ONS2: School Night!

Are you ready for round two?

The One Night Stand Series continues on Tuesday March 3rd at 7:30pm with a showcase of scenes by playwriting students. This is no amateur night! We bring you an action-packed line-up from student playwrights at Prairie Theatre Exchange and the theatre programs at University of Winnipeg and University of Manitoba.

“What all these plays have in common is a finely tuned ear for dialogue, diverse and memorable characters, and nary an indication that these writers are young or young in craft”, says Series Producer, Tatiana Carnevale.

Nan Fewchuk will direct all of the readings. The pieces will be performed by an ensemble cast featuring: Kim Kakegamic, Adrianna Kollar, Kevin Longfield, Eric Rae and Cheryl Soluk. Plus special appearances by Cheryl Alexander, Lori Hart, Fawn Purnell and Carmen Smith.

Without further ado, let’s meet our selections!

Neechie-itas by Jo MacDonald (PTE) – Female friends get revenge!

Abstract Vincent Van Gogh by Sarah Luby (UofM) -What happens when a young man’s Sunny Day turns into a Starry Night?

The Dance by Tyler White (PTE) – How do you convince a stubborn 84-year old it’s time to move?

Untitled by Jonathan Mourant (UofW) – Family tensions rise to a boiling point.

Dodgeball by Wayne Ferguson (PTE) – Life is like a game of dodgeball – how many hits can you sustain before throwing in the towel?

Frivolous Things by Molly Cross-Blanchard (UofW) – A weekend at the cabin with the sister you despise? Go fish!

Who will get an A plus this time? That’s for you to decide!
As always, admission is by donation. See you at the Colin Jackson Studio on March 3rd!
P.S. If you’d like to have your work featured at the One Night Stand check out our final Call for Submissions below.


CALL FOR SUBMISSIONS: SARASVATI PRODUCTIONS ONE NIGHT STANDS

Sarasvàti Productions is accepting submissions for the final One Night Stands reading series of the 2016-17 season, which will take place in April, 2017.

PLAYWRIGHTS
We are currently seeking submissions of 10 minutes scenes, plays, or monologues from emerging and established writers of all ages, genders, and backgrounds. Playwrights may submit scenes that exceed 10 minutes, however should be aware that if the scene is programmed it may be edited at the discretion of the director for length. It is preferred that writers are based in Winnipeg but we will consider submissions from across Canada. Submissions will be assessed for their individual quality and in order to program a balanced event. No monetary compensation will be provided.

Please provide in one document: A bio of the playwright(s); one copy of the scene formatted according to acceptable Canadian play script format; a synopsis of the play, if the scene is part of a larger work; a character listing for the scene

We are especially interested in receiving submissions of new work that will occur in this summer’s Winnipeg Fringe Festival; work that highlights diversity; and work by female-identified playwrights.

DIRECTORS
We are also seeking submissions from directors who are interested in directing readings. No monetary compensation will be provided.

Please provide: A cover letter stating why you are interested in directing at One Night Stands and a copy of your resume.

ABOUT ONE NIGHT STANDS
The One Night Stand play reading series began in Toronto. The goal of the series is to test out new works and provide audiences the opportunity to get a first taste of new material and / or works in progress.

All submissions must be received by midnight, March 12th 2017. Submissions should be emailed to sarasvati.one.night.stands@gmail.com. For more information, please contact info@sarasvati.ca.

 

What Does Starting Over Mean to You?

Have you ever relocated, tackled a new job, new relationship or even just discovered your true self? This year we explore what is perhaps the most universal topic we have tackled in the International Women’s Week Cabaret of Monologues. Erin Meagan Schwartz asked all of our performers what this year’s theme means to them.

“New adventure! But that was my idea when I was eleven years old and I came to Canada”, says Cherrel Holder, “then doing it when I was 20–moving to Australia for school–starting over was scary.” Check out the promo video for all of our performers responses!

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Kim Kakegamic rehearsing “The Pit” in front of playwright Alissa Watson and Directors Hope McIntyre and Rachel Smith. Photo by Nik Rave.

