8 hours, 5 playwrights, 3 ingredients

Five female playwrights accept the challenge to write a stellar scene in just 8 hours based on three key, mystery ingredients – this is the annual FemFest Bake-Off.

On August 18th, our five playwrights met with Bake-Off Coordinator, Cairn Moore, for the announcement of their three ingredients –  Q-tip, tearing of a paper, and the quote “When one door closes another door opens.” They spent the day writing feverishly. Just imagine what a playwright could do with a Q-tip! The resulting scenes will be staged on Monday, September 18th at 7pm.

Which scene will steal your heart?

Lucy in the Sky by Sara Arenson
Bake Off Playwright Sara Arenson

Postcards from Paris by Brigette DePape
Bake Off Playwright Brigette DePape

The Lettuce Flower by Larissa Hikel
Larissa Hikel - Headshot

OUR HOME & native land by Jo MacDonald
Bake Off Playwright Jo MacDonald

Superpowers by Pamela Wolk
Bake Off Playwright Pamela Wolk

Bringing these scenes to the stage are a team of talented and versatile actors – Ian Bastin, Lorraine James, Christina Heather, Josh Ranville and Danielle Savage.

This slideshow requires JavaScript.

Bake-Off audiences must love surprises and come ready for anything.  Be prepared to play an integral role in crowning this year’s Bake-Off winner by voting for your favourite. On the line for these playwrights is the Janet Taylor award (a $500 cash prize) and a chance to have a reading of their full script at FemFest 2018. Come and share in the excitement!

Advertisements

Up Close and Personal with Judith Thompson

Not only is legendary Canadian playwright Judith Thompson coming all the way to Winnipeg  to celebrate 15 years of FemFest, she is fully embracing all that the festival has to offer!

Two-time recipient of the Governor General’s Literary Awards for Drama and an Officer in the Order of Canada, Thompson was awarded the prestigious Walter Carsen Prize for Excellence in the Performing Arts in 2007. In 2008 she was honoured with the Susan Smith Blackburn Award and the Dora Mavor Moore Outstanding New Play Award for Palace of the End, which was also awarded the Amnesty International Freedom of Expression Award. Thompson has written a number of classic Canadian plays, including White Biting Dog, Lion in the Streets, I Am Yours, Such Creatures, The Thrill, and Watching Glory Die.

Despite her well-earned recognition as a playwright, Judith attributes her ability to continue writing to the stability offered by a teaching position at the University of Guelph. Were it not for this stability, she says she would have gone into social work, which won’t come as a surprise to avid Thompson fans. Thompson has made an impact on audiences around the world by amplifying voices of those who are not often heard. Her work in the arts is driven by her desire to see beyond the surface of an issue and her recent play Watching Glory Die is no exception.

Judith Thomspson_FemFest2017Most recently, Thompson has focused on working with people of exceptionality, including those who are differently abled.  Experiences with her daughter, who lives with auto-immune deficiency, lead Thompson to work with youth living with chronic disorders.  Her focus now is on how to use any clout she has to give life to stories from those who may not otherwise be heard. When asked what her title would be if she were a book, Thompson said, ‘Nothing about us without us – using my art to amplify voices’.

Thompson brings a unique perspective to playwriting, and perhaps that is why she’s been able to write plays that leave such an impact. In an interview with the Georgia Straight, Thompson said, “I haven’t suffered the way that many people have, but I think that it [the epilepsy] gave me some kind of lens. And it’s the combination: I have enough sense of entitlement as a person, with the privileges I’ve had, to write a play, and to think that anybody would listen; but then I also was—I think I would say lucky enough to go through the epilepsy, and a couple of rough years in school, to have an understanding.” Multiple award-winning playwright, mother of 5 now in the 60’s, she feels she has proven, despite naysayers, that she can have everything and do it all as a woman.

This September, FemFest brings you many opportunities to get to know Judith Thompson. Throughout Sept 16-23 you can learn from her at a free public lecture, study with her in a playwriting masterclass, hear her read from new work in development, sit down across from her for a one-on-one conversation and of course, see the FemFest production of Thompson’s recent play Watching Glory Die.

30280_2017_femfest_cover_img

REAL THING LECTURE (free)

Judith Thompson speaks as part of this series of exciting and informative lectures by guest speakers from the ‘real world’ of theatre and film. An important opportunity to hear about the reality of having a career in the arts.

PLAYWRITING MASTERCLASS

An opportunity to work with one of Canada’s most studied playwrights. The focus will be on writing by impulse, discovering moments of transformation that are worthy of the theatrical medium and digging deep in to conflict and character. This masterclass is intended for playwrights who are actively writing.

WATCHING GLORY DIE by Judith Thompson
Produced by Mulgrave Road Theatre
Watching Glory Die (3)
“Politically charged and some of Thompson’s best story-telling”
-HALIFAX BLOGGERS

Watching Glory Die is inspired by the true story of New Brunswick teen Ashley Smith. Deliberately fictionalized, a riveting and deeply compassionate portrait of three women – Glory, incarcerated for minor offences at age 14; Rosellen, the girl’s adoptive mother desperately trying to remain connected to her daughter; Gail, a prison guard, walking the line between her ‘orders’ and her conscience.

