How It All Comes Together

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This week we welcome our Associate Director’s perspective on our unique approach to International Women’s Week. Rachel Smith is an actor, director, writer and acting coach. She has a MA in Theatre & Performance from the University of Manchester, UK and a BA Honours in Theatre & Film from the University of Winnipeg. Rachel has worked with Sarasvati many times and enjoys her continuing work with the company. 

The Cabaret of Monologues is an event that I look forward to every year. It is such an interesting and diverse array of artistic works that beautifully captures the year’s theme. This year the theme of “Starting Over” was particularly relatable for me, and for many audience members who I encountered. Starting Over can mean different things for different people. The variety of monologues featured in the cabaret was a wonderful representation of the different perspectives on that theme. I found that I could relate to most of the monologues in one way or another.

This was the fourth year that I have been the Associate Director on the cabaret. I was delighted and honoured that I was able to work on them again this year. It is an interesting project to work on because it is not rehearsed like a normal play is. Ten separate pieces are rehearsed once a week until the weekend before the full cabaret when it all comes together. Many of the actors do not even meet until the dress rehearsal. Each monologue is given the same rehearsal guidelines but the individual pieces are so different. It is great to work with the different actors and work with the unique challenges within the individual pieces. When working on them during the months of January and February, they feel almost like separate entities that do not relate to each other. When they all come together at the beginning of March it is amazing to see the full picture: the collage that is revealed.

Each monologue is powerful in its own way. I felt that the monologues developed with the newcomers to Canada were especially powerful. Some of them had heartbreaking stories yet were filled with joy and hope. When the monologues were presented as whole it became all the more powerful. Rachel Awur Moijok Chol was one of the women whose story was told during the performance. Her story was presented as a voice over recording of Rachel speaking while Sydney Macfarlane did a movement piece. At the matinee performance on March 11, Rachel sang an absolutely beautiful song after her story was presented. While she sang, Martha Akuch Maketh joined her on stage dancing with Sydney, while the rest of the cast joined the trio to prepare for the curtain call. The image of all those women dancing together on stage is one I do not think I will ever forget. It was so incredibly powerful to see them all up there, these amazing women portraying such important stories.

– Rachel Smith

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Eager to experience more transformative theatre? Join us for the world premiere of Breaking Through (May 23-28) an awe-inspiring new play about mental health.

All the World’s a Stage this International Women’s Week

Hot off the heels of an incredibly successful community tour, our performers are ready to showcase this year’s line up of monologues this Saturday at the International Women’s Week Cabaret of Monologues: Starting Over !  We are proud to provide a platform for women’s stories, to promote equity on Canadian stages and to provide access to the arts.

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We started off by taking the pieces that were created through community group story-sharing back to the groups of women who had helped us to create them. After well-received performances at Immigrant and Refugee Community Organization of Manitoba and Welcome Place, we set off to tour the wider community! Here are the great host groups, all amazing organizations worth checking out:

March 2 – Genesis House – Manitou, Manitoba
Genesis House exists so that people of South Central Manitoba will be free from family and intimate partner abuse achieving results that justify the relative worth. They provide a confidential service, which includes a shelter for abused women and their children, residential and non-residential programs and prevention through public education.

March 6 – UWSA Women Trans-Spectrum Centre
The Women-Trans Spectrum Centre is an accessible and inclusive resource centre for women and trans students on the University of Winnipeg campus. The centre is a great space to hang out, study, and build community.

March 7 – North End Women’s CentreNEWC IWW17 (2)
The North End Women’s Centre is a community based organization that provides women with support, knowledge, and opportunity as they move forward on their journey towards independence and healthier lifestyle.

 

March 7 – Nova House – Selkirk, Manitoba
Nova House is a shelter for abused women and children in the Interlake Region of Manitoba. They provide temporary shelter, counseling, support groups, and referral to community resources for women and their children.

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March 8 – North End Family Centre

The North End Family Centre is a community gathering place that provides a comfortable and safe environment for community members to connect and belong.

March 8 – U of M Womyn’s Centre
RRC IWW17 (1)The Womyn’s Centre provides a feminist voice and safe space for womyn on campus. The members strive to create a place where women are listened to and recognized, and facilitate women as they gather the information they need to make informed decisions in their lives.

