“Home 2.0” Hits the Road!

Our latest school tour is up and running! After two years of community interviews and storytelling, Home 2.0 hit the road this week to start its Manitoban tour. We’ll be taking the show to high schools in Winnipeg and surrounding areas to share stories of immigration, resettlement, and what it means to start over in a new country.

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“Do you remember your first time on a plane?”

This past week, we opened the show with a public preview at the Graffiti Gallery. The cast got to test-run the show with an audience, getting folks on their feet to help work through the issues presented by the play. One audience member said that the stories felt so familiar. As someone who works with newcomers, she was moved by the common threads between her clients and the characters in the play.

Because Home 2.0 is presented “forum theatre style”, the play shows audiences the worst case scenario for the characters and invites them to explore actions that will lead to a better ending. After the play, audience members were encouraged to swap out with the characters to find a solution together. Audience members stepped into the scenes, offering one student the chance to succeed in sports while another was given help with sponsorship papers. One audience member even stepped into a bully’s shoes to make a newcomer student feel welcome! Home 2.0 is already showing audiences how we can help make a change for the better.

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“Home 2.0” Preview at the Graffiti Gallery

We kicked off the tour on Monday with back-to-back double-show days at Steinbach Regional Secondary School before performing for Seven Oaks Met School and Miles Mac Collegiate.  “The students at our first show were amazing,” shares Director Hope McIntyre, “they stopped the action and jumped in with amazing enthusiasm. In fact, they were competing to get up there.” Want to bring the show to your school? We only have a few dates left before the tour wraps up on December 7 – contact Angelina at touring@sarasvati.ca for more information!

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The cast and stage manager of “Home 2.0”!

Not a student or a teacher? No problem! You still have one more chance to check out Home 2.0 outside of a school – we’ll be at the Millennium Library on Saturday, October 20th at 2PM. While we recommend the show for youth thirteen and up, all ages are welcome! Admission is by donation. For more info, visit our event page!

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Meet the Cast of “Home 2.0”!

“This project means a lot to me, especially as a first generation Canadian that grew up watching my parents going through similar struggles after their immigration.”

– performer Joanne Roberts

Over the past two years, we’ve conducted interviews with local community groups to share the stories of newcomer youth. Home 2.0 was created as part of our “New Beginnings” project, focusing on youth experiences of immigration and resettlement.

After a great preview at FemFest 2018, Home 2.0 is ready to hit the road starting October 15th! Meet the incredible cast bringing newcomer stories to life:

Melissa Langdon

Melissa Langdon

Melissa Langdon is thrilled to be back with Sarasvàti Productions. A recent graduate of the University of Winnipeg’s Theatre and Film program, she loves singing, dancing, and playing the violin. You might have seen her in past productions as Kay in Time and the Conways, Nearly Wild in Concord Floral, or Rosencrantz in Rosencrantz Guildenstern Are Dead and the Original New Beginnings cast.

 

Reena Jolly

Reena Jolly

Reena Jolly is keeping herself very busy this year when it comes to theatre. Later in the year, Reena will be doing another touring show with MTYP called Torn Through Time. When Reena is not out saving the world one smile at a time, she enjoys things like hanging out with her family, singing in the shower and being a decent human being. Reena feels very blessed to be surrounded by such talented and inspiring performers all year round.

 

 

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Manuel Ortega

Manuel Ortega is proud to collaborate with Sarasvàti Productions. Arriving as refugees with his family in the winter of 1990, this play strikes a certain chord in his heart. Manuel is a graduate of U of M and has worked under the directions of Bill Kerr, Chris Johnson, Gary Jarvis and Kelly Jenken. Fluent in English and Spanish, Manuel enjoys Wrestling, Jiu-Jitsu, singing, and dancing, in no particular order.

 

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Matthew Paris-Irvine

Matthew Paris-Irvine is thrilled to be making his second appearance with Sarasvàti Productions! Last appearing in the Giving Voice tour, Matt is ecstatic to be touring again with such a powerful story.  A recent graduate of the Honours Acting program at the University of Winnipeg, selected past credits include: Time and The Conways, Concord Floral, Rosencrantz and Guildenstern are Dead (University of Winnipeg); Tuesdays and Sundays (Beau Theatre Co); and The Laramie Project (Meraki Productions). He would like to thank those who have shared their stories and hopes this show can serve as a catalyst for even more voices to be emboldened.

