Our Friends at the Fringe!

It’s that time of year again! The Winnipeg Fringe Festival is coming up next week and as usual, you can catch our team out and about spreading the word on FemFest 2018: Staging Resistance, including the chance to win a free festival pass! Big thank-yous go out to all the companies who are helping us promote FemFest 2018.

We had the opportunity to preview some amazing shows at our One Night Stand series in May, featuring new work by eight local companies as part of Prairie Theatre Exchange’s Carol Shields Festival.  If you’re looking for some great shows to see, check out some of the fantastic productions put on by our past collaborators:

ONEDATECITY.fin (1)One Date City presented by It’s All Relative Productions

Written by Reba Terlson and co-created by Craig Terlson
Directed by Kaeleigh Ayre

Cast: Reba Terlson, Rachel Hiebert, Drew Jensen

Best friends Morgan and Julie have awful luck with dating. Julie just got out of a relationship and forgets how to date, and Morgan can’t remember the last time she had a worthwhile date. They place a high-stakes bet to see who can go on one great date.

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Mother’s Little Secret presented by Broken Record Productions

Written by Jo MacDonald, winner of the FemFest 2017 Bake-Off!

After her latest accident, two daughters conspire to move their mother into a retirement facility. But Casa Espia is no ordinary senior’s home.

 

 

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Animosity presented by Downside Up Productions

Written by Wren Brian

Directed by Ntara Curry & Sami Desiree

Cast: Melissa Langdon & Sophie Smith-Dostmohamed

Two people. Trapped in an abyss. Refusing to get along. In this absurdist/existentialist play two people struggle with feelings of fear, disconnection, and anger at each other, the space, and themselves. This is a companion piece to last year’s Anomie (winner of the Harry Rintoul Award for Best New Manitoban Play at the 2017 Winnipeg Fringe).

 
Fractured Expectations Graphic (715x800)Fractured Expectations, a collective creation presented by Timeless Weaver

Directed by Rachel Smith, co-director of our International Women’s Week Cabaret of Monologues

Cast: Alicia Coulson, Jacob Janzen, Matthew Lupu and Erica Wilson

What kinds of expectations do you have in life? Finish your degree and immediately find your dream job? Go on a blind date and find the person of your dreams? Expectations can become a positive mantra to help you achieve your goals. Other times they can be a curse: an endless stream of disappointments.

 

2018-96735-web.jpgConfessional presented by The 28th Minute

Written by Tennessee Williams

Directed by George Toles

Cast: Heather Roberts, Jen Robinson, Kevin Ramberran, Justin Fry, Sylvia Richardson, Ivan Henwood, Sherab Rabzyor Yolmo, and our 2018 production assistant Reid Girard!

Tennessee Williams’ play-writing voice is always a lyrical plea for mercy. In Confessional, he takes us to Monk’s Bar, not far from Treasure Island Trailer Park. Eight characters, variously down and out, form a loose community of the not quite vanquished.

 

2018-125778-web.jpgThe Last 48 presented by ArtLaunch Theatre Company

Written by Camille Intson

Directed by Raffie Rosenberg and Simon Miron

Cast: Wes Rambo, Chris Sousa, Pamela Roz, Jack Maier, and Emily Meadows

Stage Managed by our Associate Producer, Daphne Finlayson

Five young associates are forced into competing for spots at a top advertising agency by a mysterious robotic surveillance system. When the workers begin to realize that their pairing together is anything but random, the company’s system of ethics is questioned as the employees struggle to complete their tasks.

There are dozens of more great shows, with amazing artists we have had the pleasure to work with and will feature in our season, but we only have so much space! Check out the Winnipeg Fringe Festival’s website for a full look at what’s up next for independent, experimental theatre!

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Burnt: Norah Paton travels to Burning Man, Burning Man travels to FemFest

At FemFest this year, Norah Paton’s Burnt will take you on a theatrical trip to Burning Man, a temporary community in the desert in Nevada. You will meet all kinds of people played by Paton herself. The festival gets its name from the ritual of burning of a huge wooden effigy at the end of the festival. It is founded on ten principles: radical inclusion, gifting, decommodification, radical self-reliance, radical self-expression, communal effort, civic responsibility, leaving no trace, participation, and immediacy.

Paton created the piece by visiting Burning Man in 2014, 2015, and 2016 and recording interviews with the people she met there. But instead of any old documentary, Paton wrote a script that is a collage of interviews and brought it to life with her captivating acting skills. She plays a surprisingly varied cast of characters, each with their own distinctly recognizable personality. Ian Huffam wrote in his review that “Paton’s physicality and vocal texture when embodying the subjects of her interviews deftly captures the essence of these people.”

