2018: A Look Back

We’ve had another amazing year here at Sarasvàti Productions! It was a season of workshops and life-changing theatre, promoting empathy and understanding to audiences across Manitoba! Check out some of our highlights from the past year.

WORKSHOPS FOR EMERGING ARTISTS

This year we had over ten workshops for emerging artists, including The Artist’s Voice with Tom Soares, Monologue Intensive with Sharon Bajer, and Devising from the Real World with FemFest artist Norah Paton! We also had our Coffee with a Pro mentorship series, pairing emerging artists with a pro in the field to talk shop over coffee. In 2018, we had sessions like Dramaturgy with Brian Drader, Playwriting with Ellen Peterson and Ginny Collins, and Producing with Brenda McLean! We also hosted our “Mental Health in Theatre” Panel back in November, starting an important dialogue we hope to continue.

SHARING THE STORIES OF UNSTOPPABLE WOMEN

Full cast at dress rehearsal

Our International Women’s Week Cabaret of Monologues saw the stories of incredible women living through riots, learning to teach yoga as a senior, accepting their true selves, and conquering all odds. New work was created by up-and-coming stand-up comic Anjali Sandhu as well as trans advocate Cynthia Fortlage. Aboriginal artist Kristy Janvier traveled from Flin Flon to present a new piece. We also welcomed Joanna Hawkins of 100 Decibels to perform a solo mime work. This was also our first year offering ASL interpretation.

WORKSHOPS FOR NORTH END YOUTH

This year, we brought theatre workshops to the students of Gonzaga Middle School and Children of the Earth High School, where students currently don’t have access to drama programs. Students were taught the basics of playwriting, directing, improvisation, and set design.

NEW BEGINNINGS ON STAGE

Two years ago, we began a series of workshops and community interviews, hearing from newcomers and immigrants to Canada about their experiences with resettling in a new country. In May of this year, we got to bring those stories to life with the world premiere of New Beginnings, featuring a blend of dance, film, and theatre. An interactive touring show focusing on youth experiences, Home 2.0, launched in the fall! Over 4,700 youth and teachers across Manitoba were exposed to the work that helped promote empathy and understanding.

PUTTING THE ‘FUN’ IN FUNDRAISING

We got to try something a little different this year with a spring fundraiser produced and organized by Delta Hirsch. It was a sit-down dinner at Forth that paired Perogies and Puns! Local comedians Mike Green and Angie St. Mars tickled funny bones while chef Keith Csabak treated folks to five courses of gourmet perogies. Then in November, we brought back our annual Women’s Comedy Night Fundraiser for its third year! Elissa Kixen of WOKE Comedy Hour produced this incredible event showcasing a diverse line-up of women comics.

FEMFEST CELEBRATES 16 YEARS!

In 2018 we showcased our sixteenth annual festival of plays that put women’s stories in the spotlight! We got to travel to Burning Man with Norah Paton’s Burnt, hear from a young Cree teenager with White Man’s Indian, watch Donna-Michelle St. Bernard speak truth to power with Sound of the Beast, and witness the beautiful blend of Indian dance and theatre with The Game! Alissa Watson brought home our 2018 Bake-Off Prize with her winning scene, The Switch. We also got to explore downtown Winnipeg’s hidden gems with our first-ever Walking Art Tour. We’ve already started brainstorming for 2019, so stay tuned!

Thanks to everyone who made this past year such a success. We’re so excited to talk about what we have coming up in 2019, starting with our International Women’s Week Cabaret of Monologues in March! We’ll keep you posted with more updates on all the great events you can look forward to this coming year.

 

What Does Reconciliation Mean To You?

In January, we’ll be kicking off our next long-term initiative! Our new collaborative project will focus on reconciliation through storytelling and theatre. A team of Indigenous artists will work with Indigenous youth to capture their lived experiences and bring them to the stage. Storytelling will be used to explore the truth about current experiences of racism and discrimination in Winnipeg.  Ultimately a large community gathering and performance will take place engaging the public in the important and challenging dialogue about how to make a better community. Using the arts to explore the current reality of racism will allow us to take a powerful step forward towards true reconciliation.

