Treating the Treaties with Humour

Well-written, very funny.”

“Hilarious!”

“Great way to convey serious info.”

These are just a few of the great things audiences had to say about OUR HOME & native land! Armed with bannock and ancestral knowledge, teaching “Mr. Mansplainer” and “Ms. Selfie-Important” about the Treaties will be as easy as the original signings! OUR HOME & native land confronts treaty violations and our history with wit and sarcasm as thick as the Indian Act.

Jo MacDonald

Jo MacDonald

After winning our 2017 FemFest Bake-Off, and a powerful reading at FemFest 2018, we’re excited to present a reading of Jo MacDonald’s revised script as part of our public project launch Seven Visions: Reconciliation Through Theatre! Writing a comedy that teaches folks about treaties is no easy task, but local playwright Jo MacDonald is up to the task. Jo is Anishinaabe, a mom, theatre fan, writer, and an Educator. She gave up dreams of super-villainy as it wasn’t as lucrative as depicted at the job fairs (false advertising…but then again what can you expect from an evil genius job pitch?). She received her BA and B.Ed. from the University of Winnipeg.  Jo had her Winnipeg Fringe debut with her comedy play Mother’s Little Secret this past July. Jo’s play NEECHIE-ITAS will premiere in Oklahoma this June.

 

Heidi Malazdrewich Headshot

Heidi Malazdrewich

Directing the reading is Heidi Malazdrewich, who previously dramaturged the play for its reading in September 2018. Heidi is a director, dramaturg, and theatre educator. Selected directing credits: The Curious Incident of the Dog in The Night- Time (Canadian Premiere, RMTC/ Citadel Theatre), Ladies Foursome (Theatre Baddeck), Di and Viv and Rose (RMTC), Romeo and Juliet (SIR), Myth of the Ostrich (RMTC), The New Canadian Kid (MTYP), and The Secret Annex (World Premiere, RMTC). Heidi holds an MFA in directing from the University of Calgary and is currently pursuing a PhD in Theatre and Peace and Conflict Studies at the University of Manitoba.

There was great feedback on the script in past iterations. It is being reworked with expert support. Acting as dramaturge for this reading is acclaimed Indigenous playwright Yvette Nolan.

 

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Yvette Nolan

Yvette Nolan (Algonquin) is a playwright, director, and dramaturg. Plays include BLADE, Annie Mae’s Movement, The Birds, The Unplugging, Gabriel Dumont’s Wild West Show (co-writer), the libretto Shanawdithit and the short film A Common Experience (w. Shane Belcourt). She has directed from coast to coast and north all the way to Dawson City, Yukon. As a dramaturg, she works across Turtle Island. From 2003-2011, she served as Artistic Director of Native Earth Performing Arts. Her book Medicine Shows about Indigenous theatre in Canada was published by Playwrights Canada Press in 2015. She is an Artistic Associate of Signal Theatre.

You can enjoy a reading of MacDonald’s script as part of Seven Visions: Reconciliation Through Theatre project launch and presentation running May 4-9. Admission is pay-what-you-can-afford. For more information and to reserve seats, visit our website!

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What Does Reconciliation Mean To You?

In January, we’ll be kicking off our next long-term initiative! Our new collaborative project will focus on reconciliation through storytelling and theatre. A team of Indigenous artists will work with Indigenous youth to capture their lived experiences and bring them to the stage. Storytelling will be used to explore the truth about current experiences of racism and discrimination in Winnipeg.  Ultimately a large community gathering and performance will take place engaging the public in the important and challenging dialogue about how to make a better community. Using the arts to explore the current reality of racism will allow us to take a powerful step forward towards true reconciliation.

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Marsha Knight

Beginning steps on this initiative are being undertaken by our Indigenous Community Outreach Coordinator, Marsha Knight. Marsha has been involved in theatre for over twenty years in many capacities both on and off stage. She has worked on several past productions with Sarasvàti, including consulting on Two Indians at FemFest 2017 and performing in Breaking Through and Eden.

“When I learned of the Winnipeg Foundation’s funding announcement for reconciliation projects, I remember having varied feelings of elation and interest,” says Marsha. “I was quite excited at this opportunity for community building and to know that the Winnipeg Foundation made a commitment to the ongoing process of reconciliation between Indigenous and non-Indigenous people.”

This project will involve working with Indigenous youth, Knowledge Keepers, Elders, and professional artists to gather stories. “What is exciting for me is that we are asking the youth, with the guidance of the Knowledge Keepers and the support of artists, to develop a contemporary perspective of the teachings of this region of Turtle Island,” says Marsha.

