In the Director’s Chair with Bronwyn Steinberg

A show is nothing without the guidance of a skilled Director. We have a plethora of talented Directors working with us to produce a selection of amazing FemFest productions. Bronwyn Steinberg leads Kim Kilpatrick, Karen Bailey and Tulia the guide dog through their performance of Raising Stanley/Life with Tulia. If you missed our blog on Raising Stanley/Life with Tulia, you can find that HERE.

Bronwyn is a driven creative who puts her whole heart into her work, her hard work and dedication are reflected through the productions she directs. Here is a little bit more about Bronwyn and her history in the theatre…

apa_2017-02-24_13-04-56_apa_6470Bronwyn is passionate about creating a space that brings people together to engage in theatre that provokes social examination. She is the founding Artistic Director of TACTICS, Ottawa’s curated indie theatre series. Upcoming projects include directing Bang Bang for GCTC in Ottawa and Lost Letters, a new musical premiering at Bloomington Playwrights Project. Recent credits include The Drowning Girls (GCTC), The Revolutionists (Three Sisters Theatre) and Twelfth Night (a Company of Fools).

Bronwyn’s current directorial project with Raising Stanley/Life with Tulia continues its tour at FemFest 2019: All the World’s a Stage. Bronwyn had a lot to say about her work with Kim and Karen and her excitement on directing such a progressive and unique production…

“I am a total dog person. We always had dogs growing up, usually three at a time. I was even born in the Year of the Dog. But rarely has my love of dogs been able to be part of my life in theatre. My beloved miniature dachshund Kudra, who was with me for eighteen years, used to sit on my lap during rehearsals and even accompanied me on tour, but that was a long time ago now. So, I was delighted when Eric Coates at GCTC introduced me to Kim and Karen and this beautiful collaboration.

uc19_raisingstanley_photocred_justinvanleeuwen-e1542135997754It’s been fascinating not only to learn about accessibility techniques for theatre, but also to explore ways of integrating accessibility right into the creation process. The theatre is one of the few remaining places where people share in a live communal experience. It has been wonderful touring this piece to different festivals and communities around Canada, and we can’t wait to bring it to FemFest in Winnipeg. I am so pleased to offer this experience in a way that is accessible and inclusive for all audience members. And what better way to come together than to share in the love of our beloved friends and companions, the dogs that comfort, guide and inspire us?” – Bronwyn Steinberg

You have three chances to see Bronwyn, Kim and Karen’s hard work come to life in Raising Stanley/Life with Tulia during FemFest 2019: All the World’s a Stage. FemFest is officially only one month away! For ticket and show time info, click HERE.

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Three Ladies, One Baby

For three nights only, the world premiere of Baby Box is coming to FemFest 2019: All the World’s a Stage! If you missed the last blog on Baby Box, you can find it HERE. As we begin the rehearsal process, we are happy to introduce you to our amazing cast! We asked the cast of Baby Box to tell us a bit about themselves as well as share their answers to the question, “What was your favourite activity as a child?”


Playing Woman #1, the birth mother, is Victoria Hill.

Victoria Hill_Headshot-page-001Victoria Emilie Hill is a creator, mover, and actor based in Winnipeg.  She is passionate about work that focuses on movement and the body as a place we hold and tell stories.  She is curious about the myriad ways we express and communicate with ourselves, our environments, and other creatures.  Victoria is also a founding member of The Patriarchy, a two-woman a capella band that sings songs and tells stories that challenge the status quo through a comedic and playful lens. (Spoiler Alert: They will be hosting the FemFest Opening Cabaret) Victoria is an avid student of life, and loves adventures in new things which have included roller derby, making jewellery, sky diving, knitting, white water rafting, and trying to keep her plants alive. Baby Box is such a beautiful project, and she can’t wait to share it with all of you.

Victoria’s favourite activity as a child was climbing trees.


Playing Woman #2, the nurse, is Natasha Torres-Garner.

