Poetry and Playwrights at IWW 2019!

We’re excited to share more about the fabulous artists behind this year’s International Women’s Week Cabaret of Monologues! This year’s theme is Here I Am, exploring themes of reclaiming identity and coming into one’s own.

Appearing in this year’s Cabaret are a number of artists writing and performing their own work, including long-time Sarasvàti collaborator Nan Fewchuk performing her piece, Thelma and Louise. While waiting in Cancer Care, Maggie reflects back on her life, her resentment towards her large breasts, and how the thought of losing one of them changes her perspective.

Nan Fewchuk

Nan Fewchuk

Nan is grateful to be a performer, director, and facilitator with Sarasvàti Productions, working on such favorites as Fefu and Her Friends, Fen, Jail Baby and Empty. Nan has performed with Rainbow Stage, Shakespeare in the Ruins, and Green Kids Inc. She produced and acted in the Fringe hits Dog Act and Or as well as working with the Manitoba Drama Youth Festival, Villa Rosa, The Peaceful Village, and the West Central Women’s Resource Centre. Nan co-founded the Indigenous youth group Neechisan at Garden City Collegiate where she taught drama for over twenty-five years.

Thelma and Louise was originally Nan’s final performance piece while studying at One Yellow Rabbit in Calgary. “Ten years later I’m finding it super interesting to further explore, dive deeper, and rework things, especially because I feel differently now than I did when I first wrote it,” says Nan. “As I grow older, I think so much more about my own mortality and have come to fully realize what really matters in life. I am so grateful for all of the good times and the wacky times, and for all of my family, friends, teachers, mentors,  coaches, and kind strangers who have taught me so much about life: how to  love, forgive, and journey forward.”

 

Shereen Ramprashad

Shereen Ramprashad

Also performing a work of her own creation is local spoken word artist Shereen Ramprashad. Shereen’s piece I am NOT a Victim is a charismatic, satirical poem challenging the media’s perception that women are – and always will be – a victim of something. Shereen is a colourful, witty and lively Canadian writer based out of Winnipeg. Her writings are a creative blend of intelligent metaphor and philosophy with undercurrents of subtext and observation. Shereen started her creative journey in her early forties with the intent of creating waves with poetry. Ten years later she’s doing just that with her interdisciplinary performance poetry and storytelling.

“Writing and performing is my way of presenting alternative perspectives on mainstream ideas and norms,” says Shereen. “I encourage critical thought of who we are as a society, where we are going, and how we want to see ourselves in the future. I think it’s important to find humour in hard times; satire is a powerful tool when it is used in the right context.”

You can see Nan and Shereen perform alongside seven other talented artists during the full Cabaret line-up on March 9th! Performances are at 4PM and 8PM at the Asper Centre for Theatre and Film (400 Colony St at the U of W). Get your tickets today!

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Bringing Women’s Stories to the Stage

We have an incredible line-up in store for this year’s International Women’s Week Cabaret of Monologues! A teenage girl comes out to her family, a woman fights to go to the moon, a spoken word artist challenges stereotypes… all these pieces and many more will be featured during our 2019 Cabaret!

Get to know the playwrights that will be featured at this year’s event:

 

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Ivy Charles

Sunday Morning Brunch by Ivy Charles

Ivy Charles is a twenty-two-year-old actor from Winnipeg, Manitoba. She is currently furthering her acting studies at Studio 58 in Vancouver. She enjoys spaghetti, wine and having a good chuckle with her friends. Ivy is excited to dip her toe into the world of writing.

 

Nan Fewchuk

Nan Fewchuk

Thelma and Louise created and performed by Nan Fewchuk

Nan is no stranger to working with Sarasvàti Productions, having worked on such favorites as Fefu and Her Friends, Fen, Jail Baby and Empty. Nan has also performed with Rainbow Stage, Shakespeare in the Ruins, and Green Kids Inc. She produced and acted in the Fringe hits Dog Act and Or as well as working with the Manitoba Drama Youth Festival, Villa Rosa, The Peaceful Village, and the West Central Women’s Resource Centre.

 

Natalie Frija

Natalie Frijia

Geraldine Sloan Truhill: Mommy’s Going to the Moon, Kids! by Natalie Frijia

Natalie Frijia is a Toronto-based writer, theatre-maker, clown-wrangler, and adventurer. She was also a member of Storefront Theatre’s inaugural playwriting unit. Her plays have been workshopped and presented at Storefront Theatre, Rhubarb Festival, New Ideas Festival, and Fringe festivals across Canada. Recent productions include, Divine, GO/NO, Last Transmission, and Black Wool Jacket.