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Jaime Black

Indigenous artist Jaime Black will also be on board to help bring the project to life.  Jaime is a Metis multidisciplinary artist based in Winnipeg. She studied English Literature at the University of Manitoba and has an Education degree from The Ontario Institute of Studies in Education. She has taught in Opaskwayak Cree Nation in the Pas, Manitoba, has worked developing art curriculum for the Urban Shaman: Contemporary Aboriginal Art, and has long been involved in the Aboriginal writers and artists communities in Winnipeg. She is also head of the REDress Project, an installation-based art project focused around the issue of missing or murdered Aboriginal women across Canada.

Phase One of the project will start this year as we engage in consultation circles within the community and then undertake workshops to explore their connection to the teachings. Phase Two will then bring in artists, performers, designers, and directors to shape the youth’s creations into our next full production, keeping in consultation with Knowledge Keepers to ensure the integrity of their stories as the production develops.

“The voices of Indigenous youth are strong and much wiser than most people allow,” says Marsha. “This production will be a beautiful, awakening message combining traditional and contemporary storytelling.”

We’ll be launching the first phase of the project with a public gathering in May 2019 with the full production to come in Spring 2020. Stay tuned as we announce more on this exciting new endeavour!

 

Meet the Team Behind “New Beginnings”!

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New Beginnings is one of the biggest shows we’ve ever done: collaborating with artists across disciplines, including music, dance, and film-making! Get to know the amazing team bringing everything together!

What excites you about being on the New Beginnings artistic team? 

Gerry Atwell, Music Director: The subject matter is compelling and pertinent and the script is well researched, beautifully written and thought provoking. I love composing music and working with a talented creative team.

Brenda Gorlick, Dance Consultant: It is an absolute honour to work with such a diverse group of talented team members; I am extremely moved by the stories we are sharing and having a new appreciation for everyone’s journey.

Lindsay Johnson, Associate Producer: I have always admired Sarasvàti’s focus on producing theatre that sparks conversation about a wide range of important social issues. I am beyond thrilled to be a part of the artistic team who are helping stage the stories behind New Beginnings. It has been especially exciting for me to be involved in the community collaboration that shaped this production.

Cherissa Richards, Director: I love bringing these stories to life on-stage! I’m really excited to hear the personal stories of newcomers.

Saira Rahman, Snow Angel Films: It’s exciting to work with the other artists on the team – to learn from each by observing their creative process. I always like collaboration because of how enriched a piece can become with multiple perspectives.

 

What elements of the project do you personally connect with? 

Gerry: Even though I was born and raised in Winnipeg, people regularly assume I am from elsewhere and want to me to justify my presence and difference by categorizing it. “So where are you from?” is a question I have been asked all my life. My father chose Canada and all through his life he helped those who were adjusting to a new life here. I grew up sharing dinner with people from Russia, Sri Lanka, Nigeria, Uganda, and South Africa that my Dad met in passing and befriended.

Brenda: My brother and sister-in-law work for UNHCR so I’ve heard many of their experiences over the years of refugees’ stories.

Lindsay: I have loved getting to know members of my community that are outside of my day-to-day circle. It has been a fabulous experience watching my experience of Winnipeg grow in this way.

Saira: I felt a connection with the stories that included a parent and child. They made me remember my own experience growing up as my family tried to adapt to our new home. I’m honoured to be a part of this project because it honours my personal experience as a newcomer, although that was some time ago! My family had many new beginnings: East Pakistan (now Bangladesh), United Kingdom, Atlantic Canada, rural Manitoba, and finally Winnipeg!

 

 

Come see the culmination of this amazing team’s hard work starting May 22nd! We’re also featuring an opening dance piece choreographed by Emily Solstice and original art work by Indra Skuja-Grislis. Tickets are on sale now, available here!

Winter Workshops for Emerging Artists

How does an emerging theatre artist begin to get professional work? What can an emerging actor do to improve when they aren’t working? Is your piece translating the way you want it to?

These are the types of questions we address throughout our season of workshops for emerging theatre artists. Take a look at what we have to offer this winter and spring to see what speaks to you.

Coffee with a Pro

Mariam Bernstein at emerging Directors Coffee with a Pro

Coffee with Director, Mariam Bernstein

Our informal mentorship series returns with new mentoring Artists!