Torres-Garner started her performance career in contemporary dance in 2002. She has performed with Montreal’s Fortier Danse Création, Bill Coleman, in repertoire by the late IMG_5064webJean-Pierre Perreault, as well as Toronto’s Marie-Josée Chartier. Natasha’s long dedication to the independent community in Winnipeg has meant working with Winnipeg’s Tom Stroud, Out of Line Theatre, TRIP Dance Company, Treasure Waddell, Alison Robson, Johanna Riley, Alex Elliott, Ali Robson, Leigh Anne Parry, Danielle Sturk, Ming Hon, Mia Van Leeuwen, and under the direction of Arne MacPherson. As a choreographer Natasha Torres-Garner has presented solo and group works locally and internationally, including Winnipeg, Regina, London(UK), Toronto, St. John’s, Newfoundland and Dresden, Germany.

Natasha, enjoyed the calligraphy club as a child.


Playing Woman #3, the adoptive mother, is Saira Rahman.

Headshot-SAIRA RAHMANSaira Rahman grew up in Winnipeg, and was a teacher and principal before pursuing filmmaking. In 2003, she wrote a 3-part documentary series about Muslim Canadians called “A New Life in a New Land” (Milo Productions), which aired nationally. After completing the Digital Film Production program at Langara College in Vancouver, Saira and her sister, Nilufer, established Snow Angel Films in 2010, producing their first feature documentary, “Arctic Mosque” (CBC, APTN) and most recently, “Prairie Mosque”(BellMTS), a story about the first mosque established in Winnipeg in 1976. Saira is also an emerging actor having performed in The Game (Sarasvati Productions), Murder By Poe (PTE Adult Company), and Boundary Avenue (One Trunk Theatre). She is very excited to be a part of FemFest again this year and Baby Box!

Saira’s favourite activity as a child was to play house with her sister, but their own version where they were single moms.


Victoria, Natasha and Saira have already begun rehearsals for the world premiere next month along with Director, Hope McIntyre, Choreographer, Ali Robson, and Musical Director, Rachel Cameron. Through the use of unique narrative, movement and song, the Baby Box cast is sure to give a moving performance.

For ticket information and more, be sure to give us a visit HERE on our website!

Take it from a Pro

Every year at our annual FemFest, we incorporate workshops and special readings by accomplished women in theatre. This year, at FemFest 2019: All the World’s a Stage, we are excited to welcome our special guest artist Yvette Nolan. Yvette Nolan (Algonquin) is a playwright, director, and dramaturg. She is no stranger to Winnipeg and of late has been a frequent flyer coming to share her wisdom at the University of Winnipeg and PTE’s Festival of New Works. At FemFest Yvette will give a lecture in partnership with University of Winnipeg’s Real Thing series, she will facilitate a playwriting masterclass for local playwrights that stretches over the course of five days, then alongside these writers share her own work as part of the festival wrap-up event Leaping off the Page.

“For me, theatre is all about voice. Giving voice to characters whose stories might otherwise disappear, giving voice to questions that challenge us–about being marginalized, about being invisible, about aging, about grief, about our responsibility to each other and to the world.”- Yvette Nolan in an interview with ROOM Magazine

Yvette NolanSome of Yvette’s work includes the plays BLADE, Annie Mae’s Movement, The Birds, The Unplugging, Gabriel Dumont’s Wild West Show (co-writer), The Libretto Shanawdithit and the short film “A Common Experience,” (w. Shane Belcourt). She has directed from coast to coast and north all the way to Dawson City, Yukon. As a dramaturg, she works across Turtle Island. From 2003-2011, she served as Artistic Director of Native Earth Performing Arts. Her book Medicine Shows about Indigenous theatre in Canada was published by Playwrights Canada Press in 2015. She is an Artistic Associate of Signal Theatre.

Interested in the Playwriting Masterclass with Yvette Nolan? As artist in residence at FemFest, Yvette Nolan (Algonquin) will facilitate a masterclass for local playwrights over 5 sessions. Writers will have a chance to focus on their craft, it will then culminate in a public reading of works in progress by participants.

Workshop dates and times are as follows:

Sunday, Sept 15 – 11am to 1pm

Monday, Sept 16 – 4pm to 6pm

Tuesday, Sept 17 – 4pm  to 6pm

Thursday, Sept 19 – 4pm to 6pm

Friday, Sept 20 – 4pm to 6pm

On Saturday, September 21st at 8:30PM you can hear the culmination of Yvette’s intensive process and then join us for the Festival’s closing reception.

