New Faces and Newcomers

Through casting New Beginnings, we have had the amazing opportunity to meet and work with a whole new branch of emerging artists in Winnipeg! Representation is incredibly important – doing newcomer stories justice by doing our part to cast them as accurately as possible.

With this project, we’re introducing a number of new faces to the Sarasvàti Productions artistic team as well as welcoming back some familiar ones! Get to know this week’s featured New Beginnings artists below.

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Denisse Samaniego

Denisse Samaniego is currently a third-year Theatre and Education student at University of Winnipeg. She has been performing since she learned how to talk. This is her debut performance with Sarasvàti Productions as well as her first professional job as a performer. She is honored to be a part of such a wonderful and real piece and can’t wait for everyone to experience it.

Having come over from the Philippines at the age of three, Denisse can relate to her character Hazel’s story. “I’m an immigrant and my parents, like Hazel, started from nothing and worked hard to where they are now to provide a better life for me,” says Denisse. “I want to thank my parents for everything they have done because I literally wouldn’t be here in Canada doing what I love without them.”

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Reena Jolly

In addition to Hazel’s story, Denisse will also take part in depicting Ariana’s journey about a family of women escaping a dangerous situation to come to Canada. Also in Ariana’s story is Sarasvàti Productions veteran Reena Jolly. Reena is a fourth-year arts student at the University of Manitoba. She has been keeping herself very busy this year when it comes to theatre, having acted in two out of the three Black Hole Theatre Company mainstages: Nothing Sacred and Marat/Sade. Reena also appeared in our 2017 and 2018 IWW Cabaret of Monologues. Source material has been drawn from the monologue she performed in 2017, You Say Tomato, I Say Goodbye. It is the story of Irekanmi, a young high school student trying to balance assimilation into Canadian culture with her own heritage.

“I’m excited to bring the character of Irekanmi to life!” says Reena. “It’s so cool that they have transformed her into a complete, well-rounded character. Plus it’s an added perk that that some of the lines from the monologue are in the play, so I have fewer lines to memorize!”

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Bosun Amao

Joining Reena in her third piece for the show is Bosun Amao, performing a snapshot from his own life. Hailing from Nigeria, Bosun has over fifteen years of experience in financial advisory, operations and project management. Aside his professional experience, Bosun has served at different times as head of drama/theatre group as well as co-founder of a dance group between year 2002 and 2003 with four other friends. He has handled various theatre projects and also coordinated the production of a film.

For all our these incredible stories and more, you can catch New Beginnings running May 22nd – 27th at the Asper Centre for Theatre and Film (400 Colony St). Don’t miss out – get your tickets today!

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“New Beginnings”: Meet the Artists!

We’re so excited to start introducing the artists behind our upcoming production, New Beginnings! This incredible collaboration features a team of over thirty people to bring to life stories of resettlement from all over the world. This production has given us the chance to work with newcomers of all backgrounds to share their experiences with Winnipeg audiences.

We had the privilege of sharing the story of Rachel Awur Moijok Chol as part of our 2017 IWW Cabaret of Monologues. Lost Girls focuses on the missing girls of the South Sudan, pairing Rachel’s voice with movement performed and choreographed by Sydney Macfarlane.

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Sydney Macfarlane

“I am really looking forward to the challenge of bringing someone’s story to life through movement,” says Sydney. “It forces me to dig deep into expressions and put me in the shoes of the person I am portraying. Some of these stories are just so empowering and it makes me feel really happy to help someone’s story be known and give a visual to their voice.”

Dance has always been a huge part of Sydney’s life, allowing her to connect more with music and herself. Sydney started dancing at the age of 5 taking tap and ballet before branching off to jazz, contemporary, lyrical, modern, acrobatics and hip-hop throughout the years. Recently she has been trying to learn more about Latin ballroom styles to grow her dance vocabulary.

