Unstoppable Women in Theatre

International Women’s Week Cabaret of Monologues: I Am Unstoppable is bursting at the seams with talented writers and creators. Though we’ve long-admired them, we are excited to be working with these artists for the very first time! Get to know them as we do the same in this week’s blog.

I Am Unstoppable created and performed by Joanna Hawkins

Joanna Hawkins is a proud Deaf woman who is strongly involved within the Deaf community. She’s an ambassador to hearing ( non – deaf ) individuals about deaf culture in order to break barriers between their worlds.

Joanna Hawkins headshot 2017Originally from Lodz, Poland, Joanna now resides right her in Winnipeg and we feel lucky to have her. She has a history of working with the Manitoba Cultural Society of the Deaf, as well as performing with 100 Decibels : A Deaf Mime Troupe.

“Being involved with the 100 Decibels troupe, our goal is to create a barrier free world between the Deaf and the hearing (non-deaf), “I Am Unstoppable” is a piece I have been thinking about for a while”, says Joanna.

“I have been rejected to enroll in performing arts at University of Manitoba just because of my deafness. They couldn’t imagine myself acting with a sign language interpreter on the stage. Years later, I landed on the stage as a 100 Decibels actress, including other performances, therefore no one has stopped me from becoming an actress. Having a hearing loss doesn’t mean you need to give up something.”

Saviour Self by Andrea Scott

Andrea Scott is a professional playwright and producer.
“I trained as an actor and still audition but have been transitioning to positions that will allow me to eventually rule the world”, says Andrea.

“‘Saviour Self’ is from a play I wrote called ‘All Most Be Longing’ about the role riots, rebellion, and rage played in forming Toronto starting with the Anti-Greek riots of 1918. the play was developed while I was in the Stratford Playwright Retreat & the Tarragon Workspace program in 2016.

Andrea Scott headshot 2017A friend told me story about how her brothers tried to protect her during the Yonge Street riots of 1992 by ordering her stay home. She chose, instead, to get a front row seat by walking down to the Eaton Centre to watch the chaos. It made me think of how young women are often perceived as invisible when uprisings happen when in reality they are in the thick of the action and, sometimes direct instigators.”

Andrea describes her connection to the piece:
“I grew up in a world where positive images of black females were scarce but my parents always expected me to work towards excellence. Nobody expected anything of me, encouraged my talent, or intelligence in school. In fact, I had a guidance teacher try to get me to drop down to basic levels in English from the advanced levels I was in during my 4 years of high-school. I was told not to bother auditioning for the school play because ‘there were no black roles’, and my favourite high school teacher was surprised to see me go to Graduate school because she always assumed I’d be a housewife (for some bizarre reason).”

“Every person of colour who was a teenager knows how it feels to be watched in a store. Well, what if the perceived greater danger existed outside the doors of the shop rather than inside and embodied by a black girl? And what if she used that small window of time to help herself in a way that escapes the awareness of so many people? ”

See these pieces and so many more created and performed by women on March 10th. Tickets are on sale now!

Stay tuned for features on the rest of our fabulous artists in upcoming blogs!

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What it means to be Unstoppable

Living through riots, learning to teach yoga as a senior, accepting your true self and conquering all odds. This year we celebrate International Women’s Week with a Cabaret of Monologues and performance art that shines a spotlight on the the many ways in which women are unstoppable. Join us in the theatre on March 10th to see the full line-up.  We are thrilled to announce that we will be providing ASL interpreters at the performance.

If you are part of a community group looking for a way to celebrate, book a selection of pieces to host!

We are thrilled to announce this year’s incredible line-up!

Saviour Self by Andrea Scott
Performed by Reena Jolly
Where were you in 1992 when Yonge Street exploded in riots? Josephine Benedict was a swaggering teenager looking to take care of herself, one tampon at a time.

Flight 182 created and performed by Anjali Sandhu
Where are you from? The Jungle Book, 20th century supermodels, ignorant politicians…nothing will stop Rani from being accepted as Canadian.

