the One Night Stand series for another year! After a nine-year hiatus, the series returned in 2017 to showcase established writers, playwriting students, and upcoming Fringe productions. The series was produced by Tatiana Carnevale, who also brought One Night Stand to FemFest 2017.

The purpose of the series is to provide emerging and established playwrights with audience feedback on new material or works-in-progress. The evening will feature a line-up of short scenes read by a team of local actors. For many, this will be the first time their work is performed and offers the chance for an outsider’s perspective on a new script.

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Daphne Finlayson

In addition to being the new associate producer here at Sarasvati, I’m also coordinating and directing this year’s One Night Stand series. As for my experience, I’m a recent graduate of the University of Manitoba’s theatre program with a focus on directing. I’ve directed a number of shows in the past, including Stewart Lemoine’s Pith! for the Black Hole Theatre’s 2017-2018 mainstage season as well as shorter one-acts. My play, The Committee, also placed third in this year’s Winnipeg Fringe Festival New Play Contest.

I’m so excited to be working on this series. In the past I’ve helped friends workshop their plays and it’s always so rewarding to see the final product after months of rewrites and tweaking. Anything I can do to help a writer see their work realized on stage for the first time is always such an amazing experience.

Submissions can be anything: a scene that’s giving a writer some trouble, wanting to hear how their dialogue sounds in performance, or seeing how an audience responds to a new short play. The goal for this year’s series is to place a greater focus on serving the playwright’s needs. I’d like to keep the readings simple so the focus stays on what’s on the page, making sure the playwrights get to hear the audience’s response to their work. It’s easy with staged readings to want to turn it into a full-fledged performance, but that takes the focus off the script by making it more about the audience than the playwright.

It’s important to have a series like this to get audiences excited for what’s coming next from new and established talent. We have so many talented writers in this city who need an outlet to showcase their work. One of the biggest challenges with a script is that feeling of ‘what now’: how do I turn this from an idea I had into an actual performance? This series is part of that first step by helping playwrights learn how an outsider – like a director or an actor – has interpreted their work.

Come be a part of this amazing series dedicated to showcasing the future of Winnipeg theatre. The deadline for submissions is Wednesday, February 21st at midnight, emailed to associate@sarasvati.ca. See the submission notice below for guidelines!

 

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Looking Back on a Remarkable Year

Wow! It’s hard to believe how much can happen in a year. This week we look back on our greatest endeavours of 2017 made possible due to the amazing support of our donors, funders, volunteers, artists and community partners!

  • Theatre Workshops with North End Youth

We launched into 2017 with a focused series of theatre workshops for North End youth. Youth Coordinators Frances Koncan and Cherrel Holder alongside a series of guest artists introduced theatre techniques and worked on scenes with youth. On February 22nd we celebrated with a showcase of the youth involved. We have already heard from multiple youth that they have decided to pursue theatre and we have had the pleasure of continuing to work with these youth in skill-focused workshops and mentorship sessions. We are thrilled to be continuing with a series of theatre workshops at Children of the Earth School in the New Year!

“I wasn’t sure if I wanted to study theatre but now I’m sure!” – Sabil, Youth Participant

  • International Women’s Week

Last March, ten amazing women took to the stage in our International Women’s Week Cabaret of Monologues. The theme was Starting Over, sharing stories of displacement, resettlement and life-changing moments. We toured to new community venues like North End Family Centre. We were so honoured to facilitate the sharing of these crucial perspectives which are all too often silenced.

“The performances took place in our typically very busy and noisy drop in space. However, the performances were so captivating that you could have heard a pin drop!”
-Kristi Beaune, Mount Carmel Clinic
“Our students connected with what the presenters were saying on a deep level. I would highly recommend the monologues.”
-Rob Visch, Principal St. Aidan’s Christian School

  • Launch of New Beginnings15781754_10211121667098878_6849065531477230353_n

We used the story-gathering conducted for International Women’s Week as a spring board to soar into our next community-based project: New Beginnings. We began reaching out to artists and meeting with partner organizations. In September, we gave audiences a sneak peek at what we have in the works at a FemFest preview. From May 22-27, 2018 you can witness the coming together of a diverse range of artists, community members, recent newcomers and established immigrants. Through the use of dance, music, visual art and storytelling we will share stories of resettlement.

“Great evening at FemFest and Sarasvati production of New Beginnings! Congratulations to Rosemary Kezaabu and Gertrude Hambira, two of the women who told their stories.” – Mary Scott, Audience Member
“It was such a wonderful night yesterday! So glad I was able to participate in this project.” – Patricia Gordon, Performer

  • FemFest 2017: Coming of Age

This FemFest audiences and artists came together to celebrate 15 years of life-changing theatre.  We were proud to present such provocative touring shows as Watching Glory Die by Judith Thompson. We had some incredible first-times, partnering with the West End Cultural Centre to present Tomboy Survival Guide and partnering with the Millennium Library to present The Human Library! It was so rewarding to offer filmmaker Sonya Ballantyne her first opportunity to direct for the stage with Two Indians. We were proud to honour some of Winnipeg’s most prolific female playwrights at the One Night Stand and toast to 15 years. Believe it or not planning has already begun for FemFest 2018!

“…one of the most incredible and moving pieces of art I have ever seen” – Tatiana Carnevale, Audience Member at Tomboy Survival Guide at FemFest 2017
“Wow. I have not been so moved by a piece of theatre for a long time” – Cheryl Costen, Audience Member at Watching Glory Die at FemFest 2017

  • Second Annual Women’s Comedy Night Fundraiser

Thanks to two fantastic audiences and eight hilarious comedians we almost sold out two back-to-back shows for our Women’s Comedy Night Fundraiser. We heard nothing but glowing remarks from audience members. We can’t wait for next year!

“Awesome” – Audience Member
“Everyone is so talented!” – Audience Member

  • Workshops for Emerging Artists

    This season we’ve provided workshops and mentorship in theatre design, tech, directing, auditioning and more! One of the highlights was our playwriting masterclass with master playwright, Judith Thompson. We aren’t slowing down anytime soon! You can look forward to workshops in vocal technique, auditioning , dramaturgy and more in 2018!

    “Extremely beneficial. Going through the audition process (before, during, after) has made me feel that I have a much better idea of how the process works, especially with professional companies.” – Participant in Auditioning 101
    “All of it was pure gold.”
    – Participant in Coffee with Ann Hodges

We also rebooted our One Night Stand series with three opportunities throughout the year for playwrights to test material under the amazing leadership of Tatiana Carnevale!

  • COMMUNITY

This year also allowed us to work with several amazing community organizations. From doing workshops with youth leaders at SEED to presenting an overview of our work for the Council of Women of Winnipeg and PCWM. The largest initiative was the amazing experience preparing Can You See Me Now in partnership with West Central Women’s Resource Centre.  The women shared their experience of homelessness with such power that it truly opened eyes and hearts.

Here’s to another year of making and experiencing tranformative theatre together!