Spotlight Behind the Scenes!

The world premiere of Breaking Through would not be possible without a small army of unsung heroes known as the design and production team.  This week we’ve tracked some down in order to shine the spotlight on the awesome folks who will be working hard behind the scenes.

Dean Cowieson – Lighting Designer Dean Cowieson

Dean is happy to work on the lighting for this powerful production of Breaking Through.  Dean has been the resident lighting designer for Le Cercle Moliere since 2005, as well as the resident lighting designer for Winnipeg’s Contemporary Dancers since 2006. Dean last worked with Sarasvàti Productions as the Lighting Designer for the production of Miss N Me. He has designed the lighting for various companies in Winnipeg as well as recently completing a three-city tour. In addition to his lighting design work he has also designed sets and costumes for various companies in Winnipeg.
Dean’s motto: “Are you hip to my jive?”

Kim Griffin – Costume & Set DesignerKim Griffin

Kim Griffin, B.I.D., B.A.(hons), M.A., is an Interior Designer, Set, Costume and Lighting Designer, and Cultural Studies scholar. Her company Donald-Haverty Design Group, started in the 1980s, has served hundreds of clients on residential, commercial, hospitality, medical and recreation projects. Her work analyzing scripts and interpreting atmospheres and characters has kept her busy for over 15 years working with various community theatres in Winnipeg. Knowledge and ability to use the elements of design, fine art concepts, practical applications, and human ergonomics and interactions make all her designs, whether for interiors or for the stage, specific and unique.
Kim’s motto: “It never hurts to help”

jaymezjaymez – Sound & Video Designer

With a multi-faceted and distinct visual style, jaymez has worked in the visual art, dance, theatre and music communities.   His video work has appeared in a number of international festivals, theatrical and dance productions and he has performed live video alongside dozens of musicians and artists.  He has created lighting, video and sound designs for a wide range of companies and choreographers. His work has been seen in a number of cities including Stratford, Edmonton, Regina, Calgary, Montreal, Toronto, Osnabrück, Germany and Utrecht, Netherlands.  jaymez is one half of the experimental voice and video duo The Gritty.  He currently sits on the board of Video Pool Media Arts Centre and is the Technical Director of Cluster New Music and Integrated Arts Festival.
jaymez’s motto: “I’m not very good at making things nice, that’s when my work is least interesting. ” -Es Devlin

Holly LaJambe – Stage Managerpicture017 - GREYSCALE HEADSHOT

Holly LaJambe is a Theatre Honors graduate from the University of Winnipeg. Her stage management credits include Fire & Water Music Festival, Gilbert & Sullivan Society, Girls Only Productions, Geri\the/atrics, Prairie Theatre Exchange, Prairie Theatre Exchange School, Winnipeg Pride. This will be her eighth time stage managing for Sarasvàti Productions. She has been involved with 2016 – Breaking Through Staged Reading, 2015 – Cabaret of Monologues, 2015 – Miss N’ Me, 2014 – Fefu and Her Friends, 2013 – Harold and Vivian Entertain Guests, 2012 – Diss Tour, and 2012 – Immigration Stories. She is excited to be involved with another of their projects addressing important social issues.
Holly’s motto: “I’m already calm. I’m the Stage Manager.”

Laura LindeblomLaura Lindeblom – Production Coordinator

Twelve years ago at York University, Laura decided that she wanted to be a production manager, and as luck would have it she’s been working in that role, as well as various other production departments, ever since. Her two full time jobs are as mother to one child (soon to be two) and production manager at Manitoba Theatre for Young People, and she is very grateful for the opportunity to work with Sarasvàti Productions again. Thanks to Kris, Kaia, and Blyth the puggle for all of their love and support.
Laura’s motto: “It’s totally fine for plans to change, but it’s always best to have a plan in the first place.”

Spotlight on Director Kevin Klassen

Breaking Through launches into rehearsal at the end of this month. Leading the team of this world premiere is director, Kevin Klassen. We’re pleased to turn the spotlight on Kevin in this week’s blog.