I Got 99 Problems, My Penis is Just One created and performed by Cynthia Fortlage
One transgender woman’s exploration of her journey to womanhood. This piece delves deep into Learning to be a Feminist, Loss of Privilege, and the Subtleties of Sisterhood.

I Am Unstoppable created and performed by Joanna Hawkins
Can you remember a time when nothing stood in your way? The innocence of childhood can make you feel unstoppable, but how do we persevere after the barriers and discrimination in the dominant world are fully perceived? Deaf artist, Joanna Hawkins explores this through mime.

Captain of My Ship by Kathy France
Performed by Ady Kay in collaboration with Victoria Hill and Emily Solstice
A woman recounts her coming of age story, reliving the confusion and fear that define a young woman’s entry into sexual awareness.

I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying by A.b. Norris
Performed by Monica Thurn und Taxis
Using images captured during a lunar eclipse, this audio-visual media and collaborative performance piece explores (dis)connection between the persistent need to love/be loved and actually being good at either.

I Am a Warrior by Sue Higgs
Cathy signs up for a course. Nothing unusual about that, except for the fact that Cathy is in her late 60’s in a class full of twenty-something’s.

Sweet An Nice by Althea Cunningham
Performed by Lorraine James
Pregnant with a child, Jamaican immigrant Celestine seeks a better life in a new country. After getting a family to sponsor her, she moves thousands of miles across several oceans to discover it’s far from what she imagined it to be.

ObScene created and performed by Kristy Janvier
By holding onto our beliefs or judgements, how can we create connection? A performance art piece that explores healthy sensuality as a means of release.

Perfect Pie by Judith Thompson
Performed by Anna Binder
When prompted by a long-estranged friend, Patsy explains what it’s like to have an epileptic seizure. From master playwright Judith Thompson’s ground-breaking play about how you cannot escape where you come from.

Stay tuned in the coming weeks as we get to know the artists involved!

Winter Workshops for Emerging Artists

How does an emerging theatre artist begin to get professional work? What can an emerging actor do to improve when they aren’t working? Is your piece translating the way you want it to?

These are the types of questions we address throughout our season of workshops for emerging theatre artists. Take a look at what we have to offer this winter and spring to see what speaks to you.

Coffee with a Pro

Mariam Bernstein at emerging Directors Coffee with a Pro

Coffee with Director, Mariam Bernstein

Our informal mentorship series returns with new mentoring Artists!

On Dec. 6th we launch into winter with Coffee with Ann Hodges. Esteemed theatre Director, Ann Hodges will meet with four emerging directors to talk shop over coffee. Emerging artists get to know a professional in their field to discuss professional directing in a relaxed atmosphere.

We will arrange three more Coffee with a Pro sessions this season. One for aspiring Artistic Directors and one for emerging Playwrights. We are open to suggestions for the third one, so let us know if there is a professional artist you’d like to talk shop with!

 

The Actor’s Voice with Tom Soares

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Tom Soares

In this workshop, you will be introduced to the basics of voice and text work for the stage.  You will learn how the voice works, what can go wrong and basic voice and text technique.  Participants will practice the basics of alignment, tension release, breath awareness and support, coming gently onto sound, projection (being heard), and work on clarity of thought through textual exercises.  Participants are encouraged to bring in a monologue of their choice to work on.  Monologues or a speech will be provided if participants don’t have one available.

Voice and Speech Coach and Theatre Educator, Tom Soares facilitates this workshop.
Sunday, Feb. 4th from 1-4 pm
Asper Centre for Theatre & Film
$20
Space is limited. Registration is open now!

 

Monologue Intensive

Hope McIntyre facilitates Auditioning 101

Auditioning 101 with Hope McIntyre

Monologue work is such a crucial component to getting work as a stage actor. This workshop will focus on honing your monologue. Stay tuned for more details on this spring intensive.

At Sarasvati Productions, we are dedicated to supporting the growth of emerging artists. If there is a workshop you’d like to see offered let us know! Contact Angie at associate@sarasvati.ca to inquire or to register.

