Locals Shine in FemFest 2017 Two Indians by Falen Johnson

Winnipeg is a city bursting at the seams with talented artists. This FemFest we are ecstatic to pair the powerful writing of Toronto playwright Falen Johnson with this incredible team of Winnipeg artists to bring Two Indians to life. Get to know them in this week’s blog.

Sonya
Sonya Ballantyne, Director
Self-described as “nerdy with a smart remark for anything”, Sonya is a filmmaker/writer originally from Misipawistik Cree Nation. Her work focuses on Aboriginal girls and women in non-traditional film genres such as fantasy, horror and superhero films.
*Some things you didn’t know about Sonya…
– once played Ocarina of Time for 15 hours when she was a kid
– she also has a podcast about re-watching television show Hannibal while discussing true crime cases
– she was planning to go to law school before “the seductive world of art got its claws in me”

Two Indians Melanee Deschambeault NowMelanee Deschambeault, Performer
Melanee Deschambeault is French and Anishinaabe from Dauphin, Manitoba. She is a student at the University of Manitoba. Melanee can currently be seen in the Winnipeg Fringe Festival in Riot Revolt Resist Repeat, a Vault Projects production.
*What you might not know about Melanee is…
– if she wasn’t doing theatre she would be found somewhere in Winnipeg trying to fill the void
– Her go-to karaoke songs are anything from Madonna, Jewel (the older stuff!) and Alanis Morissett!
– “When I close my eyes, and see myself as a child, I can see myself outside my grandparent’s house, wondering the back trails by their property. I can see myself occasionally climbing a tree and taunting my dogs who would walk with me through the trails. I can see myself watching my grandfather garden and wondering what my grandmother would be cooking for supper but never venturing inside to see because I would rather be outside in nature.”
– In terms of her part in Two Indians Melanee promises that Roe will unveil a new part of herself that has never been seen by the public!

Two Indians Erica Wilson Now.jpgErica Wilson, Performer
Erica is from Winnipeg’s North End “born and raised.” Erica has worked with Urban Indigenous Theatre Company, Sarasvàti Productions, Merlyn Productions and most recently with Royal Manitoba Theatre Centre as Assistant Director on Sarah Ballenden.
*Did you know…
– For the first time all year Erica has only one occupation
-as a child her best friend was a full-sized cardboard cut-out of herself that she would drag around by a string
– She’s not a fan of karaoke. “I don’t like singing at bars, I was never a fan of myself going up there, picking a song and pretending like I have the energy to do both. I have to be in a mood and most bars never carry songs I want to sing.”

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Joseph Abetria, Designer
Recently returned from Stratford Festival where he worked as costume design assistant under Christina Poddubiuk for the 2017 production of Romeo & Juliet, Joseph identifies as “a sassy individual with a fondness for graphic floral.” This is Joseph’s second time with FemFest, after his work on last year’s FemFest premiere of The Seduction Theory.
*Some things you might not know about Joseph…
– His go-to karaoke song is crowd-favourite Dance with Somebody by Whitney Houston
– If he wasn’t working in theatre he might like to be “that person that designs and names nail polish colours”
– As a kid he really enjoyed watching cartoons and then drawing them after

Colin Wiens, Sound Designer
Colin is in his final year of Production and Stage Management studies at the University of Winnipeg. He hopes to have his own sound design company one day.
*Some things you should know about Colin…
– he also works for the Winnipeg Folk Festival as a Production Assistant
– he goes to competitive Super Smash Brothers tournaments
– if it wasn’t for theatre, he would have liked to try his hand at professional wrestling

There are four chances to see Two Indians at FemFest 2017. See here for tickets and a full schedule of performances. Stay tuned for details on our amazing production team!

Mulgrave Road Theatre brings harrowing Thompson play to FemFest

“Judith Thompson’s Watching Glory Die is a call to action and a cri de coeur.”
-THE CHRONICLE HERALD

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Watching Glory Die

In her recent play, Judith Thompson turns our attention to the flaws within the Canadian prison system. Inspired by the true story of New Brunswick teenager Ashley Smith who died while under suicide watch in an Ontario prison in 2007, Watching Glory Die is a deliberately fictionalized portrait of three women intertwined by systemic abandonment.

