Keeping the Conversation Going – Panel Discussions at Breaking Through

Breaking Through HarryNelken_ElenaAnciro

Joe (Harry Nelken) takes it upon himself to welcome Stef (Elena Anciro) at the Mental Health Centre in Breaking Through

Speaking up is the seed of Breaking Through. Feeling able to speak, qualified to speak, and comfortable to speak are some of the challenges we’ve heard from the 400 Manitobans we worked with in the story-gathering phase of this project. Without the generosity and bravery of the individuals who contributed, this play would not have been possible. Now that Breaking Through has come this far, debuting to public audiences in a week, we want to keep the conversation open.

We have put together a series of panel discussions to take place after select performances of Breaking Through. We hope these panels will keep the conversation going while responses are fresh. Check out our panel discussion schedule to plan your experience.

May 24, 8pm –  The Creation Process Panel – Shirley Grierson and Dana Rungay of Red Threads Playback Theatre with Cairn Moore, co-writer of Breaking Through.

SMHC Playback

Cairn Moore, Dana Rungay, Bequie Lake and Karissa Martins at Selkirk Mental Health Centre

Playback Theatre is a form of improvisational theatre that starts with listening deeply to people’s stories and then transforming them spontaneously into theatre. It is especially powerful in honouring the voices of people from marginalized communities and in helping to build understanding across differences.  Dana Rungay is a founder of Red Threads of Peace Playback Theatre. The traditional use of the arts of storytelling, music and dance are natural ways of restoring connection and community – the social support determinant of health.  This was the intention of their Playback Theatre involvement at Selkirk Mental Health Centre in collaboration with Sarasvàti Productions in the development process of Breaking Through.

 

 

May 25 , 8pm – Breaking Barriers Panel– Bryan Young, Dara Hallock, Danielle Sicotte, Co-Executive Directors and Event Director of the Breaking Barriers Summit on Mental Health.

breaking barriers summit
The Breaking Barriers Summit on Mental Health was the first student–led, multi university conference on mental health in the province. This year, they launched a collaborative initiative that brought together students from the three major academic institutions in our province. Students from the University of Manitoba, the University of Winnipeg & L’Université de Saint-Boniface joined together in an effort to not only reduce the stigma surrounding mental health, but to also effectively break down the barriers between our academic institutions.

May 26, 8pm – Varied Perspectives Panel – Jan DeFehr, Patricia Johnstone and the Winnipeg Police Service Vulnerable Persons Unit.

Breaking Through MarshaKnight_DorothyCarroll

Kennedy (Marsha Knight) seeks help for her sister Molly (Dorothy Carroll) in Breaking Through

Jan DeFehr, MSW, PhD, has twenty years experience as a clinical social worker in programs focused on youth ‘corrections’, violence in intimate partner relationships, crisis & trauma, and suicide prevention. She is an Associate of The Taos Institute, an honourary faculty member of the Houston-Galveston Institute, and a regular lecturer with The Kanankil Institute in Mérida Mexico. An Assistant Professor in the University of Winnipeg Faculty of Education, Jan presents her work locally and internationally and teaches mental health courses that expose and confront the misinformation and potential for harm in mainstream mental health services.

Pat Johnstone is the Mother of three children, all of whom have experienced some form of severe and persistent mental illness.  She is an advocate for improving the community supports, such as appropriate housing and benefits, to help the mentally ill to succeed in their recovery journey.  She chairs the Family Advisory Committee (friends and family members of patients) for the Selkirk Mental Health Centre (SMHC).

Breaking Through MarshaKnight_JoshRanville

KoKo (Josh Ranville) is visited by spirit guide (Marsha Knight)

Perspectives on this topic are just as varied as the people they come from. We don’t expect everyone to agree with what all the characters expresses in Breaking Through. Whatever your response is, we want to hear it. We encourage you to share any and all responses to the show. The panels provide a chance for dialogue and much needed discussion.

Breaking Through runs from May 23-28 at the Asper Centre for Theatre & Film.  Tickets are available in advance or at the door.

Watch a behind the scenes video by Ora Walker.

Behind the Scenes with Breaking Through

With less than two weeks until Opening Night, the cast of Breaking Through are delving deep in to their characters who are born out of so many Winnipegger’s stories. For this week’s blog we visited the actors in action for a behind the scenes look into Breaking Through.

