Our Next One Night Stand is a Fringe Frenzy!

Carol Shields Festival logo

6364_PTE_Carol.Shields_PlayItForward_Horizontal_ColourOne Night Stand Series Producer Tatiana Carnevale has curated an action-packed afternoon of playreadings as part of the Carol Shields Festival of New Works. This special Fringe Frenzy edition features preview readings of six new plays from local companies who will be premiering these works at the 2017 Winnipeg Fringe Festival. Here’s a peek at what the event has in store.

Anomie by Wren Brian
Presented by Downside Up Productions
Directed by Eric Rae
Performed by Victoria Hill & Eric Rae 

When everything is taken away, what’s left?Anomie_ONS3

Two people struggle against each other and the empty space they’re trapped in to find a way out.  Not knowing how or why they ended up in an “abyss”, the two search for meaning and understanding in their existence and in their relationship. Riffing on absurdism and existentialism (and not without a dash of humour), this play explores how we deny and deal with meaninglessness.

Harper & Row by Rebekah Enns and Sarah Flynn
Presented by Naked Theatre productions
Naked Theatre ProductionsDear Universe,
Did you know the pen is mightier than the sword? We’ve been trying to figure out what that means. Could you send us a sign, or at least some more peaches?
Signed, Harper & Row

Naked Theatre presents an original piece about two girls just trying to figure it all out. With pens as their defense against the world, all they need now is an envelope, a stamp and someone to write back.

Riot Resist Revolt Repeat by Frances Koncan
Presented by Vault Projects
Directed by Frances Koncan
Performed by Melanee Deschambeault, Sandy Klowak, Frances Koncan, Eric Rae, Karmelle Spence-Sing, and Erica Wilson

In the near-future, in a city surrounded by walls and a world where water is scarce and a Riot Resist_ONS3luxury available only to the very rich, a Revolution is beginning. Iskwe, a young Cree woman, is struggling with bipolar disorder. Her current state of depression is further complicated by the loss of sister, who went missing one year ago. While being treated in a hospital run by a white supremacist Doctor, Iskwe meets two new friends who believe her to be her sister – the missing leader of the Revolution. Together, they embark on a journey to find her missing sister and destroy the Wall that keeps them from their sacred lands, but a mysterious person known only as The Gatekeeper has other plans. As Iskwe’s mental health continues to deteriorate under discriminatory, colonial treatment methods, the boundaries between the world of the Wall and the world of the Hospital begin to disintegrate, leaving her more confused than ever… and more powerful.

(Un)Happy Medium by Heather Madill
Presented by Kiss the Giraffe Productions
Directed by Alan Mackenzie
Performed by Heather Madill, Kami Desilets, Joseph Aragon

Madill_ONS3“I’ve got two lousy roommates. They don’t pay rent, they don’t clean up, and they’re so loud I can’t hear my own thoughts. One keeps me always on edge, the other sucks my will to live. But I can’t evict them, so I’ve got to make this work somehow. I swear they’re real, but most people don’t believe these jerks can possibly exist, so I don’t usually talk about them. But today… I’m gonna have to make an exception.”

Inertia by Gislina Patterson, Davis Plett, Angelica Schwartz, and Erin Meagan Schwartz
Presented by Happy Accidents

Inertia is an experimental theatre piece devised by a collective of intermedia artists. inertia squareDeviating from narrative-lead performance, Inertia is a mediation on haunting, magic, semiconscious inheritances and predators. The collective is made up of Gislina Patterson (writer and theatre artist), Davis Plett (cultural studies academic, poet, director, musician and technical wizard), Angelica Schwartz (director, Studio58 production grad) and Erin Meagan Schwartz (improviser, theatre artist, gender studies scholar, and activist). The collective aims to deconstruct the hierarchy of theatre production and creation, queering theatre tech by attacking heteronormativity in the community and canon. Inertia draws on Shakespeare, in-yer-face theatre, and clowns.

Filter This by Craig Terlson and Reba Terlson
Presented by It’s All Relative Productions
Directed by Kaeleigh Ayre
Performed by Reba Terlson, Sam McLean, Jesse Nobess

Filter This_ONS3Olivia and Dan come from two different worlds. Olivia lives on social media, documenting every moment of her life. Dan lives without a cell phone, or anything that distracts him from being present. A chance meeting at a park, has the two wonder if they could live in each other’s world, and find a deeper connection. Along for the ride is their friend the meme, who tweets, snaps and instagrams their lives. Filter This is a comedy that asks do opposites attract? And if so, must they tweet about it?

