Our Next Community Collaboration Project!

A team of 9 artists collaborating, 9 performers, 9 dancers, musicians and dozens of community participants! It’s going to be one heck of a show. Over the past two years, we’ve been interviewing community members who are newcomers to Canada, working with numerous newcomer agencies and hearing the stories of dozens of individuals who have experienced resettlement. Now, we’ve compiled their stories into our final show of the 2017-2018 season, New Beginnings!

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“New Beginnings” Preview at FemFest 2017

The project incited passionate responses at the preview at FemFest 2017. This was the first step towards realizing this production on stage. Professional theatre artists teamed up with new arrivals in an exchange of stories, music, and dance. Inspired by the input we received, we’ve been workshopping the script since September and continuing to add stories from newcomers of all ages and backgrounds.

new beggining.jpgWe are excited to finally bring the collaboration to the stage later this spring! Witness the coming together of a diverse range of artists, community members, recent newcomers and established immigrants. Through the use of dance, music, visual art and storytelling, we will come together to explore the themes of displacement and resettlement.

Before the performance, you can also check out our lobby art installation featuring paintings, photography, and film by local refugee artists. We’ll also be offering an ASL-interpreted performance, translation services, and child-minding to make the show as accessible as possible. Following the performance, we’ll be hosting regular conversation circles to foster dialogue about the stories depicted and welcome people to offer their own stories in return.

Stay tuned in the coming weeks as we feature the amazing artists participating!

27907465_1675043125940329_5390131185813551337_o.jpgThis unique production will also run in the same space as One Trunk Theatre’s new show Boundary Avenue: a documentary-style play co-created by Liam Zarrillo, Andraea Sartison, and Caroline Wintoniw. The show looks at the town of Emerson and the influx of asylum seekers who have crossed into Manitoba over the past year. One Trunk Theatre is excited to share their research and to support those who lent their stories for the development of the play by donating back the proceeds from this production. There will be special opportunities to see both productions – check out Brown Paper Tickets for package deals!

You can catch the world premiere of New Beginnings May 22-27 at the Asper Centre for Theatre and Film (at the University of Winnipeg). For more details and to purchase your tickets, click here!

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Unstoppable Women in Theatre

International Women’s Week Cabaret of Monologues: I Am Unstoppable is bursting at the seams with talented writers and creators. Though we’ve long-admired them, we are excited to be working with these artists for the very first time! Get to know them as we do the same in this week’s blog.

I Am Unstoppable created and performed by Joanna Hawkins

Joanna Hawkins is a proud Deaf woman who is strongly involved within the Deaf community. She’s an ambassador to hearing ( non – deaf ) individuals about deaf culture in order to break barriers between their worlds.

Joanna Hawkins headshot 2017Originally from Lodz, Poland, Joanna now resides right her in Winnipeg and we feel lucky to have her. She has a history of working with the Manitoba Cultural Society of the Deaf, as well as performing with 100 Decibels : A Deaf Mime Troupe.

“Being involved with the 100 Decibels troupe, our goal is to create a barrier free world between the Deaf and the hearing (non-deaf), “I Am Unstoppable” is a piece I have been thinking about for a while”, says Joanna.

“I have been rejected to enroll in performing arts at University of Manitoba just because of my deafness. They couldn’t imagine myself acting with a sign language interpreter on the stage. Years later, I landed on the stage as a 100 Decibels actress, including other performances, therefore no one has stopped me from becoming an actress. Having a hearing loss doesn’t mean you need to give up something.”

Saviour Self by Andrea Scott

Andrea Scott is a professional playwright and producer.
“I trained as an actor and still audition but have been transitioning to positions that will allow me to eventually rule the world”, says Andrea.

“‘Saviour Self’ is from a play I wrote called ‘All Most Be Longing’ about the role riots, rebellion, and rage played in forming Toronto starting with the Anti-Greek riots of 1918. the play was developed while I was in the Stratford Playwright Retreat & the Tarragon Workspace program in 2016.