Harry Nelken as "Joe" in Breaking Through

Joe (Harry Nelken)

Harry Nelken plays Joe, a sometimes prickly, sometimes charming mental health centre resident with the story of a lifetime.

“What excites me about Joe: he’s a fighter, he’s compassionate, he thinks of others, he nurtures, he’s loving, and a kidder”, says Harry, “most of all, he accepts who he is and his lot in life.”

 

Richie Diggs plays an array of different characters as the Male Ensemble in Breaking Through.

Richie Diggs as "Absame" in Breaking Through

A fateful encounter at a bus stop between Absame (Richie Diggs) and Stef (Elena Anciro)

“Everyone needs a healthy mind, but anyone can get a sick mind.” My character says this in the play, thereby distilling the entire play to that simple comprehension, says Richie. “It is a key point to note, not just because one’s own self may sometimes be confronted with the challenges of living with a mental illness, but that when we encounter others battling these health challenges, that understanding, and support will be our participation, rather than stigma, or exclusion, or fear.”

Elena Ancrio as "Stef" in Breaking Through

Joe (Harry Nelken) and Stef (Elena Anciro); Joe fulfills duty as the unofficial ‘welcome committee’ of the mental health centre.

“What I love about Stef is that she is strong and resilient, that even when she is struggling, she has a quick wit and the instinct to help others”, says Elena Anciro. “The journey she goes on during the play has a really important message for all of us. I think whenever you are tasked with playing a character that is based on a real person or is experiencing something very specific (in this case, anxiety and OCD), it’s hard not to feel nervous about “getting it right.” It’s been amazing to work with Hope and Cairn’s script and to explore the text / subject matter with the cast. There’s been a very supportive and ‘safe space’ vibe to our rehearsals, which has really helped me feel relaxed about finding Stef and telling her story.”

 

Breaking Through SpenserPayne (4)

Val (Spenser Payne) saves face!

Spenser Payne plays Val. “I think Val’s story is a really great story to witness, says Spenser.  “It’s hard to live up to certain beauty standards in our world, and doing my research on this character, really realized how common it is for women, and men to deal with an eating disorder. It happens to anyone, doesn’t matter your size, or gender. There is massive pressure from our social media world to look a certain way, or act a certain way, and I think seeing Val struggle with This concept will really resonate with audiences.”

 

Breaking Through MarshaKnight_JoshRanville

KoKo (Josh Ranville) is visited by spirit guide (Marsha Knight)

“I play different family members to more than one character so I am in relationship with more than one other person who has mental health concerns”, says Marsha Knight, who plays the Female Ensemble.

 

“Not only am I looking at the nuances for each character”, says Marsha, “I am also looking at the relationship. Those are areas that every actor addresses – characteristics, a uniqueness, the dynamic. This time around, there is a heightened awareness when it comes to the relationship part.”

Breaking Through DorothyCarroll_MarshaKnight_HarryNelken

Molly (Dorothy Carroll) stirs things up at the mental health centre.

 

“Molly is so intensely dynamic”, says Dorothy Carroll. “We see her in her highest and lowest moments, which has made it a real challenging journey. Finding a way “in” to someone struggling as Molly does, and discovering the “whys” has been most enlightening.”

Breaking Through RichieDiggs_JoshRanville

Dr. Morgan (Richie Diggs) and KoKo (Josh Ranville

“KoKo is a voice of wisdom in the play”, says Josh Ranville. “There are beautiful painful moments of hopelessness at the start of the play but I also get to climb out of the muck. KoKo is a light beacon for the other characters to accept themselves for who they are. What a journey I get to go on every night we perform.”

Breaking Through runs May 23-28 at the Asper Centre for Theatre an Film. To see a full list of showtimes and to book tickets visit sarasvati.ca.

Photos by Janet Shum.

Breaking Through HarryNelken_ElenaAnciro_JoshRanville_SpenserPayne_DorothyCarroll

L to R: Joe (Harry Nelken) Stef (Elena Anciro) KoKo (Josh Ranville) Val (Spenser Payne) and Molly (Dorothy Carroll)

 

 

Our Next One Night Stand is a Fringe Frenzy!

Carol Shields Festival logo

6364_PTE_Carol.Shields_PlayItForward_Horizontal_ColourOne Night Stand Series Producer Tatiana Carnevale has curated an action-packed afternoon of playreadings as part of the Carol Shields Festival of New Works. This special Fringe Frenzy edition features preview readings of six new plays from local companies who will be premiering these works at the 2017 Winnipeg Fringe Festival. Here’s a peek at what the event has in store.