Catch readings from each of these enticing new plays on May 13 at 3:30pm at Prairie Theatre Exchange, 3rd Floor Portage Place. Free admission. Enjoy the 2017 Carol Shields Festival of New Works!

The Long Journey to Breaking Through

Two years…that’s the average lifespan of a robin. Why work on a project for two years? It might be your first time reading about Breaking Through or perhaps you have you been following its progress for two years? Either way, as we launch in to rehearsals for the world premiere, we thought an overview was in order.

SMHC Playback

Playback group

In 2015 we launched “Mental Health is Everyone’s Health” with Artists in Healthcare Manitoba and Red Threads Playback Theatre. Much of the genesis was supported by the Selkirk Mental Health Centre where Red Threads did amazing playbacks sessions with residents who shared their stories and where co-writer Hope McIntyre had the honour of interviewing those in the geriatric and acquired brain injury ward. Sarasvàti also put out the word that we wanted to hear as many stories from as many perspectives. A need to break the silence and counter misrepresentation led to those with lived experience, health care workers and caregivers coming forward for interviews and to participate in open workshop sessions. We were hosted by the Manitoba Schizophrenia Society, Rainbow Resource Centre, St. John’s High School, Resource Assistance for Youth and Aurora Family Centre’s male newcomer peer support group. In total almost 400 people shared their experiences! We were blown away. Writers Hope McIntyre and Cairn Moore with the support of facilitator Nan Fewchuk faced the difficult task of compiling so many diverse perspectives in to a compelling play. In fact, they would have liked a third year to take on this daunting task!

Nan Fewchuk and Cairn Moore

Nan Fewchuk and Cairn Moore make notes at a workshop reading of Breaking Through, 2016.

It was decided in consulting with all our partners that the ultimate goals was to increase empathy and understanding, highlight the reality that everyone has mental health, and demonstrate that everyone’s experience of illness is unique. All that as well as making it artistically engaging! Breaking Through was read in various drafts for those who contributed their stories. Then a full staged reading in May 2016 allowed actors to contribute their insights while testing the play out in front of an audience.

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Over one hundred feedback forms were received! Overall an extremely favourable response, but with amazing insights leading to round after round of rewrites. Then another workshop with actors thanks to the Manitoba Association of Playwrights and the guidance of Sharon Bajer in January 2017.

The process has already created a platform for people to talk about the importance of mental health for everyone. It is easy to think of mental health with an “us vs. them” mentality: people who have a mental illness and people who do not. However, it is important to know that this apparent line is a lot blurrier than many people may think. One in four Manitobans will receive medical treatment for a mental illness. Many people are affected in one way or another and some people to do not stop to consider their own mental health.

Finally we arrive at the beginning of the final stage. Our first read-through on Tuesday was exhilarating for everyone! We can hardly wait to share the results of this journey with the world or at least with Winnipeg audiences as a start.

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The world premiere of Breaking Through is coming up May 23-28, 2017 under the direction of Kevin Klassen with an accomplished Winnipeg cast and crew featuring Elena Anciro, Dorothy Carroll, Richie Diggs, Marsha Knight, Harry Nelken, Spenser Payne and Josh Ranville. Plus design team Kim Griffin (set/costumes), Dean Cowieson (lighting) and jaymez (video/sound).

For more information on Breaking Through and how to get tickets visit our website! http://sarasvati.ca/breaking-through-world-premiere/

Spotlight on Director Kevin Klassen

Breaking Through launches into rehearsal at the end of this month. Leading the team of this world premiere is director, Kevin Klassen. We’re pleased to turn the spotlight on Kevin in this week’s blog.

Kevin Klassen is thrilled and grateful to be working with Sarasvàti on this challenging play, and with this exciting collection of artists. His directing credits include: JONNO, Dr. Kellogg’s System, Lulu: A Monster Tragedy, Le Grand-Guignol Sur La Prairie, MissAdventurous Perils of Pauline, Poet And The Rent (Echo Theatre); Dog Act (Nancan Boogie Productions) and Merry Wives of Windsor (SIR). He is currently developing an immersive theatrical adventure called Dracula Unearthed for Echo Theatre, to be experienced at the Dalnavert Museum this coming Halloween!

 How would you describe yourself as a director?

I consider it my job as director to help create on stage what the playwright is trying to put on the page. That leap of imagination is the primary task, and then helping to lead and facilitate that leap for everyone else involved: especially the audience. Ensuring that what the audience experiences is as much as possible what the collaborating artists intend.

Kevin Klassen

What was the impetus for directing Breaking Through?

I was honoured and flattered to be asked in the first place, and after reading the script I felt that I understood what Cairn and Hope were after, and that I had something to offer in terms of bringing it across to an audience in an entertaining, meaningful way. It tickled my imagination.