Alka Kumar shared her story of starting over with Angie St. Mars. The two co-wrote one of the monologue sin this year’s cabaret based on Alka’s experience. “Sharing my story provided me space for reflection, even helping me process my experience in a deliberate and considered manner”, said Alka, including that it is a technique and useful tool within narrative therapy. “I found this useful as it was a good opportunity to go back to my `lived experience’ after the fact, almost separating it out of myself (externalising it, as it were) and through such a process of articulation becoming more aware of it.”
The piece created from their process is called Diaspora. It focuses on an Indian woman, once a newcomer herself, as she welcomes a young newcomer to Winnipeg.

The Cabaret features monologues that take you through ten different stories of pivotal moments in very different women’s lives. From the moment when an Ojibwe activist must choose to apologize or stand by what she believes in, to the moment a young Nigerian woman tells her first generation immigrant parents that she wants to go home: this year’s selections will have you on the edge of your seat from beginning to end.

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“I hope the audience [members] who share my experiencing of my everyday dilemmas, struggles, and negotiations with my many homes will get to know me a little”, said Alka. “Even more significantly, I hope the monologue and my voice will resonate, and that it may help in their personal processes and journeys of reflection, and exploration, as ideas and emotions around identity, belonging, and being comfortable being who we are wherever home is are important questions for everyone.”

There are two chances to catch all ten monologues on March 11th at the Asper Centre for Theatre and Film. Tickets are available at the door, but we recommend getting them in advance, as this event will sell out.

 

Back with a Vengeance – the One Night Stand makes a triumphant return

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The ensemble cast and Director, Kim Kakegamic take a bow

Six short plays, a responsive audience and valuable feedback! We were excited to offer our re-boot of the One Night Stand Series on February 2nd thanks to the support of PTE Theatre and Film School. Under the guidance of event producer Tatiana Carnevale, seven actors brought to life the works on progress with director Kim Kakegamic. The series is designed to give an enticing taste of new theatre and leave audiences wanting more. In just over an hour everyone enjoyed a taste of comedy, suspense, and wit. By the end of the evening, there was definitely food for thought and some new favourite artists to look out for!

“It was a great chance to see work by novice and experienced playwrights.”
– Andrea Geary, audience member.

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Adrianna Koller and Rachel Smith read ‘Cherries’, an adaptation of Chekov’s “The Cherry Orchard”, written by Per Brask

After the event playwrights were provided with audience feedback so they can continue their work on the pieces. Hearing dialogue out loud and seeing how audiences is respond is integral to the writing process.

“Amazing job, everyone! And for those involved in [my piece], thank you so much for helping me bring that world to life… Truly an inspirational night!” – Marjorie Roden, a featured playwright in last Tuesday’s One Night Stand.

“It was a great evening of theatre with so much variety and imaginative stories!”
– Craig Russell, featured playwright.

Join us for the next One Night Stand, March 2nd 7:30pm at the Colin Jackson Studio.
The theme is Student Night: presenting stand-out work by students from PTE Theatre and Film School, the University of Manitoba and the University of Winnipeg. Stay tuned for the announcement of this formidable line-up!

“Thanks for a fun, fabulous, very satisfying One Night Stand everyone!! What a great evening.” – Kimberly Kakegamic, Director

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Spotlight on Newcomer Stories

How do we welcome new members to our local circle?
How do we provide space to hear and understand their stories?
How do we work with them to be inclusive rather than insisting they adjust to our forms?
How do we give them a role in the arts?

These were our burning questions as we began curating work for the 2017 IWW Cabaret of Monologues. We had put out a call for stories of Starting Over, and while we were thankful to receive over 4o stellar submissions, something was missing. We set to work reaching out to dozens of women who had experience as a newcomer to Canada and invited them to collaborate.

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We went all over the community, dropping in for story-gathering workshops with newcomer women’s groups including the Canadian Muslim Women’s Institute (CMWI), Immigrant and Refugee Community Organization of Manitoba (IRCOM), The Immigration Centre and more. We also lined up one-on-one interviews with women who were excited to share their story with the help of community contacts such as the International Institute for Women’s Rights Manitoba (IIWR-MB).

“The response to our call for collaboration has been overwhelming”, said Hope McIntyre, Artistic Director of  Sarasvàti Productions. “We are excited to continue to work with the amazing individuals and organizations in the long-term for our next community-based project!”

