Poetry and Playwrights at IWW 2019!

We’re excited to share more about the fabulous artists behind this year’s International Women’s Week Cabaret of Monologues! This year’s theme is Here I Am, exploring themes of reclaiming identity and coming into one’s own.

Appearing in this year’s Cabaret are a number of artists writing and performing their own work, including long-time Sarasvàti collaborator Nan Fewchuk performing her piece, Thelma and Louise. While waiting in Cancer Care, Maggie reflects back on her life, her resentment towards her large breasts, and how the thought of losing one of them changes her perspective.

Nan Fewchuk

Nan Fewchuk

Nan is grateful to be a performer, director, and facilitator with Sarasvàti Productions, working on such favorites as Fefu and Her Friends, Fen, Jail Baby and Empty. Nan has performed with Rainbow Stage, Shakespeare in the Ruins, and Green Kids Inc. She produced and acted in the Fringe hits Dog Act and Or as well as working with the Manitoba Drama Youth Festival, Villa Rosa, The Peaceful Village, and the West Central Women’s Resource Centre. Nan co-founded the Indigenous youth group Neechisan at Garden City Collegiate where she taught drama for over twenty-five years.

Thelma and Louise was originally Nan’s final performance piece while studying at One Yellow Rabbit in Calgary. “Ten years later I’m finding it super interesting to further explore, dive deeper, and rework things, especially because I feel differently now than I did when I first wrote it,” says Nan. “As I grow older, I think so much more about my own mortality and have come to fully realize what really matters in life. I am so grateful for all of the good times and the wacky times, and for all of my family, friends, teachers, mentors,  coaches, and kind strangers who have taught me so much about life: how to  love, forgive, and journey forward.”

 

Shereen Ramprashad

Shereen Ramprashad

Also performing a work of her own creation is local spoken word artist Shereen Ramprashad. Shereen’s piece I am NOT a Victim is a charismatic, satirical poem challenging the media’s perception that women are – and always will be – a victim of something. Shereen is a colourful, witty and lively Canadian writer based out of Winnipeg. Her writings are a creative blend of intelligent metaphor and philosophy with undercurrents of subtext and observation. Shereen started her creative journey in her early forties with the intent of creating waves with poetry. Ten years later she’s doing just that with her interdisciplinary performance poetry and storytelling.

“Writing and performing is my way of presenting alternative perspectives on mainstream ideas and norms,” says Shereen. “I encourage critical thought of who we are as a society, where we are going, and how we want to see ourselves in the future. I think it’s important to find humour in hard times; satire is a powerful tool when it is used in the right context.”

You can see Nan and Shereen perform alongside seven other talented artists during the full Cabaret line-up on March 9th! Performances are at 4PM and 8PM at the Asper Centre for Theatre and Film (400 Colony St at the U of W). Get your tickets today!

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What Does Reconciliation Mean To You?

In January, we’ll be kicking off our next long-term initiative! Our new collaborative project will focus on reconciliation through storytelling and theatre. A team of Indigenous artists will work with Indigenous youth to capture their lived experiences and bring them to the stage. Storytelling will be used to explore the truth about current experiences of racism and discrimination in Winnipeg.  Ultimately a large community gathering and performance will take place engaging the public in the important and challenging dialogue about how to make a better community. Using the arts to explore the current reality of racism will allow us to take a powerful step forward towards true reconciliation.

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Marsha Knight

Beginning steps on this initiative are being undertaken by our Indigenous Community Outreach Coordinator, Marsha Knight. Marsha has been involved in theatre for over twenty years in many capacities both on and off stageto explo. She has worked on several past productions with Sarasvàti, including consulting on Two Indians at FemFest 2017 and performing in Breaking Through and Eden.

“When I learned of the Winnipeg Foundation’s funding announcement for reconciliation projects, I remember having varied feelings of elation and interest,” says Marsha. “I was quite excited at this opportunity for community building and to know that the Winnipeg Foundation made a commitment to the ongoing process of reconciliation between Indigenous and non-Indigenous people.”

This project will involve working with Indigenous youth, Knowledge Keepers, Elders, and professional artists to gather stories. “What is exciting for me is that we are asking the youth, with the guidance of the Knowledge Keepers and the support of artists, to develop a contemporary perspective of the teachings of this region of Turtle Island,” says Marsha.