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Marsha Knight

Beginning steps on this initiative are being undertaken by our Indigenous Community Outreach Coordinator, Marsha Knight. Marsha has been involved in theatre for over twenty years in many capacities both on and off stage. She has worked on several past productions with Sarasvàti, including consulting on Two Indians at FemFest 2017 and performing in Breaking Through and Eden.

“When I learned of the Winnipeg Foundation’s funding announcement for reconciliation projects, I remember having varied feelings of elation and interest,” says Marsha. “I was quite excited at this opportunity for community building and to know that the Winnipeg Foundation made a commitment to the ongoing process of reconciliation between Indigenous and non-Indigenous people.”

This project will involve working with Indigenous youth, Knowledge Keepers, Elders, and professional artists to gather stories. “What is exciting for me is that we are asking the youth, with the guidance of the Knowledge Keepers and the support of artists, to develop a contemporary perspective of the teachings of this region of Turtle Island,” says Marsha.

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Jaime Black

Indigenous artist Jaime Black will also be on board to help bring the project to life.  Jaime is a Metis multidisciplinary artist based in Winnipeg. She studied English Literature at the University of Manitoba and has an Education degree from The Ontario Institute of Studies in Education. She has taught in Opaskwayak Cree Nation in the Pas, Manitoba, has worked developing art curriculum for the Urban Shaman: Contemporary Aboriginal Art, and has long been involved in the Aboriginal writers and artists communities in Winnipeg. She is also head of the REDress Project, an installation-based art project focused around the issue of missing or murdered Aboriginal women across Canada.

Phase One of the project will start this year as we engage in consultation circles within the community and then undertake workshops to explore their connection to the teachings. Phase Two will then bring in artists, performers, designers, and directors to shape the youth’s creations into our next full production, keeping in consultation with Knowledge Keepers to ensure the integrity of their stories as the production develops.

“The voices of Indigenous youth are strong and much wiser than most people allow,” says Marsha. “This production will be a beautiful, awakening message combining traditional and contemporary storytelling.”

We’ll be launching the first phase of the project with a public gathering in May 2019 with the full production to come in Spring 2020. Stay tuned as we announce more on this exciting new endeavour!

 

That’s a Wrap on “Home 2.0”!

Another school tour is in the books! Last week, we wrapped up our latest community collaboration project, Home 2.0, which focused on youth stories of immigration and resettlement. After starting our Newcomer project over two years ago, we initially shared stories in performance with New Beginnings back in May. The project culminated   with Home 2.0 wrapping up on December 7th. This marks our sixth school tour and this time around, we managed to visit over 54 schools and reach out to over 4,700 youth across Manitoba.

 

This cast has been working together since the summer, rehearsing and preparing for the tour! It’s been a long road but we couldn’t be happier with how the show has impacted audiences across Manitoba. Read on for some of the responses we’ve had to this powerful show.

“The story-lines presented in the show mirrored many of our students’ experiences, and it was very powerful for them to see these stories told on stage. Students were really enthusiastic about it, and there was buzz about it for days afterwards!” – Caitlin Belton, Drama & English Teacher at Miles MacDonell Collegiate

 

 

Coming from the child of two refugees, I felt like it spoke very accurately about the struggles one faces coming to Canada as a refugee. It really touched upon many issues and explained it in a way that was helpful for people who might not understand what this experience is like for others.” – Grade 10 student at Seven Oaks School Division

Not only was the play outstanding, but adding the parts where viewers were allowed to interact with the actors and potentially change the outcome of the play, made you truly think about how you can impact the lives of others through simple actions.” – Grade 12 student at Seven Oaks School Division

 

Seven Oaks

This performance was really beautiful but heartbreaking. Seeing what you went through being played in front of you like that beings all those memories back. And if you have never been through anything like it, it’s really revealing as you get to see another side of the story. All those feelings that the performance shows you are very descriptive. The feeling of not fitting in being new and not being good enough is scary. Knowing that you are forgetting everything is devastating. Thanks for reminding me that I went through and why I am here.” – Student at New Era School

 

We have many students that are from immigrant homes or are immigrants themselves and the message of struggle, hope and inclusion was really something that resonated with them. Thank you so much for such an amazing experience on behalf of myself, the students and St. Mary’s Academy,  we thank you for sharing this story and the amazing talents of your touring group!”  – Eliana Dell’Acqua, Social and Drama Teacher at St. Mary’s Academy

Thank you to all of the incredible students and teachers who hosted us this year! The tour was a great success, promoting empathy and understanding to thousands of youth across the province. Big thank-you as well to Daniel Igne-Jajalla for putting together our tour highlight video! We’ll see you again in 2020 with another tour for youth in Manitoba.