 

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Joanne Roberts

Joanne Roberts approaches acting like one does an extreme sport. A veteran of horror films, she most recently starred in a short film titled “Dead Bolt” produced by CBC. As a comédienne Joanne joined Théâtre Cercle Molière for their Manitoba tour of De Bouche à oreille. Not one to shy from away from drama, a notable performance was as Sawda in Wajdi Mouawad’s  Scorched. The Quill Newspaper stated that her performance “hit everyone in the theatre with intense emotion [.]” Joanne is proud of her work, but also of her studio where she coaches new artists. Many students have gone onto professional careers.

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Denisse Samaniego

 

Denisse Samaniego is a Theatre and Education student at University of Winnipeg. As a part of the original cast of New Beginnings, she is excited to work with Sarasvàti Productions once again to bring you the revised version, Home 2.0. As an immigrant herself coming to Winnipeg at the age of 3, she finds the stories very close to her heart and is so honoured to be sharing these stories to all audiences.

 

 

 

Headshot Bennette Villones

Bennette Villones

Bennette Villones is just a girl who wants to inspire people and wants to pursue her dreams in the arts. To make and create art that’ll have an impact on people. A way to make people smile, laugh, feel understood, that they’re not alone and that they have a voice of their own they can share to world.

 

 

 

Home 2.0 has two public previews for audiences that may not be able to experience this show in a school. The first preview is the Graffiti Gallery (109 Higgins Ave) on October 11th at 7PM (admission by donation). The second is on October 20th 2018 at the Millennium Library at 7PM as part of the library’s teen program and requires registration on the library’s website. . For more information on the tour and previews, please contact Angelina at touring@sarasvati.ca or call the office at (204) 586-2236.

 

Five Must-See Events at FemFest!

Hard to believe we’re more than halfway through FemFest 2018: Staging Resistance! It’s been an incredible week of theatre already… Saturday saw an eclectic Opening Cabaret with musicians, comedians, and spoken word artists from across Winnipeg! On Monday, we crowned Alissa Watson as our Bake-Off winner with her scene The Switch, which will get its own reading at FemFest 2019. We also premiered some incredible touring shows from around the world, including Burnt and La civilisation, ma mère! As the festival comes to a close, here are some events you won’t want to miss.

 

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1.  Sound of the Beast

This solo piece by two-time Governor General’s Award Nominee Donna-Michelle St. Bernard (aka Belladonna the Blest) speaks truth to power using spoken word, storytelling and hip-hop. The show highlights St. Bernard’s quick wit and quicker rhymes in a performance that reflects on identity, oppression and what happens when authority is questioned. We’ll be hosting a talkback discussion after today’s matinee at 1PM, facilitated by Tamika Krush of QPOC Winnipeg. Don’t miss your chance to experience this powerful production for yourself!

 

White Man's Indian.jpg2.  White Man’s Indian

Darla Contois takes on the ensemble of characters that make up this transformative work, focusing on the story of Eva, a Cree teenage girl, and her journey through the maze of a White Man’s high school. Following the opening performance on September 18th, we hosted a panel with Darla, Matt B. Shorting of Onashowewin Justice Circle, and Gabrielle Fiddler of Ndinawe Youth Resource Centre to talk about the issues presented by the play, as well as the larger topic of Indigenous representation on stage. There are two more chances to take in this incredible one-woman show: tonight at 9PM and Friday at 7PM!

 

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3.  Walking Art Tour

Be one of the select few who will get to experience this brand-new event! We’ve brought in an incredible team of artists who will be performing at some of Downtown Winnipeg’s hidden gems. The tour is hosted by local comedienne Heather Witherden and features Emilie Lemay (visual art), Tiana Northage (spoken word), Alexandra Elliott and Hilary Anne Crist of Art Holm (movement), Dawn Lavand (stand-up comedy), and waNda wilsoN (music). Just twenty people will get to take part in this unique event: book your spot today so you don’t miss out! The tour wraps up September 22nd at 2PM.

 

SignLanguageInterpretationDayTranslationsInterpretation4.  ASL-Interpreted Performances

After responding to requests to make theatre more accessible to our community, we’re proud to announce that we’ll be offering ASL interpretation for three shows in this year’s festival! Come see Burnt tonight at 7PM, White Man’s Indian Friday at 7PM, or Sound of the Beast Saturday also at 7PM. Tickets start at $15 – get yours today!

 

one-night-stand-poster-april-11-e1524149136777.png5.  One Night Stand

Join us on the closing night of the festival as we toast to 16 successful years! We’ll be featuring sneak peeks of new work from celebrated female playwrights, including Leigh-Anne Kehler, Frances Koncan, Jo MacDonald, Cairn Moore, and Donna-Michelle St. Bernard. The series is coordinated by Tatiana Carnevale and features performances by Melanee Deschambeault, Katie German, Kim Kakegamic, Glenn Odero, Matthew Paris-Irvine, and Erica Wilson.

