Spotlight Behind the Scenes!

The world premiere of Breaking Through would not be possible without a small army of unsung heroes known as the design and production team.  This week we’ve tracked some down in order to shine the spotlight on the awesome folks who will be working hard behind the scenes.

Dean Cowieson – Lighting Designer Dean Cowieson

Dean is happy to work on the lighting for this powerful production of Breaking Through.  Dean has been the resident lighting designer for Le Cercle Moliere since 2005, as well as the resident lighting designer for Winnipeg’s Contemporary Dancers since 2006. Dean last worked with Sarasvàti Productions as the Lighting Designer for the production of Miss N Me. He has designed the lighting for various companies in Winnipeg as well as recently completing a three-city tour. In addition to his lighting design work he has also designed sets and costumes for various companies in Winnipeg.
Dean’s motto: “Are you hip to my jive?”

Kim Griffin – Costume & Set DesignerKim Griffin

Kim Griffin, B.I.D., B.A.(hons), M.A., is an Interior Designer, Set, Costume and Lighting Designer, and Cultural Studies scholar. Her company Donald-Haverty Design Group, started in the 1980s, has served hundreds of clients on residential, commercial, hospitality, medical and recreation projects. Her work analyzing scripts and interpreting atmospheres and characters has kept her busy for over 15 years working with various community theatres in Winnipeg. Knowledge and ability to use the elements of design, fine art concepts, practical applications, and human ergonomics and interactions make all her designs, whether for interiors or for the stage, specific and unique.
Kim’s motto: “It never hurts to help”

jaymezjaymez – Sound & Video Designer

With a multi-faceted and distinct visual style, jaymez has worked in the visual art, dance, theatre and music communities.   His video work has appeared in a number of international festivals, theatrical and dance productions and he has performed live video alongside dozens of musicians and artists.  He has created lighting, video and sound designs for a wide range of companies and choreographers. His work has been seen in a number of cities including Stratford, Edmonton, Regina, Calgary, Montreal, Toronto, Osnabrück, Germany and Utrecht, Netherlands.  jaymez is one half of the experimental voice and video duo The Gritty.  He currently sits on the board of Video Pool Media Arts Centre and is the Technical Director of Cluster New Music and Integrated Arts Festival.
jaymez’s motto: “I’m not very good at making things nice, that’s when my work is least interesting. ” -Es Devlin

Holly LaJambe – Stage Managerpicture017 - GREYSCALE HEADSHOT

Holly LaJambe is a Theatre Honors graduate from the University of Winnipeg. Her stage management credits include Fire & Water Music Festival, Gilbert & Sullivan Society, Girls Only Productions, Geri\the/atrics, Prairie Theatre Exchange, Prairie Theatre Exchange School, Winnipeg Pride. This will be her eighth time stage managing for Sarasvàti Productions. She has been involved with 2016 – Breaking Through Staged Reading, 2015 – Cabaret of Monologues, 2015 – Miss N’ Me, 2014 – Fefu and Her Friends, 2013 – Harold and Vivian Entertain Guests, 2012 – Diss Tour, and 2012 – Immigration Stories. She is excited to be involved with another of their projects addressing important social issues.
Holly’s motto: “I’m already calm. I’m the Stage Manager.”

Laura LindeblomLaura Lindeblom – Production Coordinator

Twelve years ago at York University, Laura decided that she wanted to be a production manager, and as luck would have it she’s been working in that role, as well as various other production departments, ever since. Her two full time jobs are as mother to one child (soon to be two) and production manager at Manitoba Theatre for Young People, and she is very grateful for the opportunity to work with Sarasvàti Productions again. Thanks to Kris, Kaia, and Blyth the puggle for all of their love and support.
Laura’s motto: “It’s totally fine for plans to change, but it’s always best to have a plan in the first place.”

Meet the Cast of Breaking Through!

This ace team of actors who will be working on Breaking Through includes many familiar faces and some who are brand new to Sarasvàti. We can’t wait to dive into rehearsals with this incredible team of artists!

Elena Anciro

Elena AnciroElena Anciro is a graduate of the University of Winnipeg’s Department of Theatre & Film. She was recently seen on stage in Alice in Wonderland (Theatre NorthWest), JONNO (Echo Theatre), and Chimerica (RMTC/CanStage). Her favourite Sarasvàti credits include: Fefu & Her Friends, Flood Control, and Empty. Elena is a member of Red Threads of Peace, a playback theatre troupe that merges artistry, social justice, and community building through improvised storytelling. She is honoured to be part of the premiere of this poignant and relevant new work.

