Five Must-See Events at FemFest!

Hard to believe we’re more than halfway through FemFest 2018: Staging Resistance! It’s been an incredible week of theatre already… Saturday saw an eclectic Opening Cabaret with musicians, comedians, and spoken word artists from across Winnipeg! On Monday, we crowned Alissa Watson as our Bake-Off winner with her scene The Switch, which will get its own reading at FemFest 2019. We also premiered some incredible touring shows from around the world, including Burnt and La civilisation, ma mère! As the festival comes to a close, here are some events you won’t want to miss.

 

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1.  Sound of the Beast

This solo piece by two-time Governor General’s Award Nominee Donna-Michelle St. Bernard (aka Belladonna the Blest) speaks truth to power using spoken word, storytelling and hip-hop. The show highlights St. Bernard’s quick wit and quicker rhymes in a performance that reflects on identity, oppression and what happens when authority is questioned. We’ll be hosting a talkback discussion after today’s matinee at 1PM, facilitated by Tamika Krush of QPOC Winnipeg. Don’t miss your chance to experience this powerful production for yourself!

 

White Man's Indian.jpg2.  White Man’s Indian

Darla Contois takes on the ensemble of characters that make up this transformative work, focusing on the story of Eva, a Cree teenage girl, and her journey through the maze of a White Man’s high school. Following the opening performance on September 18th, we hosted a panel with Darla, Matt B. Shorting of Onashowewin Justice Circle, and Gabrielle Fiddler of Ndinawe Youth Resource Centre to talk about the issues presented by the play, as well as the larger topic of Indigenous representation on stage. There are two more chances to take in this incredible one-woman show: tonight at 9PM and Friday at 7PM!

 

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3.  Walking Art Tour

Be one of the select few who will get to experience this brand-new event! We’ve brought in an incredible team of artists who will be performing at some of Downtown Winnipeg’s hidden gems. The tour is hosted by local comedienne Heather Witherden and features Emilie Lemay (visual art), Tiana Northage (spoken word), Alexandra Elliott and Hilary Anne Crist of Art Holm (movement), Dawn Lavand (stand-up comedy), and waNda wilsoN (music). Just twenty people will get to take part in this unique event: book your spot today so you don’t miss out! The tour wraps up September 22nd at 2PM.

 

SignLanguageInterpretationDayTranslationsInterpretation4.  ASL-Interpreted Performances

After responding to requests to make theatre more accessible to our community, we’re proud to announce that we’ll be offering ASL interpretation for three shows in this year’s festival! Come see Burnt tonight at 7PM, White Man’s Indian Friday at 7PM, or Sound of the Beast Saturday also at 7PM. Tickets start at $15 – get yours today!

 

one-night-stand-poster-april-11-e1524149136777.png5.  One Night Stand

Join us on the closing night of the festival as we toast to 16 successful years! We’ll be featuring sneak peeks of new work from celebrated female playwrights, including Leigh-Anne Kehler, Frances Koncan, Jo MacDonald, Cairn Moore, and Donna-Michelle St. Bernard. The series is coordinated by Tatiana Carnevale and features performances by Melanee Deschambeault, Katie German, Kim Kakegamic, Glenn Odero, Matthew Paris-Irvine, and Erica Wilson.

The festival is running until Saturday, September 22nd with all performances taking place at the Asper Centre for Theatre and Film (400 Colony St) unless otherwise noted. With so much to take in, you won’t want to miss a thing! Make sure to check out our full FemFest schedule for all our upcoming events.

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FemFest Opens with an Explosion of Talent

Now entering its 16th year, FemFest continues to celebrate women in theatre, representing women artists from across the nation. Since 2003, FemFest has provided a supportive environment for women in theatre and the performing arts. The theme this year for FemFest is Resistance, an idea that could not have been better represented than in the works of this year’s artists. While community members can enjoy riveting plays from artists like Donna-Michelle St. Bernard, Darla Contois and Norah Paton, our annual Opening Cabaret is jam-packed with Winnipeg artists, a must for this year’s FemFest.