Kevin Klassen is thrilled and grateful to be working with Sarasvàti on this challenging play, and with this exciting collection of artists. His directing credits include: JONNO, Dr. Kellogg’s System, Lulu: A Monster Tragedy, Le Grand-Guignol Sur La Prairie, MissAdventurous Perils of Pauline, Poet And The Rent (Echo Theatre); Dog Act (Nancan Boogie Productions) and Merry Wives of Windsor (SIR). He is currently developing an immersive theatrical adventure called Dracula Unearthed for Echo Theatre, to be experienced at the Dalnavert Museum this coming Halloween!

 How would you describe yourself as a director?

I consider it my job as director to help create on stage what the playwright is trying to put on the page. That leap of imagination is the primary task, and then helping to lead and facilitate that leap for everyone else involved: especially the audience. Ensuring that what the audience experiences is as much as possible what the collaborating artists intend.

Kevin Klassen

What was the impetus for directing Breaking Through?

I was honoured and flattered to be asked in the first place, and after reading the script I felt that I understood what Cairn and Hope were after, and that I had something to offer in terms of bringing it across to an audience in an entertaining, meaningful way. It tickled my imagination.

What about the script excites you? 

I think that the challenges faced by people who are affected by mental illness is a very important subject. I think the play does a very good job of balancing the serious realities of this issue with playful and creative methods of storytelling- it’s got a robust strain of humour and a rather bold theatricality.

If you could say one thing to the Artist who inspired you most, who would it be? And what would you say?

Choosing one is hard. I’ll choose the person who had the most direct impact on my sense of myself as an artist: Reg Skene. And I’m very grateful to have had the opportunity to say thank you.

What do you hope the audience will be talking about on the car ride home from Breaking Through?

I hope they talk about how glad they are that they came, how much there is to consider when dealing with mental health issues, and how crucial it is to our society that we tackle these issues with compassion and intelligence and imagination- even if it means that some people have to pay a little more in taxes.

Breaking Through runs May 23-38, 2017 at the Asper Centre for Theatre & Film.

 

Starting Over/Finishing Stronger – Ten Powerful Monologues

What do a mystical meeting on a cycling trip across Canada, the inner monologue of a woman’s return to dating after surviving rape, and discovering the cold of Canadian winters have in common? They are all pivotal moments in women’s lives when they must face challenges and forge ahead.

This International Women’s Week Sarasvàti brings you ten engaging stories on the theme of “Starting Over.”

“Character is defined by the choices you make at junctures like these”, said Angie St. Mars co-writer of two pieces, “this year’s Cabaret showcases tangible women characters who define themselves in the moments you see played out before you. It’s exciting and scary and empowering all at once.”

After receiving an amazing array of selections from across Canada, we are honoured to share the final line-up and list of writers. This year our writing contributors include playwrights, poets, and young film makers. With a desire to reflect diverse voices and newcomer experiences our team also worked with women to put their stories in to monologue form.

Take a peek at what we have in store and check out our website for full descriptions.

  • The Pit by Alissa Watson
  • Questions and Answers by Sonya Ballantyne
  • Aabamii (Rise Up) by Madison Thomas
  • Wild Orchid by Bev Brenna
  • Three Totems by Natalie Frijia
  • Places that have no names by Fauzia Rafique
  • Diaspora by Angie St. Mars and Alka Kumar
  • You Say Tomato, I Say…Fine by Angie St. Mars from a story gathered through interviews
  • Lost Girls by Hope McIntyre with the women of IIWR-MB
    Performed and Choreographed by Sydney Macfarlane
  • In My Country by Hope McIntyre with the women of IIWR-MB

Get your tickets now. Performances on March 11 at 4pm and 8pm at the Asper Centre for Theatre and Film. Contact Erin at touring@sarasvati.ca to book a performance at your community venue and stay tuned as we announce the actors!

 

 

Full FemFest 2013: Revelation & Revolution Lineup!

We are thrilled to present this year’s FemFest 2013: Revelation & Revolution lineup!