“There are few things more enjoyable than being told a good story”, said Angie St. Mars, co-writer of two of the collaborative monologues.”I would meet with the women who wanted to tell their stories. We would sit down together and record an interview. I’d go home, listen back, come up with a concept, and then write a draft. I sent each draft back-and-forth with the person who’d shared their story  and they would give me feedback throughout the writing pro0cess. This is great way to write a monologue.”

Monologues created through collaboration include:

Diaspora by Angie St. Mars and Alka Kumar
Lost Girls by Hope McIntyre with Rachel Awur Moijok Chol
You Say Tomato, I Say…Fine by Angie St. Mars from interviews
In My Country by Hope McIntyre with the women of IIWR-MB (Martha Akuch Maketh, Rosemary Kezaaba and Gertrude Hambira)

“I could have listened to the women I interviewed tell stories all day, and I hope that the audience will get swept up in them the way I did sitting across from these women”, said St. Mars. “Starting Over lends itself to so many great stories. This year’s line up is witty and intrepid and always, always so honest.”

Using the performing arts as a medium, we can inspire a larger conversation about the city, country and world we live in. It is an important time for Canada to be a leader in the future and it needs to begin with engaging people locally. What better way than through the arts?

There are two chances to see the full line-up, 4pm and 8pm on Saturday, March 11th.
Celebrate International Women’s Week with us!

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Instant Gratification. Immediate Feedback.

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We are so excited to be re-mounting the One Night Stand Series with the help of Producer, Tatiana Carnevale. Join us at 7pm on February 2nd at the Colin Jackson Studio.
We promise you an evening unlike any other.

Curator note: I am short. So are these plays. 

“I was so pleasantly surprised by the number of submissions we received after circulating our call for the newly relaunched One Night Stand play reading series – the quality of material that individuals sent in, when we didn’t give folks a whole lot of notice to do so, was really and truly impressive! Trying to select just six to program for our first event was a pleasantly unpleasant task, as I got to read a lot of great work and had to make some tough decisions! 

Ultimately, what all the pieces in this first series have in common is that they manage to pack a whole lot of action and character development into 10 minutes or less. These works prove that you don’t need three acts to have a play. (SORRY ARISTOTLE). I hope you’ll join us and take a chance, for one night only, on a hot night with some cool new work!”

-Series Producer, Tatiana Carnevale

Without further ado, would you swipe right on… 

Irony by Sage

Sage is a young upstart in Winnipeg’s comedy scene who has a penchant for making people laugh. He is a newer face in the comedy world and has been frequenting venues across Winnipeg in order to perfect his voice and writing style.

Donation by Craig Russell

Craig Russell’s monologue, The Unintended Consequences of Love was performed at the Carol Shields Festival of New Works. His novel, Black Bottle Man won the American Moonbeam Gold Medal for YA Fantasy and was a finalist for the Canadian Aurora Award for Best English Novel. Another novel, Fragment was recently released by Thistledown Press.

The Aftermath by Trevor Graumann

Trevor Graumann is a Winnipeg writer and musician who has been a regular on the local arts scene for over a decade. A graduate of the University of Winnipeg English program, recent highlights in Trevor’s writing career include a Special Mention in CV2’s annual Young Buck Poetry Award, and a grant from the Manitoba Arts Council in support of a poetic work in progress. When not conversing deep into the night, Trevor prefers to nod off in an internet glow.

Life in a Fishbowl by Marjorie Roden

Marjorie Roden is a member of the Peter Ballantyne Cree Nation in Northern Saskatchewan. She received her education degree at the University of Saskatchewan then a few years later, attended SIAST Woodland Campus where she studied Media Arts Production. Later, she moved to Winnipeg, where she was a member of the New Voices Program at the National Screen Institute. She is currently completing her bachelor of arts degree at the University of Manitoba, where she’s majoring in film studies and minoring in theatre. She also makes independent films, including the sci-fi webseries Preflight Launch, and operates her production company Farmgirl In The City Productions out of her dorm room.

Jump or You’ll Die Laughing: A Tragicomic Short for the Endlessly Heavy Hearted by Kirsty Cameron

Kirsty Cameron is an emerging prairie writer, currently living in Winnipeg. She is working on a PhD in English at the University of Manitoba. Excerpts from her theatrical works-in-progress have been read at past MAP reading series events and her latest fiction short-story, “Sewing Factory, Circa 1880 — 1980,” was published in the Winter 2016 edition of Prairie Fire literary magazine.