 

 

Leslea Kroll

Leslea Kroll

The Lightfishers by Leslea Kroll

Leslea’s first play Domesticatrix was nominated for a Sterling Award for Outstanding Fringe Script. Her other plays include Swallow, Auksenberg: Trial by Fury, Stains, The Catalogue of Bones, BonePeddlers, Queen of the AnthroScene, The LightFishers, and WellSpring.

 

 

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Shereen Ramprashad

I Am NOT a Victim created and performed by Shereen Ramprashad

Shereen Ramprashad is a colorful, witty and lively Canadian writer based out of Winnipeg Manitoba. Her writings are a creative blend of intelligent metaphor and philosophy with under currents of subtext and observation.

 

 

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Hailley Rhoda

Talking about ED created and performed by Hailley Rhoda

Hailley Rhoda is a graduate of the University of Winnipeg’s Theatre and Film department. She is an actor, puppeteer, and writer. Hailley has worked with Sarasvàti on several projects, including Ripple Effect, Honey and Jupiter, and The Seduction Theory. She is the founding – and only – member of Chronically Ch(ill) Productions.

 

 

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Makrenna Sterdan

Who’s Driving? by Makrenna Sterdan

Makrenna Rose Sterdan is a writer born and raised in Winnipeg, who has lived in South Korea since 2015. Sterdan has written several short films such as Speaking Test, which premiered at the Korean International Expat Film Festival. Her monologue Doing It for the Fame was featured in Sarasvàti Productions’ 2016 Cabaret of Monologues.

 

Vicki Zhang

Vicki Zhang

Oracle Jane by Vicki Zhang

Vicki Zhang’s play Oracle Jane was selected for production at Alumnae Theatre’s 30th New Ideas Festival. Her plays have also received staged readings at FemFest, InspiraTO Festival, Toronto’s Festival of Original Theatre (FOOT), and the University of Toronto’s Centre for Drama.

 

 

 

You can catch all of these pieces on March 9th, 2019, at 4PM and 8PM! The 8PM performance will also have ASL interpretation available. Stay tuned as we announce additional performers bringing women’s stories to the stage!

Five Must-See Events at FemFest!

Hard to believe we’re more than halfway through FemFest 2018: Staging Resistance! It’s been an incredible week of theatre already… Saturday saw an eclectic Opening Cabaret with musicians, comedians, and spoken word artists from across Winnipeg! On Monday, we crowned Alissa Watson as our Bake-Off winner with her scene The Switch, which will get its own reading at FemFest 2019. We also premiered some incredible touring shows from around the world, including Burnt and La civilisation, ma mère! As the festival comes to a close, here are some events you won’t want to miss.

 

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1.  Sound of the Beast

This solo piece by two-time Governor General’s Award Nominee Donna-Michelle St. Bernard (aka Belladonna the Blest) speaks truth to power using spoken word, storytelling and hip-hop. The show highlights St. Bernard’s quick wit and quicker rhymes in a performance that reflects on identity, oppression and what happens when authority is questioned. We’ll be hosting a talkback discussion after today’s matinee at 1PM, facilitated by Tamika Krush of QPOC Winnipeg. Don’t miss your chance to experience this powerful production for yourself!

 

White Man's Indian.jpg2.  White Man’s Indian

Darla Contois takes on the ensemble of characters that make up this transformative work, focusing on the story of Eva, a Cree teenage girl, and her journey through the maze of a White Man’s high school. Following the opening performance on September 18th, we hosted a panel with Darla, Matt B. Shorting of Onashowewin Justice Circle, and Gabrielle Fiddler of Ndinawe Youth Resource Centre to talk about the issues presented by the play, as well as the larger topic of Indigenous representation on stage. There are two more chances to take in this incredible one-woman show: tonight at 9PM and Friday at 7PM!