Anomie by Wren Brian
Presented by Downside Up Productions
Directed by Eric Rae
Performed by Victoria Hill & Eric Rae 

When everything is taken away, what’s left?Anomie_ONS3

Two people struggle against each other and the empty space they’re trapped in to find a way out.  Not knowing how or why they ended up in an “abyss”, the two search for meaning and understanding in their existence and in their relationship. Riffing on absurdism and existentialism (and not without a dash of humour), this play explores how we deny and deal with meaninglessness.

Harper & Row by Rebekah Enns and Sarah Flynn
Presented by Naked Theatre productions
Naked Theatre ProductionsDear Universe,
Did you know the pen is mightier than the sword? We’ve been trying to figure out what that means. Could you send us a sign, or at least some more peaches?
Signed, Harper & Row

Naked Theatre presents an original piece about two girls just trying to figure it all out. With pens as their defense against the world, all they need now is an envelope, a stamp and someone to write back.

Riot Resist Revolt Repeat by Frances Koncan
Presented by Vault Projects
Directed by Frances Koncan
Performed by Melanee Deschambeault, Sandy Klowak, Frances Koncan, Eric Rae, Karmelle Spence-Sing, and Erica Wilson

In the near-future, in a city surrounded by walls and a world where water is scarce and a Riot Resist_ONS3luxury available only to the very rich, a Revolution is beginning. Iskwe, a young Cree woman, is struggling with bipolar disorder. Her current state of depression is further complicated by the loss of sister, who went missing one year ago. While being treated in a hospital run by a white supremacist Doctor, Iskwe meets two new friends who believe her to be her sister – the missing leader of the Revolution. Together, they embark on a journey to find her missing sister and destroy the Wall that keeps them from their sacred lands, but a mysterious person known only as The Gatekeeper has other plans. As Iskwe’s mental health continues to deteriorate under discriminatory, colonial treatment methods, the boundaries between the world of the Wall and the world of the Hospital begin to disintegrate, leaving her more confused than ever… and more powerful.

(Un)Happy Medium by Heather Madill
Presented by Kiss the Giraffe Productions
Directed by Alan Mackenzie
Performed by Heather Madill, Kami Desilets, Joseph Aragon

Madill_ONS3“I’ve got two lousy roommates. They don’t pay rent, they don’t clean up, and they’re so loud I can’t hear my own thoughts. One keeps me always on edge, the other sucks my will to live. But I can’t evict them, so I’ve got to make this work somehow. I swear they’re real, but most people don’t believe these jerks can possibly exist, so I don’t usually talk about them. But today… I’m gonna have to make an exception.”

Inertia by Gislina Patterson, Davis Plett, Angelica Schwartz, and Erin Meagan Schwartz
Presented by Happy Accidents

Inertia is an experimental theatre piece devised by a collective of intermedia artists. inertia squareDeviating from narrative-lead performance, Inertia is a mediation on haunting, magic, semiconscious inheritances and predators. The collective is made up of Gislina Patterson (writer and theatre artist), Davis Plett (cultural studies academic, poet, director, musician and technical wizard), Angelica Schwartz (director, Studio58 production grad) and Erin Meagan Schwartz (improviser, theatre artist, gender studies scholar, and activist). The collective aims to deconstruct the hierarchy of theatre production and creation, queering theatre tech by attacking heteronormativity in the community and canon. Inertia draws on Shakespeare, in-yer-face theatre, and clowns.

Filter This by Craig Terlson and Reba Terlson
Presented by It’s All Relative Productions
Directed by Kaeleigh Ayre
Performed by Reba Terlson, Sam McLean, Jesse Nobess

Filter This_ONS3Olivia and Dan come from two different worlds. Olivia lives on social media, documenting every moment of her life. Dan lives without a cell phone, or anything that distracts him from being present. A chance meeting at a park, has the two wonder if they could live in each other’s world, and find a deeper connection. Along for the ride is their friend the meme, who tweets, snaps and instagrams their lives. Filter This is a comedy that asks do opposites attract? And if so, must they tweet about it?

Catch readings from each of these enticing new plays on May 13 at 3:30pm at Prairie Theatre Exchange, 3rd Floor Portage Place. Free admission. Enjoy the 2017 Carol Shields Festival of New Works!