The festival is running until Saturday, September 22nd with all performances taking place at the Asper Centre for Theatre and Film (400 Colony St) unless otherwise noted. With so much to take in, you won’t want to miss a thing! Make sure to check out our full FemFest schedule for all our upcoming events.

Meet the New Batch of Bake-Off Playwrights!

We’re bringing back an audience favourite at FemFest: our annual Bake-Off! Each year, we challenge five fearless playwrights to cook up a scene using the secret ingredients of our choosing – in just eight hours. From there, the scenes are rehearsed with our fabulous team of actors, directed by coordinator Cairn Moore, and put to the test with an audience vote for the winner! The winning playwright will then get the chance to have their scene turned into a one-act play which will have a reading at FemFest 2019. This year’s mandatory ingredients included a drone, children’s laughter, and the Nellie McClung quote “democracy for women”.

Get to know the new batch of incredible writers behind this year’s Bake-Off!

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Ntara Curry

Ntara Curry is a multi-disciplinary artist, working primarily in professional theatre as a stage hand, stage manager, and actor.  She is delighted to also be bringing her skills as dancer and writer to FemFest 2018.  You can also catch Ntara in our co-production of The Game with Manohar Performing Arts of Canada!

 

 

 

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Jo MacDonald

After winning last year’s Bake-Off with OUR HOME & native land, Jo MacDonald is back to defend her title! Jo is Anishinaabe, a mom, theatre fan, writer, and an educator. She gave up dreams of super-villainy as it wasn’t as lucrative as depicted at the job fairs (false advertising… but then again what can you expect from an evil genius job pitch). She received her BA and B.Ed. from the University of Winnipeg.  You can catch a reading of last year’s winning Bake-Off script September 15th and also get a glimpse of Jo’s latest work at our One Night Stand series on September 22nd!

 

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Allison Stier

New to the Bake-Off is Allison Stier. Allison is a fledgling playwright who prefers the eating of baked goods rather than the mixing and kneading and baking. Born and raised in Winnipeg, Manitoba, she has loved putting words into delicious arrangements for the greater part of her existence. She is quite thankful that the ingredients for this Bake-Off are of the word variety, which in most cases, don’t result in a sink full of dirty dishes.

 

 

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Alissa Watson

As a Winnipeg born actress, educator, and now writer, Alissa Watson has studied theatre at The Guildhall School of Music and Drama in London, England, the Manitoulin Conservatory for Creation and Performance, and is an alumna of the Professional Training Ensemble (PTE@PTE). Alissa is a member of the sweet and cheeky Fu Fu Chi Chi Choir, the all-female Bouffon ensemble The Talentless Lumps, and co-founder of The Red Nose Diaries.

 

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Pamela Wolk

Last up is Pamela Wolk. Pamela completed a BA Honours in Theatre Studies from the University of Regina with stars in her eyes of life on the stage. Funny how plans change.  She was swept off her feet by a military man and followed him from posting to posting.  Twenty years later she is back on the theatre scene, most recently acting in Jo MacDonald’s Fringe comedy Mother’s Little Secret.

 

Bake Off Dir Cairn Moore Now

Cairn Moore

Returning as director for her third year in a row is Cairn Moore. Cairn is a director and playwright and teaches first year performance at the University of Winnipeg. Her award winning play SHIKSA premiered with Winnipeg Jewish Theatre in 2016. Breaking Through, co-written with Hope McIntyre, premiered in May 2017 with Sarasvàti Productions. With the generous support of the Manitoba Arts Council, Cairn is currently re-writing her first play HABsolute Perfection. Catch a sneak peak at the One Night Stand series!

 

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Bringing the scenes to life are local performers Grant Burr, Jane Burpee, Karam Daoud, Simba Meng, and Taesia Scratch. Come see the results of an eight-hour playwriting pressure cooker Monday, September 17th at 7PM at the Asper Centre for Theatre and Film (400 Colony St at the U of W). Get your tickets today and vote to select the winner!

Learn from the Pros at FemFest 2018!

