Three Ladies, One Baby

For three nights only, the world premiere of Baby Box is coming to FemFest 2019: All the World’s a Stage! If you missed the last blog on Baby Box, you can find it HERE. As we begin the rehearsal process, we are happy to introduce you to our amazing cast! We asked the cast of Baby Box to tell us a bit about themselves as well as share their answers to the question, “What was your favourite activity as a child?”


Playing Woman #1, the birth mother, is Victoria Hill.

Victoria Hill_Headshot-page-001Victoria Emilie Hill is a creator, mover, and actor based in Winnipeg.  She is passionate about work that focuses on movement and the body as a place we hold and tell stories.  She is curious about the myriad ways we express and communicate with ourselves, our environments, and other creatures.  Victoria is also a founding member of The Patriarchy, a two-woman a capella band that sings songs and tells stories that challenge the status quo through a comedic and playful lens. (Spoiler Alert: They will be hosting the FemFest Opening Cabaret) Victoria is an avid student of life, and loves adventures in new things which have included roller derby, making jewellery, sky diving, knitting, white water rafting, and trying to keep her plants alive. Baby Box is such a beautiful project, and she can’t wait to share it with all of you.

Victoria’s favourite activity as a child was climbing trees.


Playing Woman #2, the nurse, is Natasha Torres-Garner.

Torres-Garner started her performance career in contemporary dance in 2002. She has performed with Montreal’s Fortier Danse Création, Bill Coleman, in repertoire by the late IMG_5064webJean-Pierre Perreault, as well as Toronto’s Marie-Josée Chartier. Natasha’s long dedication to the independent community in Winnipeg has meant working with Winnipeg’s Tom Stroud, Out of Line Theatre, TRIP Dance Company, Treasure Waddell, Alison Robson, Johanna Riley, Alex Elliott, Ali Robson, Leigh Anne Parry, Danielle Sturk, Ming Hon, Mia Van Leeuwen, and under the direction of Arne MacPherson. As a choreographer Natasha Torres-Garner has presented solo and group works locally and internationally, including Winnipeg, Regina, London(UK), Toronto, St. John’s, Newfoundland and Dresden, Germany.

Natasha, enjoyed the calligraphy club as a child.


Playing Woman #3, the adoptive mother, is Saira Rahman.

Headshot-SAIRA RAHMANSaira Rahman grew up in Winnipeg, and was a teacher and principal before pursuing filmmaking. In 2003, she wrote a 3-part documentary series about Muslim Canadians called “A New Life in a New Land” (Milo Productions), which aired nationally. After completing the Digital Film Production program at Langara College in Vancouver, Saira and her sister, Nilufer, established Snow Angel Films in 2010, producing their first feature documentary, “Arctic Mosque” (CBC, APTN) and most recently, “Prairie Mosque”(BellMTS), a story about the first mosque established in Winnipeg in 1976. Saira is also an emerging actor having performed in The Game (Sarasvati Productions), Murder By Poe (PTE Adult Company), and Boundary Avenue (One Trunk Theatre). She is very excited to be a part of FemFest again this year and Baby Box!

Saira’s favourite activity as a child was to play house with her sister, but their own version where they were single moms.


Victoria, Natasha and Saira have already begun rehearsals for the world premiere next month along with Director, Hope McIntyre, Choreographer, Ali Robson, and Musical Director, Rachel Cameron. Through the use of unique narrative, movement and song, the Baby Box cast is sure to give a moving performance.

For ticket information and more, be sure to give us a visit HERE on our website!

Advertisements

Ready For Launch

-Written by Emma WelhamEmma Welham Headshot

As I enter the final year in my undergrad degree, my thoughts have been on what to do after I graduate. Many professors say “Make your own work!”, but I will admit that idea always scared me slightly. When the time came, would I know how to create a piece from scratch? Would I be able to cover not only everything on the artistic side of the process but on the production and business side of things as well?

Thankfully, the universe has a way of giving you what you need, and this past May I learned about Sarasvàti Production’s Launchpad Project. Aimed specifically at emerging artists, The Launchpad Project gives artists like me the chance to create our own show over the period of three months; culminating in three performances of the show at their annual FemFest.