The Opening Cabaret features a variety of multidisciplinary artists from Winnipeg’s dynamic arts community. As Sarasvàti Productions builds inspiring theatre that challenges perceptions and affects change in our community, this year’s Cabaret artists take the theme Resistance to another level. From comedy to film, choreography, dramatic arts and music, there’s no shortage of talent amongst this dynamic group that audiences won’t enjoy.

FemFest and theatre enthusiasts alike can look forward to a high-energy showcase with a total of nine acts that represent the definition of diversity in Winnipeg’s art-scene. Whether you’re listening to the vocal stylings of up-and-coming music sensation Rychelle Thompson, the artful technique of DJ Louie Lovebird, or even the raw and undeniably hilarious truth from the WOKE Comedy Collective with Dione C. Haynes and Elissa Black Wolf Kixen, these Cabaret artists bring a unique edge to the table.

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Given that Sarasvàti Productions champions programming that is diverse and inclusive to narratives from all walks of life, we are thrilled to showcase this incredible group of artists, creating an evening that is inviting and fun for everyone. For those wondering who else is on our roster this year we are happy to have the following acts a part of our 16th annual Opening Cabaret.

If you love challenging the at-times overwhelming exhibits of male privilege throughout your daily life, then these ladies have the best way for you to join in challenging the misogyny! Meet Ady Kay & Victoria Emilie Hill, the two brilliant minds of the group called The Patriarchy: a comedic a capella duo ready to smash the patriarchy with their ridiculous personalities and singing abilities.

If visual art is also of interest, audience members can look forward to an artist talk with one of Winnipeg’s emerging artist from MAWA (Mentoring Artists for Women’s Art). Sue Hoang is a multidisciplinary artist whose work has a comical way of looking at the world in order to create a sense of belonging. From visual to performance art, these two delightful souls bring absolute genius to the comedy game in Winnipeg. Whether you catch them at their monthly community comedy showcase or saw them at this year’s Fringe Festival, Dione C Haynes and Elissa Black Wolf Kixen (co-founders of WOKE Comedy Collective) will leave you holding your sides all night and in tears from honest and hilarious storytelling, demanding your attention with their charming yet intriguing comedy routine. Then listen to the powerful and refreshing vocals from up-and-coming vocalist Rychelle Thompson whose energetic and soulful voice will have you tapping your feet along to her unique and enriching voice. For such a young talent, Rychelle is on her way to making quite an impression on Winnipeg’s music community.

We couldn’t have a showcase without film! Bank Statement from filmmaker Tyshana Hobson follows the story of a young Indigenous woman who gets questioned by a teller when she makes her bi-weekly cash deposits at her local bank. Bringing nothing but raw realities and truth through cinematic perfection, Tyshana’s film will leave you both enlightened and intrigued. If film is your favourite pastime, you will absolutely adore ‘Frequently Asked Questions About My Hair’ by actor Lorraine James, a longstanding talent in Winnipeg’s acting community whose work will leave you more educated on the everyday situations Black women get into living and just existing in Winnipeg, Manitoba.

Moving from dramatic to performance and movement arts, the breathtaking and ever-so technical-stylings of dance duo Maribeth Tabanera & Tracy Tomchuk, with their piece titled Energy Prevalence, will have you signing up for their next dance workshop. Moving into another medium of artistic expression, spoken word; this show would not be complete without the words from poet, writer and political-activist Sadie Phoenix-Lavoie (co-founder of Red Rising Magazine).

Ending off the night in a stellar way is local artist, DJ Louie Lovebird (Lou Gandier), a powerhouse talent that will have you running to dance floor when they drop the most intense music mashups to get you grooving at Winnipeg’s local nightlife scene.

We could not be more happy to present this incredible group of artists celebrating Resistance for FemFest 16th year at our Opening Cabaret. Save the date, Saturday, September 15 at The Asper Centre for Theatre and Film starting at 7:00PM with free reception (with food provided from Garbonzos at the U of W AnX) after the cabaret!

OUR HOME & native land: wit and sarcasm thicker than the Indian Act

Who knew that an educational play about the history of the Treaties and how the Canadian government has violated them could be so…funny? And who could write such a play? Jo MacDonald could. And she won last year’s Bake-Off with it!