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Jaime Black

Indigenous artist Jaime Black will also be on board to help bring the project to life.  Jaime is a Metis multidisciplinary artist based in Winnipeg. She studied English Literature at the University of Manitoba and has an Education degree from The Ontario Institute of Studies in Education. She has taught in Opaskwayak Cree Nation in the Pas, Manitoba, has worked developing art curriculum for the Urban Shaman: Contemporary Aboriginal Art, and has long been involved in the Aboriginal writers and artists communities in Winnipeg. She is also head of the REDress Project, an installation-based art project focused around the issue of missing or murdered Aboriginal women across Canada.

Phase One of the project will start this year as we engage in consultation circles within the community and then undertake workshops to explore their connection to the teachings. Phase Two will then bring in artists, performers, designers, and directors to shape the youth’s creations into our next full production, keeping in consultation with Knowledge Keepers to ensure the integrity of their stories as the production develops.

“The voices of Indigenous youth are strong and much wiser than most people allow,” says Marsha. “This production will be a beautiful, awakening message combining traditional and contemporary storytelling.”

We’ll be launching the first phase of the project with a public gathering in May 2019 with the full production to come in Spring 2020. Stay tuned as we announce more on this exciting new endeavour!

 

Bringing Women’s Stories to the Stage

We have an incredible line-up in store for this year’s International Women’s Week Cabaret of Monologues! A teenage girl comes out to her family, a woman fights to go to the moon, a spoken word artist challenges stereotypes… all these pieces and many more will be featured during our 2019 Cabaret!

Get to know the playwrights that will be featured at this year’s event:

 

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Ivy Charles

Sunday Morning Brunch by Ivy Charles

Ivy Charles is a twenty-two-year-old actor from Winnipeg, Manitoba. She is currently furthering her acting studies at Studio 58 in Vancouver. She enjoys spaghetti, wine and having a good chuckle with her friends. Ivy is excited to dip her toe into the world of writing.

 

Nan Fewchuk

Nan Fewchuk

Thelma and Louise created and performed by Nan Fewchuk

Nan is no stranger to working with Sarasvàti Productions, having worked on such favorites as Fefu and Her Friends, Fen, Jail Baby and Empty. Nan has also performed with Rainbow Stage, Shakespeare in the Ruins, and Green Kids Inc. She produced and acted in the Fringe hits Dog Act and Or as well as working with the Manitoba Drama Youth Festival, Villa Rosa, The Peaceful Village, and the West Central Women’s Resource Centre.

 

Natalie Frija

Natalie Frijia

Geraldine Sloan Truhill: Mommy’s Going to the Moon, Kids! by Natalie Frijia

Natalie Frijia is a Toronto-based writer, theatre-maker, clown-wrangler, and adventurer. She was also a member of Storefront Theatre’s inaugural playwriting unit. Her plays have been workshopped and presented at Storefront Theatre, Rhubarb Festival, New Ideas Festival, and Fringe festivals across Canada. Recent productions include, Divine, GO/NO, Last Transmission, and Black Wool Jacket.

 

 

Leslea Kroll

Leslea Kroll

The Lightfishers by Leslea Kroll

Leslea’s first play Domesticatrix was nominated for a Sterling Award for Outstanding Fringe Script. Her other plays include Swallow, Auksenberg: Trial by Fury, Stains, The Catalogue of Bones, BonePeddlers, Queen of the AnthroScene, The LightFishers, and WellSpring.

 

 

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Shereen Ramprashad

I Am NOT a Victim created and performed by Shereen Ramprashad

Shereen Ramprashad is a colorful, witty and lively Canadian writer based out of Winnipeg Manitoba. Her writings are a creative blend of intelligent metaphor and philosophy with under currents of subtext and observation.

 

 

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Hailley Rhoda

Talking about ED created and performed by Hailley Rhoda

Hailley Rhoda is a graduate of the University of Winnipeg’s Theatre and Film department. She is an actor, puppeteer, and writer. Hailley has worked with Sarasvàti on several projects, including Ripple Effect, Honey and Jupiter, and The Seduction Theory. She is the founding – and only – member of Chronically Ch(ill) Productions.