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Olaolu Fayokun

Performing for the first time with Sarasvàti Productions is Olaolu Fayokun. Originally hailing from Nigeria, Olaolu (Lou) now resides in Winnipeg. Olaolu established a love for the dramatic arts in high school and has since taken up studies in law and theatrical arts at the University of Manitoba, playing a prominent role in the university’s Black Hole Theatre Company. Most recently he appeared in their 2017-2018 season as Gregor in George F. Walker’s Nothing Sacred.

“I’m excited about the way in which this piece gives the audience numerous perspectives on immigration – how it affects not only the present, but future generations,” says Olaolu. “I personally connect with the unique stories depicting the journey people took to carve a safe and promising future for themselves.”

 

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Jonathan Chipalata

Jonathan Chipalata is a current student at Gordon Bell High School, where he received a Best Actor Award in 2016. He’s been acting since the second grade, appearing in musical theatre and performing for big crowds.  Born in the DRC, Jonathan immigrated to Canada with his mother, father, and siblings from South Africa. As part of the production’s acting ensemble, both he and Olaolu will be portraying Kamta’s story, which focuses on two generations of newcomers at the most Canadian of workplaces: Tim Horton’s.

 

You can catch both of these powerful stories – and many more – at the world premiere of New Beginnings May 22-27. Stay tuned in the coming weeks as we feature more of the amazing artists involved in this production. For more info and to buy tickets, click here!

Our Next Community Collaboration Project!

A team of 9 artists collaborating, 9 performers, 9 dancers, musicians and dozens of community participants! It’s going to be one heck of a show. Over the past two years, we’ve been interviewing community members who are newcomers to Canada, working with numerous newcomer agencies and hearing the stories of dozens of individuals who have experienced resettlement. Now, we’ve compiled their stories into our final show of the 2017-2018 season, New Beginnings!

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“New Beginnings” Preview at FemFest 2017

The project incited passionate responses at the preview at FemFest 2017. This was the first step towards realizing this production on stage. Professional theatre artists teamed up with new arrivals in an exchange of stories, music, and dance. Inspired by the input we received, we’ve been workshopping the script since September and continuing to add stories from newcomers of all ages and backgrounds.

new beggining.jpgWe are excited to finally bring the collaboration to the stage later this spring! Witness the coming together of a diverse range of artists, community members, recent newcomers and established immigrants. Through the use of dance, music, visual art and storytelling, we will come together to explore the themes of displacement and resettlement.

Before the performance, you can also check out our lobby art installation featuring paintings, photography, and film by local refugee artists. We’ll also be offering an ASL-interpreted performance, translation services, and child-minding to make the show as accessible as possible. Following the performance, we’ll be hosting regular conversation circles to foster dialogue about the stories depicted and welcome people to offer their own stories in return.

Stay tuned in the coming weeks as we feature the amazing artists participating!

27907465_1675043125940329_5390131185813551337_o.jpgThis unique production will also run in the same space as One Trunk Theatre’s new show Boundary Avenue: a documentary-style play co-created by Liam Zarrillo, Andraea Sartison, and Caroline Wintoniw. The show looks at the town of Emerson and the influx of asylum seekers who have crossed into Manitoba over the past year. One Trunk Theatre is excited to share their research and to support those who lent their stories for the development of the play by donating back the proceeds from this production. There will be special opportunities to see both productions – check out Brown Paper Tickets for package deals!

You can catch the world premiere of New Beginnings May 22-27 at the Asper Centre for Theatre and Film (at the University of Winnipeg). For more details and to purchase your tickets, click here!

Staying Unstoppable Through Change

This week, we’re featuring three more artists from our upcoming International Women’s Week Cabaret of Monologues: I Am Unstoppable! Get to know them below:

Sweet an Nice – written by Althea Cunningham, performed by Lorraine James

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Althea Cunningham

Cunningham is of Jamaican descent and grew up in Edmonton, AB. She is a graduate of the Theatre Arts Program at MacEwan University and a seasoned performer with a background in acting, writing, music and producing.  In 2005, Cunningham founded her three-tier company Nappy Roots Productions, which focuses on positive stories for the black diaspora in the twenty-first century using writing, acting and music as the vehicle.