In case you’re not familiar with it, the Bake-Off is an annual event in FemFest. Playwrights are given just eight hours to “bake” up a scene with three specific “ingredients” (actions or lines) so that they can’t write ahead. The audience is then invited to a reading of these fresh ideas and they get to decide which one has the most potential for a complete play. The winning playwright receives dramaturgical guidance so that they can finish the play and have it read at the following FemFest.

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OUR HOME & native land is about two friends, Niibin and Cheryl, who are leading a workshop called “Understanding the Treaties”. They have their work cut out for them when the self-absorbed Stephanie and the mansplaining George walk in. Neither Stephanie nor George is aware of their privilege, their biases, or their ignorance. When Mrs. Bruneau, warm, friendly, and given to storytelling, comes in, it becomes clear that she does not need the workshop so much as it needs her. She helps Niibin and Cheryl win their reluctant guests over, but you’ll have to come and find out how. The only spoilers that we can give you are that it’s outrageously funny and will make you curious (and angry) about the history of the treaties and how our government has violated them.

In OUR HOME & native land, Jo MacDonald proves herself to be a sharply witty and engaging writer. Recently, her play Mother’s Little Secret was performed to packed houses at the Fringe Festival, directed by our wonderful Indigenous Outreach Coordinator, Marsha Knight. Her play Neechie-Itas was a runner-up in the Native American New Play Festival in Oklahama City. Jo was a big hit at last year’s FemFest and she will be again this year. In fact, her work was also selected to be featured in the FemFest One Night Stand as part of the festival closing night.

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Don’t miss this brand-new play—there will be just one reading at 1:00 pm on Saturday, September 15 at the Asper Centre for Theatre and Film. You can get your tickets here!

Perogies & Puns Fundraiser – Stuffed with Fun!

Nothing says “Manitoba” quite like perogies – but be warned, these aren’t your Baba’s stuffed dumplings. On March 3rd, join us for our province’s favourite dumpling and some hilarious comedy with Perogies & Puns – a gourmet perogy pop-up dinner! This is a one-time event to raise money to support the transformative theatre work of Sarasvàti Productions.

There will be five courses of perogy deliciousness, including vegan and gluten-free options so every Manitoban can chow down! Providing the perogies will be Chef Keith Csabak, who runs the kitchen at Forth. Mississauga-born, Keith comes from a European-Slavic background so he is more than familiar with the art of perogies! His dough recipe has been passed down through his family with a few modifications made for the gluten-free crowd. The menu for the event includes a beef stroganoff with peppercorn gravy (lentil substitute for vegans), ‘twice baked’ perogy with crab and cheddar, kimchi-style sauerkraut, dill pickle-chip with potato filling and a corn gravy, and blueberry-saskatoon perogies with berry coulis for dessert!

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Angie St. Mars

On the pun side are local comedians Angie St. Mars and Mike Green. In addition to being our former Associate Producer, Angie is a Winnipeg-based comedian and sketch comic known for her tongue-in-cheek feminist-fueled wit. She has been featured multiple times in the Winnipeg Comedy Festival, ODDBLOCK Comedy Festival, the Winnipeg Comedy Showcase, and Queer and Present Danger. She is a staple of the live comedy game show ‘Pants on Fire’ as the team captain of the team that always wins. You can catch her regularly as part of the monthly show, The Rhythm Section at Wee Johnny’s.

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Mike Green

Mike Green has told jokes for years on stages all across the country, including touring with the Raise the Woof fundraiser shows benefitting animal shelters across Canada. He has been building a reputation for the past seven years by working with some of the top comedic acts in North America as well as freelance work with the CBC. He’s always eager to get onstage at any type of show, from running a weekly open mic for the past six years, hosting the inaugural ODDBLOCK Festival, and performing six years in a row with the Winnipeg Comedy Festival.

Pulling the event all together is Delta Hirsch. Delta is a second-year Creative Communications student at Red River College who really likes food. For the past two years, Delta has been a member of the Fundraising and Development Committee with Sarasvàti Productions. She has worked on Perogies & Puns for the past year, hoping to help Sarasvàti continue to present significant social issues, like mental health and equality.

The dinner is Saturday, March 3 from 7 – 10 PM. Seating is limited, so get your tickets today! Tickets are $50 and available here. You can also check out the event on Facebook or contact Delta for sponsorship opportunities.

