How do you pull together 10 performers, doing 10 pieces and touring to upwards of 15 locations? With a lot of help. For five years now Rachel Smith has been an integral part of the International Women’s Week Cabaret of Monologues. Rachel is part of choosing the theme, making monologue selections and directing pieces to be performed at the theatre and throughout the community. As we begin to choose our selections for IWW2018, we caught up with Rachel to talk about what she’s looking forward to about the project this year.
What does the IWW Cabaret of Monologues mean to you?
I have been fortunate enough to grow as a director throughout my time working on the cabaret. When I first joined the artistic team I had just graduated with my MA so I was eager to get more practical experience under my belt. Working on this event gave me the opportunity to have Hope McIntyre as a mentor and I feel this has strongly contributed to my growth as an artist.

Rachel Smith
Working on monologues is challenging in many ways. The playwrights have to write an active and engaging performance for only one person. The actors have no other actors on stage to feed off of and sometimes have to react to an imaginary character. As a director we have to help the actors figure out how to bring the monologues to life; ensuring the performance is active and engaging.
Each monologue that I have worked on has presented its own unique challenges artistically and each actor is different to work with. Every time I have worked on the monologues I take something new away from them. The practical experiences I gain are matched by the expansive understanding that the different stories present.
What does this year’s theme ‘Unstoppable’ mean to you?
Each year the theme we choose offers new stories and new perspectives. The perspectives that are represented in the monologues are not often seen on stage elsewhere. The topics challenge the audiences and offer new ways of thinking about the themes we present. Working as a director on these stories ensures that my own biases are constantly being challenged. I hope that it does the same for audiences.
Mary Black
Mallory James in Sandy Klowak’s “John Fubbister (also known as Isobel Gunn)”
I think that the theme “unstoppable” is important because it can be inspirational. Everyone faces challenges at some point in their lives. For some people just getting out of bed in the morning can be a challenge. Sometimes the circumstances we find ourselves in can seem hopeless. Sometimes we need other people’s stories about how they are able to push through and keep going, in order to feel as though we can do the same.
What have some of the highlights been for you?

Jane Burpee in Dave Carley’s “Urban Nun”
My favourite monologue that I have worked on has been the, somewhat crude, smoking Nun played by Jane Burpee. It was such a great monologue and I had so much fun working on it.
That being said, every year the monologues and rehearsals are so great that it is hard to narrow down the highlights. For me, working on the Cabaret, in general, is a highlight.
Why celebrate IWW with the Cabaret of Monologues?
The Cabaret of Monologues is a unique event where we are able to confront important societal issues while getting the chance to showcase talent from Canadian Women. We often get a range of work from all over Canada from women writers of various backgrounds. With the added bonus of being able to work with local, often up and coming, artists. It is a chance to have powerful stories portrayed by powerful women on stage.
One of my favourite aspects of the Cabaret of Monologues is that the monologues tour to different community organizations. This provides opportunities to bring the performances to people who may not be able to attend the full public event. Many organizations use the monologues as an opportunity to talk about circumstances that members of their communities may be confronting. It also provides opportunities for the performers to meet members of the community. This gives the event a more personalized atmosphere.

Johanna Burdon performing at St. John’s Library
Stay tuned for the announcement of this year’s pieces in an upcoming blog! You can catch the 2018 International Women’s Week Cabaret of Monologues March 10 at 4pm and 8pm at the Asper Centre for Theatre and Film. Tickets are on sale now. Those interested in booking monologues to tour to their community can contact Angie at associate@sarasvati.ca .
November 9, 2017
Categories: acting, actor, Artistic Director, Artists, Cabaret, Canadian theatre, Comedy, community, directing, Director, drama, entertainment, experimental, International Women's Day, International Women's Week, interview, local theatre, Manitoba theatre, monologues, Playwright, playwrights, storytelling, theatre, Uncategorized, Winnipeg, Winnipeg theatre, women . Tags: cabaret of monologues, International Women's Day, International Women's Week, Rachel Smith . Author: sarasvatitransforms . Comments: Leave a comment