 

 

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Makrenna Sterdan

Who’s Driving? by Makrenna Sterdan

Makrenna Rose Sterdan is a writer born and raised in Winnipeg, who has lived in South Korea since 2015. Sterdan has written several short films such as Speaking Test, which premiered at the Korean International Expat Film Festival. Her monologue Doing It for the Fame was featured in Sarasvàti Productions’ 2016 Cabaret of Monologues.

 

Vicki Zhang

Vicki Zhang

Oracle Jane by Vicki Zhang

Vicki Zhang’s play Oracle Jane was selected for production at Alumnae Theatre’s 30th New Ideas Festival. Her plays have also received staged readings at FemFest, InspiraTO Festival, Toronto’s Festival of Original Theatre (FOOT), and the University of Toronto’s Centre for Drama.

 

 

 

You can catch all of these pieces on March 9th, 2019, at 4PM and 8PM! The 8PM performance will also have ASL interpretation available. Stay tuned as we announce additional performers bringing women’s stories to the stage!

FemFest Opens with an Explosion of Talent

Now entering its 16th year, FemFest continues to celebrate women in theatre, representing women artists from across the nation. Since 2003, FemFest has provided a supportive environment for women in theatre and the performing arts. The theme this year for FemFest is Resistance, an idea that could not have been better represented than in the works of this year’s artists. While community members can enjoy riveting plays from artists like Donna-Michelle St. Bernard, Darla Contois and Norah Paton, our annual Opening Cabaret is jam-packed with Winnipeg artists, a must for this year’s FemFest.

The Opening Cabaret features a variety of multidisciplinary artists from Winnipeg’s dynamic arts community. As Sarasvàti Productions builds inspiring theatre that challenges perceptions and affects change in our community, this year’s Cabaret artists take the theme Resistance to another level. From comedy to film, choreography, dramatic arts and music, there’s no shortage of talent amongst this dynamic group that audiences won’t enjoy.

FemFest and theatre enthusiasts alike can look forward to a high-energy showcase with a total of nine acts that represent the definition of diversity in Winnipeg’s art-scene. Whether you’re listening to the vocal stylings of up-and-coming music sensation Rychelle Thompson, the artful technique of DJ Louie Lovebird, or even the raw and undeniably hilarious truth from the WOKE Comedy Collective with Dione C. Haynes and Elissa Black Wolf Kixen, these Cabaret artists bring a unique edge to the table.

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Given that Sarasvàti Productions champions programming that is diverse and inclusive to narratives from all walks of life, we are thrilled to showcase this incredible group of artists, creating an evening that is inviting and fun for everyone. For those wondering who else is on our roster this year we are happy to have the following acts a part of our 16th annual Opening Cabaret.

If you love challenging the at-times overwhelming exhibits of male privilege throughout your daily life, then these ladies have the best way for you to join in challenging the misogyny! Meet Ady Kay & Victoria Emilie Hill, the two brilliant minds of the group called The Patriarchy: a comedic a capella duo ready to smash the patriarchy with their ridiculous personalities and singing abilities.

If visual art is also of interest, audience members can look forward to an artist talk with one of Winnipeg’s emerging artist from MAWA (Mentoring Artists for Women’s Art). Sue Hoang is a multidisciplinary artist whose work has a comical way of looking at the world in order to create a sense of belonging. From visual to performance art, these two delightful souls bring absolute genius to the comedy game in Winnipeg. Whether you catch them at their monthly community comedy showcase or saw them at this year’s Fringe Festival, Dione C Haynes and Elissa Black Wolf Kixen (co-founders of WOKE Comedy Collective) will leave you holding your sides all night and in tears from honest and hilarious storytelling, demanding your attention with their charming yet intriguing comedy routine. Then listen to the powerful and refreshing vocals from up-and-coming vocalist Rychelle Thompson whose energetic and soulful voice will have you tapping your feet along to her unique and enriching voice. For such a young talent, Rychelle is on her way to making quite an impression on Winnipeg’s music community.

We couldn’t have a showcase without film! Bank Statement from filmmaker Tyshana Hobson follows the story of a young Indigenous woman who gets questioned by a teller when she makes her bi-weekly cash deposits at her local bank. Bringing nothing but raw realities and truth through cinematic perfection, Tyshana’s film will leave you both enlightened and intrigued. If film is your favourite pastime, you will absolutely adore ‘Frequently Asked Questions About My Hair’ by actor Lorraine James, a longstanding talent in Winnipeg’s acting community whose work will leave you more educated on the everyday situations Black women get into living and just existing in Winnipeg, Manitoba.