HUMAN LIBRARY (free)

human_logo_library
Readers will be able to borrow from an amazing line-up of Human Books for up to 30 minutes of one-on-one conversation.  Thompson looks forward to sharing how arts can be used by all to increase understanding. Check-out details for reserving books.

ONE NIGHT STAND AND A TOAST TO 15 YEARS!

Judith Thompson joins five of Winnipeg’s own most celebrated playwrights to toast 15 years with readings of new work in development. Do not miss this closing night event!

Locals Shine in FemFest 2017 Two Indians by Falen Johnson

Winnipeg is a city bursting at the seams with talented artists. This FemFest we are ecstatic to pair the powerful writing of Toronto-based playwright Falen Johnson with this incredible team of Winnipeg artists to bring Two Indians to life. Get to know them in this week’s blog.

Sonya
Sonya Ballantyne, Director
Self-described as “nerdy with a smart remark for anything”, Sonya is a filmmaker/writer originally from Misipawistik Cree Nation. Her work focuses on Aboriginal girls and women in non-traditional film genres such as fantasy, horror and superhero films.
*Some things you didn’t know about Sonya…
– once played Ocarina of Time for 15 hours when she was a kid
– she also has a podcast about re-watching television show Hannibal while discussing true crime cases
– she was planning to go to law school before “the seductive world of art got its claws in me”

Two Indians Melanee Deschambeault NowMelanee Deschambeault, Performer
Melanee Deschambeault is French and Anishinaabe from Dauphin, Manitoba. She is a student at the University of Manitoba. Melanee can currently be seen in the Winnipeg Fringe Festival in Riot Revolt Resist Repeat, a Vault Projects production.
*What you might not know about Melanee is…
– if she wasn’t doing theatre she would be found somewhere in Winnipeg trying to fill the void
– Her go-to karaoke songs are anything from Madonna, Jewel (the older stuff!) and Alanis Morissett!
– “When I close my eyes, and see myself as a child, I can see myself outside my grandparent’s house, wondering the back trails by their property. I can see myself occasionally climbing a tree and taunting my dogs who would walk with me through the trails. I can see myself watching my grandfather garden and wondering what my grandmother would be cooking for supper but never venturing inside to see because I would rather be outside in nature.”
– In terms of her part in Two Indians Melanee promises that Roe will unveil a new part of herself that has never been seen by the public!

Two Indians Erica Wilson Now.jpgErica Wilson, Performer
Erica is from Winnipeg’s North End “born and raised.” Erica has worked with Urban Indigenous Theatre Company, Sarasvàti Productions, Merlyn Productions and most recently with Royal Manitoba Theatre Centre as Assistant Director on Sarah Ballenden.
*Did you know…
– For the first time all year Erica has only one occupation
-as a child her best friend was a full-sized cardboard cut-out of herself that she would drag around by a string
– She’s not a fan of karaoke. “I don’t like singing at bars, I was never a fan of myself going up there, picking a song and pretending like I have the energy to do both. I have to be in a mood and most bars never carry songs I want to sing.”

TwoIndians featuring EricaWilson and Melanee Deschambeault (1)

Joseph Abetria, Designer
Recently returned from Stratford Festival where he worked as costume design assistant under Christina Poddubiuk for the 2017 production of Romeo & Juliet, Joseph identifies as “a sassy individual with a fondness for graphic floral.” This is Joseph’s second time with FemFest, after his work on last year’s FemFest premiere of The Seduction Theory.
*Some things you might not know about Joseph…
– His go-to karaoke song is crowd-favourite Dance with Somebody by Whitney Houston
– If he wasn’t working in theatre he might like to be “that person that designs and names nail polish colours”
– As a kid he really enjoyed watching cartoons and then drawing them after

Colin Wiens, Sound Designer
Colin is in his final year of Production and Stage Management studies at the University of Winnipeg. He hopes to have his own sound design company one day.
*Some things you should know about Colin…
– he also works for the Winnipeg Folk Festival as a Production Assistant
– he goes to competitive Super Smash Brothers tournaments
– if it wasn’t for theatre, he would have liked to try his hand at professional wrestling

There are four chances to see Two Indians at FemFest 2017. See here for tickets and a full schedule of performances. Stay tuned for details on our amazing production team!

Getting to know the Band behind Tomboy Survival Guide

Tomboy Survival Guide RobinToma

photo by Robin Toma

On stage Ivan Coyote, Sal Zori, Pebbles Willekes and Alison Gorman are known for rousing audiences from their seats with a high-energy story-driven performance that will leave you breathless. Off stage this fantastic four have a lot of interesting hobbies and strong feelings about fishing. Get to know the talented collaborators of Tomboy Survival Guide in this week’s blog. As a special feature we’ve been asking all FemFest artists about their childhood after all our theme this year is Coming of Age!

