Come One, Come All – FemFest is Great Transformative Theatre!

Wow! What a whirlwind week it’s been so far and just three more days to catch shows that likely won’t be seen again in Winnipeg!

The first day of FemFest 2016 kicked off with a moving premiere performance of The Seduction Theory and full house for the Opening Night Cabaret!

The Seduction Theory actors Hailley Rhoda, Hannah Wigglesworth, Merri-Lou Paterson and Grant Burr brought Sherry’s and director Hope McIntyre’s vision to life and wowed audiences in the first few days of the fest. The opening production also featured a special talkback, where audiences discussed on-going issues facing young women in the 1950s and today.

The Cabaret was a blast – with back-to-back spectacular performances from some of Winnipeg’s best in theatre, comedy, music, film and dance!

On day two, Winnipeg’s theatre and comedy community got silly with Morro & Jasp! The clown duo, Heather Marie Annis and Amy Lee, took eighteen emerging clowns under their wing with their Impulse and Play: Discovering your Inner Clown workshop. They continue their comedy streak in Winnipeg, with performances of Morro & Jasp do Puberty until Thursday.

Janet Taylor Bake-Off Award winner Jessy Ardern with Janet Taylor’s family

Monday night’s Bake-Off gave audiences something to laugh and cry about! Taking ingredients duct tape, unbridled passion and class and turning it into this year’s Bake-Off Audience Choice, was playwright Jessy Ardern with her scene Kit and Joe. Jessy received the Janet Taylor Bake-Off award of $500. Congrats to all the playwrights who were chosen for the Bake-Off!

 

Don’t miss out on the last chance to catch some great transformative theatre (or see it all again!)

Morro & Jasp Do Puberty
Thursday, Sept. 22, 1 pm
This is your last chance to see Morro & Jasp Do Puberty at FemFest. Check out what audiences are talking about with the clown sister’s hilarious look at growing up! A definite must-see for anyone who loves to laugh (which is basically everyone)!

Mouthpiece
Thursday, Sept. 22, 7 pm | Friday, Sept. 23, 9 pm
This artistic piece encapsulates the ups-and-downs and swirls of thoughts that go through a young woman’s head as she deals with a life-altering tragedy. It’s first performance at FemFest was met with a standing ovation for the incredible performances. It is riveting, powerful and truly a masterclass in acting.

Miss Understood
Thursday, Sept. 22, 9 pm | Friday, Sept. 23, 7 pm | Saturday, Sept. 24, 9 pm
Spoken-word poet, Antonette Rea takes you on an emotional journey through her life lived in isolation and discrimination as a trans* woman in Downtown Eastside Vancouver. This one is sure to bring you to tears. Help us welcome this show from Vancouver and our first trans* artist to FemFest!!

Poetry Reading with Antonette Rea
Saturday, Sept. 24, 1 pm, Bison Books, 424 Graham Ave.
Meet Antonette Rea and hear excerpts from her work. This free poetry reading takes place at Bison Books and will include a special Q&A session.

SHORTs Showcase
Saturday, Sept. 24, 3 pm, Garbonzo’s University of Winnipeg AnX, 471 Balmoral St.
New this year is the SHORTs Showcase. Catch all nine SHORTs from the Short-List all in one sitting! This will be a riot of laughs, tears and heart-stopping stories.

The Seduction Theory
Saturday, Sept. 24, 7pm
This will be your last chance to see The Seduction Theory on the FemFest stage. You definitely don’t want to miss out on this world premiere.

For tickets and more information, please visit femfest.ca or call 204-586-2236. Tickets are also available at the door.

Eight Days of Life-Changing Theatre

Let the countdown begin! In less than two days we’ll be taking over the Asper Centre for Theatre and Film (The University of Winnipeg) to showcase the best in Canadian theatre by women for everyone. You bet we are beyond excited for FemFest 2016: Transformation!

Featuring everything from the real-life struggles of a trans* poet, the inner battle of a woman’s mind, a clown-duo’s growing pains, to the damaging treatment of young girls; FemFest 2016 is jam-packed with plays that celebrate unfaltering female strength and power. Our 14th annual festival is guaranteed to captivate and take you on an emotional journey! Here’s the festival breakdown to help you plan your FemFest filled week!

Playwright Reading by Sherry MacDonald
Sept. 16, 1pm. John J. Conklin Theatre (University of Manitoba)
Sherry MacDonald will be presenting a free public reading from her work. This is your opportunity to hear from the celebrated professional playwright from Vancouver and ask questions!

The Seduction Theory
Photo: Janet Shum

The Seduction Theory by Sherry MacDonald
Sept. 17^th – 24^th – Asper Centre for Theatre and Film
Find out the fate of a 15-year old in the 1950s when she becomes too much to handle at home. This powerful drama delves into our society’s criminalization and sexual exploitation of young underprivileged girls. The Seduction Theory was the winner of the FemFest 2015 Bake-Off and the 2016 Special Merit Award from the Theatre BC Playwriting competition.