Starting in mid-June, myself and eight other incredible emerging artists began workshops with industry professionals in devised theatre, movement, improv, and directing before beginning to cultivate and create material that we would like to put in our show. Now a month into this project, I can easily say that being a part of this initiative is one of the most fun and artistically fulfilling projects I have ever been involved in.

non binaryWe meet twice a week (soon to become three in mid-August), and create, create, create! Each of our eight members takes turns leading the rehearsals and we have two facilitators in the room in order to keep things running smoothly. Each member of our group comes from a different background both in theatre and in life, and one of my favourite parts of rehearsal are our group discussions, because everyone brings such a unique perspective to the table.

As we approach August our show is starting to take shape as we begin to piece together material previously created and begin to create the structure of our show.

Be sure to follow Sarasvàti Productions on Facebook, Instagram (@sarasvati_wpg) and Twitter to keep up to date with all future The Launchpad Project updates including blog posts and Instagram takeovers! For more information on FemFest 2019, visit our website HERE!

You Get What You Pay For

Coming to FemFest 2019 as part of our touring shows, a POP ART performance of 4inXchange by xLq. This unique performance involves three performers, four audience members and $1,000 cash!

Jordan Campbell, Maddie Bautista and Katherine Walker-Jones sitting stoic at a table in wigs, sunglasses and white lab coats. About to begin their performance

xLq is a POP ART performance duo comprised of Jordan Campbell and Maddie Bautista. Dedicated to radical forms of performance and complicit audience experience – xLq combines ritual, fashion, dance, music, and queer pop aesthetics to question, physicalize, and reimagine our possible futures. Recipient of the Nightswimming 5×25 2017 Commission and winner of the NOW Magazine Audience Choice Award for ​4inXchange – which debuted at SummerWorks 2019, with tour stops at Vancouver’s rEvolver Festival and now our own FemFest.

“Will leave you looking differently at that fiver in your wallet”- NOW Magazine Toronto

4 audience members write on paper thoughtfully while xLq watchesLearn all about the xLq team we will be welcoming to Winnipeg for FemFest:

Jordan Campbell (performer-creator, producer) is a queer performance artist, creator and youth workshop facilitator. He is an xLq co-artistic director and performer. Jordan’s Jordan and Maddie hold up two pieces of money to eachother while sitting on their knees on the table, the audience sits close watchingsolo work is physically based and uses high aesthetics, drag and performance art. His work with youth has focused around those with different learning abilities, including teaching at Purple Carrots Drama Studio. Selected performance credits include: The Youth/Elders Project (Buddies in Bad Times), 72-Person Ball Passing (FFDN), The Stranger (DLT).

Maddie Bautista (performer-creator, producer) is a Bi, Filipina sound designer, theatre creator and performer. Her sound design has been featured in theatres across the country: Luminato, Why Not’s RISER, Aluna Theatre, b current, rEvolver Festival in Vancouver, High Performance Rodeo in Calgary, and more. Recipient of the SummerWorks Spotlight Performance Award 2016, a Dora-nomination for her sound design ​(Eraser, Why Not’s RISER), and fu-GEN Theatre’s inaugural Walk the Walk Commission 2019.

xLq and the audience members toss money into the air, smiling.Katherine Walker-Jones (performer-creator) is an artist from Winnipeg who is now based in Toronto. They make theatre and music. Since graduating from Humber Theatre Performance in 2016, they have released two EPs and recorded a forthcoming album with their band Feels Fine. They also collaborate with xLq Pop Art Performance. Recent works with xLq include curating the Trash Sanctuary event series as well as performing at SummerWorks Performance Festival and rEvolver Festival.

4inXchange can only accept four audience members per performance, so reserving your tickets in advance is crucial! The show will use a unique pay-what-you-choose method at the end of the show and only has 16 performances. That means only 64 lucky audience members will get to experience this unique event. For show times and to reserve your tickets, visit our website.

Do What You Love/You’ll Never Work A Day

Coming up this weekend… “Making a Living in Theatre” a round-table discussion with five professionals at the ready to answer all and any questions you may have about making a living in the theatre industry! Plus, a chance to share your own experiences. Whether you’re just starting out, or you’ve been in the industry for years, all are welcome!