Ivan Coyote
Writer/Lead Vocals

  • third generation Yukoner now based in Vancouver
  • author of eleven books, creator of four short films, six full-length live shows, and three albums
  • will be given a Honorary Doctorate of Laws at Simon Fraser University for their writing and activism
  • if Ivan wasn’t doing this they would be an electrician
  • as a child they would play the saxophone and write stories and go fishing

Sal Zori
Drummer/Percussionist

  • born in Iraq and grew up moving back and forth between the United Arab Emirates and Canada
  • for a brief time was the percussionist for Aretha Franklin
  • DIY-er, tennis player, videographer, barista
  • playing tennis was a favourite past-time as a child
  • hates karaoke
  • If you could go back in time, where would you go and why? “1920’s. The music.”

Pebbles Willekes
Bass

  • born and raised in Amsterdam, the Netherlands
  • Graphic designer, WordPress nerd, avid gardener & cook of vegetarian food
  • has fantasized about running a small farm
  • “I spend most of my childhood outside, in the West side of Amsterdam, riding my bike, building huts in the dense butterfly bushes. Roasting potatoes over a campfire.  Making up stories about how me and my best friend were stranded on an island and had to survive.  Started playing music (punk rock) when I was 14, then most time was spent inside.”
  • go-to karaoke song? Rebel Rebel – David Bowie
  • If you could go back in time, where would you go and why? “I’d probably go back to the late 60’s, early 70’s, to see a young Bowie in concert”

Alison Gorman
Trumpet

  • “ I eat a troubling amount of olives.”
  • go-to Karaoke song – Runaround Sue
  • “My brother used to take me fishing at the crack of dawn every weekend. I hated fishing, but liked hanging out with him. (He still thinks I like fishing).”
  • “If I weren’t in music. Jeez. I had a brief, failed attempt at an air traffic control career. Packing groceries in bins, I suppose.”
  • If you could time travel, what year would you go to and why? “Vancouver 1990’s? I’d buy up all that real estate, yo.”
  • Alison directs the band Queer As Funk [link], Vancouver’s own LGBTQ Motown, soul and funk band – they play weddings!

See Tomboy Survival Guide at FemFest 2017 one-night-only SEPT 17 at the West End Cultural Centre. Tickets on sale now.

Mulgrave Road Theatre brings harrowing Thompson play to FemFest

“Judith Thompson’s Watching Glory Die is a call to action and a cri de coeur.”
-THE CHRONICLE HERALD

Watching Glory Die (3)

Watching Glory Die

In her recent play, Judith Thompson turns our attention to the flaws within the Canadian prison system. Inspired by the true story of New Brunswick teenager Ashley Smith who died while under suicide watch in an Ontario prison in 2007, Watching Glory Die is a deliberately fictionalized portrait of three women intertwined by systemic abandonment.

“Politically charged and some of Thompson’s best story-telling”
-HALIFAX BLOGGERS

Watching Glory Die emmy headshot (artistic director)

Emmy Alcorn

After a successful run in Halifax, Nova Scotia, Mulgrave Road Theatre has been touring this powerful production across the country. We are excited to welcome them to Winnipeg to deliver this incredible piece of theatre at FemFest 2017. Director Emmy Alcorn (Artistic Director of Mulgrave Road Theatre, Nova Scotia Established Artist Award) brings this powerful play to the stage with perfect balance. “I believe there is a way to lift everyone up in society. We live in an abundant world and must ensure that everyone is treated fairly, that they have food and shelter; that they are loved”, says Alcorn.

Watching Glory Die Stephanie MacDonald Headshot (cast) now

Stephanie MacDonald

Award-winning actor Stephanie MacDonald brings these three women to life in a performance that is described in a review by the Chronicle Herald as “masterful, intense, deeply focused and totally convincing.”  In Watching Glory Die MacDonald plays all three characters: Glory, a fictionalized version of Ashley Smith; Rosellen, Glory’s mother and Gail, a guard at the prison where Glory is incarcerated. “It’s not just the precision between roles that is captivating, but how honestly and instantly MacDonald apparates from one woman’s deep emotional state to the next” –HALIFAX BLOGGERS

“Thompsons powerful writing skills are on display” – TORONTO STAR

Watching Glory Die (2)

Watching Glory Die

The play does not shy away from the harrowing moments of this story. Chief among questions raised throughout the play is, “What would I do?” “The impossible is happening in our country,” Thompson said in an interview about Watching Glory Die with the Toronto Star. “The system destroyed Smith. And it happened where least expected.”

Judith Thompson is a multiple award-winning playwright and is highly regarded as one

Watching Glory Die (1)

Watching Glory Die

of Canada’s most prolific playwrights. She is the author of such notable plays as The Crackwalker, White Biting Dog and Lion in the Streets. Her work is a staple of theatre programs in Universities across Canada. There are three chances to see Watching Glory Die at the Asper Centre for Theatre & Film: September 21 at 2:30pm and again at 9pm, September 22 at 7pm.

“Watching Glory Die shocks, clarifies and engages.” —Evan Andrew Mackay, Post City Toronto

Stay tuned for more FemFest news!
30280_2017_femfest_cover_img