Opening Cabaret and Reception
Sept. 17th, 7pm – Asper Centre for Theatre and Film
Hosted by Winnipeg Comedy Festival’s Lara Rae, the Opening Night Cabaret is our annual variety show showcasing some of Winnipeg’s best female artists in theatre, film, music, visual arts and dance. It wouldn’t be a party without food and beverages! The cabaret includes dinner by Garbonzo’s U of Winnipeg AnX, dessert by Baked Expectations, wine from Banville & Jones Wine Co. and coffee from Starbucks.

Bake-Off
Sept. 19th, 7 pm – Asper Centre for Theatre and Film
Coordinated and directed by Cairn Moore – In partnership with the Manitoba Association of Playwrights. We challenged five selected playwrights with three “must-have” ingredients and eight hours to cook up their own ten-minute theatrical treats! With this year’s ingredients of “duct tape, unbridled passion, and class,” you won’t want to miss what these young emerging playwrights came up with.

SHORTS
Sept. 19th – 24th, 8:15pm – Asper Centre for Theatre and Film
Special SHORTs Showcase – Sept. 24th, 3pm – Garbonzo’s (U of Winnipeg AnX)
Every night at 8:15pm, audiences can treat themselves to a staged reading of a SHORT from the Shortlist. These ten-minute excerpts/scenes will be presented in between the evening’s 7pm and 9pm shows. With 9 selected shorts, each night will be different. New this year is the SHORTs showcase. On Sept. 24th at 3 pm, audiences can see all nine shorts at once at Garbonzo’s.

Morro and Jasp Do Puberty
Sept. 20th-22nd

Morro and Jasp Do Puberty by Heather Marie Annis and Amy Lee
Sept. 20th – 22nd – Asper Centre for Theatre and Film
Clown sisters Morro and Jasp hilariously take you through the trials and tribulations of growing up! From uncontrollable emotions and raging hormones to the pain and strain of bodily functions, the smash hit is sure to induce some side-splitting laughter!

 

Mouthpiece by Amy Nostbakken and Norah Sadava
Sept 21st – 23rd – Asper Centre for Theatre and Film
Interweaving a cappella harmonies, dissonance, text and physicality, Mouthpiece expresses the emotional conflict that exists within a woman’s head: the push and the pull, the past and the present, the progress and the regression.

Miss Understood
Sept. 22nd – 24th

Miss Understood by Antonette Rea
Sept. 22nd – 24th – Asper Centre for Theatre and Film
Vancouver’s spoken-word poet and activist, Antonette Rea is a survivor. Having lived through horrific experiences of marginalization and abuse as a trans* person, Rea has turned that pain into a beautiful eye-opening piece about struggle, triumph and compassion. Miss Understood is a theatrical poem based on her incredible life story.

Poetry Reading by Antonette Rea
Sept. 24, 1pm – Bison Books (424 Graham Ave.)
Antonette Rea will be doing a free public reading at Bison Books. The celebrated trans* woman street poet will read from her collection of works. Her words are powerful and her personality brings life to every word. This is a unique chance to hear her in Winnipeg.

Grab your tickets to FemFest 2016: Transformation at femfest.ca or by calling 204-586-2236. Tickets are selling fast, so get yours early! Subscription packages are also available and include passes to FemFest 2016 and tickets to the rest of the exciting Sarasvati Productions 2016/17 Season!

Shame, Blame and What Almost Became a Def Leppard Play

Guest Post by The Seduction Theory playwright Sherry MacDonald

Hysteria. Red line. Yellow submarine. For last year’s FemFest Bake-Off competition my fellow playwrights and I were given eight hours to incorporate these three ingredients into a scene. Upon hearing the word ‘hysteria’ I became very excited (no pun intended) and quickly delved into online research fueled by the prospect of writing a scene set in Freud’s time about his theories for treating the ‘disease’ then known as hysteria. Great!

Vancouver playwright, Sherry MacDonald

The problem that immediately became apparent to me was this: While there were all kinds of possibilities for folding ‘red line’ into the mix, what was I going to do with ‘yellow submarine’?

Yes, there were submarines during Freud’s time, but ‘yellow submarine’ is an unavoidably iconic term that would necessarily place the scene in an era post Beatlemania. I briefly toyed with riffing on the term, abandoning Freud, along with John, Paul et al, to set the scene in a place called The Yellow Submarine Sandwich Shop whereby a couple of rock star wannabes rehearse a karaoke version of Def Leppard’s Hysteria. Funny? Maybe. It could be fun . . .

But what if I won? I’d have to spend a year writing a play that revolves around a 1980s ‘hair band’ karaoke contest. No, back to Freud and his theories.