“Politically charged and some of Thompson’s best story-telling”
-HALIFAX BLOGGERS

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Emmy Alcorn

After a successful run in Halifax, Nova Scotia, Mulgrave Road Theatre has been touring this powerful production across the country. We are excited to welcome them to Winnipeg to deliver this incredible piece of theatre at FemFest 2017. Director Emmy Alcorn (Artistic Director of Mulgrave Road Theatre, Nova Scotia Established Artist Award) brings this powerful play to the stage with perfect balance. “I believe there is a way to lift everyone up in society. We live in an abundant world and must ensure that everyone is treated fairly, that they have food and shelter; that they are loved”, says Alcorn.

Watching Glory Die Stephanie MacDonald Headshot (cast) now

Stephanie MacDonald

Award-winning actor Stephanie MacDonald brings these three women to life in a performance that is described in a review by the Chronicle Herald as “masterful, intense, deeply focused and totally convincing.”  In Watching Glory Die MacDonald plays all three characters: Glory, a fictionalized version of Ashley Smith; Rosellen, Glory’s mother and Gail, a guard at the prison where Glory is incarcerated. “It’s not just the precision between roles that is captivating, but how honestly and instantly MacDonald apparates from one woman’s deep emotional state to the next” –HALIFAX BLOGGERS

“Thompsons powerful writing skills are on display” – TORONTO STAR

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Watching Glory Die

The play does not shy away from the harrowing moments of this story. Chief among questions raised throughout the play is, “What would I do?” “The impossible is happening in our country,” Thompson said in an interview about Watching Glory Die with the Toronto Star. “The system destroyed Smith. And it happened where least expected.”

Judith Thompson is a multiple award-winning playwright and is highly regarded as one

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Watching Glory Die

of Canada’s most prolific playwrights. She is the author of such notable plays as The Crackwalker, White Biting Dog and Lion in the Streets. Her work is a staple of theatre programs in Universities across Canada. There are three chances to see Watching Glory Die at the Asper Centre for Theatre & Film: September 21 at 2:30pm and again at 9pm, September 22 at 7pm.

“Watching Glory Die shocks, clarifies and engages.” —Evan Andrew Mackay, Post City Toronto

Stay tuned for more FemFest news!
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Theatre that Transforms Us – 2016/17 Season Retrospective

Cotton candy cocktails, ghosts, riots, vans stuck in the snow, standing ovations, tears and a lot of laughter. It really is hard to believe that another season has gone by – our 17th one in Winnipeg to be exact! Just over a year ago, we launched a season themed on Transformation and it truly was life-changing.

Breaking Through
“They were commenting on how they thought they were the only ones feeling a certain way until seeing this play and being able to realize that they are not alone.” – Loveeza Arshad, Friends Housing

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The cast of Breaking Through takes a bow

Thanks to your support we enjoyed an incredibly successful run of the culmination of our Mental Health project. We hope the dialogue will continue outside the theatre for some time to come. We’ll keep you posted as we work towards publishing the play!

 

IWW 2017 Starting Over
“Engaging and inspiring, these powerful performances rooted in real experiences provided brilliant insight. In our case, the complex realities of both youthful and mature immigrant women were are the forefront. Exploring these themes is so vital, with increased cultural diversity and amid global striving for women’s rights. Women of all nations and cultures can relate to themes of place, space, marginalization, hope, potential…”– Pamela Hadder, Agape House-Eastman Crisis Centre

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A packed house at IWW2017: Starting Over

This year, we worked closely with newcomer women and girls and the results were some incredible pieces.  We were proud to provide a platform for women’s stories, to promote equity on Canadian stages and to provide access to the arts. A great big thank you goes out to Manitoba Status of Women and the Social Planning Council of Winnipeg. Without them, this Cabaret would not be possible. Special thanks to Neighborhoods Alive! and NERI for supporting our North End performances.

One Night Stand Series
“Amazing job, everyone! And for those involved in [my piece], thank you so much for helping me bring that world to life… Truly an inspirational night!” –  Marjorie Roden, featured playwright

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One Night Stand Fringe Frenzy! at Carol Shields Festival of new Works

With the help of producer Tatiana Carnevale and Prairie Theatre Exchange we re-launched the One Night Stand playreading Series. The Series gives playwrights the opportunity to test their work, while giving audiences a chance to take part in their development process.  Look out for the launch of One Night Stand next season at closing night of FemFest! We will be featuring readings from Judith Thompson and our most celebrated local playwrights.