Dorothy Carroll

Dorothy is excited to embark on this incredibly important project with Sarasvàti. Dorathy CarrollPreviously she appeared in Kayak (2010). A graduate of the University of Winnipeg Honours Acting program, favorite past shows include: Alice Through the Looking Glass (RMTC), Stripped Down Midsummer Nights Dream (SIR), Dutchman (play on Theatre), Hamlet (Bravura), The Producers (Rainbow Stage), Avenue Q (Winnipeg Studio Theatre), Little Women, Company (Dry Cold). Dorothy is the Associate Artistic Director of Bravura Theatre, and produces their Shakespeare in the Pub series here in Winnipeg. Watch for her production On Love (play on Theatre) in this year’s Winnipeg Fringe Festival!

Richie Diggs

Richie DiggsRichie Diggs (University of Winnipeg), is glad to be returning to Winnipeg for Breaking Through. Now living in Vancouver, B.C. he has previously been in Winnipeg features such as Trish Cooper’s Social Studies (Prairie Theatre Exchange) and Gilbert and Sullivan Society’s Pirates of Penzance. Richie starred in Firehall Arts Centre’s production of Social Studies for which he was nominated for the Jessie Richardson Theatre Awards in the Best Lead Actor category.  Richie will star in Lynn Nottage’s Ruined at Dark Glass Theatre, Vancouver January of 2018.

Marsha Knight

Marsha KnightMarsha last appeared with Sarasvàti for Hope McIntyre’s production of Eden and assisted with facilitating workshops for Jail Baby. She has been in this business for over 20 years starting with Ian Ross’ Governor General’s award winning drama fareWel (PTE). She performed in fareWel two additional times, one being at the Edinburgh Fringe Festival. She was also in three separate productions of Rez Sisters (PTE, Theatre Northwest, Magnus Theatre). Her recent work includes Norm Foster’s Kiss the Moon, Kiss the Sun (Theatre Northwest), Shakespeare in the Ruins Antony & Cleopatra, and Drew Hayden Taylor’s Crees in the Caribbean  (Magnus Theatre). She thanks Hope McIntyre and Sarasvàti Productions for all their work in bringing these stories to light and for staging storytelling for us all to hear.

Harry Nelken

Mr. Nelken told us how happy he was to be part of this wonderful project.
Harry NelkenAn Equity member since 1978, he has worked extensively in theatres in Winnipeg and several Canadian cities. Selected credits: Glengarry Glen Ross, MTC  (Levine), Butcher, PTE (Josef), Zadie’s Shoes, PTE and Factory Theatre (Eli), Hamlet (Polonius), The Merchant of Venice (Shylock), S.I.R., Einstein’s Gift (Einstein), WJT/MTC, The Sunshine Boys (Al Lewis), Chemainus Theatre, B.C., All or Nothing (Unamuno) Shiksa (Abe), WJT,  The Hunting Party (Graves) for Agatha Christie Fest. At the 2017 Fringe, Mr. Nelken will be seen in Eastport.

Spenser Payne

Spenser PayneSpenser Payne is a graduate of the University of Alberta’s Bachelor of Fine Arts acting program. She is founding member of The Talentless Lumps, Red Nose Diaries and Sweet and Salty Collective. When she’s not onstage, you can find her teaching at Prairie Theatre Exchange School or studying with clown duo Mump and Smoot. Recently she traveled with Prairie Theatre Exchange’s Munchbusters! and went to Ireland to work with clown master Phillipe Gaulier. She is excited to be back working with Sarasvàti after joining them in the 2016 FemFest Bakeoff and clowing around in FemFest’s Opening Cabaret!

 

Joshua Ranville

Joshua RanvilleJosh is an actor/musician from Winnipeg. Josh has been part of a few Sarasvàti productions in the past such as: Eden workshop, Breaking Through workshop. His most recent public theatre work was a one-man touring play with the Manitoba Theatre for Young People called Routes directed by Kimberly Rampersad. Josh trained for 3 years at Studio 58 in Vancouver B.C. Josh looks forward to playing Bass with Burnt Project 1 on the Scotia-Bank Stage for Aboriginal Day Live this summer.

Catch this amazing ensemble as they bring the world premiere of Breaking Through to life at the Asper Centre for Theatre & Film May 23-28.

 

Spotlight on Director Kevin Klassen

Breaking Through launches into rehearsal at the end of this month. Leading the team of this world premiere is director, Kevin Klassen. We’re pleased to turn the spotlight on Kevin in this week’s blog.