 

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3.  Walking Art Tour

Be one of the select few who will get to experience this brand-new event! We’ve brought in an incredible team of artists who will be performing at some of Downtown Winnipeg’s hidden gems. The tour is hosted by local comedienne Heather Witherden and features Emilie Lemay (visual art), Tiana Northage (spoken word), Alexandra Elliott and Hilary Anne Crist of Art Holm (movement), Dawn Lavand (stand-up comedy), and waNda wilsoN (music). Just twenty people will get to take part in this unique event: book your spot today so you don’t miss out! The tour wraps up September 22nd at 2PM.

 

SignLanguageInterpretationDayTranslationsInterpretation4.  ASL-Interpreted Performances

After responding to requests to make theatre more accessible to our community, we’re proud to announce that we’ll be offering ASL interpretation for three shows in this year’s festival! Come see Burnt tonight at 7PM, White Man’s Indian Friday at 7PM, or Sound of the Beast Saturday also at 7PM. Tickets start at $15 – get yours today!

 

one-night-stand-poster-april-11-e1524149136777.png5.  One Night Stand

Join us on the closing night of the festival as we toast to 16 successful years! We’ll be featuring sneak peeks of new work from celebrated female playwrights, including Leigh-Anne Kehler, Frances Koncan, Jo MacDonald, Cairn Moore, and Donna-Michelle St. Bernard. The series is coordinated by Tatiana Carnevale and features performances by Melanee Deschambeault, Katie German, Kim Kakegamic, Glenn Odero, Matthew Paris-Irvine, and Erica Wilson.

The festival is running until Saturday, September 22nd with all performances taking place at the Asper Centre for Theatre and Film (400 Colony St) unless otherwise noted. With so much to take in, you won’t want to miss a thing! Make sure to check out our full FemFest schedule for all our upcoming events.

Meet the New Batch of Bake-Off Playwrights!

We’re bringing back an audience favourite at FemFest: our annual Bake-Off! Each year, we challenge five fearless playwrights to cook up a scene using the secret ingredients of our choosing – in just eight hours. From there, the scenes are rehearsed with our fabulous team of actors, directed by coordinator Cairn Moore, and put to the test with an audience vote for the winner! The winning playwright will then get the chance to have their scene turned into a one-act play which will have a reading at FemFest 2019. This year’s mandatory ingredients included a drone, children’s laughter, and the Nellie McClung quote “democracy for women”.

Get to know the new batch of incredible writers behind this year’s Bake-Off!

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Ntara Curry

Ntara Curry is a multi-disciplinary artist, working primarily in professional theatre as a stage hand, stage manager, and actor.  She is delighted to also be bringing her skills as dancer and writer to FemFest 2018.  You can also catch Ntara in our co-production of The Game with Manohar Performing Arts of Canada!

 

 

 

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Jo MacDonald

After winning last year’s Bake-Off with OUR HOME & native land, Jo MacDonald is back to defend her title! Jo is Anishinaabe, a mom, theatre fan, writer, and an educator. She gave up dreams of super-villainy as it wasn’t as lucrative as depicted at the job fairs (false advertising… but then again what can you expect from an evil genius job pitch). She received her BA and B.Ed. from the University of Winnipeg.  You can catch a reading of last year’s winning Bake-Off script September 15th and also get a glimpse of Jo’s latest work at our One Night Stand series on September 22nd!

 

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Allison Stier

New to the Bake-Off is Allison Stier. Allison is a fledgling playwright who prefers the eating of baked goods rather than the mixing and kneading and baking. Born and raised in Winnipeg, Manitoba, she has loved putting words into delicious arrangements for the greater part of her existence. She is quite thankful that the ingredients for this Bake-Off are of the word variety, which in most cases, don’t result in a sink full of dirty dishes.

 

 

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Alissa Watson

As a Winnipeg born actress, educator, and now writer, Alissa Watson has studied theatre at The Guildhall School of Music and Drama in London, England, the Manitoulin Conservatory for Creation and Performance, and is an alumna of the Professional Training Ensemble (PTE@PTE). Alissa is a member of the sweet and cheeky Fu Fu Chi Chi Choir, the all-female Bouffon ensemble The Talentless Lumps, and co-founder of The Red Nose Diaries.

 

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Pamela Wolk

Last up is Pamela Wolk. Pamela completed a BA Honours in Theatre Studies from the University of Regina with stars in her eyes of life on the stage. Funny how plans change.  She was swept off her feet by a military man and followed him from posting to posting.  Twenty years later she is back on the theatre scene, most recently acting in Jo MacDonald’s Fringe comedy Mother’s Little Secret.