 

Workshops for Emerging Artists
“So much good info!”
“Extremely beneficial”
“It was great! More workshops!” – Feedback from workshop participants

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Our Artistic Director Hope McIntyre facilitates at Auditioning 101

We served 85 emerging artists with our Emerging Artist workshop series this season.
We tackled some of our most-requested workshops this year with Grantwriting & Taxes for Artists, Auditioning 101 and Mock Auditions for Advanced Actors.  We thank our partners Winnipeg Arts Council, Manitoba Arts Council, ACI Manitoba, Royal Manitoba Theatre Centre, Theatre Projects Manitoba and Winnipeg Jewish Theatre for helping us support education opportunities for emerging artists. Plans for the 2017/18 Emerging Artists Workshop Series are already underway! Drop us a line if there is a workshop you’d like to see.

North End Workshop Series
“I wasn’t sure if I wanted to study theatre but now I’m sure!” – Sabil, youth participant

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Youth facilitator Erica Wilson offers direction as the youth participants work on their scene

We kicked-off 2017 with a focused series of theatre workshops for North End youth. Youth Coordinators Frances Koncan and Cherrel Holder alongside a series of guest artists, introduced theatre techniques and worked on scenes with youth. On February 22nd we celebrated with a showcase of the youth involved. We have already heard from multiple youth that they have decided to pursue theatre and we look forward to supporting them with mentorship in 2017/18.

 

 


Women’s Comedy Night Fundraiser

“Congratulations! What a great evening!!” – Brigit Krasovec
“Great turn out! Amazing show.” – Tim Gray

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Actions shots of some of the comedians at the Women’s Comedy Night Fundraiser

We took a leap and tried something brand new with our comedy fundraiser. We teamed up with Winnipeg’s hilarious women comedians to produce the Women’s Comedy Night. The event saw unprecedented success—selling out and packing the venue with an incredible mix of Sarasvàti supporters and comedy fans. We had a blast and you better believe we’ll be doing this again next year.

 

 


Shattered
High School Tour

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The cast of Shattered

“Things aren’t what they seem and we should never assume things about people. I learned a lot and I
could tell my fellow audience members also learned something new. I realized a lot more people in our
school had experience with mental illness than I thought.” -Student at Fort Richmond Collegiate

We broke pervious records by performing to 6,161 youth and educators in Manitoba. Shattered has received overwhelming praise from teachers and students alike. It was also transformative for the cast who were touched by the number of youth who approached them after performances to share their own struggles with mental health.


FemFest2016: Transformation

We were proud to present such provocative touring shows as Miss Understood, Mouthpiece, as well as clown favourites Morro & Jasp Do Puberty. The world premiere of the previous year’s Bake-Off winner Sherry MacDonald’s The Seduction Theory made a huge impact as audiences discussed the ways we continue to victim-blame.

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These are just a few of our highlights. What stood out for you? Save the date for August 4th at 7pm and stay tuned for exciting details about our 2017/18 season launch.

Breaking the Silence Together

We have been honoured to hear about how Breaking Through affected audiences and all of those involved. Through the course of the run, over 600 people saw the play. From initial story-gathering workshops to the lively panel discussions that followed select performances, so many people have spoken up about their experience with mental health. Here are some snapshots of what people have had to say.

“Amazing show! Thank you Sarasvati for bringing mental health issues to light and sharing the struggles breaking down stereotypes and stigma! BRAVO!” – Debbie Radi (Facebook)

18738812_10158648658995328_1417637719958705646_o“What a show!! Giving us some hard truths about mental illness… and plenty of fine acting. Real, relevant reportage from one of the front lines of human suffering (and it’s also good theatre).” – Kevan Bowkett (Facebook)

“I had a great time at Sarasvati Productions’ Breaking Through. It’s so important to talk about mental health and illness. It meant so much to meet Hope McIntyre and her colleagues!” – Angela Taylor

Thanks to generous donors, we were able to provide access to those who would not otherwise have been able to attend.

“First off, thank you so much for providing the financial ease on Friends Housing as we are a non-profit organization and also for contacting us to come see this breathtaking play. I brought three residents. There were tears but also laughter, but most importantly they were very engaged. All three of them felt a real connection to the play and empathized for the characters. They were even commenting on how they thought they were the only ones feeling a certain way until seeing this play and being able to realize that they are not alone. Thank-you again for inviting Friends Housing, we had a wonderful time.” -Loveeza Arshad, staff at Friends Housing Inc.