Andrea Scott headshot 2017A friend told me story about how her brothers tried to protect her during the Yonge Street riots of 1992 by ordering her stay home. She chose, instead, to get a front row seat by walking down to the Eaton Centre to watch the chaos. It made me think of how young women are often perceived as invisible when uprisings happen when in reality they are in the thick of the action and, sometimes direct instigators.”

Andrea describes her connection to the piece:
“I grew up in a world where positive images of black females were scarce but my parents always expected me to work towards excellence. Nobody expected anything of me, encouraged my talent, or intelligence in school. In fact, I had a guidance teacher try to get me to drop down to basic levels in English from the advanced levels I was in during my 4 years of high-school. I was told not to bother auditioning for the school play because ‘there were no black roles’, and my favourite high school teacher was surprised to see me go to Graduate school because she always assumed I’d be a housewife (for some bizarre reason).”

“Every person of colour who was a teenager knows how it feels to be watched in a store. Well, what if the perceived greater danger existed outside the doors of the shop rather than inside and embodied by a black girl? And what if she used that small window of time to help herself in a way that escapes the awareness of so many people? ”

See these pieces and so many more created and performed by women on March 10th. Tickets are on sale now!

Stay tuned for features on the rest of our fabulous artists in upcoming blogs!

Spring into FemFest 2017 with a daring Cabaret

We absolutely love launching into FemFest with a dazzling Cabaret showcase of some of the most talented entertainers this city has to offer. The Cabaret has it all: everything from music, dance, comedy, theatre, film and a party to follow! Come and celebrate the launch of our 15th annual FemFest with us and enjoy this unstoppable line up of entertainment.

Cabaret BUNNY Now

BUNNY

Arguably Winnipeg’s best all-female-90’s-R&B-comedy-ukulele-duo, Bunny members B-Rabbit and HunnyBunny’s charming and unapologetic attitude will take you by surprise. This is the perfect duo to host the opening Cabaret, singing about everything from Instagram to networking to unsatisfying sex, this disarming pair doesn’t shy away from taboo subjects and real-life problems.

Opening Cabaret

Prairie Caravan Tribal Bellydancers

The awe-inspiring Prairie Caravan Tribal Bellydancers are back to entertain at another Cabaret! “Our women are a gorgeous mix of sizes, ages, and certainly personalities, but that is the beauty of Tribal”, says the troupe. “We are proud to say our troupe represents FIVE decades of age ranges among our ladies, proving that age is only a state of mind.”

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Chimwemwe Undi

Chimwemwe Undi is a local poet and linguist, who has performed across Canada and the UK, and has been published widely. We’ve been hoping Chim would be in town for the Cabaret for a couple years now and we are so excited to have finally have her here to perform for all of you!

Phenomenal talents RobYn Slade and Jane Testar of Outside Joke take you on the wildly fun, unpredictable ride that is 50/50 Improv-Theatre Fusion. Actors have learned their half of the scene while talented improvisers go in blind. Audiences watch as each unlikely pair creates non-stop entertainment that will never be seen again.

Cabaret 5050 RobYn Slade Jane Testar

RobYn Slade and Jane Testar

Cabaret Logan Jax

Logan Jax

Logan Jax is a Cabaret past fave! Born on the day of Elvis, Logan took his first steps back in May 2015. Now, Logan is exploring his new voice and the world around him as his authentic self. Logan is writing, but not by way of music. Logan is writing policy that would protect transgender inmates from discrimination and violence in Manitoba prisons. While Logan isn’t busy smashing the patriarchy, he’s cuddling with his beautiful daughter who lights his life.

 

Cabaret Dianna Rasing Now

“I am a Sign Language Interpreter (by day) and have not done enough Stand Up to even call myself a stand-up comedian!”, says Dianna Rasing. But the audiences who saw Rasing’s breakout stand up set at Sick & Twisted’s Lame Is… a disability cabaret would say otherwise! Although brand new to stand up, Dianna’s sense of humour shines strong. You might also recognize her from the 2016 Winnipeg Fringe Festival where she wrote & performed Seducing Father Brian.