The aesthetic of the show is wonderful, too. The sound design is by AL Connors and the play features electronic music, just as Burning Man does. Dominique Coughlin’s costume and set designs remind us of Le Petit Prince, as Ian Huffam points out, which shares its desert setting with Burnt. Lighting designer Sarah Mansikka creates fascinating visual effects. Dramaturges Emily Pearlman and Brad Long complete the artistic team.

Paton premièred Burnt at the Undercurrents Festival in Ottawa in 2017 and received glowing reviews. Jared Davidson described the première as “fascinating, clever, and immersive” and added “with a script and performance this strong, it will be interesting to see how it develops.” Our Artistic Director saw this production in Ottawa and was excited to share it with FemFest audiences.  And now that Paton has developed it further, Winnipeg theatregoers will see its best version yet.

Paton’s brilliance doesn’t stop at the sheer originality of this concept. The play also criticizes the hypocrisies of Burning Man: how a money-less city that operates on giving has become a capitalist venture, how a place where people are not supposed to leave any traces has developed a litter problem, and how racism and rape culture have crept into a community founded on inclusivity.

The Ottawa Citizen quoted Paton saying “Some of [the ten principles of Burning Man] are totally contradictory, and I definitely do look at those paradoxes…For me, it’s really interesting to see how this temporary city becomes a microcosm of all the issues or tensions or problems that we all see in our lives.”

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Come and enjoy Burnt at FemFest at the University of Winnipeg Asper Centre for Theatre and Film, 400 Colony Street, on Tuesday, September 18th or Wednesday, September 19th at 9:00 pm or on Thursday, September 20th at 7:00 pm and prepare to be amazed!

“Home 2.0” Comes to Schools This Fall!

“Can you name a time that you’ve had to start all over? New school? New house? New activity? Throughout the course of the show, we’ll be like flies on the wall watching the stories of people who had to start over. What you are about to see is from true stories shared by people about coming to Canada.” – Joker, Home 2.0

Imagine sitting in your school gym and getting to experience music, dance, and visuals from half a dozen different cultural groups played out before your eyes, all threaded together to tell the journey of displaced people arriving to Canada. At the end of the performance, the actors invite you on stage to step in to the shoes of a character and explore solutions to the challenges they faced.

In May, we saw the culmination of the first part of our newcomer community collaboration project, New Beginnings. Now we’re continuing the project with Home 2.0!

Home 2.0 was created especially for youth, focusing on their experiences of resettlement. Young audiences will engage with characters their own age, allowing youth to see themselves and their stories represented onstage. By sharing stories of immigrant and refugee youth who have resettled in Canada, Home 2.0 will foster important dialogue around the challenges of newcomers. For many youth, this might be the first time they see their experiences represented in the arts. For others, it might be the first time they’ve been able to really grasp what it’s like to be forced to leave your home and start again halfway across the world.

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Like our previous school tours, Home 2.0 is performed “forum theatre style”, meaning the audience gets a say in the events onstage. Forum Theatre is a lively and effective way to look at and counter issues that our community faces today by encouraging audiences to take an active role in the show rather than acting as bystanders. The show offers students the chance to watch the “worst case scenario” play out before them – followed by the opportunity to change the ending, offer solutions, or provide support for the characters. By challenging what happens, youth are able to think about how they would act or how they wish they had acted in a similar scenario. Ultimately, the show promotes empathy and compassion, educating students on the experiences of starting over in a new country.

We’ll be touring the show throughout Winnipeg and Manitoba October 15 through to December 7, visiting schools in the community to promote inclusion and understanding. If you’re a teacher looking to bring the show to your students, contact Daphne at associate@sarasvati.ca for more information!

Seeing Our Vision Through: 2017-2018 Season Retrospective

Another great year of theatre has come and gone! We celebrated our 18th season here in Winnipeg, showcasing newcomer stories, tales of unstoppable women, some hilarious local comedians, and powerful theatre from all across Canada! Take a look back at what we’ve accomplished with our 2017-2018 season: Envision.

New Beginnings

 

New Beginnings by Sarasvati Productions is beyond amazing. This production cannot end. The message of reality of resettlement should be heard by thousands more. The actors, content and music (Gerry Atwell, Music Director) touched my soul.” – Jay Rose, Audience Member

Thanks to amazing support from Winnipeg’s newcomer and theatre community, the show enjoyed an amazing run with multiple sold-out performances! A generous grant from Canadian Heritage, allowed us to offer translation services for the performance in Arabic, Kurmanji, and French! Stay tuned in the fall for our school tour, Home 2.0, which focuses on youth stories of immigration and resettlement.