For more information or to reserve your spot in the workshop visit our website, HERE. Or, to purchase a ticket for the September 21st Leaping Off the Page event, click HERE. Make sure to explore our website to learn more about FemFest2019: All the World’s a Stage and what it has to offer! September 14th-21st.

Ready For Launch

-Written by Emma WelhamEmma Welham Headshot

As I enter the final year in my undergrad degree, my thoughts have been on what to do after I graduate. Many professors say “Make your own work!”, but I will admit that idea always scared me slightly. When the time came, would I know how to create a piece from scratch? Would I be able to cover not only everything on the artistic side of the process but on the production and business side of things as well?

Thankfully, the universe has a way of giving you what you need, and this past May I learned about Sarasvàti Production’s Launchpad Project. Aimed specifically at emerging artists, The Launchpad Project gives artists like me the chance to create our own show over the period of three months; culminating in three performances of the show at their annual FemFest.

Starting in mid-June, myself and eight other incredible emerging artists began workshops with industry professionals in devised theatre, movement, improv, and directing before beginning to cultivate and create material that we would like to put in our show. Now a month into this project, I can easily say that being a part of this initiative is one of the most fun and artistically fulfilling projects I have ever been involved in.

non binaryWe meet twice a week (soon to become three in mid-August), and create, create, create! Each of our eight members takes turns leading the rehearsals and we have two facilitators in the room in order to keep things running smoothly. Each member of our group comes from a different background both in theatre and in life, and one of my favourite parts of rehearsal are our group discussions, because everyone brings such a unique perspective to the table.

As we approach August our show is starting to take shape as we begin to piece together material previously created and begin to create the structure of our show.

Be sure to follow Sarasvàti Productions on Facebook, Instagram (@sarasvati_wpg) and Twitter to keep up to date with all future The Launchpad Project updates including blog posts and Instagram takeovers! For more information on FemFest 2019, visit our website HERE!

Baking With Grief

How do you grieve and move on after losing someone? It is a challenge for anyone, but even more so for Katherine, especially now that death has moved in as her roommate.

The Grief Box by Alissa Watson won last year’s Bake-Off writing competition; during FemFest 2018. This year, a reading of The Grief Box is part of our FemFest 2019 roster! We asked Watson to share a little bit about the inspiration behind her play…

“Writing The Grief Box has been a weird and wonderful process. The inspiration for the piece came from the sudden death of my mom in the fall of 2017. I have found life convoluted and bizarre in the wake of her passing and it has been my experience that many people struggle to support those who are dealing with loss, even if they are sharing the same experience. In creating this piece, it is important to me to create a community experience; a safe space where the audience can laugh, cry or get angry with or at death. I would love to have everyone leave feeling that they have a slightly better relationship with death; however bizarre it might be.

The piece has evolved extensively since The Switch, that won the Bake-Off last fall. Much to my disappointment, that scene is no longer in this draft of the play. Audiences who are familiar with the scene can consider it a prologue to the reading of The Grief Box they will see this fall. However, the same loveable cast of characters are along for the ride, including death itself.”- Alissa Watson

Alissa Watson Grief BoxIn addition to acquiring her Bachelor of Music and Education from Brandon University, Alissa has trained in theatre throughout Canada, England and is an alumna of the Professional Training Ensemble at Prairie Theatre Exchange.  She is the co-founder of The Red Nose Diaries (Maple & Sticky’s Amazing Olympic Race, The Polka Dots of Death: The Making of a Supervillain) and is a proud founding member of Winnipeg’s only all-female Bouffon Ensemble, The Talentless Lumps. Selected acting credits include Sense & Sensibility, Harvey (RMTC); Torn Through Time (MTYP); Mission: Munschpossible, Small Things, Magical Mystery Munsch (PTE); and Stripped Down Midsummer Night’s Dream (SIR). Alissa is a member of PTE’s Emerging Playwright’s Unit and is currently adapting the beloved Munsch classic, The Paper Bag Princess for young audiences this winter. In addition, Alissa is a vocalist and percussionist for the sweet and cheeky, Fu Fu Chi Chi Choir.