Here is a sneak peek at who you can expect to see this Saturday, June 22nd at 2pm:


KATIE GERMAN Katie

Katie German is a Winnipeg based performer, director and educator. She received her training in Musical Theatre Performance at Grant MacEwan University in Edmonton and studied classical voice through the University of Manitoba.

Katie is the owner and director of Junior Musical Theatre Company (JMTC), a pre-professional children’s musical theatre company which teaches the basics of singing, dancing and acting culminating in two performances yearly. Katie is also the Artistic Associate with Manitoba Theatre for Young People, a Voice Director and character voice for an upcoming cartoon due for release in January 2019, a theatre performer and a mother to a beautiful four-year-old that loves to sing and dance.


KAREN SCHELLENBERG

Karen Schellenberg is an instructor and production manager at the University of Manitoba. She oversees all technical aspects for productions with the Theatre Program while teaching its Technical Theatre students the joys of backstage work. She enjoys designing lights, sets, and costumes for some of its major productions, most recently set and lights for Love’s Labour’s Lost and costumes for Peer Gynt and Marat/Sade.

Karen trained at the U of M’s Black Hole Theatre Company before spending several years as a professional stage hand in Toronto and surrounding areas. After returning to Winnipeg to work at the university, Karen nurtured local contacts by catching theatre calls and working in summer festivals. Find her back at the Fringe this summer!


DONNA FLETCHERDonna Fletcher photo low res.

Donna Fletcher is an accomplished actor, singer, and concert performer with a wide range of national experience in theatre, musical theatre, and symphonic work.  Proud of her prairie roots, Donna received her early training in Winnipeg and earned a Bachelor of Music in Vocal Performance from the University of Manitoba, a diploma in Music Theatre from The Banff Centre for the Arts, a Master of Music in Vocal Performance from The University of Toronto and trained in Shakespeare text & voice at the Simon Fraser Voice Intensive.

As an actor, Donna has been acclaimed in principle roles from east to west with the Charlottetown Festival, Drayton Festival, Rainbow Stage, Theatre Calgary, Stage West Calgary, the National Arts Centre, Manitoba Opera, MTC, PTE, MTYP, WJT, the Belfry Theatre and Persephone Theatre.  She has performed with the Winnipeg Symphony; the Florida Orchestra, and the Calgary Philharmonic Orchestra and was featured on the CBC Radio’s Saturday Afternoon at the Opera.

Donna will direct the first regional production of Phantom of the Opera at Opera on the Avalon in October 2019 and has the distinction of being the first Winnipeg born female to direct at Rainbow Stage. Her favourite role of all time is being mum to Amalia.


FRANCES KONCAN

Frances Koncan is an Anishinaabe-Slovenian writer, director, and independent theatre and film producer originally from Couchiching First Nation. She attended Fort Richmond Collegiate, where she studied french horn and skipped all her other classes. Later, she went to the University of Manitoba, where she said goodbye to her career as a professional musician for a lucrative degree in Psychology instead. When the economy was tragically struck by a recession, she saw a perfect opportunity to pursue what was to be the most financially responsible career path of all time, and flew off to New York City to study Playwriting at Brooklyn College! Since then, she has returned back to Winnipeg where she evenly divides her time between yachting, writing, and curating her social media presence. She has been nominated for several awards, but never wins any of them. She prints all her grant applications on pink, scented paper to give it that extra something special.

VAULT PROJECTS is an independent theatre collective with a focus on creating new theatrical work for our contemporary cultural climate, and re-envision classics through a decolonized, pop culture lens.