March 8 – Rainbow Resource Centre
Rainbow Resource Centre provides support, education, and resources to foster a proud, resilient, and diverse LGBT2SQ+ community.

March 9 – Agape House – Steinbach, Manitoba
The mission of Agape House-Eastman Crisis Centre, Inc. is to empower women and children experiencing family violence by providing safe shelter, information, counseling, and ongoing support.

March 9 – Mount Carmel Clinic
Founded on the belief that everyone has the right to accessible health care, Mount Carmel Clinic goes the extra mile to help clients connect with the services they need—in their homes, workplaces and neighbourhood.

March 9 – St. John’s Library
In addition to offering the services of a public library, St. John’s Library offers an array of free programs and workshops for all ages.

March 10 – St. Aidan’s School, Aberdeen Campus
St. Aidan’s School Aberdeen Campus is a Grade 6-10 school, primarily focused on at-risk kids, and presently serving kids from about ten nations – Cree, Tanzania, Metis, Kaska, Canada, Eritrea, Congo, Ojibway, Ethiopia, Burundi.

March 10 – IIWR-MB
IIWR-MB is an organization open to all individuals, as well as organizations that have an interest in promoting women’s human rights.

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March 12 –The Association of United Ukrainian Canadians
The Association of United Ukrainian Canadians is a progressive Organization with strong and durable roots in the people and history of Canada.

March 19- Manitoba Storytelling Guild
The Manitoba Storytelling Guild supports and promotes the art of oral storytelling throughout Manitoba.

A great big thank you goes out to Manitoba Status of Women and the Social Planning Council of Winnipeg. Without them, this Cabaret would not be possible. Special thanks to Neighborhoods Alive! and NERI for supporting our North End performances.

Join us for a performance of the full line-up, and a lobby full of visual art on the theme of ‘Starting Over’ at the International Women’s Week Cabaret of Monologues, March 11, 2017.

 

 

ONS2: School Night!

Are you ready for round two?

The One Night Stand Series continues on Tuesday March 3rd at 7:30pm with a showcase of scenes by playwriting students. This is no amateur night! We bring you an action-packed line-up from student playwrights at Prairie Theatre Exchange and the theatre programs at University of Winnipeg and University of Manitoba.

“What all these plays have in common is a finely tuned ear for dialogue, diverse and memorable characters, and nary an indication that these writers are young or young in craft”, says Series Producer, Tatiana Carnevale.

Nan Fewchuk will direct all of the readings. The pieces will be performed by an ensemble cast featuring: Kim Kakegamic, Adrianna Kollar, Kevin Longfield, Eric Rae and Cheryl Soluk. Plus special appearances by Cheryl Alexander, Lori Hart, Fawn Purnell and Carmen Smith.

Without further ado, let’s meet our selections!

Neechie-itas by Jo MacDonald (PTE) – Female friends get revenge!

Abstract Vincent Van Gogh by Sarah Luby (UofM) -What happens when a young man’s Sunny Day turns into a Starry Night?

The Dance by Tyler White (PTE) – How do you convince a stubborn 84-year old it’s time to move?

Untitled by Jonathan Mourant (UofW) – Family tensions rise to a boiling point.

Dodgeball by Wayne Ferguson (PTE) – Life is like a game of dodgeball – how many hits can you sustain before throwing in the towel?

Frivolous Things by Molly Cross-Blanchard (UofW) – A weekend at the cabin with the sister you despise? Go fish!

Who will get an A plus this time? That’s for you to decide!
As always, admission is by donation. See you at the Colin Jackson Studio on March 3rd!
P.S. If you’d like to have your work featured at the One Night Stand check out our final Call for Submissions below.


CALL FOR SUBMISSIONS: SARASVATI PRODUCTIONS ONE NIGHT STANDS

Sarasvàti Productions is accepting submissions for the final One Night Stands reading series of the 2016-17 season, which will take place in April, 2017.