The reading of The Grief Box will be held Saturday, September 14th at 2:00PM at The Asper Centre for Theatre and Film. Admission is Pay What You Can and you can book tickets HERE on our website.  You can also check out this year’s edition of the Bake-Off on September 16th at 6:30pm to vote for a script you would like to see developed for 2020.

Stay tuned for more on what to look forward to during FemFest 2019!

You Get What You Pay For

Coming to FemFest 2019 as part of our touring shows, a POP ART performance of 4inXchange by xLq. This unique performance involves three performers, four audience members and $1,000 cash!

Jordan Campbell, Maddie Bautista and Katherine Walker-Jones sitting stoic at a table in wigs, sunglasses and white lab coats. About to begin their performance

xLq is a POP ART performance duo comprised of Jordan Campbell and Maddie Bautista. Dedicated to radical forms of performance and complicit audience experience – xLq combines ritual, fashion, dance, music, and queer pop aesthetics to question, physicalize, and reimagine our possible futures. Recipient of the Nightswimming 5×25 2017 Commission and winner of the NOW Magazine Audience Choice Award for ​4inXchange – which debuted at SummerWorks 2019, with tour stops at Vancouver’s rEvolver Festival and now our own FemFest.

“Will leave you looking differently at that fiver in your wallet”- NOW Magazine Toronto

4 audience members write on paper thoughtfully while xLq watchesLearn all about the xLq team we will be welcoming to Winnipeg for FemFest:

Jordan Campbell (performer-creator, producer) is a queer performance artist, creator and youth workshop facilitator. He is an xLq co-artistic director and performer. Jordan’s Jordan and Maddie hold up two pieces of money to eachother while sitting on their knees on the table, the audience sits close watchingsolo work is physically based and uses high aesthetics, drag and performance art. His work with youth has focused around those with different learning abilities, including teaching at Purple Carrots Drama Studio. Selected performance credits include: The Youth/Elders Project (Buddies in Bad Times), 72-Person Ball Passing (FFDN), The Stranger (DLT).

Maddie Bautista (performer-creator, producer) is a Bi, Filipina sound designer, theatre creator and performer. Her sound design has been featured in theatres across the country: Luminato, Why Not’s RISER, Aluna Theatre, b current, rEvolver Festival in Vancouver, High Performance Rodeo in Calgary, and more. Recipient of the SummerWorks Spotlight Performance Award 2016, a Dora-nomination for her sound design ​(Eraser, Why Not’s RISER), and fu-GEN Theatre’s inaugural Walk the Walk Commission 2019.

xLq and the audience members toss money into the air, smiling.Katherine Walker-Jones (performer-creator) is an artist from Winnipeg who is now based in Toronto. They make theatre and music. Since graduating from Humber Theatre Performance in 2016, they have released two EPs and recorded a forthcoming album with their band Feels Fine. They also collaborate with xLq Pop Art Performance. Recent works with xLq include curating the Trash Sanctuary event series as well as performing at SummerWorks Performance Festival and rEvolver Festival.

4inXchange can only accept four audience members per performance, so reserving your tickets in advance is crucial! The show will use a unique pay-what-you-choose method at the end of the show and only has 16 performances. That means only 64 lucky audience members will get to experience this unique event. For show times and to reserve your tickets, visit our website.

Do What You Love/You’ll Never Work A Day

Coming up this weekend… “Making a Living in Theatre” a round-table discussion with five professionals at the ready to answer all and any questions you may have about making a living in the theatre industry! Plus, a chance to share your own experiences. Whether you’re just starting out, or you’ve been in the industry for years, all are welcome!

Here is a sneak peek at who you can expect to see this Saturday, June 22nd at 2pm:


KATIE GERMAN Katie

Katie German is a Winnipeg based performer, director and educator. She received her training in Musical Theatre Performance at Grant MacEwan University in Edmonton and studied classical voice through the University of Manitoba.

Katie is the owner and director of Junior Musical Theatre Company (JMTC), a pre-professional children’s musical theatre company which teaches the basics of singing, dancing and acting culminating in two performances yearly. Katie is also the Artistic Associate with Manitoba Theatre for Young People, a Voice Director and character voice for an upcoming cartoon due for release in January 2019, a theatre performer and a mother to a beautiful four-year-old that loves to sing and dance.


