Fefu Has Everybody Talking!

It’s been an amazing run so far for Fefu and Her Friends with several sold out performances. a few thunder storms adding an ominous sound track and reviews raving about the performances! Here are a few of our favourite quotes pulled from last week’s reviews:

CBC’s Joff Schmidt on the use of a site specific venue: “the overall effect is intriguing – truth, and reality, become subjective here.”

“It’s The [Feminist] Breakfast Club for grown-ups, and you should go see this play.” -The Winnipeg Review’s Chandra Mayor.

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On the content:
“And it may seem the play’s central themes are something we’re long past – surely we no longer consider women lesser or ‘loathsome’ creatures. And yet we still live in a country where a woman earns 87 cents for every dollar a man does, in a province that has never elected a woman as premier, and a nation that has had a female prime minister for less than 20 weeks of its near 147-year history.”- CBC’s Joff Schmidt.

“the play as a whole is concerned with the tensions and relationships between individuality and collectivity, and this structure highlights these dynamics, encouraging the audience to each have a slightly different experience of the play…It all makes sense the way that a dream makes stubborn, innate sense while you’re dreaming it.” – The Winnipeg Review’s Chandra Mayor.

On the performances:
“Kelci Stephenson is outstanding as Julia…Tracey Nepinak shines as the theatrical Emma, and Tracy Penner’s laugh lights up the room.” – The Winnipeg Review’s Chandra Mayor.

“Reliable Megan McArton superbly communicates Fefu’s feminine strength while offering glimpses of her brazen masculine desires. The other major character is the tortured, wheelchair-bound Julia, paralyzed from the waist down… or maybe not. In one of the second-act scenes in her bedroom, she suffers from harrowing hallucinations that involve judges and being forced to repeat that women are not human beings. Kelci Stephenson, who spent time in a wheelchair during a provincial tour of a Munsch play for Prairie Theatre Exchange earlier this year, is forcefully convincing in conveying the way Julia’s inner demons have left her more psychologically crippled then physically disabled…Emma is the dreamer and optimist, giving the impressive Tracey Nepinak plenty of space to create a provocative drama queen. In her second-act scene in the backyard lawn with Fefu, Emma provides a rare humorous interlude by admitting she thinks of genitals all the time. Using veggies as phallic props, she speculates that heaven is populated with divine lovers, while hell houses the sexual duds. The audience regroups in the living for the third act, when confident Emma again grabs the spotlight to makes Fornes’ point that, “Life is theatre. Theatre is life.” – Kevin Prokosh, The Winnipeg Free Press

There are only 4 performances left and very few tickets to be had! Book now or give us a call at 204-586-2236 to be added to the waiting list for any of the sold out performances. There are often reservations who do not show up so it’s still worth trying to get a ticket at the door.

1 Comment

  1. Great show yesterday! Lived the house, the performances and the way the characters related to each other.

    Sent from my iPhone


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