PLAYWRIGHTS
We are currently seeking submissions of 10 minutes scenes, plays, or monologues from emerging and established writers of all ages, genders, and backgrounds. Playwrights may submit scenes that exceed 10 minutes, however should be aware that if the scene is programmed it may be edited at the discretion of the director for length. It is preferred that writers are based in Winnipeg but we will consider submissions from across Canada. Submissions will be assessed for their individual quality and in order to program a balanced event. No monetary compensation will be provided.

Please provide in one document: A bio of the playwright(s); one copy of the scene formatted according to acceptable Canadian play script format; a synopsis of the play, if the scene is part of a larger work; a character listing for the scene

We are especially interested in receiving submissions of new work that will occur in this summer’s Winnipeg Fringe Festival; work that highlights diversity; and work by female-identified playwrights.

DIRECTORS
We are also seeking submissions from directors who are interested in directing readings. No monetary compensation will be provided.

Please provide: A cover letter stating why you are interested in directing at One Night Stands and a copy of your resume.

ABOUT ONE NIGHT STANDS
The One Night Stand play reading series began in Toronto. The goal of the series is to test out new works and provide audiences the opportunity to get a first taste of new material and / or works in progress.

All submissions must be received by midnight, March 12th 2017. Submissions should be emailed to sarasvati.one.night.stands@gmail.com. For more information, please contact info@sarasvati.ca.

 

What Does Starting Over Mean to You?

Have you ever relocated, tackled a new job, new relationship or even just discovered your true self? This year we explore what is perhaps the most universal topic we have tackled in the International Women’s Week Cabaret of Monologues. Erin Meagan Schwartz asked all of our performers what this year’s theme means to them.

“New adventure! But that was my idea when I was eleven years old and I came to Canada”, says Cherrel Holder, “then doing it when I was 20–moving to Australia for school–starting over was scary.” Check out the promo video for all of our performers responses!

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Kim Kakegamic rehearsing “The Pit” in front of playwright Alissa Watson and Directors Hope McIntyre and Rachel Smith. Photo by Nik Rave.

Alka Kumar shared her story of starting over with Angie St. Mars. The two co-wrote one of the monologue sin this year’s cabaret based on Alka’s experience. “Sharing my story provided me space for reflection, even helping me process my experience in a deliberate and considered manner”, said Alka, including that it is a technique and useful tool within narrative therapy. “I found this useful as it was a good opportunity to go back to my `lived experience’ after the fact, almost separating it out of myself (externalising it, as it were) and through such a process of articulation becoming more aware of it.”
The piece created from their process is called Diaspora. It focuses on an Indian woman, once a newcomer herself, as she welcomes a young newcomer to Winnipeg.

The Cabaret features monologues that take you through ten different stories of pivotal moments in very different women’s lives. From the moment when an Ojibwe activist must choose to apologize or stand by what she believes in, to the moment a young Nigerian woman tells her first generation immigrant parents that she wants to go home: this year’s selections will have you on the edge of your seat from beginning to end.

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“I hope the audience [members] who share my experiencing of my everyday dilemmas, struggles, and negotiations with my many homes will get to know me a little”, said Alka. “Even more significantly, I hope the monologue and my voice will resonate, and that it may help in their personal processes and journeys of reflection, and exploration, as ideas and emotions around identity, belonging, and being comfortable being who we are wherever home is are important questions for everyone.”

There are two chances to catch all ten monologues on March 11th at the Asper Centre for Theatre and Film. Tickets are available at the door, but we recommend getting them in advance, as this event will sell out.

 

Spotlight on Newcomer Stories

How do we welcome new members to our local circle?
How do we provide space to hear and understand their stories?
How do we work with them to be inclusive rather than insisting they adjust to our forms?
How do we give them a role in the arts?

These were our burning questions as we began curating work for the 2017 IWW Cabaret of Monologues. We had put out a call for stories of Starting Over, and while we were thankful to receive over 4o stellar submissions, something was missing. We set to work reaching out to dozens of women who had experience as a newcomer to Canada and invited them to collaborate.

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We went all over the community, dropping in for story-gathering workshops with newcomer women’s groups including the Canadian Muslim Women’s Institute (CMWI), Immigrant and Refugee Community Organization of Manitoba (IRCOM), The Immigration Centre and more. We also lined up one-on-one interviews with women who were excited to share their story with the help of community contacts such as the International Institute for Women’s Rights Manitoba (IIWR-MB).