 

Launching IWW18

How do you pull together 10 performers, doing 10 pieces and touring to upwards of 15 locations? With a lot of help. For five years now Rachel Smith has been an integral part of the International Women’s Week Cabaret of Monologues. Rachel is part of choosing the theme, making monologue selections and directing pieces to be performed at the theatre and throughout the community. As we begin to choose our selections for IWW2018, we caught up with Rachel to talk about what she’s looking forward to about the project this year.

What does the IWW Cabaret of Monologues mean to you?

I have been fortunate enough to grow as a director throughout my time working on the cabaret. When I first joined the artistic team I had just graduated with my MA so I was eager to get more practical experience under my belt. Working on this event gave me the opportunity to have Hope McIntyre as a mentor and I feel this has strongly contributed to my growth as an artist.

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Rachel Smith

Working on monologues is challenging in many ways. The playwrights have to write an active and engaging performance for only one person. The actors have no other actors on stage to feed off of and sometimes have to react to an imaginary character. As a director we have to help the actors figure out how to bring the monologues to life; ensuring the performance is active and engaging.

Each monologue that I have worked on has presented its own unique challenges artistically and each actor is different to work with. Every time I have worked on the monologues I take something new away from them. The practical experiences I gain are matched by the expansive understanding that the different stories present.

What does this year’s theme ‘Unstoppable’ mean to you?

Each year the theme we choose offers new stories and new perspectives. The perspectives that are represented in the monologues are not often seen on stage elsewhere. The topics challenge the audiences and offer new ways of thinking about the themes we present. Working as a director on these stories ensures that my own biases are constantly being challenged. I hope that it does the same for audiences.

I think that the theme “unstoppable” is important because it can be inspirational. Everyone faces challenges at some point in their lives. For some people just getting out of bed in the morning can be a challenge. Sometimes the circumstances we find ourselves in can seem hopeless. Sometimes we need other people’s stories about how they are able to push through and keep going, in order to feel as though we can do the same.

What have some of the highlights been for you?

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Jane Burpee in Dave Carley’s “Urban Nun”

My favourite monologue that I have worked on has been the, somewhat crude, smoking Nun played by Jane Burpee. It was such a great monologue and I had so much fun working on it.

That being said, every year the monologues and rehearsals are so great that it is hard to narrow down the highlights. For me, working on the Cabaret, in general, is a highlight.

Why celebrate IWW with the Cabaret of Monologues?

The Cabaret of Monologues is a unique event where we are able to confront important societal issues while getting the chance to showcase talent from Canadian Women. We often get a range of work from all over Canada from women writers of various backgrounds. With the added bonus of being able to work with local, often up and coming, artists. It is a chance to have powerful stories portrayed by powerful women on stage.

One of my favourite aspects of the Cabaret of Monologues is that the monologues tour to different community organizations. This provides opportunities to bring the performances to people who may not be able to attend the full public event. Many organizations use the monologues as an opportunity to talk about circumstances that members of their communities may be confronting. It also provides opportunities for the performers to meet members of the community. This gives the event a more personalized atmosphere.

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Johanna Burdon performing at St. John’s Library

Stay tuned for the announcement of this year’s pieces in an upcoming blog! You can catch the 2018 International Women’s Week Cabaret of Monologues March 10 at 4pm and 8pm at the Asper Centre for Theatre and Film. Tickets are on sale now.  Those interested in booking monologues to tour to their community can contact Angie at associate@sarasvati.ca .

 

The Power of FemFest

Just three days left to feel the power of FemFest2017. Audiences have been blown away by this year’s performances.  Come and experience it for yourself before it’s too late!

“Thank you for continuing to offer amazing meaningful theatre experiences to our community” – Teela Tomassetti

“Great evening !!!” – Francesca Cotroneo

Don’t miss the opening of Watching Glory Die by Judith Thompson produced by Mulgrave Road Theatre on Thursday SEPT 21 at 2:30 pm and again at 9pm. There will be a special Coffee Talk following the 7pm performance on Friday SEPT 22 with playwright Judith Thompson, director Emmy Alcorn and special guest Senator Kim Pate. Senator Pate is a nationally renowned advocate who has spent the last 35 years working in and around the legal and penal systems of Canada, with and on behalf of some of the most marginalized, victimized, criminalized and institutionalized — particularly imprisoned youth, men and women. Senator Pate continues to advocate for reform in solitary confinement and treatment of prisoners with mental health issues in Canadian prisons, two central issues in Watching Glory Die.  We are honoured to welcome the Senator to FemFest as a Coffee Talk speaker.