Her piece, Sweet an Nice, focuses on the story of her mother as a Jamaican immigrant coming to Canada in the 1970s. “Not only was it culture shock, but there were unexpected challenges she experienced up until the day of her death. My mother, being my most beloved parent, left behind a legacy that I feel needs exploring,” says Cunningham. “It’s a story that deals with intense, painful themes: immigration, discrimination, abuse, and codependency. Writing allows me to explore, heal and move forward from the past.”

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Lorraine James

Bringing Cunningham’s piece to the stage is long-time veteran of Sarasvàti, Lorraine James. James has most recently been seen in the 2017 FemFest Bake-Off, The Mousetrap for Christiefest, When God Comes for Breakfast You Don’t Burn the Toast, and The Appointment.

“I get to portray an experience seemingly outside of myself,” says James. “I’m gaining insight on what it must’ve been like for my parents to uproot their lives to come here, to realize that there are people out there who feel threatened by immigrants and yet have no idea about the real struggles.”

 

I Got 99 Problems, My Penis is Just One – created and performed by Cynthia Fortlage

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Cynthia Fortlage

Born in Belfast, Northern Ireland, Fortlage has worked as an internationally award-winning information technology executive for the past twenty-nine years with a privately owned Winnipeg company.  She is a board member with various organizations, including Rainbow Resource Center where she sits as President of the Board. Ms. Fortlage came to terms in 2016 with a forty-one-year denial of her true gender identity.

Fortlage created her piece to share some insight as a transgender woman and to share the message of acceptance without understanding. “Acceptance without understanding is a way to see how we interact with each other as human beings first before any gender, sexual preference, age, body shape, country of origin, political or religious beliefs, and so on.”

You can catch these amazing pieces – and many more! – on March 10th at the Asper Centre for Theatre and Film. Ticket information available here!
 

 

 

Inspiring Collaboration

One of the most exciting aspects of producing International Women’s Week Cabaret of Monologues: I Am Unstoppable is seeing incredible artists work together – often for the very first time! This week we feature one of these brand new collaborations with the team behind Captain of My Ship along the pair of familiar collaborators behind, I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying.

Captain of My Ship playwright, Kathy France, saw the piece arise while working on a full-length play that explores female archetypes and how they resonate in contemporary women’s lives.

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Kathy France

“Spoken word? Never wrote a piece before I wrote this one. Now it’s a thing I do”, says France. “I was a director first, then grew the courage to act, then took on producing in foreign countries so I could get myself on stage, then grew the courage to write.”

Originally from Winnipeg, France lived abroad in Syria, Thailand, Nepal, Yugoslavia, Croatia and Trinidad before settling down in the tiny, rural town of Wolfville, NS.

France’s piece is a coming-of-age story. “It’s about the journey all girls travel, whether they know it or not”, says France. “All young women grow up to be women, and somewhere along the way they grow to understand what “woman” means, in society, in themselves. Certainly, at the time of my own sexual awakening, I didn’t know that “woman” was a social construct that would probably never serve my best interests.”

Sarasvàti Productions couples France’s piece with a talented troupe of local performers.

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Ady Kay

“I feel connected to the messages I get from this piece about the confines and restrictions of gender norms. I feel connected to the way the words rhyme and work together to create imagery,” says performer Ady Kay. Together with collaborators Emily Solstice and Victoria Hill, Kay is devising a physical rendition of Captain of My Ship.

Kay is a performer, dancer, clown and poet, just to name a few.  “I am excited about this piece”, says Kay. “Not only does it speak to a matter that I care about very much, it also is beautifully described through poetry. And with poetry, so much is possible as a physical performer.”

A.b. Norris is the Winnipeg-based film maker and playwright behind I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying.

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A.b. Norris

“The original concept came to me after I’d taken some pictures and decided to turn them into a short silent film”, says Norris, “but I wanted to articulate some of what I’m trying to express in a different way.”