IWW Cabaret of Monologues: I am Unstoppable

I am so full of all the wonderful ideas, writing and acting I’ve heard this afternoon! I just feel unstoppable. Sarasvati is so wonderful for providing the encouragement and the space for people to say all these things that would be left silent for so much longer. Thank you for giving us your voices – you’re wonderful!” – Beverly Grace, Audience Member

This year’s Cabaret showcased artists from across disciplines, including stories of heartbreak, resettlement, grief, and staying unstoppable in the face of adversity. We also used ASL interpretation for the first time to make our performances accessible to the Deaf community! Thanks to support from the Manitoba Status of Women, we were able to tour pieces to communities that might not normally get to experience live theatre. Big thank-yous to all of the artists and playwrights who shared the stories of such inspiring, unstoppable women.

One Night Stand Series

We had three different One Night Stands this year, starting with FemFest and ending with the Carol Shields Festival of New Works! Thanks to producers Tatiana Carnevale and Daphne Finlayson, as well as a partnership with the U of W and Prairie Theatre Exchange, we showcased twenty new pieces from both experienced and emerging playwrights. You can catch the plays from ONS: Fringe and Fancy-Free next month at the Winnipeg Fringe Festival!

Workshops for Emerging Artists

“This workshop gave me new tools to be a better performer.”

“Extremely beneficial, will make producing and stage managing shows much easier, so much useful information.” – feedback from workshop participants

This year, we hosted ten workshops for nearly 100 emerging artists, covering Grant-Writing with a cereal buffet, Are You Technically Prepared with Allison Loat, The Actor’s Voice with Tom Soares, a Monologue Intensive with Sharon Bajer, and our informal mentorship sessions, Coffee with a Pro! We thank our partners Fools and Horses, Elements Restaurant, and the Graham C. Lount Foundation for helping us support up-and-coming artists in the community. We’re currently planning out next year’s series – if you have any suggestions for us, contact Daphne at associate@sarasvati.ca!

Support from NERI and crucial donors also allowed us to continue to work in partnership with Children of the Earth High School. We offered weekly theatre sessions for students. Thanks to the City of Winnipeg we are just wrapping up ten weeks with Gonzaga Middle School. We are well on our way to fostering some new, culturally diverse future theatre artists!

Women’s Comedy Night

After selling out in 2016, we had to bring back the event for another year! Eight of Winnipeg’s hilarious comediennes took part in our second annual Women’s Comedy Night back in November, packing the King’s Head for both a tamer 7PM show and a racier 9PM show. Don’t worry, we’ll be back again later in 2018 – stay tuned for more details!

FemFest 2017: Coming of Age

Our 15th FemFest saw some amazing work on the stage: from incredible touring artists like Tomboy Survival Guide, Judith Thompson’s Watching Glory Die, Falen Johnson’s Two Indians, as well as a reading of the 2016 Bake-Off winner, Kit and Joe by Jessy Ardern! Mark your calendars – FemFest 2018: Staging Resistance is happening September 15-22!

Thanks to all the audience members, artists, volunteers and community members who made our 18th season possible! For more on what we have coming up next year, stay tuned for details on our season launch in August.

One Night Stand Series: Fringe and Fancy-Free!

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The One Night Stand series is back for its final installment of the season: the Carol Shields Festival of New Works, hosted by Prairie Theatre Exchange! This time around, we’ll be showcasing eight works-in-progress in preparation for the 2018 Winnipeg Fringe Festival! For a sneak peek of what’s to come at this year’s Fringe, check out what’s new from local theatre companies:
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One Date City presented by It’s All Relative Productions

Written by Reba Terlson and co-created by Craig Terlson
Directed by Kaeleigh Ayre

Cast: Reba Terlson, Rachel Hiebert, Drew Jensen

Venue: Playhouse Studio

Best friends Morgan and Julie have awful luck with dating. Julie just got out of a relationship and forgets how to date, and Morgan can’t remember the last time she had a worthwhile date. They place a high-stakes bet to see who can go on one great date. They experience catfishing, ghosting, and cushioning as they manoeuvre the dating world.


MLSMother’s Little Secret
presented by Broken Record Productions

Written by Jo MacDonald
Cast: Judy Arnason, Shirley Godfrey, Beverley Grace, Cheryl Soluk

Venue: School of Contemporary Dancers
After her latest accident, two daughters conspire to move their mother into a retirement facility. But Casa Espia is no ordinary senior’s home.