Moving from dramatic to performance and movement arts, the breathtaking and ever-so technical-stylings of dance duo Maribeth Tabanera & Tracy Tomchuk, with their piece titled Energy Prevalence, will have you signing up for their next dance workshop. Moving into another medium of artistic expression, spoken word; this show would not be complete without the words from poet, writer and political-activist Sadie Phoenix-Lavoie (co-founder of Red Rising Magazine).

Ending off the night in a stellar way is local artist, DJ Louie Lovebird (Lou Gandier), a powerhouse talent that will have you running to dance floor when they drop the most intense music mashups to get you grooving at Winnipeg’s local nightlife scene.

We could not be more happy to present this incredible group of artists celebrating Resistance for FemFest 16th year at our Opening Cabaret. Save the date, Saturday, September 15 at The Asper Centre for Theatre and Film starting at 7:00PM with free reception (with food provided from Garbonzos at the U of W AnX) after the cabaret!

“Home 2.0” Comes to Schools This Fall!

“Can you name a time that you’ve had to start all over? New school? New house? New activity? Throughout the course of the show, we’ll be like flies on the wall watching the stories of people who had to start over. What you are about to see is from true stories shared by people about coming to Canada.” – Joker, Home 2.0

Imagine sitting in your school gym and getting to experience music, dance, and visuals from half a dozen different cultural groups played out before your eyes, all threaded together to tell the journey of displaced people arriving to Canada. At the end of the performance, the actors invite you on stage to step in to the shoes of a character and explore solutions to the challenges they faced.

In May, we saw the culmination of the first part of our newcomer community collaboration project, New Beginnings. Now we’re continuing the project with Home 2.0!

Home 2.0 was created especially for youth, focusing on their experiences of resettlement. Young audiences will engage with characters their own age, allowing youth to see themselves and their stories represented onstage. By sharing stories of immigrant and refugee youth who have resettled in Canada, Home 2.0 will foster important dialogue around the challenges of newcomers. For many youth, this might be the first time they see their experiences represented in the arts. For others, it might be the first time they’ve been able to really grasp what it’s like to be forced to leave your home and start again halfway across the world.

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Like our previous school tours, Home 2.0 is performed “forum theatre style”, meaning the audience gets a say in the events onstage. Forum Theatre is a lively and effective way to look at and counter issues that our community faces today by encouraging audiences to take an active role in the show rather than acting as bystanders. The show offers students the chance to watch the “worst case scenario” play out before them – followed by the opportunity to change the ending, offer solutions, or provide support for the characters. By challenging what happens, youth are able to think about how they would act or how they wish they had acted in a similar scenario. Ultimately, the show promotes empathy and compassion, educating students on the experiences of starting over in a new country.

We’ll be touring the show throughout Winnipeg and Manitoba October 15 through to December 7, visiting schools in the community to promote inclusion and understanding. If you’re a teacher looking to bring the show to your students, contact Daphne at associate@sarasvati.ca for more information!

Our Next Community Collaboration Project!

A team of 9 artists collaborating, 9 performers, 9 dancers, musicians and dozens of community participants! It’s going to be one heck of a show. Over the past two years, we’ve been interviewing community members who are newcomers to Canada, working with numerous newcomer agencies and hearing the stories of dozens of individuals who have experienced resettlement. Now, we’ve compiled their stories into our final show of the 2017-2018 season, New Beginnings!

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“New Beginnings” Preview at FemFest 2017

The project incited passionate responses at the preview at FemFest 2017. This was the first step towards realizing this production on stage. Professional theatre artists teamed up with new arrivals in an exchange of stories, music, and dance. Inspired by the input we received, we’ve been workshopping the script since September and continuing to add stories from newcomers of all ages and backgrounds.

new beggining.jpgWe are excited to finally bring the collaboration to the stage later this spring! Witness the coming together of a diverse range of artists, community members, recent newcomers and established immigrants. Through the use of dance, music, visual art and storytelling, we will come together to explore the themes of displacement and resettlement.