Cherries by Per Brask

Per Brask is a Professor in the Department of Theatre and Film at the University of Winnipeg.  He has published poetry, short stories, drama, translations, interviews and essays in a wide variety of journals and books. Recent publications include a co-translation with Patrick Friesen of Ulrikka S. Gernes’s poetry collection Frayed Opus for Strings & Wind Instruments (shortlisted for the Griffin Poetry Prize, 2016) and a translation of Andreas Simonsen’s The Foundation of Ethics (Fictive Press, 2017).

All plays will be performed by an ensemble cast; Braiden Houle, Adrianna Kollar, Kevin Longfield, Jordan Phillips, Rachel Smith, Cheryl Soluk, and Erica Wilson.
All plays will be Directed by Kim Kakegamic.
The evening will be hosted by Angie St. Mars.

Stay tuned, as we will be offering two more One Night Stand events this season!

 

 

Starting from Scratch with a cast of expert story-tellers

This 2017 International Women’s Week Cabaret of Monologues is over-flowing with talent! Check out part two of our feature on the stellar cast.

Just off the Manitoba school tour of Sarasvàti’s Shattered, Reena Jolly has delved right back into work with us for the Cabaret. She will be performing “You Say Tomato, I say Goodbye”, a piece she resonates personally with about a difficult conversation with first-generation newcomer parents. Reena has been working hard on mastering an accent for this piece and we can’t wait to see it come to life!

Kim Kakegamic made an impact in last year’s Cabaret as an outrageous game show host. In fact this will be her third year doing a monologue for this event! Here’s something that you probably didn’t know: Kim loves geocaching and feels the exact opposite about slow-walkers. This Cabaret, Kim performs a gut-wrenching comedic piece, “The Pit” by Alissa Watson.

Brand new to the Sarasvàti team is Anjali Sandhu. Anjali studied stand-up and improv with Second City Toronto. You can see her regularly around town performing improv and stand-up comedy. Anjali will be performing a provocative and poetic monologue by Fauzia Rafique in this year’s Cabaret, called “Places that have no names.”

Nalini Reddy is also new to Sarasvàti, but is no stranger to the stage. She studied theatre in the Black Hole at the U of MB, performed in several fundraising productions for the Royal Manitoba Theatre Centre (the annual joint RMTC-MB Bar Association show), been a performing member of Manohar Performing Arts. She’s even had her own band! Nalini will be performing, “Disapora”, the story of a woman struggling to define home while splitting her life between Winnipeg and Delhi.

You’ll remember Sydney MacFarlene from last year’s Cabaret of monologues; she was the only one who did not speak throughout her entire piece! Sydney is a devoted dancer who’s always on the move. She has been developing choreography as part of an oral-telling of a Lost Girl from South Sudan for this year’s Cabaret. During the week you’ll find her studying Kinesiology and tap-dancing under her desk.

We caught up with these performers to ask them a few fun questions and  get to know them better as they begin buckling down to rehearse!

  • If you could have coffee with any person who has ever existed, who would it be?
    Nalini: Vandana Shiva
    Reena
    : God. I have a few questions I’d like to ask.
    Anjali: Vincent Van Gogh (This is a lie, my true answer is Taylor Swift)
  • Who is a local woman that inspires you?
    Anjali: Pam Oberman
    Kim: My co-worker Rosalyn Boucha (who is also an amazing artist) – she is smart, creative, and aspires to learn something new everyday.
    Sydney: There isn’t just one local woman who inspires me, I find inspiration in every woman I meet. They each have their own unique stories and advice that I definitely learn from.
    Nalini: Fiona Smith
    Reena: My mum hands down. She is incredibly smart and perceptive. She has a great sense of humor and makes me laugh all the time. She is extremely hard working and never gives up. My mum is a real life wonder woman.
  • If you could wake up tomorrow with any new skill, what would it be?
    Nalini: Super-memory
    Anjali: Mind control or singing.
    Kim: Drawing
    Sydney: I would want to be able to memorize information just by reading it, I always have to write things out and it can be quite time-consuming.
  • If you had to start over again in a new place, where would you want to go?
    Sydney: If I had to start over again, I would be in the Caribbean or somewhere in South America.
    Kim: If I could speak Swedish I’d pick Sweden. It’s where my mom’s family is from and those Nordic countries seem like pretty fabulous places to live. On this side of the ocean? Honestly, probably Regina. Haha! I’ve started over twice there before and maybe third time’s the charm!
    Reena: New Orleans. The music and art are so vibrant! Plus, they have rich history and the food would be amazing. I’ve never been there… but, I saw The Princess and the Frog one time and wanted to move there instantly.