Enter Monika Thurn und Taxis.

“The theme of the eclipse and the symbology is a very close theme to my personal life”, says Thurn und Taxis, who is a performer and photographer.  The two have worked together on theatre projects before.

“The challenges I articulate in this piece are ones with which I contend”, says Norris. “Something unique is required to work against internal conflicts versus external forces. It’s a different kind of persistence that challenges the barriers we put up ourselves, or the cycles we perpetuate and in which we can become caught.”

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Monika Thurn und Taxis

“I believe deeply in the reflection of our nature in the sky. An eclipse is an important moment that asks us to be present with the darkness around us and shine our inner light”, says Thurn und Taxis. “This symbology, paired with the want and need to love and be loved and not giving up on finding our true love in either a person, a career or any other form that might be important to us—it’s very powerful.”

We look forward to presenting these inspiring collaborations on March 10th at the Asper Centre for Theatre and Film. Details and tickets here.

 

Sarasvàti’s Top 6: ‘What Has Us Excited About 2018’

We have big plans for 2018! Check out the top 6 things that have us starting off the year full of enthusiasm!

6) We are excited to be working with Arts AccessAbility Network Manitoba to provide ASL interpreters at the International Women’s Week Cabaret of Monologues for the very first time! Living through riots, learning to teach yoga as a senior, accepting your true self and conquering all odds – see these stories of unstoppable women March 10th. ASL interpretation will be provided for both the 4pm and 8pm performance. Celebrate International Women’s Week with us!

The cast of IWW2017

The cast of IWW17.

5) We are eager to premiere the full production of a project we’ve been working on for two years – New Beginnings. Witness the coming together of a diverse range of artists, community members, recent newcomers and established immigrants. Through the use of dance, music, visual art and storytelling we will come together to explore the themes of displacement and resettlement. This unique production will also run in the same space as One Trunk Theatre’s new show Boundary Avenue. There will be special opportunities to see both productions. Visit our website to get your tickets!

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4) We are so pleased to be going into 2018 with full-time admin support thanks to the capacity-building funding we received from The Winnipeg Foundation! This support will enable us to reach our full potential. You can bet we’ll be taking things to new heights!

3) We can’t wait to launch our second year of theatre workshops with the youth at Children of the Earth School. Last year, we piloted a series of theatre workshops at COTE  – a school that would not otherwise offer a theatre program. The results were incredible. This year we’ll return to offer regular theatre programming with facilitators Marsha Knight and Josh Ranville plus a roster of amazing guest artists.


2) It’s only January and we are already hard at work planning FemFest2018 – Staging Resistance. Provocative plays, brand new workshops and artists with incredible vision, we have a lot in store! Stay tuned for details on our 16th annual festival.

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1) We feel very enthusiastic to be working towards our 2018 goals with the support of an amazing staff, Board, volunteers and audience base. Most of all, we look forward to sharing a transformational year with all of you. Happy New Year!

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Many of our staff and Board members at a December meeting

For on-the-pulse news on our 2018 productions and workshops visit sarasvati.ca or sign-up for our mailing list!

 

Looking Back on a Remarkable Year

Wow! It’s hard to believe how much can happen in a year. This week we look back on our greatest endeavours of 2017 made possible due to the amazing support of our donors, funders, volunteers, artists and community partners!

  • Theatre Workshops with North End Youth

We launched into 2017 with a focused series of theatre workshops for North End youth. Youth Coordinators Frances Koncan and Cherrel Holder alongside a series of guest artists introduced theatre techniques and worked on scenes with youth. On February 22nd we celebrated with a showcase of the youth involved. We have already heard from multiple youth that they have decided to pursue theatre and we have had the pleasure of continuing to work with these youth in skill-focused workshops and mentorship sessions. We are thrilled to be continuing with a series of theatre workshops at Children of the Earth School in the New Year!