Before the performance, you can also check out our lobby art installation featuring paintings, photography, and film by local refugee artists. We’ll also be offering an ASL-interpreted performance, translation services, and child-minding to make the show as accessible as possible. Following the performance, we’ll be hosting regular conversation circles to foster dialogue about the stories depicted and welcome people to offer their own stories in return.

Stay tuned in the coming weeks as we feature the amazing artists participating!

27907465_1675043125940329_5390131185813551337_o.jpgThis unique production will also run in the same space as One Trunk Theatre’s new show Boundary Avenue: a documentary-style play co-created by Liam Zarrillo, Andraea Sartison, and Caroline Wintoniw. The show looks at the town of Emerson and the influx of asylum seekers who have crossed into Manitoba over the past year. One Trunk Theatre is excited to share their research and to support those who lent their stories for the development of the play by donating back the proceeds from this production. There will be special opportunities to see both productions – check out Brown Paper Tickets for package deals!

You can catch the world premiere of New Beginnings May 22-27 at the Asper Centre for Theatre and Film (at the University of Winnipeg). For more details and to purchase your tickets, click here!

Inspiring Collaboration

One of the most exciting aspects of producing International Women’s Week Cabaret of Monologues: I Am Unstoppable is seeing incredible artists work together – often for the very first time! This week we feature one of these brand new collaborations with the team behind Captain of My Ship along the pair of familiar collaborators behind, I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying.

Captain of My Ship playwright, Kathy France, saw the piece arise while working on a full-length play that explores female archetypes and how they resonate in contemporary women’s lives.

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Kathy France

“Spoken word? Never wrote a piece before I wrote this one. Now it’s a thing I do”, says France. “I was a director first, then grew the courage to act, then took on producing in foreign countries so I could get myself on stage, then grew the courage to write.”

Originally from Winnipeg, France lived abroad in Syria, Thailand, Nepal, Yugoslavia, Croatia and Trinidad before settling down in the tiny, rural town of Wolfville, NS.

France’s piece is a coming-of-age story. “It’s about the journey all girls travel, whether they know it or not”, says France. “All young women grow up to be women, and somewhere along the way they grow to understand what “woman” means, in society, in themselves. Certainly, at the time of my own sexual awakening, I didn’t know that “woman” was a social construct that would probably never serve my best interests.”

Sarasvàti Productions couples France’s piece with a talented troupe of local performers.

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Ady Kay

“I feel connected to the messages I get from this piece about the confines and restrictions of gender norms. I feel connected to the way the words rhyme and work together to create imagery,” says performer Ady Kay. Together with collaborators Emily Solstice and Victoria Hill, Kay is devising a physical rendition of Captain of My Ship.

Kay is a performer, dancer, clown and poet, just to name a few.  “I am excited about this piece”, says Kay. “Not only does it speak to a matter that I care about very much, it also is beautifully described through poetry. And with poetry, so much is possible as a physical performer.”

A.b. Norris is the Winnipeg-based film maker and playwright behind I’ve Never Been Very Good at Drawing Hearts, But I Keep Trying.

A.b. Norris headshot 2017

A.b. Norris

“The original concept came to me after I’d taken some pictures and decided to turn them into a short silent film”, says Norris, “but I wanted to articulate some of what I’m trying to express in a different way.”

Enter Monika Thurn und Taxis.

“The theme of the eclipse and the symbology is a very close theme to my personal life”, says Thurn und Taxis, who is a performer and photographer.  The two have worked together on theatre projects before.

“The challenges I articulate in this piece are ones with which I contend”, says Norris. “Something unique is required to work against internal conflicts versus external forces. It’s a different kind of persistence that challenges the barriers we put up ourselves, or the cycles we perpetuate and in which we can become caught.”

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Monika Thurn und Taxis

“I believe deeply in the reflection of our nature in the sky. An eclipse is an important moment that asks us to be present with the darkness around us and shine our inner light”, says Thurn und Taxis. “This symbology, paired with the want and need to love and be loved and not giving up on finding our true love in either a person, a career or any other form that might be important to us—it’s very powerful.”

We look forward to presenting these inspiring collaborations on March 10th at the Asper Centre for Theatre and Film. Details and tickets here.