SIMON MIRON

Simon Miron is a writer, director, actor and arts educator based out of Winnipeg Manitoba. He has been teaching for over a decade and has participated in the development and creation of dozens of new works. He obtained his Masters from the Royal Conservatoire of Scotland, which was recently ranked in the Top 5 performing arts schools in the world. Recent simoncredits include: Writer: Freestyle Fantastique, Corner Of, Voices in my head. Director: Pippin (ViC/WST) The Last 48 (ArtLaunch), American Idiot, Young Frankenstein (WST), Lucky Stiff (MDA), Songs for a New World (WRP), 7Stories (TBTR). Actor: Little Shop of Horrors, South Pacific, Les Misérables, The Little Mermaid, The Producers (Rainbow), Selkrik Avenue, Bridges of Madison County (DryCold), Am I not King (zone41/Royal Canoe), Butcher, Le Père, Heyderabad (CM), House on Pooh Corner, James and The Giant Peach, Honk (MTYP) and Blithe Spirit (Echo Theatre), Sunday in the Park with George (Galleryworks). He is a founding member of the Village Conservatory for Music Theatre.


The discussion takes place this Saturday, June 22nd at 2PM! Follow the signs in the Asper Centre for Theatre and Film up to room 2T05 where we will have refreshments and friendly faces ready to answer questions, listen, talk, and share. The event is pay-what-you-choose and will run between 1.5-2 hours.

We hope to see you there!

To Infinity… And Beyond!

Forging a future for FemFest requires providing a space for the next generation of voices. To this end we have initiated an exciting new program. At this year’s FemFest, you will get to see the results of their development in progress! “The Launchpad Project” compiles a roster of emerging women and non-binary artists whose creative mediums range from a variety of disciplines: directors, dancers, performers, playwrights, technical crew, etc. This diverse and well rounded team will take part in intensive workshops over the summer including: movement work, vocal work, improvisation, devised theatre and scene-writing. Professionals working in Winnipeg’s theatre industry will lead these workshops and mentor the creative team.

The goal of this project is to give emerging artists a chance to learn, develop skills and network with industry professionals. How does it tie into FemFest? Along with all of the professional shows we put on at FemFest in September, The Launchpad will premiere a devised production connected to the FemFest theme just for YOU! The result of ongoing rehearsals over the summer and training alongside professionals! This is an exciting opportunity for both the artists and the spectators alike. The Launchpad ensemble will have the chance to display their hard work for you the audience, while spectators will have the chance to see a brand new work of theatre with a fresh cast and crew.

Facilitating and Coordinating the Launchpad are Victoria Hill and Lindsay Johnson. They are ecstatic to be helping a new group of performers break through and create their own piece for FemFest.

As for the ensemble members… here’s a list of who you can expect to see:

  • A.J. Hotomani
  • Anika Dowsett
  • Emma Welham
  • Jonathan Mourant
  • Karam Daoud
  • Leaf Pankratz
  • Makrenna Sterdan
  • Sara Groleau
  • Sarah Flynn
  • Bennette Villones, ASM

We can’t wait to see what this amazing team comes up with! We know it will be riveting!

Stay tuned for more details on this exciting project and the up-and-comers involved. Also, check out our just launched FemFest 2019 website!

Making A Living In Theatre

  • By Brooklyn Kilfoyle, Marketing and Community Outreach Assistant

Are you new to the world of theatre? Just graduated? Feeling a little lost? Or have you worked in the industry for years and are looking to share and hear common experiences? Every year, we hold a series of panels, workshops and discussions. Next on the docket, we are hosting a round table discussion all about, “Making a Living in Theatre.” In such a competitive and intense field of work, it can be hard to navigate the path towards finding success in the theatre industry. We want you to find success in your passion and that is the goal of our next professional development offering on June 22nd.

We have brought together professionals who not only work in the theatre industry, but who have found success in their respective fields. In the round-table, you will sit among professionals and newbies alike and discuss the theatre industry. You will have opportunities to ask your own questions and have them answered by people who have experienced exactly what you are working towards, all while sharing a common love of theatre.

As a recent graduate with a Bachelor of Arts in Theatre, I know I am constantly full of questions. “Where should I be looking for jobs?” “How do I network?” These questions can be daunting and scary and there have been many Brooklyn Kilfoyle, a twenty-two year old woman with green eyes and short dark hair wearing a pink turtle neck.times I wished there was someone to guide me. One of the most prominent questions others seem to ask me is, “is it even possible to make a living in theatre?” And of course it is! There are so many professional people right here in Winnipeg who live very successful lives working in theatre. Of course, it’s hard to remember that when you don’t personally know these people. Which is why this session is such a great opportunity for fresh graduates like me, it’s a starting point. A chance to meet people in the industry and get a sense of what it’s like to fully submerge yourself into it.