“The response to our call for collaboration has been overwhelming”, said Hope McIntyre, Artistic Director of  Sarasvàti Productions. “We are excited to continue to work with the amazing individuals and organizations in the long-term for our next community-based project!”

“There are few things more enjoyable than being told a good story”, said Angie St. Mars, co-writer of two of the collaborative monologues.”I would meet with the women who wanted to tell their stories. We would sit down together and record an interview. I’d go home, listen back, come up with a concept, and then write a draft. I sent each draft back-and-forth with the person who’d shared their story  and they would give me feedback throughout the writing pro0cess. This is great way to write a monologue.”

Monologues created through collaboration include:

Diaspora by Angie St. Mars and Alka Kumar
Lost Girls by Hope McIntyre with Rachel Awur Moijok Chol
You Say Tomato, I Say…Fine by Angie St. Mars from interviews
In My Country by Hope McIntyre with the women of IIWR-MB (Martha Akuch Maketh, Rosemary Kezaaba and Gertrude Hambira)

“I could have listened to the women I interviewed tell stories all day, and I hope that the audience will get swept up in them the way I did sitting across from these women”, said St. Mars. “Starting Over lends itself to so many great stories. This year’s line up is witty and intrepid and always, always so honest.”

Using the performing arts as a medium, we can inspire a larger conversation about the city, country and world we live in. It is an important time for Canada to be a leader in the future and it needs to begin with engaging people locally. What better way than through the arts?

There are two chances to see the full line-up, 4pm and 8pm on Saturday, March 11th.
Celebrate International Women’s Week with us!

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Instant Gratification. Immediate Feedback.

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We are so excited to be re-mounting the One Night Stand Series with the help of Producer, Tatiana Carnevale. Join us at 7pm on February 2nd at the Colin Jackson Studio.
We promise you an evening unlike any other.

Curator note: I am short. So are these plays. 

“I was so pleasantly surprised by the number of submissions we received after circulating our call for the newly relaunched One Night Stand play reading series – the quality of material that individuals sent in, when we didn’t give folks a whole lot of notice to do so, was really and truly impressive! Trying to select just six to program for our first event was a pleasantly unpleasant task, as I got to read a lot of great work and had to make some tough decisions! 

Ultimately, what all the pieces in this first series have in common is that they manage to pack a whole lot of action and character development into 10 minutes or less. These works prove that you don’t need three acts to have a play. (SORRY ARISTOTLE). I hope you’ll join us and take a chance, for one night only, on a hot night with some cool new work!”

-Series Producer, Tatiana Carnevale

Without further ado, would you swipe right on… 

Irony by Sage

Sage is a young upstart in Winnipeg’s comedy scene who has a penchant for making people laugh. He is a newer face in the comedy world and has been frequenting venues across Winnipeg in order to perfect his voice and writing style.

Donation by Craig Russell

Craig Russell’s monologue, The Unintended Consequences of Love was performed at the Carol Shields Festival of New Works. His novel, Black Bottle Man won the American Moonbeam Gold Medal for YA Fantasy and was a finalist for the Canadian Aurora Award for Best English Novel. Another novel, Fragment was recently released by Thistledown Press.

The Aftermath by Trevor Graumann

Trevor Graumann is a Winnipeg writer and musician who has been a regular on the local arts scene for over a decade. A graduate of the University of Winnipeg English program, recent highlights in Trevor’s writing career include a Special Mention in CV2’s annual Young Buck Poetry Award, and a grant from the Manitoba Arts Council in support of a poetic work in progress. When not conversing deep into the night, Trevor prefers to nod off in an internet glow.

Life in a Fishbowl by Marjorie Roden

Marjorie Roden is a member of the Peter Ballantyne Cree Nation in Northern Saskatchewan. She received her education degree at the University of Saskatchewan then a few years later, attended SIAST Woodland Campus where she studied Media Arts Production. Later, she moved to Winnipeg, where she was a member of the New Voices Program at the National Screen Institute. She is currently completing her bachelor of arts degree at the University of Manitoba, where she’s majoring in film studies and minoring in theatre. She also makes independent films, including the sci-fi webseries Preflight Launch, and operates her production company Farmgirl In The City Productions out of her dorm room.