What about the script excites you? 

I think that the challenges faced by people who are affected by mental illness is a very important subject. I think the play does a very good job of balancing the serious realities of this issue with playful and creative methods of storytelling- it’s got a robust strain of humour and a rather bold theatricality.

If you could say one thing to the Artist who inspired you most, who would it be? And what would you say?

Choosing one is hard. I’ll choose the person who had the most direct impact on my sense of myself as an artist: Reg Skene. And I’m very grateful to have had the opportunity to say thank you.

What do you hope the audience will be talking about on the car ride home from Breaking Through?

I hope they talk about how glad they are that they came, how much there is to consider when dealing with mental health issues, and how crucial it is to our society that we tackle these issues with compassion and intelligence and imagination- even if it means that some people have to pay a little more in taxes.

Breaking Through runs May 23-38, 2017 at the Asper Centre for Theatre & Film.

 

Rethinking Mental Illness: New play grounded in truth

MORGAN: Your worker says you have been behaving differently.

KOKO: I pride myself on behaving differently.

-excerpt from Breaking Through by Hope McIntyre and Cairn Moore

The stories of five individuals struggling with mental health issues interweave in Sarasvàti Productions new play, Breaking Through. Playwrights Hope McIntyre and Cairn Moore created Breaking Through as part of community-based two-year Mental Health is Everyone’s Health project. The project saw McIntyre and Moore team up with Artists in Health Care, Red Threads Playback Theatre and the Selkirk Mental Health Centre as well as working with multiple community organizations and the public. The resulting play is an exploration of mental illness grounded in real experience.

This week, we catch up with the playwrights to talk about the journey of this new, provocative play – from inspiration to early stages of production.

1)            What was the impetus that got you going on Breaking Through?

McIntyre: Meeting with so many people and hearing their stories was all the inspiration needed. We were lucky to have several individuals contact us to share, others show up to the open sessions and amazing workshops at numerous organizations. There was never an issue of lack of material or desire to write but more so too much material!

Moore: For me it was during our visits to female prisons across Canada during the writing of Hope and I’s play “Jail Baby.” Early on I realized at least 30 percent of the women we were meeting, had serious mental illness. In prison, those issues were not, and would never be, addressed.  I wanted to be a part of changing that.

Hope McIntyre and Cairn Moore at the book launch of their play ‘Jail Baby’

 

2)            Do you feel like your understanding of mental health has changed while working on this play? How?

McIntyre: Not changed per say as I have worked with and had many people in my life who struggled with mental health prior to this project. I think what I realized is that every individual has their own experience and own perspective. One of the challenges is to show the myriad responses and points of view. Some have been devastated by the medications they were prescribed and lost quality of life whereas others we spoke with believe the medications saved their lives. There are no easy answers or one size fits all solutions but a need to really honour each story.

Moore: Definitely. Particularly when it comes to medication in North America. While visiting Selkirk Mental Health Centre, I realized that what I originally thought was “mental illness” was really the side effects of medication. That was a scary moment.

3)            While doing research, workshops and interviews with the public, what surprised you most?

McIntyre: The willingness of people to share was the most surprising. There was clearly a desire to talk about it in order to educate, increase awareness and to stop feeling like it was something that needed to be hidden. Many people I knew beforehand in other capacities came forward to share. I feel I started to stop and listen more after going through this process. Asking someone how they are doing, really doing, can be such an important thing.

Moore: That most of us experience mental health issues, even those people who may seem like they have the world by the tail. I was surprised at just how sick people can get. How much care takers and loved ones sacrifice to help those suffering from mental illness. How very real psychosis is, to those who experience it. That we need to recognize people with mental illness, are not their illness, for example, a person is not schizophrenic; they are a person with schizophrenia. The illness should not define them, any more than cancer should define someone. That person is not cancer; they are a person who has cancer. We really need to rethink how we talk about mental illness.

4)            What do you hope the audience is talking about on the car ride home from Breaking Through?

McIntyre: I hope they are opening up about their own struggles, discussing the reality that it is universal and exploring how we should support anyone who is going through a rough time by providing them with what they need.

Moore: I hope there is passionate debate. Talking about mental illness is the first step. It is my greatest wish as a playwright, to raise questions, rather than answer them. Silence is the most difficult hurdle. We should be able to talk about mental illness with our friends, in our work place, without fear of being stigmatized.

Breaking Through premieres on May 23rd and runs until May 28th at the Asper Centre for Theatre & Film. Tickets are available now on our website or by calling the office at 204-586-2236.