The Long Journey to Breaking Through

Two years…that’s the average lifespan of a robin. Why work on a project for two years? It might be your first time reading about Breaking Through or perhaps you have you been following its progress for two years? Either way, as we launch in to rehearsals for the world premiere, we thought an overview was in order.

SMHC Playback

Playback group

In 2015 we launched “Mental Health is Everyone’s Health” with Artists in Healthcare Manitoba and Red Threads Playback Theatre. Much of the genesis was supported by the Selkirk Mental Health Centre where Red Threads did amazing playbacks sessions with residents who shared their stories and where co-writer Hope McIntyre had the honour of interviewing those in the geriatric and acquired brain injury ward. Sarasvàti also put out the word that we wanted to hear as many stories from as many perspectives. A need to break the silence and counter misrepresentation led to those with lived experience, health care workers and caregivers coming forward for interviews and to participate in open workshop sessions. We were hosted by the Manitoba Schizophrenia Society, Rainbow Resource Centre, St. John’s High School, Resource Assistance for Youth and Aurora Family Centre’s male newcomer peer support group. In total almost 400 people shared their experiences! We were blown away. Writers Hope McIntyre and Cairn Moore with the support of facilitator Nan Fewchuk faced the difficult task of compiling so many diverse perspectives in to a compelling play. In fact, they would have liked a third year to take on this daunting task!

Nan Fewchuk and Cairn Moore

Nan Fewchuk and Cairn Moore make notes at a workshop reading of Breaking Through, 2016.

It was decided in consulting with all our partners that the ultimate goals was to increase empathy and understanding, highlight the reality that everyone has mental health, and demonstrate that everyone’s experience of illness is unique. All that as well as making it artistically engaging! Breaking Through was read in various drafts for those who contributed their stories. Then a full staged reading in May 2016 allowed actors to contribute their insights while testing the play out in front of an audience.

This slideshow requires JavaScript.

Over one hundred feedback forms were received! Overall an extremely favourable response, but with amazing insights leading to round after round of rewrites. Then another workshop with actors thanks to the Manitoba Association of Playwrights and the guidance of Sharon Bajer in January 2017.

The process has already created a platform for people to talk about the importance of mental health for everyone. It is easy to think of mental health with an “us vs. them” mentality: people who have a mental illness and people who do not. However, it is important to know that this apparent line is a lot blurrier than many people may think. One in four Manitobans will receive medical treatment for a mental illness. Many people are affected in one way or another and some people to do not stop to consider their own mental health.

Finally we arrive at the beginning of the final stage. Our first read-through on Tuesday was exhilarating for everyone! We can hardly wait to share the results of this journey with the world or at least with Winnipeg audiences as a start.

This slideshow requires JavaScript.

The world premiere of Breaking Through is coming up May 23-28, 2017 under the direction of Kevin Klassen with an accomplished Winnipeg cast and crew featuring Elena Anciro, Dorothy Carroll, Richie Diggs, Marsha Knight, Harry Nelken, Spenser Payne and Josh Ranville. Plus design team Kim Griffin (set/costumes), Dean Cowieson (lighting) and jaymez (video/sound).

For more information on Breaking Through and how to get tickets visit our website! http://sarasvati.ca/breaking-through-world-premiere/

Meet the Cast of Breaking Through!

This ace team of actors who will be working on Breaking Through includes many familiar faces and some who are brand new to Sarasvàti. We can’t wait to dive into rehearsals with this incredible team of artists!

Elena Anciro

Elena AnciroElena Anciro is a graduate of the University of Winnipeg’s Department of Theatre & Film. She was recently seen on stage in Alice in Wonderland (Theatre NorthWest), JONNO (Echo Theatre), and Chimerica (RMTC/CanStage). Her favourite Sarasvàti credits include: Fefu & Her Friends, Flood Control, and Empty. Elena is a member of Red Threads of Peace, a playback theatre troupe that merges artistry, social justice, and community building through improvised storytelling. She is honoured to be part of the premiere of this poignant and relevant new work.

Dorothy Carroll

Dorothy is excited to embark on this incredibly important project with Sarasvàti. Dorathy CarrollPreviously she appeared in Kayak (2010). A graduate of the University of Winnipeg Honours Acting program, favorite past shows include: Alice Through the Looking Glass (RMTC), Stripped Down Midsummer Nights Dream (SIR), Dutchman (play on Theatre), Hamlet (Bravura), The Producers (Rainbow Stage), Avenue Q (Winnipeg Studio Theatre), Little Women, Company (Dry Cold). Dorothy is the Associate Artistic Director of Bravura Theatre, and produces their Shakespeare in the Pub series here in Winnipeg. Watch for her production On Love (play on Theatre) in this year’s Winnipeg Fringe Festival!

