Building Bridges

We have kicked off our next long-term initiative and it has us busting at the seams – both with excitement and literally needing a bigger office space for our staff team! Our new collaborative project focused on reconciliation through storytelling is bringing together a team of Indigenous artists to work with Indigenous youth. Thanks to the generous support of the Winnipeg Foundation, we’re welcoming Nova Courchene to the team as our Project Coordinator for this exciting artistic community-based creation! Sarasvàti Productions joins twenty community organizations who have received funding from the Winnipeg Foundation for projects that work towards reconciliation.

 Nova Courchene Headshot
Nova Courchene is Anishinaabe-kwe from Sagkeeng First Nation and Rolling River both located in Manitoba. Nova has been involved in music and theatre for five years, working with musicians and in theatre organizations out of Toronto and Winnipeg. Currently situating herself in Winnipeg, she is actively working as the Assistant Program Director at the Native Youth Theatre program, run out of Manitoba Theatre for Young people. With experience in her past as an Arts Administrator Intern at Native Earth Performing Arts, and two intern positions at Manitoba Music including a Music Administrator Internship for 3 local Winnipeg Recording Music Artists.

Nova has a deep understanding of the challenges Indigenous people face in their daily lives and the conflict that colonization brings to everyday life. She is excited to dig into the reconciliation project. After meeting with Marsha Knight, our Indigenous Community Outreach Coordinator, she will be moving forward with coordinating the logistics of the project.  Discussions continue with various organizations as we welcome sponsors, partners, and participants. She hopes to bring her administration and coordination skills to the project to provide a safe and accommodating space for all involved in the project.

Nova has been surrounded by various Indigenous creatives including emerging playwrights, songwriters, and theatre professionals. She is excited to participate in Sarasvàti’s on-going pledge dedicated to using theatre to promote human understanding and the presentation of evolving experiences on stage. She holds strongly to the ideas of developing young Indigenous voices, experiences and representation within the theatre industry. 


The full project will include consultation circles in the
spring of 2019 leading to an initial public gathering in May 2019. Here artistic means will be used to share what has been captured to date, while also allowing for public dialogue around next steps in the project. From there we will continue to work with partner organizations to structure workshops with Indigenous youth at seven different locations. These sessions will allow arts skills to be transferred to participants, while also having them collaborate on a large-scale public performance in May 2020. The results and lessons learned from the project will be explored and methodologies built in to Sarasvàti’s practices moving forward. We are excited to continue to work with new partner organizations and artists with whom relationships are built as part of this process. Through long-term relationship building, collaboration, and welcoming amazing new team members like Nova we hope to continue the on-going commitment to true reconciliation.


Visit our website to keep tabs as the project develops or feel free to contact ncourchene@sarasvati.ca for information or to get involved.

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Embracing Identity with Humour

There’s more than one way to be confident in who you are! Our International Women’s Week Cabaret of Monologues features all types of stories about embracing one’s identity with pride – and with a sense of humour. For these pieces, playwrights share the funny side of learning how to be comfortable in your own skin.

Ivy Charles

Ivy Charles

Ivy Charles is a twenty-two-year-old actor from Winnipeg, Manitoba. She is currently furthering her acting studies at Studio 58 in Vancouver. She enjoys spaghetti, wine and having a good chuckle with her friends. Ivy is excited to dip her toe into the world of writing. In her piece Sunday Morning Brunch, Josephine is a spunky seventeen-year-old girl, confident her sexuality. This confidence is put to the test when she introduces her girlfriend to her religious family (and of course Father Henry) at Sunday brunch.

“Being someone who is always striving for equality, I thought why not use a platform that I’m not used to: writing. I knew I wanted to write about female empowerment and this was one of the first topics to come to mind,” says Ivy. “Josephine is the epitome of Here I Am. She is proud of who she is.”

 

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Brooklyn Alice Lee

Playing Josephine is Brooklyn Alice Lee. Brooklyn is currently a student in her final year with the University of Winnipeg, graduating with a degree in Acting. Despite having performed on-screen, she has a soft spot for theatre as she loves the raw truth and thrill of a live performance. She is looking forward to 2019 where she will debut her first self-written Fringe show with 803 Productions.

“I like the complete honesty of the piece,” says Brooklyn. “It’s unique, raunchy, and relatable even if you haven’t been in the character’s situation. I also feel connected to the dry, blunt humour of Josephine. She and I are very alike in that way.”

 

Makrenna Sterdan

Makrenna Sterdan

Next in the lineup is Who’s Driving? by Makrenna Sterdan. Janet is a fast-talking car saleswoman looking to get you into your next vehicle, all based off current global issues. The biggest problem with these cars isn’t the millennial-scapegoating, or the toxic chemicals, or the Neo-Nazis… it’s the auto-pilot feature.

Makrenna Rose Sterdan is a writer born and raised in Winnipeg, who has lived in South Korea since 2015. Sterdan has written several short films such as Speaking Test, which premiered at the Korean International Expat Film Festival. Sterdan has also written several ten-minute plays that have been produced across North America, such as The Geese and Last Chance. Her monologue Doing It for the Fame was featured in Sarasvàti Productions’ 2016 Cabaret of Monologues.

Who’s Driving came from Makrenna’s own feelings of helplessness she experienced while watching the news. “I wanted to personify my feelings of helplessness and make them relatable to an audience,” she says. “This is where I am right now: reading the news and not wanting to be on auto-pilot while the world takes its course.”

 

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Kim Kakegamic

Kim Kakegamic is thrilled to be a part of the Cabaret of Monologues once again! Trained at Providence University College (BFA), Kim has appeared in over thirteen Fringe Festivals in Regina, Saskatoon, Edmonton and Winnipeg. She most recently performed in RMTC’s 2018 Master Playwright Festival with Broken Record Productions. By day Kim works as a writer for 6P Marketing, and spends far too much time binge watching shows on Netflix.

This is Kim’s second time performing one of Makrenna’s pieces after Doing It for the Fame. “I LOVE her work,” says Kim. “This piece, like that one, is dynamic and energetic. It takes some very intense topics and adds humour and cheekiness to create, what I believe, is a very memorable moment. It’s a lot of fun to perform.”

You can check out our full line-up of monologues on Saturday, March 9th! Don’t miss out – get your tickets today!