KAREN SCHELLENBERG

Karen Schellenberg is an instructor and production manager at the University of Manitoba. She oversees all technical aspects for productions with the Theatre Program while teaching its Technical Theatre students the joys of backstage work. She enjoys designing lights, sets, and costumes for some of its major productions, most recently set and lights for Love’s Labour’s Lost and costumes for Peer Gynt and Marat/Sade.

Karen trained at the U of M’s Black Hole Theatre Company before spending several years as a professional stage hand in Toronto and surrounding areas. After returning to Winnipeg to work at the university, Karen nurtured local contacts by catching theatre calls and working in summer festivals. Find her back at the Fringe this summer!


DONNA FLETCHERDonna Fletcher photo low res.

Donna Fletcher is an accomplished actor, singer, and concert performer with a wide range of national experience in theatre, musical theatre, and symphonic work.  Proud of her prairie roots, Donna received her early training in Winnipeg and earned a Bachelor of Music in Vocal Performance from the University of Manitoba, a diploma in Music Theatre from The Banff Centre for the Arts, a Master of Music in Vocal Performance from The University of Toronto and trained in Shakespeare text & voice at the Simon Fraser Voice Intensive.

As an actor, Donna has been acclaimed in principle roles from east to west with the Charlottetown Festival, Drayton Festival, Rainbow Stage, Theatre Calgary, Stage West Calgary, the National Arts Centre, Manitoba Opera, MTC, PTE, MTYP, WJT, the Belfry Theatre and Persephone Theatre.  She has performed with the Winnipeg Symphony; the Florida Orchestra, and the Calgary Philharmonic Orchestra and was featured on the CBC Radio’s Saturday Afternoon at the Opera.

Donna will direct the first regional production of Phantom of the Opera at Opera on the Avalon in October 2019 and has the distinction of being the first Winnipeg born female to direct at Rainbow Stage. Her favourite role of all time is being mum to Amalia.


FRANCES KONCAN

Frances Koncan is an Anishinaabe-Slovenian writer, director, and independent theatre and film producer originally from Couchiching First Nation. She attended Fort Richmond Collegiate, where she studied french horn and skipped all her other classes. Later, she went to the University of Manitoba, where she said goodbye to her career as a professional musician for a lucrative degree in Psychology instead. When the economy was tragically struck by a recession, she saw a perfect opportunity to pursue what was to be the most financially responsible career path of all time, and flew off to New York City to study Playwriting at Brooklyn College! Since then, she has returned back to Winnipeg where she evenly divides her time between yachting, writing, and curating her social media presence. She has been nominated for several awards, but never wins any of them. She prints all her grant applications on pink, scented paper to give it that extra something special.

VAULT PROJECTS is an independent theatre collective with a focus on creating new theatrical work for our contemporary cultural climate, and re-envision classics through a decolonized, pop culture lens.


SIMON MIRON

Simon Miron is a writer, director, actor and arts educator based out of Winnipeg Manitoba. He has been teaching for over a decade and has participated in the development and creation of dozens of new works. He obtained his Masters from the Royal Conservatoire of Scotland, which was recently ranked in the Top 5 performing arts schools in the world. Recent simoncredits include: Writer: Freestyle Fantastique, Corner Of, Voices in my head. Director: Pippin (ViC/WST) The Last 48 (ArtLaunch), American Idiot, Young Frankenstein (WST), Lucky Stiff (MDA), Songs for a New World (WRP), 7Stories (TBTR). Actor: Little Shop of Horrors, South Pacific, Les Misérables, The Little Mermaid, The Producers (Rainbow), Selkrik Avenue, Bridges of Madison County (DryCold), Am I not King (zone41/Royal Canoe), Butcher, Le Père, Heyderabad (CM), House on Pooh Corner, James and The Giant Peach, Honk (MTYP) and Blithe Spirit (Echo Theatre), Sunday in the Park with George (Galleryworks). He is a founding member of the Village Conservatory for Music Theatre.


The discussion takes place this Saturday, June 22nd at 2PM! Follow the signs in the Asper Centre for Theatre and Film up to room 2T05 where we will have refreshments and friendly faces ready to answer questions, listen, talk, and share. The event is pay-what-you-choose and will run between 1.5-2 hours.

We hope to see you there!