“A few of our volunteers were able to watch “Breaking Through” by Sarasvati Productions last weekend. “It was a very moving portrayal of people with differing mental health needs. It was very real, graphic at times, and they didn’t shy away from confronting the hard issues. Excellent actors and very true to life!” – Corrie Neil, Volunteer Coordinator at Anxiety Disorders Association of Manitoba.

We were excited to share the stage with a diverse range of speakers in our panel discussions. We are overwhelmed with gratitude for all of those who shared experiences and perspectives after performances.

“It helped overcome the fear of interacting with someone with a mental health condition which would probably be a big factor in stigmatization.” – Dana Rungay, Red Threads Playback Theatre

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“I’ve experienced mental health challenges due to living with a chronic illness. For many years, it was something I felt I couldn’t talk about. Through online support groups, I discovered the power of shared experience, which has been integral to both my physical and mental health. I feel honoured to be in a play rooted in real mental health journeys, expressed with such honesty, respect, and humour. As my character Stef says, ‘silence is the illness.’ I hope the audience will keep talking long after the show is over, whether it be in reflection of their own experiences or others in their lives.” – Elena Anciro ‘Stef’ in Breaking Through

“The story of Breaking Through reminds me to respect the inherent value of every human being, sick or well. All people have needs, feelings, & wishes.” – Harry Nelken ‘Joe’ in Breaking Through

“There is massive pressure from our social media world to look a certain way, or act a certain way, and I think seeing Val struggle with This concept will really resonate with audiences.” – Spenser Payne ‘Val’ in Breaking Through

“I know [the playwrights] have talked with people, from every aspect possible, – in mental health centres, in hospitals, in drop in centres, in the community as a whole and what they have developed – both with Shattered and with Breaking Through – is a very real snapshot. We all share the parts of being through Spiritual, Emotional, Mental, and Physical. It’s important to address all aspects for balance. This is why Breaking Through resonates with me. It is bringing to balance one area of our whole.” – Marsha Knight, Female Ensemble in Breaking Through

Breaking Through resonates with me because it echoes a few of the personal experiences I had in my own life. Members of my own family have struggled with mental illness. As a child I endured first-hand trauma as a result of psychotic and manic episodes that a family member was going through. The underlying message of Breaking Through is that we all need to re-think how we treat those dealing with different lived experiences due to their unique minds or their circumstances.” – Josh Ranville, ‘KoKo’ in Breaking Through

We could not have envisioned a stronger creative team to have pulled this project together. Every artist involved has brought something unique to Breaking Through. Thank you to everyone who made Breaking Through such a huge success!
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Breaking Through has everyone talking!

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Molly (Dorothy Carroll) and Kennedy (Marsha Knight) are turned away from an emergency shelter.

Breaking Through opened on Tuesday and has had everyone talking since.

“Saw Breaking Through yesterday, and recommend it, it is honest but done with humour too. Still shows this week. I love all the characters, especially KoKo.” – Mary Scott

“I identify with some of the characters as I have gone through mental struggles of my own… I think what it certainly got across very well was that each character was a sort of individual element, not of their own choosing, but they’re trying to find some means of attaining normalcy. This is what I’ve gone through—the struggle to find normalcy when you have a condition that leaves you feeling anything but.”  – Patrick Lowe, Winnipeg Filmmaker

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KoKo (Josh Ranville) is visited by her spirit guide (Marsha Knight)

“Brilliantly done and very well-researched. The actors really took on the roles. Everybody’s characters just stay with you.” – Angela, audience member

Check out a feature in The Times on actor Harry Nelken who plays Joe, a 72 year old character who has been living with schizophrenia since he was 19. Read the Winnipeg Free Press preview by Randall King and the blog review by Winnipeg theatre artist Lorraine James. Breaking Through has also been featured in the Winnipeg Free Press Arts & Culture, CBC News, The Herald, The Lance, The Pilipino Express, Global News Morning and more!

Come and see for yourself. There are four performances left! To see a performance schedule and book you tickets click here.

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“Plays like this are good messages. They’re valuable, in a sense. What I also like about the play is it was meant to be entertaining throughout. It wasn’t really a ‘downer’. It was trying to be an ‘upper’” – Patrick Lowe, Winnipeg filmmaker

Photos by Janet Shum.