 

Cabaret CharleneMoore-Now

Charlene Moore

Charlene Moore is the director and producer of Moccasin Stories as well as a masters student of the Indigenous Governance program at the University of Winnipeg . “Moccasin Stories is my way of educating Manitoba on the reason for loss of this skillful craft”, says Moore, “[of] how this skill is coming back, and how resourceful, skillful, strong, and powerful Indigenous women are.” We are thrilled to give you a sneak peek of this awesome new film.

Ady Kay, Emily Solstice and Victoria Emilie Hill combine forces to perform Green.  Ady and Victoria are recent graduates of the Honours Acting Program at the U of W, and have continued to work together on projects such as The Patriarchy, their two-woman Acapella band.  Emily Solstice is a dancer in the School of Contemporary Dancers Senior Professional Program and has worked as a choreographer and performer in Winnipeg and across Canada.   They aspire to create meaningful movement based work and collaborate with other artists working in various mediums.

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Cabaret Connie Chappel-Now

Connie Chappel

Visual art joins our Cabaret thanks to MAWA. Connie Chappel’s piece Away from the Dark is a mixed media assemblage sculpture composed of familiar forms that reference the natural landscape and investigate life cycles through connections of fragments that transform from one material, structure or state to another.  Away from the Dark will be displayed in the theatre all evening.

Mindy and Marge are worldly travellers! The nomadic duo has done so much travelling that they feel it is their duty to pass on their wisdom to others. You may have already received expert travel advice from them if you saw Tourology: A Mindy and Marge Adventure as part of the Winnipeg and Edmonton Fringe Festivals in 2015, or Iceology: A Mindy and Marge Adventure as part of One Trunk Theatre’s Dollhouse of Commons last winter. Now enjoy Worldly Rituals: A Mindy and Marge Presentation at the Cabaret!

Stick around and mingle over pizza generously supplied by Garbonzo’s at the U of W AnX and wine from The Winehouse at our reception party after the show. We can’t wait to launch FemFest 2017 with you!

FemFest Celebrates 15 Years!

Our beloved festival in support of women playwrights turns 15 this year! We are celebrating with the theme Coming of Age and a line-up that will blow you away.

We are ecstatic to be bringing in one of the most highly regarded playwright’s in Canadian history, two-time Governor General award-winning playwright Judith Thompson!  Thompson will join us for Mulgrave Road Theatre’s production of her play Watching Glory Die,  a harrowing play based on the true story of Ashley Smith. She will also teach a playwriting master class (September 20, 21 and 22 from 3:30 p.m. to 6 p.m.) give a Real Thing lecture and be part of the Human Library ™.

Tomboy Survival Guide is a live stage experience that defies genre and gender boxes with fearless truth-telling and compassionate defiance. Ivan Coyote and an all-tomboy band take the audience on a musical journey navigating the narrow halls of public washrooms, skirting the childhood threat of being picked to be a flower girl, triumphing over tying a double Windsor knot, and discovering the beauty in being handsome, not pretty, all along. This is also our first time taking FemFest to the West End Cultural Centre!

We focus our in-house attention on producing Two Indians by Falen Johnson directed by Sonya Ballantyne. After years apart two cousins meet in a Toronto alley to recreate a ceremony from their childhood, but can they remember how? When the words missing and murdered, truth and reconciliation, occupation and resistance are everywhere, how do two Mohawk women stand their ground?

We’ll share a workshop preview of New Beginnings, a work in development created with the Winnipeg newcomer and refugee community.  Come and see a preview of this exciting culmination of story and dance from around the world.
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As a company dedicated to transforming society through theatre, we’ve witnessed the impact  that story-sharing can have on breaking down stereotypes and prejudices. This year we are thrilled to present a Human Library ™ as part of FemFest.  In partnership with the Millennium Library, Sarasvàti Productions has curated an incredible line up of Human Books that you can ‘take out’ for a one-of-a-kind learning experience.