Kevin Klassen is thrilled and grateful to be working with Sarasvàti on this challenging play, and with this exciting collection of artists. His directing credits include: JONNO, Dr. Kellogg’s System, Lulu: A Monster Tragedy, Le Grand-Guignol Sur La Prairie, MissAdventurous Perils of Pauline, Poet And The Rent (Echo Theatre); Dog Act (Nancan Boogie Productions) and Merry Wives of Windsor (SIR). He is currently developing an immersive theatrical adventure called Dracula Unearthed for Echo Theatre, to be experienced at the Dalnavert Museum this coming Halloween!

 How would you describe yourself as a director?

I consider it my job as director to help create on stage what the playwright is trying to put on the page. That leap of imagination is the primary task, and then helping to lead and facilitate that leap for everyone else involved: especially the audience. Ensuring that what the audience experiences is as much as possible what the collaborating artists intend.

Kevin Klassen

What was the impetus for directing Breaking Through?

I was honoured and flattered to be asked in the first place, and after reading the script I felt that I understood what Cairn and Hope were after, and that I had something to offer in terms of bringing it across to an audience in an entertaining, meaningful way. It tickled my imagination.

What about the script excites you? 

I think that the challenges faced by people who are affected by mental illness is a very important subject. I think the play does a very good job of balancing the serious realities of this issue with playful and creative methods of storytelling- it’s got a robust strain of humour and a rather bold theatricality.

If you could say one thing to the Artist who inspired you most, who would it be? And what would you say?

Choosing one is hard. I’ll choose the person who had the most direct impact on my sense of myself as an artist: Reg Skene. And I’m very grateful to have had the opportunity to say thank you.

What do you hope the audience will be talking about on the car ride home from Breaking Through?

I hope they talk about how glad they are that they came, how much there is to consider when dealing with mental health issues, and how crucial it is to our society that we tackle these issues with compassion and intelligence and imagination- even if it means that some people have to pay a little more in taxes.

Breaking Through runs May 23-38, 2017 at the Asper Centre for Theatre & Film.

 

Built by the community, for the community.

IMG_0027“The production was phenomenal from stem to stern.”

“It’s a wonderful reminder for all of us, that you have no idea what’s happening in other people’s lives.”

“This play is wonderful & beautiful.”

“I am for sure going to attend the full production!”

“One of the best plays that I have seen. A must see for everyone to help erase the stigma of mental illness.”

We have already learned a ton from our audience! We shared some laughs and you have helped us shed light on some dark moments. With everyone’s continual input, Breaking Through is feeling even more like a story built by the community. We have always wanted this play to become the mirror that reflects the lives of those affected by mental illness, hearing feedback from you is the best way to do this.

Which character resonates most for you? What scene should be cut? What should we definitely keep? What is missing? We have three readings left before we tackle major rewrites and we’re excited to collect as many responses as possible.

If you haven’t already (or heck, even if you already have!) catch one of the last few readings on May 26 to 28. It has changed with every showing.

And if you wanted to dive right in and participate in an even more interactive way than the average show-goer; join us at the Friday, May 27th show featuring special guests Red Threads Playback Theatre. They’ll be working with the audience to use their storytelling techniques to “playback” your responses.

If you want to learn more, check out the stories about the project:

Winnipeg theatre group breaks through mental health issues in new play – CBC News

Breaking Through, une pièce qui propose de voir la maladie mentale autrementRadio-Canada Information

A Sneak Peak of Sarasvati’s New Production – CTV News

Breaking through stigma – The Lance

 

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For more information, or to book tickets call (204) 586-2236 or e-mail at associate@sarasvati.ca.

Art as a Way Out

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There are so many amazing stories about the healing power of art! Sarasvàti Productions’ new play script Breaking Through was created with this in mind. Our artists worked with people with lived experience, caregivers, mental health organizations, and the general public to collect experiences of mental health. It made sense as we prepared for staged readings of the play, to also gather the perspectives of artists in our community who live with mental health issues. We’ve been excited to interview artists about their experience with mental health, the stigmas they have encountered and the unique role art plays in their lives.

Quinn Whitlaw is a Winnipeg-based visual artist. He works mainly with ink and pencils and has been been creating more than ever over the past four months during his residency at ArtBeat Studio. It was only this past winter that Quinn re-discovered his love of drawing while he was in the hospital in recovery and treatment for Major Depressive Disorder and anxiety.

“I think there’s a lot of negative stigma around mental health and addiction problems. They really, really go hand in hand for a lot of people” said Quinn. He remembers feeling depression and anxiety beginning in grade 8. “I wouldn’t want to tell my friends because I wouldn’t want them to know about it. I wouldn’t want them feeling bad for me.”