 

Animosity fringe program_v3.5Animosity presented by Downside Up Productions

Written by Wren Brian

Directed by Ntara Curry & Sami Desiree

Cast: Melissa Langdon & Sophie Smith-Dostmohamed

Venue: Forth

Two people. Trapped in an abyss. Refusing to get along. In this absurdist/existentialist play two people struggle with feelings of fear, disconnection, and anger at each other, the space, and themselves. With no memory of who they are or who they are to each other, they have to confront how and why people come to hate each other, as well as how to move forward. This is a companion piece to last year’s Anomie (winner of the Harry Rintoul Award for Best New Manitoban Play at the 2017 Winnipeg Fringe).

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Alex Colville and I presented by Gearshifting Performance Works
Created and performed by Jolene Bailie

Sound: Susan Chafe

Venue: MTC Tom Hendry Warehouse

Alex Colville and I walks a story of admiration and hope. Inspired by the play The Post Mistress by Tomson Highway. In the play, the Post Mistress is a magical French spirit who delivers the mail between the living and the dead.

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Freestyle Fantastique presented by White Rabbit Productions

Created and performed by Simon Miron

Venue: Rachel Browne Theatre

A multidisciplinary work merging spoken word, Hip Hop, dance, live looping, video mixing and montage inspired by Hector Berlioz’s Symphonie Fantastique.

 

Fractured Expectations Graphic (715x800)Fractured Expectations, a collective creation presented by Timeless Weaver

Directed by Rachel Smith

Cast: Alicia Coulson, Jacob Janzen, Matthew Lupu and Erica Wilson

Venue: Son of Warehouse

What kinds of expectations do you have in life? Finish your degree and immediately find your dream job? Go on a blind date and find the person of your dreams? Expectations can become a positive mantra to help you achieve your goals. Other times they can be a curse: an endless stream of disappointments. Fractured Expectations is a comedic exploration of how to survive in a world of well wishes and inevitability.

 

image1Journey to Kalcedon Island: A Steampunk Adventure presented by Kiss the Giraffe Productions

Written by Joseph Aragon and Heather Madill

Directed by Leith Clark

Cast: Betty Asseiro, Josh Bellan, Sikhona Gwintsa, Jasmine Lontajo, Caelen Rondeau, Tara Streilein, Makis Viado, Nick Xidos, and Josh Caldo

From the creators of The Mystery of Krummhorn Castle (5 STARS—CBC) comes a Steampunk musical odyssey for the whole family! For young geniuses Ada and Lacey LaForge, there’s no problem that a ratchet and slide rule can’t solve. But their journey to find their long-lost aunt becomes a harrowing adventure that tests the limits of their ingenuity. Join the LaForge sisters as they outwit fearsome airship pirates, uncover astonishing family secrets, and maybe bend space and time a little.

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Parked presented by Lady Brain Creative Co.

Written by Katie Grossman with material from Brigitte Sabourin

Directed by Kira Watson

Cast: Katie Grossman and Brigitte Sabourin

Venue: Playhouse Studio

Hazel is a meter maid recently rejected from grad school who’s just trying to make it through her shift. Liz just got her car towed on the worst day of her life. While the two may seem to be polar opposites, they’re more like two sides of the same coin. A heartfelt comedy about figuring out your identity, career and the rest of your life, Parked is what happens when you stay in the same place for too long.

This installment is produced by Tatiana Carnevale, who also produced our 2017 One Night Stand editions! You can check out this exciting preview of upcoming Fringe shows this Saturday, May 26th at 2PM – which will let out in time to also catch New Beginnings at 4PM. And for the final products, you can catch them at the Winnipeg Fringe Festival running July 18-29!

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Exploring Immigration Across Generations

Newcomer stories from all over the world will be appearing in New Beginnings: from Syria to Ethiopia, Vietnam to Zimbabwe! We have such a diverse range of artists bringing these stories to life, including some familiar faces as well as newcomers to Canada! Get to know this week’s featured New Beginnings artists below.

 

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Melissa Langdon

Melissa Langdon is thrilled to be a part of the New Beginnings team. She is a graduating Honours Acting student from the University of Winnipeg. Through her time at the university, she appeared in Time and the Conways, Concord Floral, and Rosencrantz and Guildenstern are Dead. She’s also appeared in a number of films including Grief (Kaiju Productions) and Harmonize (Prairie Kid Productions). In addition to performing as a dancer, Melissa appears in Usna’s story, which focuses on a group of women fleeing their home country of Afghanistan.

 

As the daughter of an immigrant parent, Melissa has learned so much about the struggles and triumphs that many newcomers face while arriving in Canada. “The conversations that have emerged while discussing the struggles of new Canadian citizenship and the immigration process have been extremely powerful: from resettling after arrival to long-term personal growth and adaptation,” says Melissa.