Richie Diggs

Richie DiggsRichie Diggs (University of Winnipeg), is glad to be returning to Winnipeg for Breaking Through. Now living in Vancouver, B.C. he has previously been in Winnipeg features such as Trish Cooper’s Social Studies (Prairie Theatre Exchange) and Gilbert and Sullivan Society’s Pirates of Penzance. Richie starred in Firehall Arts Centre’s production of Social Studies for which he was nominated for the Jessie Richardson Theatre Awards in the Best Lead Actor category.  Richie will star in Lynn Nottage’s Ruined at Dark Glass Theatre, Vancouver January of 2018.

Marsha Knight

Marsha KnightMarsha last appeared with Sarasvàti for Hope McIntyre’s production of Eden and assisted with facilitating workshops for Jail Baby. She has been in this business for over 20 years starting with Ian Ross’ Governor General’s award winning drama fareWel (PTE). She performed in fareWel two additional times, one being at the Edinburgh Fringe Festival. She was also in three separate productions of Rez Sisters (PTE, Theatre Northwest, Magnus Theatre). Her recent work includes Norm Foster’s Kiss the Moon, Kiss the Sun (Theatre Northwest), Shakespeare in the Ruins Antony & Cleopatra, and Drew Hayden Taylor’s Crees in the Caribbean  (Magnus Theatre). She thanks Hope McIntyre and Sarasvàti Productions for all their work in bringing these stories to light and for staging storytelling for us all to hear.

Harry Nelken

Mr. Nelken told us how happy he was to be part of this wonderful project.
Harry NelkenAn Equity member since 1978, he has worked extensively in theatres in Winnipeg and several Canadian cities. Selected credits: Glengarry Glen Ross, MTC  (Levine), Butcher, PTE (Josef), Zadie’s Shoes, PTE and Factory Theatre (Eli), Hamlet (Polonius), The Merchant of Venice (Shylock), S.I.R., Einstein’s Gift (Einstein), WJT/MTC, The Sunshine Boys (Al Lewis), Chemainus Theatre, B.C., All or Nothing (Unamuno) Shiksa (Abe), WJT,  The Hunting Party (Graves) for Agatha Christie Fest. At the 2017 Fringe, Mr. Nelken will be seen in Eastport.

Spenser Payne

Spenser PayneSpenser Payne is a graduate of the University of Alberta’s Bachelor of Fine Arts acting program. She is founding member of The Talentless Lumps, Red Nose Diaries and Sweet and Salty Collective. When she’s not onstage, you can find her teaching at Prairie Theatre Exchange School or studying with clown duo Mump and Smoot. Recently she traveled with Prairie Theatre Exchange’s Munchbusters! and went to Ireland to work with clown master Phillipe Gaulier. She is excited to be back working with Sarasvàti after joining them in the 2016 FemFest Bakeoff and clowing around in FemFest’s Opening Cabaret!

 

Joshua Ranville

Joshua RanvilleJosh is an actor/musician from Winnipeg. Josh has been part of a few Sarasvàti productions in the past such as: Eden workshop, Breaking Through workshop. His most recent public theatre work was a one-man touring play with the Manitoba Theatre for Young People called Routes directed by Kimberly Rampersad. Josh trained for 3 years at Studio 58 in Vancouver B.C. Josh looks forward to playing Bass with Burnt Project 1 on the Scotia-Bank Stage for Aboriginal Day Live this summer.

Catch this amazing ensemble as they bring the world premiere of Breaking Through to life at the Asper Centre for Theatre & Film May 23-28.

 

Acing Your Next Audition

This spring, Sarasvàti Productions delivers audition workshops to best serve you!

“This is what we’ve seen the greatest demand for”, says Angie St. Mars, Associate Producer and workshop coordinator for Sarasvàti. “We are pleased to respond to the needs of local actors with two levels of audition workshops, and we’re excited to be working with these Winnipeg theatres to do so!”