 

 

Behind the Scenes with Breaking Through

With less than two weeks until Opening Night, the cast of Breaking Through are delving deep in to their characters who are born out of so many Winnipegger’s stories. For this week’s blog we visited the actors in action for a behind the scenes look into Breaking Through.

Harry Nelken as "Joe" in Breaking Through

Joe (Harry Nelken)

Harry Nelken plays Joe, a sometimes prickly, sometimes charming mental health centre resident with the story of a lifetime.

“What excites me about Joe: he’s a fighter, he’s compassionate, he thinks of others, he nurtures, he’s loving, and a kidder”, says Harry, “most of all, he accepts who he is and his lot in life.”

 

Richie Diggs plays an array of different characters as the Male Ensemble in Breaking Through.

Richie Diggs as "Absame" in Breaking Through

A fateful encounter at a bus stop between Absame (Richie Diggs) and Stef (Elena Anciro)

“Everyone needs a healthy mind, but anyone can get a sick mind.” My character says this in the play, thereby distilling the entire play to that simple comprehension, says Richie. “It is a key point to note, not just because one’s own self may sometimes be confronted with the challenges of living with a mental illness, but that when we encounter others battling these health challenges, that understanding, and support will be our participation, rather than stigma, or exclusion, or fear.”

Elena Ancrio as "Stef" in Breaking Through

Joe (Harry Nelken) and Stef (Elena Anciro); Joe fulfills duty as the unofficial ‘welcome committee’ of the mental health centre.

“What I love about Stef is that she is strong and resilient, that even when she is struggling, she has a quick wit and the instinct to help others”, says Elena Anciro. “The journey she goes on during the play has a really important message for all of us. I think whenever you are tasked with playing a character that is based on a real person or is experiencing something very specific (in this case, anxiety and OCD), it’s hard not to feel nervous about “getting it right.” It’s been amazing to work with Hope and Cairn’s script and to explore the text / subject matter with the cast. There’s been a very supportive and ‘safe space’ vibe to our rehearsals, which has really helped me feel relaxed about finding Stef and telling her story.”

 

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Val (Spenser Payne) saves face!

Spenser Payne plays Val. “I think Val’s story is a really great story to witness, says Spenser.  “It’s hard to live up to certain beauty standards in our world, and doing my research on this character, really realized how common it is for women, and men to deal with an eating disorder. It happens to anyone, doesn’t matter your size, or gender. There is massive pressure from our social media world to look a certain way, or act a certain way, and I think seeing Val struggle with This concept will really resonate with audiences.”

 

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KoKo (Josh Ranville) is visited by spirit guide (Marsha Knight)

“I play different family members to more than one character so I am in relationship with more than one other person who has mental health concerns”, says Marsha Knight, who plays the Female Ensemble.

 

“Not only am I looking at the nuances for each character”, says Marsha, “I am also looking at the relationship. Those are areas that every actor addresses – characteristics, a uniqueness, the dynamic. This time around, there is a heightened awareness when it comes to the relationship part.”

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Molly (Dorothy Carroll) stirs things up at the mental health centre.

 

“Molly is so intensely dynamic”, says Dorothy Carroll. “We see her in her highest and lowest moments, which has made it a real challenging journey. Finding a way “in” to someone struggling as Molly does, and discovering the “whys” has been most enlightening.”

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Dr. Morgan (Richie Diggs) and KoKo (Josh Ranville

“KoKo is a voice of wisdom in the play”, says Josh Ranville. “There are beautiful painful moments of hopelessness at the start of the play but I also get to climb out of the muck. KoKo is a light beacon for the other characters to accept themselves for who they are. What a journey I get to go on every night we perform.”

Breaking Through runs May 23-28 at the Asper Centre for Theatre an Film. To see a full list of showtimes and to book tickets visit sarasvati.ca.

Photos by Janet Shum.

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L to R: Joe (Harry Nelken) Stef (Elena Anciro) KoKo (Josh Ranville) Val (Spenser Payne) and Molly (Dorothy Carroll)

 

 

Our Next One Night Stand is a Fringe Frenzy!

Carol Shields Festival logo

6364_PTE_Carol.Shields_PlayItForward_Horizontal_ColourOne Night Stand Series Producer Tatiana Carnevale has curated an action-packed afternoon of playreadings as part of the Carol Shields Festival of New Works. This special Fringe Frenzy edition features preview readings of six new plays from local companies who will be premiering these works at the 2017 Winnipeg Fringe Festival. Here’s a peek at what the event has in store.