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What it means to be Unstoppable

Living through riots, learning to teach yoga as a senior, accepting your true self and conquering all odds. This year we celebrate International Women’s Week with a Cabaret of Monologues and performance art that shines a spotlight on the the many ways in which women are unstoppable. Join us in the theatre on March 10th to see the full line-up.  We are thrilled to announce that we will be providing ASL interpreters at the performance.

If you are part of a community group looking for a way to celebrate, book a selection of pieces to host!

We are thrilled to announce this year’s incredible line-up!

Saviour Self by Andrea Scott
Performed by Reena Jolly
Where were you in 1992 when Yonge Street exploded in riots? Josephine Benedict was a swaggering teenager looking to take care of herself, one tampon at a time.

Flight 182 created and performed by Anjali Sandhu
Where are you from? The Jungle Book, 20th century supermodels, ignorant politicians…nothing will stop Rani from being accepted as Canadian.

I Got 99 Problems, My Penis is Just One created and performed by Cynthia Fortlage
One transgender woman’s exploration of her journey to womanhood. This piece delves deep into Learning to be a Feminist, Loss of Privilege, and the Subtleties of Sisterhood.

I Am Unstoppable created and performed by Joanna Hawkins
Can you remember a time when nothing stood in your way? The innocence of childhood can make you feel unstoppable, but how do we persevere after the barriers and discrimination in the dominant world are fully perceived? Deaf artist, Joanna Hawkins explores this through mime.

Captain of My Ship by Kathy France
Performed by Ady Kay in collaboration with Victoria Hill and Emily Solstice
A woman recounts her coming of age story, reliving the confusion and fear that define a young woman’s entry into sexual awareness.

I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying by A.b. Norris
Performed by Monica Thurn und Taxis
Using images captured during a lunar eclipse, this audio-visual media and collaborative performance piece explores (dis)connection between the persistent need to love/be loved and actually being good at either.

I Am a Warrior by Sue Higgs
Cathy signs up for a course. Nothing unusual about that, except for the fact that Cathy is in her late 60’s in a class full of twenty-something’s.

Sweet An Nice by Althea Cunningham
Performed by Lorraine James
Pregnant with a child, Jamaican immigrant Celestine seeks a better life in a new country. After getting a family to sponsor her, she moves thousands of miles across several oceans to discover it’s far from what she imagined it to be.

ObScene created and performed by Kristy Janvier
By holding onto our beliefs or judgements, how can we create connection? A performance art piece that explores healthy sensuality as a means of release.

Perfect Pie by Judith Thompson
Performed by Anna Binder
When prompted by a long-estranged friend, Patsy explains what it’s like to have an epileptic seizure. From master playwright Judith Thompson’s ground-breaking play about how you cannot escape where you come from.

Stay tuned in the coming weeks as we get to know the artists involved!

Launching IWW18

How do you pull together 10 performers, doing 10 pieces and touring to upwards of 15 locations? With a lot of help. For five years now Rachel Smith has been an integral part of the International Women’s Week Cabaret of Monologues. Rachel is part of choosing the theme, making monologue selections and directing pieces to be performed at the theatre and throughout the community. As we begin to choose our selections for IWW2018, we caught up with Rachel to talk about what she’s looking forward to about the project this year.

What does the IWW Cabaret of Monologues mean to you?

I have been fortunate enough to grow as a director throughout my time working on the cabaret. When I first joined the artistic team I had just graduated with my MA so I was eager to get more practical experience under my belt. Working on this event gave me the opportunity to have Hope McIntyre as a mentor and I feel this has strongly contributed to my growth as an artist.

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Rachel Smith

Working on monologues is challenging in many ways. The playwrights have to write an active and engaging performance for only one person. The actors have no other actors on stage to feed off of and sometimes have to react to an imaginary character. As a director we have to help the actors figure out how to bring the monologues to life; ensuring the performance is active and engaging.

Each monologue that I have worked on has presented its own unique challenges artistically and each actor is different to work with. Every time I have worked on the monologues I take something new away from them. The practical experiences I gain are matched by the expansive understanding that the different stories present.

What does this year’s theme ‘Unstoppable’ mean to you?