Bake off 2016The beloved Bake-Off is back! This FemFest favourite challenges 5 local female playwrights to write a scene in 8-hours using three key top-secret ingredients. Scenes will be performed as part of the Festival on Sept. 18.
Winner of the FemFest 2016 Bake-Off, Jessy Ardern presents a reading of her play in progress, Kit and Joe.

WebFor ages 6 and up, Castlemoon Theatre presents Grounded Heroes. 10 year old Jess loves Lego, but her friends think it’s childish and weird. While researching a class assignment, Jess encounters three girls from history who were also a little bit weird for their time, and together they discover what it means to be true to yourself.

And you definitely won’t want to miss our closing night! This season, we brought our classic One Night Stand play reading series back with a vengeance. In honour of Winnipeg’s own celebrated female playwrights we’re curating a special One Night Stand dedicated to showcasing works in progress by some of these prolific writers who will be joined by Judith Thompson.

Workshops, readings and a dynamite Opening Cabaret will be a staple again this year. Get your passes now and celebrate 15 years of FemFest!

How It All Comes Together

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This week we welcome our Associate Director’s perspective on our unique approach to International Women’s Week. Rachel Smith is an actor, director, writer and acting coach. She has a MA in Theatre & Performance from the University of Manchester, UK and a BA Honours in Theatre & Film from the University of Winnipeg. Rachel has worked with Sarasvati many times and enjoys her continuing work with the company. 

The Cabaret of Monologues is an event that I look forward to every year. It is such an interesting and diverse array of artistic works that beautifully captures the year’s theme. This year the theme of “Starting Over” was particularly relatable for me, and for many audience members who I encountered. Starting Over can mean different things for different people. The variety of monologues featured in the cabaret was a wonderful representation of the different perspectives on that theme. I found that I could relate to most of the monologues in one way or another.

This was the fourth year that I have been the Associate Director on the cabaret. I was delighted and honoured that I was able to work on them again this year. It is an interesting project to work on because it is not rehearsed like a normal play is. Ten separate pieces are rehearsed once a week until the weekend before the full cabaret when it all comes together. Many of the actors do not even meet until the dress rehearsal. Each monologue is given the same rehearsal guidelines but the individual pieces are so different. It is great to work with the different actors and work with the unique challenges within the individual pieces. When working on them during the months of January and February, they feel almost like separate entities that do not relate to each other. When they all come together at the beginning of March it is amazing to see the full picture: the collage that is revealed.

Each monologue is powerful in its own way. I felt that the monologues developed with the newcomers to Canada were especially powerful. Some of them had heartbreaking stories yet were filled with joy and hope. When the monologues were presented as whole it became all the more powerful. Rachel Awur Moijok Chol was one of the women whose story was told during the performance. Her story was presented as a voice over recording of Rachel speaking while Sydney Macfarlane did a movement piece. At the matinee performance on March 11, Rachel sang an absolutely beautiful song after her story was presented. While she sang, Martha Akuch Maketh joined her on stage dancing with Sydney, while the rest of the cast joined the trio to prepare for the curtain call. The image of all those women dancing together on stage is one I do not think I will ever forget. It was so incredibly powerful to see them all up there, these amazing women portraying such important stories.

– Rachel Smith

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Eager to experience more transformative theatre? Join us for the world premiere of Breaking Through (May 23-28) an awe-inspiring new play about mental health.

Art Beyond the Stage

The artistic showcase is going beyond the stage at this year’s International Women’s Week Cabaret of Monologues with the help of our amazing Outreach Coordinator, Audrey Unger! A Masters student at the U of M, Audrey has been working with Sarasvàti Productions since September 2016 as part of her practicum in Peace and Conflict Studies.

“The theatre workshops done with several groups of women in November 2016 were a particular highlight”, said Audrey, who helped to organize these story-gathering workshops at a variety of organizations that serve immigrants and refugees. “Much joy and laughter was shared through interaction with theatre games and new friendships were formed by listening to each other’s stories.” Some of the pieces that will be performed on March 11th were developed directly from these workshops.