Fortunately for me, I went with my original gut feeling. The writing of the one act play The Seduction Theory which is being produced by Sarasvàti  at this year’s FemFest, has been a rewarding and challenging ride for me as a playwright. The necessity of having to deal with ‘yellow submarine’ actually turned out to be a blessing. Through my original ‘Wiki-mania’ research for the Bake-Off, madly keying in terms like ‘Freud’, ‘hysteria’ and eventually ‘seduction theory’, I came across an entry having to do with girls’ training schools —a then term for reformatories—in Canada and the U.S. during the middle part of the last century. Bingo! Or should I say, Ringo!

Setting the Bake-Off scene in the 60s allowed for that all important third ingredient. And because I now was setting the play in a girls’ reformatory school, I had my first two characters, Cass and Rebecca, girls whom in the process of writing their story I have come to love.

Expanding the Bake-Off scene to a one-act, I set the play back ten years to the mid-50s, a time before social movements began to take hold in North America, an era that saw the beginning of the consumer society, a ripe breeding ground for Freud’s theories to thrive. It was a time not too distant from our own, but distant enough to help frame atrocities committed at the fictional Westview Training School, as a product of ‘the times’.

Unfortunately, this restriction of time and place, ultimately is faulty. For while some of what Cass and Rebecca endure at Westview would not take place today (at least not in North America), the central theme of The Seduction Theory, subverting the female voice through victim blaming, is very much alive and well in 2016. One only has to glance at the latest headlines for verification. The play then is an examination of the current state of affairs for women and girls.

I recently received, courtesy of Theatre BC, a public reading of the script in its present form, which sparked a heated debate. “Would a learned man such as Dr. Branford, ‘the baddie’ in the play, really say the things he does?” “How much has changed since then?” “Has anything changed?” Witnessing firsthand the passion audience members displayed during this exchange, told me I just might be on to something.

Writing a play that explores topical issues that have the potential for impassioned discourse is extremely satisfying to me. And it’s all thanks to the Sarasvàti Bake-Off initiative. I may have been right in choosing Freud over Def Leppard after all. Then again, emotional debate over hair extensions and spandex pants could also be interesting.

 

Catch the world premiere of The Seduction Theory at FemFest 2016, September 17 – 24, 2016 at the Asper Centre for Theatre and Film. For tickets visit femfest.ca or call 205-586-2336.

Life-Changing and Award-Winning Theatre

Congratulations are in order! Since its inception in 2003, we’ve seen FemFest continue to grow, reach wider audiences and showcase some of Canada’s best works in theatre. This year is no exception as we are excited to announce and give our utmost congratulations to Sherry MacDonald and Antonette Rea for their recent recognition in two Canadian theatre awards. These women are paving the way for female artists as they continue to excel in the Canadian theatre industry. We are happy to have both women be a part of FemFest 2016.

Sherry MacDonald recently won the 2016 BC Playwriting Competition Special Merit Award for her play, The Seduction Theory. The BC Playwriting Competition is put on every year by Theatre BC and is created to award the outstanding work of playwrights from British Columbia. With The Seduction Theory, MacDonald brings to light the harm that comes from our society’s archaic outlook on female sexuality. Although set in 1950s the story of 15-year-old Cassandra still rings true in our modern society. As Cassandra is deemed too unruly to live at home and is sent to reform school, we get the shocking truth about the on-going criminalization and sexual exploitation of young underprivileged girls – an issue especially prevalent with Canada’s on-going struggle to solve the issue of our Murdered and Missing Indigenous Women, and the justice system’s continued failures in protecting young female victims.

Not surprising, the drama was the audience choice at the FemFest 2015 Bake Off. Her participation in the 2015 Bake Off set the groundwork for this awarding-winning play and we are very honoured to be presenting the world premiere of The Seduction Theory at FemFest 2016: Transformation.

Bringing FemFest another powerful perspective on female and gender issues is Antonette Rea. The transgender spoken-word poet was recently nominated for The Jessie Award for Outstanding Original Script for her theatrical poem, Miss Understood. From a suburban married father of two, to a drug-addicted sex worker, the play takes you through the real-life story of Rea’s struggles as a transgender person in Vancouver. After enduring years of unspeakable abuse, it was through poetry and creative writing that Rea found her solace and it has proved to be the starting point of an exciting career and new way of life. The Jessies were created by the Jessie Richardson Theatre Award Society to celebrate and promote the achievements in Vancouver’s theatre community. FemFest 2016: Transformation will be the first year we’ll be featuring the work of a transgender artist and we are more than excited to be expanding our line-up to include all women.

Make sure to save the dates and catch both The Seduction Theory and Miss Understood at FemFest 2016: Transformation at the Asper Centre for Theatre and Film (University of Winnipeg) from September 17-24.

For more information or to purchase tickets, please visit femfest.ca