Each year the theme we choose offers new stories and new perspectives. The perspectives that are represented in the monologues are not often seen on stage elsewhere. The topics challenge the audiences and offer new ways of thinking about the themes we present. Working as a director on these stories ensures that my own biases are constantly being challenged. I hope that it does the same for audiences.

I think that the theme “unstoppable” is important because it can be inspirational. Everyone faces challenges at some point in their lives. For some people just getting out of bed in the morning can be a challenge. Sometimes the circumstances we find ourselves in can seem hopeless. Sometimes we need other people’s stories about how they are able to push through and keep going, in order to feel as though we can do the same.

What have some of the highlights been for you?

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Jane Burpee in Dave Carley’s “Urban Nun”

My favourite monologue that I have worked on has been the, somewhat crude, smoking Nun played by Jane Burpee. It was such a great monologue and I had so much fun working on it.

That being said, every year the monologues and rehearsals are so great that it is hard to narrow down the highlights. For me, working on the Cabaret, in general, is a highlight.

Why celebrate IWW with the Cabaret of Monologues?

The Cabaret of Monologues is a unique event where we are able to confront important societal issues while getting the chance to showcase talent from Canadian Women. We often get a range of work from all over Canada from women writers of various backgrounds. With the added bonus of being able to work with local, often up and coming, artists. It is a chance to have powerful stories portrayed by powerful women on stage.

One of my favourite aspects of the Cabaret of Monologues is that the monologues tour to different community organizations. This provides opportunities to bring the performances to people who may not be able to attend the full public event. Many organizations use the monologues as an opportunity to talk about circumstances that members of their communities may be confronting. It also provides opportunities for the performers to meet members of the community. This gives the event a more personalized atmosphere.

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Johanna Burdon performing at St. John’s Library

Stay tuned for the announcement of this year’s pieces in an upcoming blog! You can catch the 2018 International Women’s Week Cabaret of Monologues March 10 at 4pm and 8pm at the Asper Centre for Theatre and Film. Tickets are on sale now.  Those interested in booking monologues to tour to their community can contact Angie at associate@sarasvati.ca .

 

Talking Comedy with Kate Schellenberg

Kate Schellenberg - Headshot (2)So far this year Kate Schellenberg has performed at the Winnipeg Comedy Festival, Oddblock Comedy Festival and Rumor’s Comedy Club. After being a stand-out in the Rumor’s Roast Battle, Kate began producing and hosting her own Roast Off at Wee Johnny’s. She was recently named one of CBC Manitoba’s Future 40 young change-makers. We are so glad to have this unstoppable force of comedy in our Women’s Comedy Night Fundraiser on November 15th.

Why do you do stand-up comedy?

KS: Because telling jokes to my house plants stopped being fulfilling after a while and my parents started screening my calls. Honestly, I think it is a special gift when you can make people laugh and bring them joy. There is a special connection you make with people when you make them laugh and I love the feeling I get when I do.

What drives you to talk about the things you talk about on stage?

KS: I mostly talk about dating, my mom and the embarrassing things that happen to me on a daily basis. I talk about these things on stage because I think so many people take themselves too seriously and are afraid to be vulnerable (myself included!) I love challenging myself to laugh about a really bad date or feeling too hairy. I think it opens up other people to talk more about these things in real life.

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Kate hosting the Wee Johnny’s Roast Off

What are you looking forward to about the women’s comedy night fundraiser?

KS: Probably the jello shots that I will bring and invite the other comedians to take with me! Any show that features a lot of female comedians always has an amazing energy and vibe that the comedians feel but the crowd also picks up on, it makes the night more enjoyable for everyone!  Secondly, it’s great to help support organizations that are actively working for good change in the performing arts world.

What would you say to someone who has never been to a Winnipeg comedy show?

KS: Comedy fans, if you have never been to a show that features all female and female-identifying comedians, do yourself a favor, come! Every comic on this show is a real heavy-hitter and will be bringing their a-game (is that enough sports metaphors for you?) Come see these comedians do their best stuff and support a great cause!

Our second annual Women’s Comedy Night Fundraiser is at the King’s Head Pub and tickets are just $15! The early show at 7pm is just about SOLD OUT and the 9:30pm racier show is starting to fill up as well. Get those tickets!