Artistic Director of Sarasvàti Productions, Hope McIntyre will facilitate Auditioning 101: The Basics for Beginners on Sunday April 23rd. This workshop is designed for those who are new to auditioning, who have only done a few auditions, or who have yet to audition for a professional theatre. After twenty years of auditions, our Artistic Director has seen a lot of the same mistakes made over and over again. As part of our goal to support emerging artists we want emerging actors to be able to put their best foot forward. The workshop will cover do’s and don’ts from choosing a monologue to etiquette, as well as provide tips to getting the part! If you have a headshot and resume you can bring them along for critique. Those who have prepared monologues will also have a chance to present an excerpt for direct coaching!

Hope McIntyre Photo Nov 15_16

Hope McIntyre, Artistic Director of Sarasvati Productions

Auditioning 101 will take place at the Asper Centre for Theatre & Film on April 23rd from 1pm-4pm. The registration fee is $30 and the deadline is April 10th. To register, please call 204-586-2236 or email associate@sarasvati.ca.

In order to serve theatre actors who have advanced experience auditioning we’ve partnered with the Artistic Directors from three theatres in Winnipeg to present a Mock Audition Workshop for Advanced Actors. Sarasvàti Productions is thrilled to be working with Ardith Boxall, Artistic Director of Theatre Projects Manitoba, Krista Jackson, Associate Artistic Director of Royal Manitoba Theatre Centre and Ari Weinberg, Artistic Director of Winnipeg Jewish Theatre in order to deliver a comprehensive mock audition-style workshop on Wednesday, June 14th.

In the first half, participants will have a 5 minute slot where they each perform one 1-2 minute monologue for the panel of Artistic Directors and receive individual feedback. The second half of the workshop will be devoted to group feedback and a moderated Q&A .

This slideshow requires JavaScript.

The Mock Audition Workshop for Advanced Actors will take place on June 14th at the Royal Manitoba Theatre Centre rehearsal hall from 4pm-8pm.  Applicants must have experience auditioning for a professional theatre. The registration fee is $30 and the deadline to register is May 10th. Please include  a list of any auditions done for a professional theatre with your registration. To register, please call 204-586-2235 or email associate@sarasvati.ca.

We’re looking forward to helping you put your best foot forward at your next audition!

How It All Comes Together

FACE-7728

This week we welcome our Associate Director’s perspective on our unique approach to International Women’s Week. Rachel Smith is an actor, director, writer and acting coach. She has a MA in Theatre & Performance from the University of Manchester, UK and a BA Honours in Theatre & Film from the University of Winnipeg. Rachel has worked with Sarasvati many times and enjoys her continuing work with the company. 

The Cabaret of Monologues is an event that I look forward to every year. It is such an interesting and diverse array of artistic works that beautifully captures the year’s theme. This year the theme of “Starting Over” was particularly relatable for me, and for many audience members who I encountered. Starting Over can mean different things for different people. The variety of monologues featured in the cabaret was a wonderful representation of the different perspectives on that theme. I found that I could relate to most of the monologues in one way or another.

This was the fourth year that I have been the Associate Director on the cabaret. I was delighted and honoured that I was able to work on them again this year. It is an interesting project to work on because it is not rehearsed like a normal play is. Ten separate pieces are rehearsed once a week until the weekend before the full cabaret when it all comes together. Many of the actors do not even meet until the dress rehearsal. Each monologue is given the same rehearsal guidelines but the individual pieces are so different. It is great to work with the different actors and work with the unique challenges within the individual pieces. When working on them during the months of January and February, they feel almost like separate entities that do not relate to each other. When they all come together at the beginning of March it is amazing to see the full picture: the collage that is revealed.

Each monologue is powerful in its own way. I felt that the monologues developed with the newcomers to Canada were especially powerful. Some of them had heartbreaking stories yet were filled with joy and hope. When the monologues were presented as whole it became all the more powerful. Rachel Awur Moijok Chol was one of the women whose story was told during the performance. Her story was presented as a voice over recording of Rachel speaking while Sydney Macfarlane did a movement piece. At the matinee performance on March 11, Rachel sang an absolutely beautiful song after her story was presented. While she sang, Martha Akuch Maketh joined her on stage dancing with Sydney, while the rest of the cast joined the trio to prepare for the curtain call. The image of all those women dancing together on stage is one I do not think I will ever forget. It was so incredibly powerful to see them all up there, these amazing women portraying such important stories.

– Rachel Smith

This slideshow requires JavaScript.

Eager to experience more transformative theatre? Join us for the world premiere of Breaking Through (May 23-28) an awe-inspiring new play about mental health.