 

Bringing Women’s Stories to the Stage

We have an incredible line-up in store for this year’s International Women’s Week Cabaret of Monologues! A teenage girl comes out to her family, a woman fights to go to the moon, a spoken word artist challenges stereotypes… all these pieces and many more will be featured during our 2019 Cabaret!

Get to know the playwrights that will be featured at this year’s event:

 

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Ivy Charles

Sunday Morning Brunch by Ivy Charles

Ivy Charles is a twenty-two-year-old actor from Winnipeg, Manitoba. She is currently furthering her acting studies at Studio 58 in Vancouver. She enjoys spaghetti, wine and having a good chuckle with her friends. Ivy is excited to dip her toe into the world of writing.

 

Nan Fewchuk

Nan Fewchuk

Thelma and Louise created and performed by Nan Fewchuk

Nan is no stranger to working with Sarasvàti Productions, having worked on such favorites as Fefu and Her Friends, Fen, Jail Baby and Empty. Nan has also performed with Rainbow Stage, Shakespeare in the Ruins, and Green Kids Inc. She produced and acted in the Fringe hits Dog Act and Or as well as working with the Manitoba Drama Youth Festival, Villa Rosa, The Peaceful Village, and the West Central Women’s Resource Centre.

 

Natalie Frija

Natalie Frijia

Geraldine Sloan Truhill: Mommy’s Going to the Moon, Kids! by Natalie Frijia

Natalie Frijia is a Toronto-based writer, theatre-maker, clown-wrangler, and adventurer. She was also a member of Storefront Theatre’s inaugural playwriting unit. Her plays have been workshopped and presented at Storefront Theatre, Rhubarb Festival, New Ideas Festival, and Fringe festivals across Canada. Recent productions include, Divine, GO/NO, Last Transmission, and Black Wool Jacket.

 

 

Leslea Kroll

Leslea Kroll

The Lightfishers by Leslea Kroll

Leslea’s first play Domesticatrix was nominated for a Sterling Award for Outstanding Fringe Script. Her other plays include Swallow, Auksenberg: Trial by Fury, Stains, The Catalogue of Bones, BonePeddlers, Queen of the AnthroScene, The LightFishers, and WellSpring.

 

 

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Shereen Ramprashad

I Am NOT a Victim created and performed by Shereen Ramprashad

Shereen Ramprashad is a colorful, witty and lively Canadian writer based out of Winnipeg Manitoba. Her writings are a creative blend of intelligent metaphor and philosophy with under currents of subtext and observation.

 

 

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Hailley Rhoda

Talking about ED created and performed by Hailley Rhoda

Hailley Rhoda is a graduate of the University of Winnipeg’s Theatre and Film department. She is an actor, puppeteer, and writer. Hailley has worked with Sarasvàti on several projects, including Ripple Effect, Honey and Jupiter, and The Seduction Theory. She is the founding – and only – member of Chronically Ch(ill) Productions.

 

 

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Makrenna Sterdan

Who’s Driving? by Makrenna Sterdan

Makrenna Rose Sterdan is a writer born and raised in Winnipeg, who has lived in South Korea since 2015. Sterdan has written several short films such as Speaking Test, which premiered at the Korean International Expat Film Festival. Her monologue Doing It for the Fame was featured in Sarasvàti Productions’ 2016 Cabaret of Monologues.

 

Vicki Zhang

Vicki Zhang

Oracle Jane by Vicki Zhang

Vicki Zhang’s play Oracle Jane was selected for production at Alumnae Theatre’s 30th New Ideas Festival. Her plays have also received staged readings at FemFest, InspiraTO Festival, Toronto’s Festival of Original Theatre (FOOT), and the University of Toronto’s Centre for Drama.

 

 

 

You can catch all of these pieces on March 9th, 2019, at 4PM and 8PM! The 8PM performance will also have ASL interpretation available. Stay tuned as we announce additional performers bringing women’s stories to the stage!