Trying to cope has lead him to addiction problems throughout the years.

“People will look at someone that has mental health issue but is using drugs to deal with it and they’ll just think ‘he’s a druggie’ and ‘he’s no good’, when in actuality that’s the person’s only way out–the only way out of what they’re feeling ” said Quinn.

Quinn remembers liking to draw in grade 10. He hadn’t done it much since then, but Quinn took it up again while he was in the hospital because he had time on his hands. One of the hospital workers told Quinn about ArtBreat Studio, and he thought it sounded like a great idea.

ArtBeat Studio is a recovery-oriented program that is mental health consumer-initiated, and peer directed. It’s a community-based studio that accommodates artists whose mental health, social connection, and income make it impracticable for them, individually, to acquire a work space where they might advance their artistic technique safely and securely. Over a six-month period, nine artists are supported and mentored in managing their own workplace, production, and marketing within the operating parameters of the studio. Quinn is currently one of nine artists doing their residency at ArtBeat Studio.

“I think being an artist has given me a way out”, said Quinn, “when I feel down or am having a tough time I know that if I just sit down and start drawing everything will take a step back and I can focus on what I’m doing for once.”

We’ve spoken to a number of artists who describe creating and performing as therapeutic. For Quinn, drawing helps with his anxiety and depression,” Doing art puts me in a place where I can sit back and relax for a bit, which I can’t normally do” said Quinn. “You get a good feeling when you finish a piece of art. It feels good to accomplish something.”

Quinn is preparing to showcase his work this summer in ArtBeat Studio’s public exhibition. Although Quinn is looking forward to exhibiting his work, he admits that the stigma surrounding depression and anxiety prevents him from being more open about it.

“I still don’t really talk to anyone about it except for my doctor”, said Quinn.  “It’s hard to come out and talk about it because you never know who’s going to understand and who’s going to tell you ‘just suck it up’”, said Quinn. “It’s hard because people don’t always understand, and at the same time you can’t expect them to know unless they’ve dealt with it themselves”, explained Quinn. “ I think the stigma is around being sad all the time, not having as much friends, not going out and living life like you should—which sometimes is true when you’re in such a down spot, but not all the time. There are little glimmers of light that come out once and a while, right?”

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To find out more about ArtBeat Studio and their residency program visit artbeatstudio.ca. To see Quinn Whitlaw’s work in the flesh, and take in the work of all resident artists check out the exhibition at ArtBeat Studio from July 21- July 30.

Get your tickets to the staged reading of Sarasvati’s Breaking Through today!
May 22 & 28 at 3pm
May 24-27 at 7 pm
Asper Centre for Theatre and Film

 

Meet the Cast of Characters

Breaking Through word collage

We began by listening.

We listened to the community, to caregivers, and to many people who are living with mental health issues. We gathered hundreds of stories and now, we have woven them into one great, big, beautiful inter-connected play.  This story is full of magic, songs (yes songs!!), hope, humour and truth. And we are thankful for the wonderful team of people who are going to help us tell it.

THE CAST

Ian Bastin will be reading for the prickly but charming, Joe. Suffering from schizophrenia  Joe has a long history with various treatments for mental illness. Joe is never short on stories to tell, but will anybody listen?

Kelsey Funk will be reading Molly. Molly has bipolar episodes which often manifest as religious fixations. As a single parent living in poverty, she is forced to rely heavily on her already over-stretched sister.

Spenser Payne will be reading Val, an aspiring actor who has bulimia. Val wears a mask to hide her reality. She struggles to defeat the voices inside her head that tell her she is not enough.

Rachel Smith will be reading Stef, who lives with OCD and anxiety. Stef’s mental health issues threaten to shut her in as she struggles to leave the house and maintain relationships—even with those who care for her the most.

Erica Wilson will be reading KoKo. KoKo is a young, Indigenous two-spirited person with attitude. Will her creativity and strength outshine the depression and suicidal tendencies brought on by a lifetime of trauma?

Akalu Meekis, Ashley Chartrand and Nan Fewchuck read for a wide range of characters—including caregivers, a psychiatrist, police officer, and spirit guide.

After the first read of the script of Breaking Through, the cast summed the story up with one word each. The above collage is the result. Let us know what you think after you hear the story!

Breaking Through
A staged reading by Hope McIntyre and Cairn Moore
In collaboration with the Mental Health Community

Asper Centre for Theatre and Film (at U of W, 400 Colony Street)
Tickets $15 Regular / $10 Students & Seniors
May 22 at 3pm
May 24-27 at 7pm
May 28 at 3pm

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