Jump or You’ll Die Laughing: A Tragicomic Short for the Endlessly Heavy Hearted by Kirsty Cameron

Kirsty Cameron is an emerging prairie writer, currently living in Winnipeg. She is working on a PhD in English at the University of Manitoba. Excerpts from her theatrical works-in-progress have been read at past MAP reading series events and her latest fiction short-story, “Sewing Factory, Circa 1880 — 1980,” was published in the Winter 2016 edition of Prairie Fire literary magazine.

Cherries by Per Brask

Per Brask is a Professor in the Department of Theatre and Film at the University of Winnipeg.  He has published poetry, short stories, drama, translations, interviews and essays in a wide variety of journals and books. Recent publications include a co-translation with Patrick Friesen of Ulrikka S. Gernes’s poetry collection Frayed Opus for Strings & Wind Instruments (shortlisted for the Griffin Poetry Prize, 2016) and a translation of Andreas Simonsen’s The Foundation of Ethics (Fictive Press, 2017).

All plays will be performed by an ensemble cast; Braiden Houle, Adrianna Kollar, Kevin Longfield, Jordan Phillips, Rachel Smith, Cheryl Soluk, and Erica Wilson.
All plays will be Directed by Kim Kakegamic.
The evening will be hosted by Angie St. Mars.

Stay tuned, as we will be offering two more One Night Stand events this season!

 

 

Going Above and Beyond in 2017!

Happy New Year! We are excited to announce our goals for 2017! We aim to break new ground and cover uncharted territory in order to realize our vision of transforming society through theatre. Check out what we are setting our sights on this year:

1.PROMOTE DIVERSITY ON THE STAGE

If you think the Equity in Theatre stats on women in the industry have a long way to go, wait until you see the stats on diversity. Promoting diversity in the local theatre scene generates growth, equity and human understanding within the arts community and audiences.  We are proud to produce a season of theatre and workshops that respond to the lack of equity on Canadian stages proactively. January 11th marks the launch of our second round of free theatre workshops for Indigenous and newcomer youth in Winnipeg’s North End.  This March, we highlight the stories of newcomer women throughout International Women’s Week with the 2017 Cabaret of Monologues: Starting Over.

 

2. SUPPORT EMERGING ARTISTS

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Coffee with a Pro

After successfully piloting Coffee with a Pro, an informal mentorship series that sets emerging artists up with an established artist in their field to talk shop over coffee, we look forward to expanding the series into even more disciplines in 2017.

We have received ample requests for an Audition workshop geared to those who have never auditioned before. This Spring, Hope McIntyre will facilitate just that with Auditioning 101. Stay tuned for details.

3. HAVE SOME FUN AND RAISE SOME FUNDS

audience-shotWe’re rolling into uncharted territory with a brand new fundraising event. On April 9th at Academy Lanes some of the most well-known CEO’s and business leaders in Winnipeg will square-off in a Strike-a-Thon with pledges and proceeds going to Sarasvàti Productions.

Plus last year’s Women’s Comedy Night was such a success that we can’t wait for round two in the fall of 2017!

4. BUST BARRIERS

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Staged reading of Breaking Through, May 2016

After over two years of community-based research, workshops, and interviews we are thrilled to present the full production of Breaking Through May 23-38, 2017.

The Mental Health is Everyone’s Health project saw Sarasvàti’s artists team up with Artists in Health Care, Red Threads Playback Theatre and the Selkirk Mental Health Centre as well as multiple community organizations and members of the public to create a play that takes a realistic look the way mental health issues affect us all. The result is a bold theatrical experience that is guaranteed to spark dialogue.

5. CELEBRATE SUCCESSES

FemFest turns 15 this year! We are working on the line-up that will appropriately celebrate our landmark festival of plays by women for everyone! You can look forward to some exciting surprises and special guest artists.

 

That’s our top 5, but when all is said and done we are basically going to produce kick-ass art and we want you to be a part of it!  Stay posted on our events by following us here!