This year’s festival includes an exciting mix of artists who are using performance to see the world in a different light and explore notions of revolution. It will be an amazing showcase of talent from across the country as well as a celebration of local female artists.

We’ve already given you a sneak peek at some of our exciting pieces, but here’s a more comprehensive overview of what you can look forward to:

FULL PRODUCTIONS

Harold and Vivian Entertain Guests by Jessy Arden
Harold and Vivian married out of spite. The absurd world they have created for themselves is disrupted when new neighbours, newlywed Mike and Janet, come to say hello

Flood Control by Marilyn Anne Campbell
Lonely Ray stands on a bridge, building up the nerve to end his life, when he’s interrupted by Gina, a highly-organized woman who has come to kill herself simply because she has nothing left to do.

DEVELOPMENTAL WORK:

Bake-Off Coordinated and Directed by Cairn Moore
Selected playwrights are given a list of ingredients and have two weeks to mix up a script!

Giving Voice with VOICES
This new play will be developed in the Forum theatre method with workshop sessions with youth in foster care.

Perfect Love by Talia Pura
An exploration of the role gender plays in relationships. If the sexual orientation continuum is a sliding scale, is relationship-based dialogue any different for male and female characters

SHORTS:

The Exchange by Katherine Koller
Shauna doesn’t know Molly, but Molly knows Shauna by appearance, by reputation, and by name. Molly has come to trade lives.

Short-List
As fillers throughout the festival, we will offer audiences the chance to hear excerpts from scripts from the FemFest shortlist

TOURING PIECES:

Dreaming in Autism by Christine Rodriguez
La Tigressa Productions (Montreal)
Enter the world of a mother who has high hopes for her new baby boy but soon learns that he has autism. Sad, funny, but mostly full of love.

pomme is french for apple by liza paul and bahia watson
paul watson productions (Toronto)
Comprised of fast-paced series of vignettes, this vaudevillian two-woman show is a fresh, funny, irreverent and distinctly west indian look at womanhood in all its glory: its perils, its pleasures and all kinds of madness in between.

The Aftermath by Lisa Codrington (Toronto)
After an unexpected tragedy, Jane a reclusive yet outspoken middle-age woman prepares for an impending apocalypse by lecturing the audience on the important of emergency preparedness.

Cabarets
Plus our exciting opening and closing cabarets featuring women artists in all disciplines!

For our complete lineup and more information on FemFest, go to http://femfest.ca!


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Volunteer Some Time, See Great Theatre!

As we dive head first into FemFest 2013 preparations, we thought this week’s blog would be a good opportunity to thank our amazing volunteers who helped us throughout our 2012-2013 season. We couldn’t do it without you and we are incredibly grateful for your hard work!

With our season launch and FemFest 2013 quickly approaching, we will have several upcoming volunteer opportunities. Here are 3 reasons why you should consider volunteering with us:

1.Sarasvàti Productions is known by theatre artists and community groups alike as the only Winnipeg theatre company with a mission to serve social change, we have managed to use our art to positively impact the lives of thousands of individuals over the years.

2.Through ongoing partnerships we provide a voice to the disenfranchised. Our extensive community outreach has allowed us to bring theatre to communities lacking positive outlets for expression, including corrections centres, women’s shelters and inner-city high schools.

3.Our volunteers get a chance to see great theatre!

One of our amazing current volunteers is Wren Hookey. Wren is a recent U of W theatre graduate and a regular volunteer with us for the past four years. Why does she choose to volunteer with Sarasvàti Productions ?

Wren Hookey

Wren Hookey

“I volunteer with Sarasvàti because I think that the company is filling an important position in our theatre community by creating and supporting pieces which bring forward the stories of diverse voices. In addition, volunteering is a great way to see even more theatre while on a budget!”

We are gearing up for another ambitious season so will be in need of additional volunteers. Whether you are interested in ushering for shows, working behind the scenes or joining our Board of Directors, we’d love to hear from you. For more information on the organization check out website at the link below or send us a message and we’ll be happy to reply with upcoming opportunities for involvement.

http://sarasvati.ca/get-involved/volunteer/