 

Bake Off Dir Cairn Moore Now

Cairn Moore

Returning as director for her third year in a row is Cairn Moore. Cairn is a director and playwright and teaches first year performance at the University of Winnipeg. Her award winning play SHIKSA premiered with Winnipeg Jewish Theatre in 2016. Breaking Through, co-written with Hope McIntyre, premiered in May 2017 with Sarasvàti Productions. With the generous support of the Manitoba Arts Council, Cairn is currently re-writing her first play HABsolute Perfection. Catch a sneak peak at the One Night Stand series!

 

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Bringing the scenes to life are local performers Grant Burr, Jane Burpee, Karam Daoud, Simba Meng, and Taesia Scratch. Come see the results of an eight-hour playwriting pressure cooker Monday, September 17th at 7PM at the Asper Centre for Theatre and Film (400 Colony St at the U of W). Get your tickets today and vote to select the winner!

Learn from the Pros at FemFest 2018!

Ever sit in the theatre and wonder how the show was created? How the artist chose the topic? What training did they do to get to where they are? We have such an incredible line-up in store for this year’s FemFest 2018: Staging Resistance – now you can learn the process behind these powerful productions! In addition to taking in phenomenal performances, there will also be plenty of opportunities to hear from and interact with the amazing artists in this year’s festival.

screen-shot-2017-01-01-at-16-46-23.pngThese sessions are so popular that one is already full! On Sunday, September 16th, we’ll be hosting our Devising from the Real World workshop with Burnt performer Norah Paton. Burnt was created using a “devised theatre” process, taking interviews from Burning Man participants and forming the collection of stories into a play. Paton’s style in particular focuses on the real world, hinging on documentary theatre. Using this approach, participants will learn ways to create work by drawing inspiration from their own personal, social, and political worlds. Space is currently sold out – contact Daphne at associate@sarasvati.ca to be put on the waitlist!

2016_TPM 2016-17 - SOTB - web.PNGYou can also hear from Sound of the Beast powerhouse Donna-Michelle St. Bernard at her Real Thing Lecture presented in partnership with the University of Winnipeg Department of Theatre and Film. This lecture series focuses on that big question every young artist is dying to answer: how can I find my start in the real world? Donna-Michelle St. Bernard, a.k.a. “Belladonna the Blest”, will talk about her career as an emcee, playwright, and agitator using her experience in the “real world” of theatre and film. You can hear from her September 19th at 12:30PM at the U of W. Or if you are the type who loves to discuss a performance afterwards, come see the show on September 20th at 1pm and stick around after for a talkback with the artist.

White Man's Indian.jpgThere is also a chance to discuss the powerful play White Man’s Indian with both the writer/performer Darla Contois as well as a panel of community members who have experience with the content. White Man’s Indian follows the story of Eva, a Cree teenage girl, and her journey through the maze of a White Man’s high school. It is a hilarious quest for identity and spirituality. While the story by Contois sheds light on the harsh reality of growing up as an Indigenous girl in a white space, many themes of identity, discrimination and bullying are explored. The play encourages dialogue about the effects the systems have on Indigenous communities, specifically youth. Join the panel discussion after the 7PM performance on September 18th to discuss the complex issues tackled by the play.

One Night Stand Poster April 11That’s not all – we’re also bringing back our One Night Stand series to FemFest! This series gives playwrights the opportunity to test their work, while providing audiences a chance to take part in the developmental process. You can hear from some of our most celebrated playwrights and get a sneak peek at their latest projects. After curating our events at FemFest 2017 and the 2018 Carol Shields Festival at Prairie Theatre Exchange, host Tatiana Carnevale will show off what’s new from playwrights Leigh-Anne Kehler, Frances Koncan, Jo MacDonald, Cairn Moore, and Donna-Michelle St. Bernard. Our talented readers for this year’s series include Melanee Deschambeault, Katie German, Kimberly Kakegamic, Glenn Odero, Matthew Paris-Irvine, and Erica Wilson.

With so much to take in, you won’t want to miss a thing! Check out our full FemFest schedule for a list of all the incredible events you can check out at this year’s festival, running September 15-22.

 

OUR HOME & native land: wit and sarcasm thicker than the Indian Act

Who knew that an educational play about the history of the Treaties and how the Canadian government has violated them could be so…funny? And who could write such a play? Jo MacDonald could. And she won last year’s Bake-Off with it!