On Dec. 6th we launch into winter with Coffee with Ann Hodges. Esteemed theatre Director, Ann Hodges will meet with four emerging directors to talk shop over coffee. Emerging artists get to know a professional in their field to discuss professional directing in a relaxed atmosphere.

We will arrange three more Coffee with a Pro sessions this season. One for aspiring Artistic Directors and one for emerging Playwrights. We are open to suggestions for the third one, so let us know if there is a professional artist you’d like to talk shop with!

 

The Actor’s Voice with Tom Soares

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Tom Soares

In this workshop, you will be introduced to the basics of voice and text work for the stage.  You will learn how the voice works, what can go wrong and basic voice and text technique.  Participants will practice the basics of alignment, tension release, breath awareness and support, coming gently onto sound, projection (being heard), and work on clarity of thought through textual exercises.  Participants are encouraged to bring in a monologue of their choice to work on.  Monologues or a speech will be provided if participants don’t have one available.

Voice and Speech Coach and Theatre Educator, Tom Soares facilitates this workshop.
Sunday, Feb. 4th from 1-4 pm
Asper Centre for Theatre & Film
$20
Space is limited. Registration is open now!

 

Monologue Intensive

Hope McIntyre facilitates Auditioning 101

Auditioning 101 with Hope McIntyre

Monologue work is such a crucial component to getting work as a stage actor. This workshop will focus on honing your monologue. Stay tuned for more details on this spring intensive.

At Sarasvati Productions, we are dedicated to supporting the growth of emerging artists. If there is a workshop you’d like to see offered let us know! Contact Angie at associate@sarasvati.ca to inquire or to register.

 

Summer Students make Strides at Sarasvàti

A world premiere, general auditions, FemFest brochure launch, outreach, a fundraising dinner, Timeraiser display, garage sale – how have we managed all of this in the last month? We’ve been very fortunate to welcome two hard-working summer students to team Sarasvàti thanks to Canada Summer Jobs. They’ve pitched in on so many important tasks and now they’re working on our 2017-18 Season Launch. Tamera and Larysa bring dedication and fresh ideas to the table and we are so pleased to hear from them in this week’s blog entry.

“I am proud to be at Sarasvàti Productions and to work in a community with a strong social conscience”, says Tamera, who began working as our Production Assistant in May.

TameraGrace-grown-FemFest17“So far my highlight of the summer was when I was backstage during Breaking Through. The cast and crew were all magnificent, as well as the story. It was very life-giving to support them through a smooth run of the show, as well as making sure everyone was comfortable and ready.

Aside from being able to work on their spring production, I have been spending most of my time in the office. This is my first time working in an office; it has been a good opportunity to improve my professional skills.”

Tamera is working on completing her double degree in Theatre and Business at the U of W.

“My original plan was to focus on acting, but I will be graduating with a focus in acting as well as production and business. For me, working with Sarasvàti has really clarified my desire to work in the not-for-profit sector. I want to continue finding opportunities to support those in the community.”

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Tamera Grace at TimeRaiser150 with Hope McIntyre looking for great new Sarasvàti volunteers.

“One of the great things about Sarasvati Productions is the opportunity it creates for discussion and understanding”, says Larysa, our Marketing & Community Outreach Assistant.

“Getting over fifty people to sit in one room, eat Ethiopian food, smell Ethiopian coffee beans, and listen to a difficult true story about becoming a refugee is no easy thing to organize. But, I think, this type of event is necessary for building healthy and strong communities. Like me, the people who listened to Saeed’s story may walk away feeling more empathy than they felt before. And that is no small achievement.”

IMG_4303Larysa is a Creative Communications student at Red River College and the director of Winnipeg Poetry Slam. She talks about her favourite experience while working with Sarasvàti—working at the Honouring Courage – Celebrating Diversity fundraiser dinner with human rights activist and speaker, Ali Saeed.

“We’re used to thinking of revenge as a bad thing. We think of threat, torture, and war. Ali Saeed calls this ‘red revenge’. But Saeed says there is one other type of revenge just as compelling: kindness, compassion and generosity. His word for this is ‘green revenge.’

Seven years Saeed spent imprisoned and sentenced to death in Somalia. Now he’s speaking to a roomful of people here at Gohe Restaurant for Sarasvàti Productions’ fundraiser. The entire room is quiet. The people I’m sitting with grimace and look downward.

Saeed talks about the cruelty he witnessed: forced abortion, lashings, hanging, cutting. Listening to Saeed, I am reminded of the safety I have here in Canada, a true luxury.