“I wasn’t sure if I wanted to study theatre but now I’m sure!” – Sabil, Youth Participant

  • International Women’s Week

Last March, ten amazing women took to the stage in our International Women’s Week Cabaret of Monologues. The theme was Starting Over, sharing stories of displacement, resettlement and life-changing moments. We toured to new community venues like North End Family Centre. We were so honoured to facilitate the sharing of these crucial perspectives which are all too often silenced.

“The performances took place in our typically very busy and noisy drop in space. However, the performances were so captivating that you could have heard a pin drop!”
-Kristi Beaune, Mount Carmel Clinic
“Our students connected with what the presenters were saying on a deep level. I would highly recommend the monologues.”
-Rob Visch, Principal St. Aidan’s Christian School

  • Launch of New Beginnings15781754_10211121667098878_6849065531477230353_n

We used the story-gathering conducted for International Women’s Week as a spring board to soar into our next community-based project: New Beginnings. We began reaching out to artists and meeting with partner organizations. In September, we gave audiences a sneak peek at what we have in the works at a FemFest preview. From May 22-27, 2018 you can witness the coming together of a diverse range of artists, community members, recent newcomers and established immigrants. Through the use of dance, music, visual art and storytelling we will share stories of resettlement.

“Great evening at FemFest and Sarasvati production of New Beginnings! Congratulations to Rosemary Kezaabu and Gertrude Hambira, two of the women who told their stories.” – Mary Scott, Audience Member
“It was such a wonderful night yesterday! So glad I was able to participate in this project.” – Patricia Gordon, Performer

  • FemFest 2017: Coming of Age

This FemFest audiences and artists came together to celebrate 15 years of life-changing theatre.  We were proud to present such provocative touring shows as Watching Glory Die by Judith Thompson. We had some incredible first-times, partnering with the West End Cultural Centre to present Tomboy Survival Guide and partnering with the Millennium Library to present The Human Library! It was so rewarding to offer filmmaker Sonya Ballantyne her first opportunity to direct for the stage with Two Indians. We were proud to honour some of Winnipeg’s most prolific female playwrights at the One Night Stand and toast to 15 years. Believe it or not planning has already begun for FemFest 2018!

“…one of the most incredible and moving pieces of art I have ever seen” – Tatiana Carnevale, Audience Member at Tomboy Survival Guide at FemFest 2017
“Wow. I have not been so moved by a piece of theatre for a long time” – Cheryl Costen, Audience Member at Watching Glory Die at FemFest 2017

  • Second Annual Women’s Comedy Night Fundraiser

Thanks to two fantastic audiences and eight hilarious comedians we almost sold out two back-to-back shows for our Women’s Comedy Night Fundraiser. We heard nothing but glowing remarks from audience members. We can’t wait for next year!

“Awesome” – Audience Member
“Everyone is so talented!” – Audience Member

  • Workshops for Emerging Artists

    This season we’ve provided workshops and mentorship in theatre design, tech, directing, auditioning and more! One of the highlights was our playwriting masterclass with master playwright, Judith Thompson. We aren’t slowing down anytime soon! You can look forward to workshops in vocal technique, auditioning , dramaturgy and more in 2018!

    “Extremely beneficial. Going through the audition process (before, during, after) has made me feel that I have a much better idea of how the process works, especially with professional companies.” – Participant in Auditioning 101
    “All of it was pure gold.”
    – Participant in Coffee with Ann Hodges

We also rebooted our One Night Stand series with three opportunities throughout the year for playwrights to test material under the amazing leadership of Tatiana Carnevale!

  • COMMUNITY

This year also allowed us to work with several amazing community organizations. From doing workshops with youth leaders at SEED to presenting an overview of our work for the Council of Women of Winnipeg and PCWM. The largest initiative was the amazing experience preparing Can You See Me Now in partnership with West Central Women’s Resource Centre.  The women shared their experience of homelessness with such power that it truly opened eyes and hearts.

Here’s to another year of making and experiencing tranformative theatre together!