Senator Kim Pate Gives a Voice to Women in Prison – The Globe and Mail

We are thrilled to announce that there will be a Coffee Talk following every 7pm performance! Head to Two Indians tonight at 7pm and stay for a Coffee Talk with Two Indians director Sonya Ballantyne and consultant Marsha Knight.

Catch a sneak peek of our latest community-based theatre project: New Beginnings on Saturday SEPT 23 at 4pm. Admission is by donation.

Be among the first to hear brand new work by Winnipeg’s most celebrated female playwrights at the One Night Stand on the closing night of the festival. Special guest Judith Thompson joins us to share brand new work. Enjoy a toast to 15 years in the lobby following the event.

Check out some of the great articles and interviews about FemFest and the incredible artists involved.

FemFest Marks 15 Years of Celebrating Diverse Talent – Global Breakfast Television

Youth will be Served by Randall King, Winnipeg Free Press

BUNNY on CTV News

Two Indians preview with CJNU

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8 Days of Stellar Theatre

Let the countdown begin! Just two days until we take over the Asper Centre for Theatre and Film and some other spaces to showcase the best in Canadian theatre by women for everyone. You bet we are beyond excited for FemFest 2017: Coming of Age.

This year’s festival is jam-packed with stuff you won’t find anywhere else. Our 15th annual festival is guaranteed to leave a lasting impact on you.  Here’s the festival breakdown to help you plan your FemFest-filled week!

Ivan Coyote Reading
SEPT 16 • 4 PM

FemFest brings you the opportunity to meet & greet this multiple award-winning writer and LGBTQ advocate. This event is free and catered by Elements Restaurant—need we say more?

Opening Cabaret and Reception
SEPT 16 • 7 PM

Our beloved annual variety show is back! The cabaret includes pizza from Garbonzo’s U of Winnipeg AnX and wine courtesy of The Winehouse. You won’t want to miss this!

Tomboy Survival Guide
SEPT 17 • 8 PM at the West End Cultural Centre

Part anthem, part campfire story, and part instructions for the dismantling of the gender stories we tell ourselves and each other.  Prepare to dance and shout!

Bake-Off
SEPT 18 • 7PM

FemFest-favourite returns to stage five new scenes written by playwright’s under-the-wire.

Kit and Joe
by Jessy Ardern
SEPT 18 • 9 PM

Bake-Off winner Jessy Ardern left us on a cliff-hanger with her scene last year. Now it’s time to find out what really happened between Kit and Joe all those years ago.

Grounded Heroes
by Castlemoon Theatre
SEPT 19 • 7 PM

Bring your children, grandchildren, nieces and nephews to this reading of a new play for ages 6 and up!

Two Indians
by Falen Johnson

SEPT 19 • 9 PM,  SEPT 20 • 9 PM,  SEPT 21 • 7 PM,  SEPT 22 • 9 PM

When the words missing and murdered, truth and reconciliation, occupation and resistance are everywhere, how do two Mohawk women stand their ground?

New Beginnings
SEPT 20 • 7 PM, SEPT 23 • 4 PM

Join us for the launch of Sarasvàti Productions’ next community-based project featuring speaker Ali Saeed.

Watching Glory Die
by Judith Thompson
Produced by Mulgrave Road Theatre
SEPT 21 • 2:30 PM,  SEPT 21• 9 PM,  SEPT 22 • 7 PM

Inspired by the true story of New Brunswick teen Ashley Smith,   this one-woman show is must-see theatre!