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Dagmawit Habtemariam

 

Dagmawit Habtemariam (or Dagm for short) is new to the Sarasvàti stage, having been born and raised in Addis Ababa, Ethiopia. She moved to Winnipeg with her husband and two children in July 2011. Her educational backgrounds include an M.A in Social Anthropology and a B.Ed. degree in History, both from Ethiopia. Currently, she is taking an undergraduate degree in Human Rights program at the University of Winnipeg while working as a Graduate Studies Admission Officer.

Dagm is excited to share the stories of immigrants’ lives with Winnipeggers: particularly culture shocks, the ordeals of coming to Canada, as well as hopes for themselves and their children in a new home. “I am an immigrant myself and the different scenes of the project discuss the opportunities, challenges and commonalities that immigrants face when moving to Winnipeg and Canada.”

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Anjali Sandhu

Dagm also appears in Karwan and Irekanmi’s stories, both of which focus on how different generations experience settlement. Joining Dagm in Karwan’s story is familiar face Anjali Sandhu. Anjali is a Winnipeg-based comedian, actor, writer and law student. She has performed stand-up at the Winnipeg Comedy Fest, SheDot Comedy Festival, Sirius XM’s Next Top Comic, and more. Anjali was a writer/adapter of The Trump Card which she performed with District Theatre Collective at the 2017 Winnipeg Fringe Festival. She also wrote and performed an original piece for Sarasvàti’s 2018 Cabaret of Monologues, Flight 182. Anjali’s original show I’m Not Taylor Swift will premiere this summer at the Winnipeg Fringe Festival.

 

Like Melissa, Anjali also comes from a family of newcomers. “I’m excited about working with new artists,” says Anjali. “As the daughter/granddaughter of immigrants, I am excited to explore what my family members’ may have experienced through this piece.”

You can catch all of our amazing artists when New Beginnings premieres on May 22nd! The production takes place until May 27th at the Asper Centre for Theatre and Film (400 Colony St). Don’t miss out – get your tickets today!

New Faces and Newcomers

Through casting New Beginnings, we have had the amazing opportunity to meet and work with a whole new branch of emerging artists in Winnipeg! Representation is incredibly important – doing newcomer stories justice by doing our part to cast them as accurately as possible.

With this project, we’re introducing a number of new faces to the Sarasvàti Productions artistic team as well as welcoming back some familiar ones! Get to know this week’s featured New Beginnings artists below.

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Denisse Samaniego

Denisse Samaniego is currently a third-year Theatre and Education student at University of Winnipeg. She has been performing since she learned how to talk. This is her debut performance with Sarasvàti Productions as well as her first professional job as a performer. She is honored to be a part of such a wonderful and real piece and can’t wait for everyone to experience it.

Having come over from the Philippines at the age of three, Denisse can relate to her character Hazel’s story. “I’m an immigrant and my parents, like Hazel, started from nothing and worked hard to where they are now to provide a better life for me,” says Denisse. “I want to thank my parents for everything they have done because I literally wouldn’t be here in Canada doing what I love without them.”

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Reena Jolly

In addition to Hazel’s story, Denisse will also take part in depicting Ariana’s journey about a family of women escaping a dangerous situation to come to Canada. Also in Ariana’s story is Sarasvàti Productions veteran Reena Jolly. Reena is a fourth-year arts student at the University of Manitoba. She has been keeping herself very busy this year when it comes to theatre, having acted in two out of the three Black Hole Theatre Company mainstages: Nothing Sacred and Marat/Sade. Reena also appeared in our 2017 and 2018 IWW Cabaret of Monologues. Source material has been drawn from the monologue she performed in 2017, You Say Tomato, I Say Goodbye. It is the story of Irekanmi, a young high school student trying to balance assimilation into Canadian culture with her own heritage.

“I’m excited to bring the character of Irekanmi to life!” says Reena. “It’s so cool that they have transformed her into a complete, well-rounded character. Plus it’s an added perk that that some of the lines from the monologue are in the play, so I have fewer lines to memorize!”

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Bosun Amao

Joining Reena in her third piece for the show is Bosun Amao, performing a snapshot from his own life. Hailing from Nigeria, Bosun has over fifteen years of experience in financial advisory, operations and project management. Aside his professional experience, Bosun has served at different times as head of drama/theatre group as well as co-founder of a dance group between year 2002 and 2003 with four other friends. He has handled various theatre projects and also coordinated the production of a film.

For all our these incredible stories and more, you can catch New Beginnings running May 22nd – 27th at the Asper Centre for Theatre and Film (400 Colony St). Don’t miss out – get your tickets today!