On his feet, Saeed wears loose Velcro sandals. He points to the burn marks on his heels, marks from the hardship he endured. Sandals are one of the few shoes he’ll wear because of the pain. Barefoot is preferable.

‘No one chooses to be a refugee,’ Saeed says.”

Larysa says working for Sarasvàti Productions has opened her mind to experiences outside of her own, which has been an invaluable experience.

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Larysa Musick at Honouring Courage – Celebrating Diversity Fundraiser Dinner for Sarasvàti Productions at Gohe Restaurant.

You can see some of their awesome ideas in action at the 2017-18 Season Launch, Friday August 4th 7pm at the Saddlery on Market (114 Market Ave).

Spotlight Behind the Scenes!

The world premiere of Breaking Through would not be possible without a small army of unsung heroes known as the design and production team.  This week we’ve tracked some down in order to shine the spotlight on the awesome folks who will be working hard behind the scenes.

Dean Cowieson – Lighting Designer Dean Cowieson

Dean is happy to work on the lighting for this powerful production of Breaking Through.  Dean has been the resident lighting designer for Le Cercle Moliere since 2005, as well as the resident lighting designer for Winnipeg’s Contemporary Dancers since 2006. Dean last worked with Sarasvàti Productions as the Lighting Designer for the production of Miss N Me. He has designed the lighting for various companies in Winnipeg as well as recently completing a three-city tour. In addition to his lighting design work he has also designed sets and costumes for various companies in Winnipeg.
Dean’s motto: “Are you hip to my jive?”

Kim Griffin – Costume & Set DesignerKim Griffin

Kim Griffin, B.I.D., B.A.(hons), M.A., is an Interior Designer, Set, Costume and Lighting Designer, and Cultural Studies scholar. Her company Donald-Haverty Design Group, started in the 1980s, has served hundreds of clients on residential, commercial, hospitality, medical and recreation projects. Her work analyzing scripts and interpreting atmospheres and characters has kept her busy for over 15 years working with various community theatres in Winnipeg. Knowledge and ability to use the elements of design, fine art concepts, practical applications, and human ergonomics and interactions make all her designs, whether for interiors or for the stage, specific and unique.
Kim’s motto: “It never hurts to help”

jaymezjaymez – Sound & Video Designer

With a multi-faceted and distinct visual style, jaymez has worked in the visual art, dance, theatre and music communities.   His video work has appeared in a number of international festivals, theatrical and dance productions and he has performed live video alongside dozens of musicians and artists.  He has created lighting, video and sound designs for a wide range of companies and choreographers. His work has been seen in a number of cities including Stratford, Edmonton, Regina, Calgary, Montreal, Toronto, Osnabrück, Germany and Utrecht, Netherlands.  jaymez is one half of the experimental voice and video duo The Gritty.  He currently sits on the board of Video Pool Media Arts Centre and is the Technical Director of Cluster New Music and Integrated Arts Festival.
jaymez’s motto: “I’m not very good at making things nice, that’s when my work is least interesting. ” -Es Devlin

Holly LaJambe – Stage Managerpicture017 - GREYSCALE HEADSHOT

Holly LaJambe is a Theatre Honors graduate from the University of Winnipeg. Her stage management credits include Fire & Water Music Festival, Gilbert & Sullivan Society, Girls Only Productions, Geri\the/atrics, Prairie Theatre Exchange, Prairie Theatre Exchange School, Winnipeg Pride. This will be her eighth time stage managing for Sarasvàti Productions. She has been involved with 2016 – Breaking Through Staged Reading, 2015 – Cabaret of Monologues, 2015 – Miss N’ Me, 2014 – Fefu and Her Friends, 2013 – Harold and Vivian Entertain Guests, 2012 – Diss Tour, and 2012 – Immigration Stories. She is excited to be involved with another of their projects addressing important social issues.
Holly’s motto: “I’m already calm. I’m the Stage Manager.”

Laura LindeblomLaura Lindeblom – Production Coordinator

Twelve years ago at York University, Laura decided that she wanted to be a production manager, and as luck would have it she’s been working in that role, as well as various other production departments, ever since. Her two full time jobs are as mother to one child (soon to be two) and production manager at Manitoba Theatre for Young People, and she is very grateful for the opportunity to work with Sarasvàti Productions again. Thanks to Kris, Kaia, and Blyth the puggle for all of their love and support.
Laura’s motto: “It’s totally fine for plans to change, but it’s always best to have a plan in the first place.”