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Sarasvàti Outreach Coordinator Audrey Unger

Audrey has also been curating an incredible display of visual art in order to highlight this year’s Cabaret theme of “Starting Over”. The collection is made up of pieces in many mediums that have been created by Winnipeg-based artists including photography from the Eritrean Women’s Association and traditional outfits from Uganda and Iraq. Professional Artist Xavier Mutshipayi, originally from the Democratic Republic of Congo, will be present with his collection of paintings titled “Awakened Consciousness.”  Artist Briand-Nelson Mutima will also be present with a collection of his paintings. The lobby installation represents different moments from these artists’ experience as newcomers at various stages of life in Canada. “This is an opportunity for artists to showcase and discuss their work with the public audience”, said Audrey. “It has been a joy to connect with these new faces in the community.”

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Professional Artist Xavier Mutshipayi with his collection of paintings titled “Awakened Consciousness.”

There will be interactive opportunities as well! Many of the artists will be there to meet the public and chat about their work. Members of the Canadian Muslim Women’s Institute, who were part of our story-gathering workshops, will be set up in the lobby to share info about their call for donations of winter clothing, blankets, toiletries, and furniture to meet the needs of newly arrived refugees. There will be opportunity to purchase items from Sew Fair, a local fair trade company that employs newcomer women.

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Last but not least, check out our photo booth, where you and your friends can take a selfie with your own call to action. We’ll have #beboldforchange arm bands and signs as part of CUPE’s International Women’s Day 2017 campaign.

You can take part in our lobby installation at the Asper Centre for Theatre & Film before and after the performances on March 11th at 4pm and 8pm. Tickets are just $15 and available on-line or at the door. See you there!

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What Does Starting Over Mean to You?

Have you ever relocated, tackled a new job, new relationship or even just discovered your true self? This year we explore what is perhaps the most universal topic we have tackled in the International Women’s Week Cabaret of Monologues. Erin Meagan Schwartz asked all of our performers what this year’s theme means to them.

“New adventure! But that was my idea when I was eleven years old and I came to Canada”, says Cherrel Holder, “then doing it when I was 20–moving to Australia for school–starting over was scary.” Check out the promo video for all of our performers responses!

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Kim Kakegamic rehearsing “The Pit” in front of playwright Alissa Watson and Directors Hope McIntyre and Rachel Smith. Photo by Nik Rave.

Alka Kumar shared her story of starting over with Angie St. Mars. The two co-wrote one of the monologue sin this year’s cabaret based on Alka’s experience. “Sharing my story provided me space for reflection, even helping me process my experience in a deliberate and considered manner”, said Alka, including that it is a technique and useful tool within narrative therapy. “I found this useful as it was a good opportunity to go back to my `lived experience’ after the fact, almost separating it out of myself (externalising it, as it were) and through such a process of articulation becoming more aware of it.”
The piece created from their process is called Diaspora. It focuses on an Indian woman, once a newcomer herself, as she welcomes a young newcomer to Winnipeg.

The Cabaret features monologues that take you through ten different stories of pivotal moments in very different women’s lives. From the moment when an Ojibwe activist must choose to apologize or stand by what she believes in, to the moment a young Nigerian woman tells her first generation immigrant parents that she wants to go home: this year’s selections will have you on the edge of your seat from beginning to end.

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“I hope the audience [members] who share my experiencing of my everyday dilemmas, struggles, and negotiations with my many homes will get to know me a little”, said Alka. “Even more significantly, I hope the monologue and my voice will resonate, and that it may help in their personal processes and journeys of reflection, and exploration, as ideas and emotions around identity, belonging, and being comfortable being who we are wherever home is are important questions for everyone.”

There are two chances to catch all ten monologues on March 11th at the Asper Centre for Theatre and Film. Tickets are available at the door, but we recommend getting them in advance, as this event will sell out.