Ever sit in the theatre and wonder how the show was created? How the artist chose the topic? What training did they do to get to where they are? We have such an incredible line-up in store for this year’s FemFest 2018: Staging Resistance – now you can learn the process behind these powerful productions! In addition to taking in phenomenal performances, there will also be plenty of opportunities to hear from and interact with the amazing artists in this year’s festival.

screen-shot-2017-01-01-at-16-46-23.pngThese sessions are so popular that one is already full! On Sunday, September 16th, we’ll be hosting our Devising from the Real World workshop with Burnt performer Norah Paton. Burnt was created using a “devised theatre” process, taking interviews from Burning Man participants and forming the collection of stories into a play. Paton’s style in particular focuses on the real world, hinging on documentary theatre. Using this approach, participants will learn ways to create work by drawing inspiration from their own personal, social, and political worlds. Space is currently sold out – contact Daphne at associate@sarasvati.ca to be put on the waitlist!

2016_TPM 2016-17 - SOTB - web.PNGYou can also hear from Sound of the Beast powerhouse Donna-Michelle St. Bernard at her Real Thing Lecture presented in partnership with the University of Winnipeg Department of Theatre and Film. This lecture series focuses on that big question every young artist is dying to answer: how can I find my start in the real world? Donna-Michelle St. Bernard, a.k.a. “Belladonna the Blest”, will talk about her career as an emcee, playwright, and agitator using her experience in the “real world” of theatre and film. You can hear from her September 19th at 12:30PM at the U of W. Or if you are the type who loves to discuss a performance afterwards, come see the show on September 20th at 1pm and stick around after for a talkback with the artist.

White Man's Indian.jpgThere is also a chance to discuss the powerful play White Man’s Indian with both the writer/performer Darla Contois as well as a panel of community members who have experience with the content. White Man’s Indian follows the story of Eva, a Cree teenage girl, and her journey through the maze of a White Man’s high school. It is a hilarious quest for identity and spirituality. While the story by Contois sheds light on the harsh reality of growing up as an Indigenous girl in a white space, many themes of identity, discrimination and bullying are explored. The play encourages dialogue about the effects the systems have on Indigenous communities, specifically youth. Join the panel discussion after the 7PM performance on September 18th to discuss the complex issues tackled by the play.

One Night Stand Poster April 11That’s not all – we’re also bringing back our One Night Stand series to FemFest! This series gives playwrights the opportunity to test their work, while providing audiences a chance to take part in the developmental process. You can hear from some of our most celebrated playwrights and get a sneak peek at their latest projects. After curating our events at FemFest 2017 and the 2018 Carol Shields Festival at Prairie Theatre Exchange, host Tatiana Carnevale will show off what’s new from playwrights Leigh-Anne Kehler, Frances Koncan, Jo MacDonald, Cairn Moore, and Donna-Michelle St. Bernard. Our talented readers for this year’s series include Melanee Deschambeault, Katie German, Kimberly Kakegamic, Glenn Odero, Matthew Paris-Irvine, and Erica Wilson.

With so much to take in, you won’t want to miss a thing! Check out our full FemFest schedule for a list of all the incredible events you can check out at this year’s festival, running September 15-22.

 

Our Friends at the Fringe!

It’s that time of year again! The Winnipeg Fringe Festival is coming up next week and as usual, you can catch our team out and about spreading the word on FemFest 2018: Staging Resistance, including the chance to win a free festival pass! Big thank-yous go out to all the companies who are helping us promote FemFest 2018.

We had the opportunity to preview some amazing shows at our One Night Stand series in May, featuring new work by eight local companies as part of Prairie Theatre Exchange’s Carol Shields Festival.  If you’re looking for some great shows to see, check out some of the fantastic productions put on by our past collaborators:

ONEDATECITY.fin (1)One Date City presented by It’s All Relative Productions

Written by Reba Terlson and co-created by Craig Terlson
Directed by Kaeleigh Ayre

Cast: Reba Terlson, Rachel Hiebert, Drew Jensen

Best friends Morgan and Julie have awful luck with dating. Julie just got out of a relationship and forgets how to date, and Morgan can’t remember the last time she had a worthwhile date. They place a high-stakes bet to see who can go on one great date.

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Mother’s Little Secret presented by Broken Record Productions

Written by Jo MacDonald, winner of the FemFest 2017 Bake-Off!

After her latest accident, two daughters conspire to move their mother into a retirement facility. But Casa Espia is no ordinary senior’s home.

 

 

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Animosity presented by Downside Up Productions

Written by Wren Brian

Directed by Ntara Curry & Sami Desiree

Cast: Melissa Langdon & Sophie Smith-Dostmohamed

Two people. Trapped in an abyss. Refusing to get along. In this absurdist/existentialist play two people struggle with feelings of fear, disconnection, and anger at each other, the space, and themselves. This is a companion piece to last year’s Anomie (winner of the Harry Rintoul Award for Best New Manitoban Play at the 2017 Winnipeg Fringe).