In case you’re not familiar with it, the Bake-Off is an annual event in FemFest. Playwrights are given just eight hours to “bake” up a scene with three specific “ingredients” (actions or lines) so that they can’t write ahead. The audience is then invited to a reading of these fresh ideas and they get to decide which one has the most potential for a complete play. The winning playwright receives dramaturgical guidance so that they can finish the play and have it read at the following FemFest.

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OUR HOME & native land is about two friends, Niibin and Cheryl, who are leading a workshop called “Understanding the Treaties”. They have their work cut out for them when the self-absorbed Stephanie and the mansplaining George walk in. Neither Stephanie nor George is aware of their privilege, their biases, or their ignorance. When Mrs. Bruneau, warm, friendly, and given to storytelling, comes in, it becomes clear that she does not need the workshop so much as it needs her. She helps Niibin and Cheryl win their reluctant guests over, but you’ll have to come and find out how. The only spoilers that we can give you are that it’s outrageously funny and will make you curious (and angry) about the history of the treaties and how our government has violated them.

In OUR HOME & native land, Jo MacDonald proves herself to be a sharply witty and engaging writer. Recently, her play Mother’s Little Secret was performed to packed houses at the Fringe Festival, directed by our wonderful Indigenous Outreach Coordinator, Marsha Knight. Her play Neechie-Itas was a runner-up in the Native American New Play Festival in Oklahama City. Jo was a big hit at last year’s FemFest and she will be again this year. In fact, her work was also selected to be featured in the FemFest One Night Stand as part of the festival closing night.

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Don’t miss this brand-new play—there will be just one reading at 1:00 pm on Saturday, September 15 at the Asper Centre for Theatre and Film. You can get your tickets here!

Burnt: Norah Paton travels to Burning Man, Burning Man travels to FemFest

At FemFest this year, Norah Paton’s Burnt will take you on a theatrical trip to Burning Man, a temporary community in the desert in Nevada. You will meet all kinds of people played by Paton herself. The festival gets its name from the ritual of burning of a huge wooden effigy at the end of the festival. It is founded on ten principles: radical inclusion, gifting, decommodification, radical self-reliance, radical self-expression, communal effort, civic responsibility, leaving no trace, participation, and immediacy.

Paton created the piece by visiting Burning Man in 2014, 2015, and 2016 and recording interviews with the people she met there. But instead of any old documentary, Paton wrote a script that is a collage of interviews and brought it to life with her captivating acting skills. She plays a surprisingly varied cast of characters, each with their own distinctly recognizable personality. Ian Huffam wrote in his review that “Paton’s physicality and vocal texture when embodying the subjects of her interviews deftly captures the essence of these people.”

The aesthetic of the show is wonderful, too. The sound design is by AL Connors and the play features electronic music, just as Burning Man does. Dominique Coughlin’s costume and set designs remind us of Le Petit Prince, as Ian Huffam points out, which shares its desert setting with Burnt. Lighting designer Sarah Mansikka creates fascinating visual effects. Dramaturges Emily Pearlman and Brad Long complete the artistic team.

Paton premièred Burnt at the Undercurrents Festival in Ottawa in 2017 and received glowing reviews. Jared Davidson described the première as “fascinating, clever, and immersive” and added “with a script and performance this strong, it will be interesting to see how it develops.” Our Artistic Director saw this production in Ottawa and was excited to share it with FemFest audiences.  And now that Paton has developed it further, Winnipeg theatregoers will see its best version yet.

Paton’s brilliance doesn’t stop at the sheer originality of this concept. The play also criticizes the hypocrisies of Burning Man: how a money-less city that operates on giving has become a capitalist venture, how a place where people are not supposed to leave any traces has developed a litter problem, and how racism and rape culture have crept into a community founded on inclusivity.

The Ottawa Citizen quoted Paton saying “Some of [the ten principles of Burning Man] are totally contradictory, and I definitely do look at those paradoxes…For me, it’s really interesting to see how this temporary city becomes a microcosm of all the issues or tensions or problems that we all see in our lives.”

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Come and enjoy Burnt at FemFest at the University of Winnipeg Asper Centre for Theatre and Film, 400 Colony Street, on Tuesday, September 18th or Wednesday, September 19th at 9:00 pm or on Thursday, September 20th at 7:00 pm and prepare to be amazed!