We are enjoying getting into the rehearsal process with this amazing cast. We look forward to sharing women’s stories on a theme we can all relate to: Starting Over.  For more info on the pieces, or to get tickets visit our website!

 

Tales of Starting Over Tackled by a Stellar Cast

We’ve got a lot of local talent packed into this year’s Cabaret, some familiar faces, and some new to Sarasvati. We’re pleased to introduce to you to some of the cast members of the 2017 International Women’s Week Cabaret of Monologues. Stay tuned next week for part two!

Cherrel Holder is an actress, dancer, and teacher in both arenas. She is a passionate multi-tasker who describes herself as “raw, enthusiastic, and annoyingly positive.” Cherrel will perform In My Country, an exposé of how Canada can appear to some as they arrive from other countries.

Many of you will be familiar with actor Erica Wilson who has worked with Sarasvàti many times, most-recently on Shattered.”I’m a girl with many faces”, says Wilson, “once a women said I had 5, I laughed and told her I currently had 7. I’m a workaholic that tries to do better every single year.” Wilson plays an Ojibwe Activist who finds herself faced with a big choice after speaking out at a rally.

Johanna Burdon is an actor and avid cyclist–perfect for her role in this year’s Cabaret where Johanna plays a character who is part-way through cycling across Canada.”I really like riding my bike”, said Burdon. “It’s my go-to form of transportation because it’s fun, healthy, good for the environment, easy, inexpensive, and reliable.”

Melanee Deschambeault is a full-time student in her 3rd year at U of M. She is an actor as well as one of the facilitators of Sarasvati’s  North End Youth Workshop Series. Melanee performs Questions and Answers, a piece that finds a young woman at a challenging moment in her life  as she attempts to re-enter the dating world after surviving rape.

And finally introducing Sarah London. Sarah is in her first year of studies at the University of Winnipeg. She was recently the subject of a mini-doc for The Orange Daisy Project which advocates for young women’s mental health. London will perform Wild Orchid, the monologue of a young woman with Autism who is trying to come to terms with the idea of breaking patterns.

We caught up with these performers to ask them a few fun questions and  get to know them better as they begin buckling down to rehearse!

If you could wake up tomorrow with any new skill, what would it be?
Erica Wilson: Contortionist, hands down. Its always been in the back of my mind but the way I’m going its such an unreachable goal.
Sarah London: A photographic memory to expand my capacity for knowledge.
Johanna Burdon: To be able to speak, write, and understand every language.
Melanee Deshcambeault: I would love to bilingual. French would be awesome!
Cherrel Holder: Sing like Lea Michelle.

Who is a local woman that inspires you?
Cherrel Holder
: My mom, Junette Holder, because she is a single parent from a third world country who fought to bring me and my two sisters to Canada for a better life, and in doing so has taught me the value of love and forgiveness.
Erica Wilson: I have been able to meet and work with so many kick-ass women in my life, just to name a few, Madison Thomas (also the playwright for the monologue I’m performing), Frances Koncan, Victoria Perrie, Emily Barker and Dee Thomas are just doing so well for themselves.
Sarah London:Your mom…just kidding. My mom inspires me, I probably don’t know your mom.

What would you do if you won a million dollars?
Sarah London: I would invest it, learn to play the stock market, take risks. Turn that million into millions.
Johanna Burdon:
Put half of it in a fund of some sort, so that it would grow, and spend the other producing theatre/donating to theatre companies.
Erica Wilson
: I’d pay off my mom’s debt, get her into her own little house fully paid and utilities paid for up to 20 years. Once that’s done pay my rent off for a year and travel. I’m a simple gal.

If you had to start over again in a new place, where would you want to go?
Cherrel Holder: New York – especially if it was Christmas!
Melanee Deschambeault: I would love to go to Montreal and audition for the National Theater School Of Canada.
Johanna Burdon: I can’t imagine getting a better start in any other city.

We are excited to get down to work with such an amazing cast. For more info on the pieces, or to get tickets visit our website!