 
Fractured Expectations Graphic (715x800)Fractured Expectations, a collective creation presented by Timeless Weaver

Directed by Rachel Smith, co-director of our International Women’s Week Cabaret of Monologues

Cast: Alicia Coulson, Jacob Janzen, Matthew Lupu and Erica Wilson

What kinds of expectations do you have in life? Finish your degree and immediately find your dream job? Go on a blind date and find the person of your dreams? Expectations can become a positive mantra to help you achieve your goals. Other times they can be a curse: an endless stream of disappointments.

 

2018-96735-web.jpgConfessional presented by The 28th Minute

Written by Tennessee Williams

Directed by George Toles

Cast: Heather Roberts, Jen Robinson, Kevin Ramberran, Justin Fry, Sylvia Richardson, Ivan Henwood, Sherab Rabzyor Yolmo, and our 2018 production assistant Reid Girard!

Tennessee Williams’ play-writing voice is always a lyrical plea for mercy. In Confessional, he takes us to Monk’s Bar, not far from Treasure Island Trailer Park. Eight characters, variously down and out, form a loose community of the not quite vanquished.

 

2018-125778-web.jpgThe Last 48 presented by ArtLaunch Theatre Company

Written by Camille Intson

Directed by Raffie Rosenberg and Simon Miron

Cast: Wes Rambo, Chris Sousa, Pamela Roz, Jack Maier, and Emily Meadows

Stage Managed by our Associate Producer, Daphne Finlayson

Five young associates are forced into competing for spots at a top advertising agency by a mysterious robotic surveillance system. When the workers begin to realize that their pairing together is anything but random, the company’s system of ethics is questioned as the employees struggle to complete their tasks.

There are dozens of more great shows, with amazing artists we have had the pleasure to work with and will feature in our season, but we only have so much space! Check out the Winnipeg Fringe Festival’s website for a full look at what’s up next for independent, experimental theatre!

Burnt: Norah Paton travels to Burning Man, Burning Man travels to FemFest

At FemFest this year, Norah Paton’s Burnt will take you on a theatrical trip to Burning Man, a temporary community in the desert in Nevada. You will meet all kinds of people played by Paton herself. The festival gets its name from the ritual of burning of a huge wooden effigy at the end of the festival. It is founded on ten principles: radical inclusion, gifting, decommodification, radical self-reliance, radical self-expression, communal effort, civic responsibility, leaving no trace, participation, and immediacy.

Paton created the piece by visiting Burning Man in 2014, 2015, and 2016 and recording interviews with the people she met there. But instead of any old documentary, Paton wrote a script that is a collage of interviews and brought it to life with her captivating acting skills. She plays a surprisingly varied cast of characters, each with their own distinctly recognizable personality. Ian Huffam wrote in his review that “Paton’s physicality and vocal texture when embodying the subjects of her interviews deftly captures the essence of these people.”

The aesthetic of the show is wonderful, too. The sound design is by AL Connors and the play features electronic music, just as Burning Man does. Dominique Coughlin’s costume and set designs remind us of Le Petit Prince, as Ian Huffam points out, which shares its desert setting with Burnt. Lighting designer Sarah Mansikka creates fascinating visual effects. Dramaturges Emily Pearlman and Brad Long complete the artistic team.

Paton premièred Burnt at the Undercurrents Festival in Ottawa in 2017 and received glowing reviews. Jared Davidson described the première as “fascinating, clever, and immersive” and added “with a script and performance this strong, it will be interesting to see how it develops.” Our Artistic Director saw this production in Ottawa and was excited to share it with FemFest audiences.  And now that Paton has developed it further, Winnipeg theatregoers will see its best version yet.

Paton’s brilliance doesn’t stop at the sheer originality of this concept. The play also criticizes the hypocrisies of Burning Man: how a money-less city that operates on giving has become a capitalist venture, how a place where people are not supposed to leave any traces has developed a litter problem, and how racism and rape culture have crept into a community founded on inclusivity.

The Ottawa Citizen quoted Paton saying “Some of [the ten principles of Burning Man] are totally contradictory, and I definitely do look at those paradoxes…For me, it’s really interesting to see how this temporary city becomes a microcosm of all the issues or tensions or problems that we all see in our lives.”

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Come and enjoy Burnt at FemFest at the University of Winnipeg Asper Centre for Theatre and Film, 400 Colony Street, on Tuesday, September 18th or Wednesday, September 19th at 9:00 pm or on Thursday, September 20th at 7:00 pm and prepare to be amazed!