This discussion isn’t just for the newbies, like me. It’s for anyone trying to make a living in theatre! Whether you’re new to it, or been in the industry for years. We want this to be a safe and productive space where you can share your experiences, have others relate, ask your questions and have them answered. Or simply, just come and listen! We will have a panel of professionals signed on and ready to share.A group of men and women of various ages sitting in a circle, talking

The round table discussion will take place on June 22nd at The Asper Centre For Theatre and Film (400 Colony) at 2PM in room 2T05. Access to the discussion is on a “pay what you choose” donation basis, we ask that if you plan on attending the round table, you send an email to Sami at production@sarasvati.ca. Show up with your questions ready, sit, listen, learn and share your own experiences! We hope you can make it!

More details on who you can expect to see at the round table coming soon, so stay tuned!

Le Tour De FemFest

We have an exciting line-up of performances at this year’s FemFest including three touring shows we are excited to share with you! Like Mother, Like Daughter, 4inXchange and Raising Stanley/Living With Tulia are the free touring shows we are excited to be showcasing at this years FemFest. Here’s a little more about what to expect from these shows…

Like Mother, Like Daughter

LMLDstills-photobyDahliaKatz-8935

Directed by Rose Plotek, Like Mother, Like Daughter weaves together stories from 12 pairs of mothers and daughters into a performance of unscripted conversations performed by the mothers and daughters themselves. At the end of each performance the audience is invited to join the mothers and daughters for a meal– to continue the conversations.LMLDstills-photobyDahliaKatz-8758

We are excited to welcome Why Not Theatre and their production. They will be bringing together mothers and daughters who were born outside of Canada (newcomers, as well as those who may have immigrated many years ago) as well as Indigenous mothers and daughters, in order to create and perform in a participatory project.

“Delicate, generous, inspiring, warm, funny, and in moments, heart-rending.” (Sprockets & Greasepaint).

4inXchange

4inXchange Production Photo (4)A 70-minute interactive performance with three performers and four interactive spectators. Created, produced and performed by xLq (Jordan Campbell and Maddie Bautista [along with the help of Katherine Walker-Jones]) this touring team of three is sure to excite you all while providing thought-provoking questions.

“An interactive, site-specific game with four players and $1,000 cash- 4inXchange is a pop art business meeting that guides you through a series of dialogues, chances, competitions and meditations. Use the cash on the table to get to know your fellow participants, while xLq asks provocative questions about value, intimacy, love, and truth. Returns and exchanges guaranteed.”

4inXchange Production Photo (5)FREE to book a spot to attend. 4inXchange culminates in a unique Pay-What-You-Choose process – please bring some cash of your own to participate.

4inXchange won the NOW Magazine Audience Choice Award at Summerworks2018 in Toronto, Ontario. Click here for a promotional video on 4inXchange: https://vimeo.com/290509007

Raising Stanley/Living with Tulia

kimtuliakarenstanley1

 

The Journey from Puppy to Working Guide Dog for the Blind… Raising Stanley/Living with Tulia, is the story of two women and their relationships with guide dogs. Karen Bailey is a foster mom to puppies in training to be guide dogs and Kim Kilpatrick is a blind woman telling the story of her first guide dog.

 

“‘How are you ever going to give him up?’ is the question puppy walkers are asked most often by the public. Yes, it is difficult. Yes, we get attached. But like having children, we are happy and proud to see the puppy we raised go off to University (aka guide dog school) and get a job.

That’s what we signed up for as volunteers with Canadian Guide Dogs for the blind; our role is integral to the process.”- Karen Bailey

uc19_raisingstanley_photocred_justinvanleeuwen-e1542135997754

“What kind of dog would I get? I had said no preference. Some people would rather a boy or a girl, a Lab or a Golden, a dark or a light. I just wanted a living breathing guide dog that would make it easier for me to move through the world with grace, ease and dignity, just as I had always wanted.”- Kim Kilpatrick

See these as well as a long list of local performances at the FemFest 2019: All The World’s a Stage September 14-21. More information and festival line-up coming soon, we hope to see you there!