Human Library™
In partnership with the Winnipeg Public Library (at the Millennium Library)
SEPT 21 • 4 PM – 8 PM,  SEPT 22 • 1 PM – 4 PM,  SEPT  23 • 1 PM – 4 PM

Real people are on loan to readers for discussion. Difficult questions are expected, appreciated and answered.

One Night Stand and a toast to 15 years!
Coordinated by Tatiana Carnevale
SEPT 23 • 7 PM

This city is home to female playwrights who challenge us, question us, inspire us and make us laugh. Check out their newest work in development along with a reading by guest playwright Judith Thompson. Made possible with the support of the Playwrights’ Guild of Canada and the Canada Councils’ PlayConnect program.

Tickets are selling fast! Get yours in advance.

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A Toast to 15 Years: Celebrating Winnipeg Playwrights

Are you aware of the talented playwrights Winnipeg has to offer?

This city is home to female playwrights who challenge us, question us, inspire us and make us laugh. As a toast to 15 years of FemFest, we are celebrating some of Winnipeg’s most accomplished playwrights in this special edition of the One Night Stand.

Coordinated by Tatiana Carnevale, Sarasvàti Productions’ One Night Stand series gives playwrights the opportunity to test their work, while providing audiences a chance to take part in the developmental process. On Saturday, September 23rd at 7pm Judith Thompson will join five local playwrights as they present readings of work in development. Be one of the first people to hear this exciting brand new work!

One Night Stand Playwright Sharon BajerSharon Bajer is a member of the playwright’s unit at Prairie Theatre Exchange. Her plays include Molly’s Veil, Burnin’ Love, Hersteria, To the Country, The Mother Load, Jesus Does Laundry Too and The Gingerbread Girl (in progress). Coming up, Sharon will direct The Best Brothers at Western Canada Theatre Company and Theatre Northwest and Fly Me to the Moon at Prairie Theatre Exchange.

 

 

One Night Stand Playwright Columpa BobbColumpa Bobb was born in Canada and is the great grand daughter of Chief Dan George who was chief of the Tsleil-Waututh Nation. Many of her plays have been produced all across Canada. She has been nominated for the Dora Mavor Moore Award and the James Buller Award. In 1997 she won a Jessie Richardson Theatre Award for Outstanding Performance by an Actress in a Supporting Role.

 

One Night Stand Playwright Ginny Collins Now

 

Ginny Collins has worked with English and French theatre communities. Ginny’s play The Flats (Les Flats) was produced by Prairie Theatre Exchange and Theatre Cercle Moliere in 2017. Ginny’s other works include Good Intentions (WJT 2014) The Good Daughter, MBTV: Histoire en Direct, Prairie Spirits, and Terroristas. Ginny is under commission by Prairie Theatre Exchange for Revenge and Co. She is a member of the Prairie Theatre Exchange Playwrights Unit.


One Night Stand Playwright Trish CooperTricia Cooper began writing sketch comedy with the Royal Liechtenstein Theatre Company and wrote for Fringe Festivals across Canada including The Comment Card and Homely Woman #2 (with Vanessa Macrae). Hey pay Social Studies, developed and produced at Prairie Theatre Exchange, went on to be produced by Centaur Theatre in Montreal, and Firehall Theatre in Vancouver. Social Studies won Best Play at the Manitoba Book Awards.

 


One Night Stand Playwright Primrose Knazan
Jewish Filipino-Canadian playwright Primrose Madayag Knazan has been featured at the Winnipeg Fringe Theatre Festival, the International Writers Festival, CBC Radio, the Carol Shields Festival of New Works, and Sarasvàti’s
FemFest. She has been published in three anthologies and represented Manitoba at the first Asian-Canadian Theatre Conference in Toronto.

 

Some playwrights will be reading their own work and others will have our One Night Stand ensemble of actors at their disposal, including Anita Daher, Melanie Dean, Renee Hill, Melissa Langdon and Steve Yurkiw. Sarasvàti Productions would like to thank to PGC and the Canada Council for the Arts’ Play Connect program for supporting Judith Thompson and Ginny Collins’ participation. 

Play Connect

 

 

Join us in the lobby afterwards to celebrate another successful festival!

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