Anomie by Wren Brian
Presented by Downside Up Productions
Directed by Eric Rae
Performed by Victoria Hill & Eric Rae 

When everything is taken away, what’s left?Anomie_ONS3

Two people struggle against each other and the empty space they’re trapped in to find a way out.  Not knowing how or why they ended up in an “abyss”, the two search for meaning and understanding in their existence and in their relationship. Riffing on absurdism and existentialism (and not without a dash of humour), this play explores how we deny and deal with meaninglessness.

Harper & Row by Rebekah Enns and Sarah Flynn
Presented by Naked Theatre productions
Naked Theatre ProductionsDear Universe,
Did you know the pen is mightier than the sword? We’ve been trying to figure out what that means. Could you send us a sign, or at least some more peaches?
Signed, Harper & Row

Naked Theatre presents an original piece about two girls just trying to figure it all out. With pens as their defense against the world, all they need now is an envelope, a stamp and someone to write back.

Riot Resist Revolt Repeat by Frances Koncan
Presented by Vault Projects
Directed by Frances Koncan
Performed by Melanee Deschambeault, Sandy Klowak, Frances Koncan, Eric Rae, Karmelle Spence-Sing, and Erica Wilson

In the near-future, in a city surrounded by walls and a world where water is scarce and a Riot Resist_ONS3luxury available only to the very rich, a Revolution is beginning. Iskwe, a young Cree woman, is struggling with bipolar disorder. Her current state of depression is further complicated by the loss of sister, who went missing one year ago. While being treated in a hospital run by a white supremacist Doctor, Iskwe meets two new friends who believe her to be her sister – the missing leader of the Revolution. Together, they embark on a journey to find her missing sister and destroy the Wall that keeps them from their sacred lands, but a mysterious person known only as The Gatekeeper has other plans. As Iskwe’s mental health continues to deteriorate under discriminatory, colonial treatment methods, the boundaries between the world of the Wall and the world of the Hospital begin to disintegrate, leaving her more confused than ever… and more powerful.

(Un)Happy Medium by Heather Madill
Presented by Kiss the Giraffe Productions
Directed by Alan Mackenzie
Performed by Heather Madill, Kami Desilets, Joseph Aragon

Madill_ONS3“I’ve got two lousy roommates. They don’t pay rent, they don’t clean up, and they’re so loud I can’t hear my own thoughts. One keeps me always on edge, the other sucks my will to live. But I can’t evict them, so I’ve got to make this work somehow. I swear they’re real, but most people don’t believe these jerks can possibly exist, so I don’t usually talk about them. But today… I’m gonna have to make an exception.”

Inertia by Gislina Patterson, Davis Plett, Angelica Schwartz, and Erin Meagan Schwartz
Presented by Happy Accidents

Inertia is an experimental theatre piece devised by a collective of intermedia artists. inertia squareDeviating from narrative-lead performance, Inertia is a mediation on haunting, magic, semiconscious inheritances and predators. The collective is made up of Gislina Patterson (writer and theatre artist), Davis Plett (cultural studies academic, poet, director, musician and technical wizard), Angelica Schwartz (director, Studio58 production grad) and Erin Meagan Schwartz (improviser, theatre artist, gender studies scholar, and activist). The collective aims to deconstruct the hierarchy of theatre production and creation, queering theatre tech by attacking heteronormativity in the community and canon. Inertia draws on Shakespeare, in-yer-face theatre, and clowns.

Filter This by Craig Terlson and Reba Terlson
Presented by It’s All Relative Productions
Directed by Kaeleigh Ayre
Performed by Reba Terlson, Sam McLean, Jesse Nobess

Filter This_ONS3Olivia and Dan come from two different worlds. Olivia lives on social media, documenting every moment of her life. Dan lives without a cell phone, or anything that distracts him from being present. A chance meeting at a park, has the two wonder if they could live in each other’s world, and find a deeper connection. Along for the ride is their friend the meme, who tweets, snaps and instagrams their lives. Filter This is a comedy that asks do opposites attract? And if so, must they tweet about it?

Catch readings from each of these enticing new plays on May 13 at 3:30pm at Prairie Theatre Exchange, 3rd Floor Portage Place. Free admission. Enjoy the 2017 Carol Shields Festival of New Works!